The Great Herbal of Leonhart Fuchs: Facsimile PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Great Herbal of Leonhart Fuchs: Facsimile PDF full book. Access full book title The Great Herbal of Leonhart Fuchs: Facsimile by Frederick Gustav Meyer. Download full books in PDF and EPUB format.
Author: Frederick Gustav Meyer
Publisher:
ISBN:
Category : Botany
Languages : en
Pages :
Get Book Here
Book Description
See publisher description:
Author: Frederick Gustav Meyer
Publisher:
ISBN:
Category : Botany
Languages : en
Pages :
Get Book Here
Book Description
See publisher description:
Author: Werner Dressendörfer
Publisher:
ISBN: 9783836538022
Category : Botanical illustration
Languages : en
Pages : 960
Get Book Here
Book Description
With his 1543 herb catalog, botanical pioneer Leonhart Fuchs created a masterpiece of Renaissance botany and publishing. This fresh reprint is based on Fuchs's personal, hand-colored original and features over 500 illustrations, including the first visual record of New World plant types such as maize, cactus, and tobacco.
Author: Agnes Robertson Arber
Publisher: Cambridge [Eng.] : University Press
ISBN:
Category : Botanical literature
Languages : en
Pages : 328
Get Book Here
Book Description
Author: Rebecca Laroche
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754666783
Category : Literary Criticism
Languages : en
Pages : 212
Get Book Here
Book Description
The first study to analyze print vernacular herbals from the standpoint of gender, this book also recognizes the rhetorical agenda of female writers who claim herbal practice. As she examines women's herbal language across various genres and in both manuscript and print, Laroche also incorporates meticulous archival research which ultimately generates original findings to do with women's ownership of medical texts.
Author: Garcia de Orta
Publisher:
ISBN:
Category : Materia medica
Languages : en
Pages : 544
Get Book Here
Book Description
Author: Helen Anne Curry
Publisher: Cambridge University Press
ISBN: 131651031X
Category : Nature
Languages : en
Pages : 683
Get Book Here
Book Description
Explores the development of natural history since the Renaissance and contextualizes current discussions of biodiversity.
Author: Anna Pavord
Publisher: A&C Black
ISBN: 1408820765
Category : History
Languages : en
Pages : 802
Get Book Here
Book Description
For centuries, some of the most brilliant minds in Europe searched for the rules of nature's game. In a world full of plagues and poisons, many medicines were made from plant extracts and there was a practical need to differentiate between one plant and another. Alongside this was an overwhelming desire to make sense of the natural world. Scholars, aided by the artists who painted the first pictures of plants, set out looking, writing and classifying, but 2,000 years were to pass before any rules became clear. Anna Pavord takes us on an exhilarating and fascinating journey through botanical history, travelling from Athens in the third century BC, through Constantinople and Venice, Padua and Pisa to the present day.
Author: W. John Kress
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 328
Get Book Here
Book Description
Book published on the occasion of exhibition at Shirley Sherwood Gallery of Botanical Art at Royal Botanic Gardens, Kew, in 2009.
Author: Jean A. Givens
Publisher: Routledge
ISBN: 1351875566
Category : History
Languages : en
Pages : 325
Get Book Here
Book Description
Images in medieval and early modern treatises on medicine, pharmacy, and natural history often confound our expectations about the functions of medical and scientific illustrations. They do not look very much like the things they purport to portray; and their actual usefulness in everyday medical practice or teaching is not obvious. By looking at works as diverse as herbals, jewellery, surgery manuals, lay health guides, cinquecento paintings, manuscripts of Pliny's Natural History, and Leonardo's notebooks, Visualizing Medieval Medicine and Natural History, 1200-1550 addresses fundamental questions about the interplay of art and science from the thirteenth to the mid-sixteenth century: What counts as a medical illustration in the Middle Ages? What are the purposes and audiences of the illustrations in medieval medical, pharmaceutical, and natural history texts? How are images used to clarify, expand, authenticate, and replace these texts? How do images of natural objects, observed phenomena, and theoretical concepts amplify texts and convey complex cultural attitudes? What features lead us to regard some of these images as typically 'medieval' while other exactly contemporary images strike us as 'Renaissance' or 'early modern' in character? Art historians, medical historians, historians of science, and specialists in manuscripts and early printed books will welcome this wide-ranging, interdisciplinary examination of the role of visualization in early scientific inquiry.
Author: Brian W. Ogilvie
Publisher: University of Chicago Press
ISBN: 0226620867
Category : Science
Languages : en
Pages : 402
Get Book Here
Book Description
Out of the diverse traditions of medical humanism, classical philology, and natural philosophy, Renaissance naturalists created a new science devoted to discovering and describing plants and animals. Drawing on published natural histories, manuscript correspondence, garden plans, travelogues, watercolors, and drawings, The Science of Describing reconstructs the evolution of this discipline of description through four generations of naturalists. In the late fifteenth and early sixteenth centuries, naturalists focused on understanding ancient and medieval descriptions of the natural world, but by the mid-sixteenth century naturalists turned toward distinguishing and cataloguing new plant and animal species. To do so, they developed new techniques of observing and recording, created botanical gardens and herbaria, and exchanged correspondence and specimens within an international community. By the early seventeenth century, naturalists began the daunting task of sorting through the wealth of information they had accumulated, putting a new emphasis on taxonomy and classification. Illustrated with woodcuts, engravings, and photographs, The Science of Describing is the first broad interpretation of Renaissance natural history in more than a generation and will appeal widely to an interdisciplinary audience.
