Author: Paul Laurence Dunbar
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 364
Book Description
The Heart of Happy Hollow
Author: Paul Laurence Dunbar
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 364
Book Description
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 364
Book Description
The Dial
Author:
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 458
Book Description
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 458
Book Description
The Complete Poems
Author: Paul Laurence Dunbar
Publisher:
ISBN:
Category :
Languages : en
Pages : 336
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 336
Book Description
The Churchman
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1280
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1280
Book Description
The American Stationer
Author:
Publisher:
ISBN:
Category : Stationery trade
Languages : en
Pages : 1194
Book Description
Publisher:
ISBN:
Category : Stationery trade
Languages : en
Pages : 1194
Book Description
The Publishers' Trade List Annual
Author:
Publisher:
ISBN:
Category : Publishers' catalogs
Languages : en
Pages : 1246
Book Description
Publisher:
ISBN:
Category : Publishers' catalogs
Languages : en
Pages : 1246
Book Description
The Literary World
Author:
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 350
Book Description
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 350
Book Description
Brown Gold
Author: Michelle Martin
Publisher: Routledge
ISBN: 113594914X
Category : Literary Criticism
Languages : en
Pages : 275
Book Description
Brown Gold is a compelling history and analysis of African-American children's picturebooks from the mid-nineteenth century to the present. At the turn of the nineteenth century, good children's books about black life were hard to find — if, indeed, young black readers and their parents could even gain entry into the bookstores and libraries. But today, in the "Golden Age" of African-American children's picturebooks, one can find a wealth of titles ranging from Happy to be Nappy to Black is Brown is Tan. In this book, Michelle Martin explores how the genre has evolved from problematic early works such as Epaminondas that were rooted in minstrelsy and stereotype, through the civil rights movement, and onward to contemporary celebrations of blackness. She demonstrates the cultural importance of contemporary favorites through keen historical analysis — scrutinizing the longevity and proliferation of the Coontown series and Ten Little Niggers books, for example — that makes clear how few picturebooks existed in which black children could see themselves and their people positively represented even up until the 1960s. Martin also explores how children's authors and illustrators have addressed major issues in black life and history including racism, the civil rights movement, black feminism, major historical figures, religion, and slavery. Brown Gold adds new depth to the reader's understanding of African-American literature and culture, and illuminates how the round, dynamic characters in these children's novels, novellas, and picturebooks can put a face on the past, a face with which many contemporary readers can identify.
Publisher: Routledge
ISBN: 113594914X
Category : Literary Criticism
Languages : en
Pages : 275
Book Description
Brown Gold is a compelling history and analysis of African-American children's picturebooks from the mid-nineteenth century to the present. At the turn of the nineteenth century, good children's books about black life were hard to find — if, indeed, young black readers and their parents could even gain entry into the bookstores and libraries. But today, in the "Golden Age" of African-American children's picturebooks, one can find a wealth of titles ranging from Happy to be Nappy to Black is Brown is Tan. In this book, Michelle Martin explores how the genre has evolved from problematic early works such as Epaminondas that were rooted in minstrelsy and stereotype, through the civil rights movement, and onward to contemporary celebrations of blackness. She demonstrates the cultural importance of contemporary favorites through keen historical analysis — scrutinizing the longevity and proliferation of the Coontown series and Ten Little Niggers books, for example — that makes clear how few picturebooks existed in which black children could see themselves and their people positively represented even up until the 1960s. Martin also explores how children's authors and illustrators have addressed major issues in black life and history including racism, the civil rights movement, black feminism, major historical figures, religion, and slavery. Brown Gold adds new depth to the reader's understanding of African-American literature and culture, and illuminates how the round, dynamic characters in these children's novels, novellas, and picturebooks can put a face on the past, a face with which many contemporary readers can identify.
The Complete Works of Paul Laurence Dunbar. Illustrated
Author: Paul Laurence Dunbar
Publisher: Strelbytskyy Multimedia Publishing
ISBN:
Category : Fiction
Languages : en
Pages : 2027
Book Description
Paul Laurence Dunbar was an American poet, novelist, and short story writer of the late 19th and early 20th centuries. Born in Dayton, Ohio, to parents who had been enslaved in Kentucky before the American Civil War, Dunbar began writing stories and verse when he was a child. He published his first poems at the age of 16 in a Dayton newspaper, and served as president of his high school's literary society. Dunbar's popularity increased rapidly after his work was praised by William Dean Howells, a leading editor associated with Harper's Weekly. Dunbar became one of the first African-American writers to establish an international reputation. In addition to his poems, short stories, and novels, he also wrote the lyrics for the musical comedy In Dahomey (1903), the first all-African-American musical produced on Broadway in New York. The musical later toured in the United States and the United Kingdom. Suffering from tuberculosis, which then had no cure, Dunbar died in Dayton, Ohio, at the age of 33. Much of Dunbar's more popular work in his lifetime was written in the "Negro dialect" associated with the antebellum South, though he also used the Midwestern regional dialect of James Whitcomb Riley. Dunbar also wrote in conventional English in other poetry and novels and is considered the first important African American sonnet writer. Since the late 20th century, scholars have become more interested in these other works. COMPLETE POETICAL WORKS INTRODUCTION TO LYRICS OF LOWLY LIFE LYRICS OF LOWLY LIFE NATURE AND ART LYRICS OF THE HEARTHSIDE THE CONQUERORS HUMOUR AND DIALECT LYRICS OF LOVE AND LAUGHTER LYRICS OF LOVE AND SORROW LYRICS OF SUNSHINE AND SHADOW MISCELLANEOUS THE NOVELS THE UNCALLED THE LOVE OF LANDRY THE FANATICS THE SPORT OF THE GODS THE SHORT STORY COLLECTIONS FOLKS FROM DIXIE THE HEART OF HAPPY HOLLOW THE STRENGTH OF GIDEON AND OTHER STORIES IN OLD PLANTATION DAYS UNCOLLECTED SHORT STORIES THE NON-FICTION REPRESENTATIVE AMERICAN NEGROES
Publisher: Strelbytskyy Multimedia Publishing
ISBN:
Category : Fiction
Languages : en
Pages : 2027
Book Description
Paul Laurence Dunbar was an American poet, novelist, and short story writer of the late 19th and early 20th centuries. Born in Dayton, Ohio, to parents who had been enslaved in Kentucky before the American Civil War, Dunbar began writing stories and verse when he was a child. He published his first poems at the age of 16 in a Dayton newspaper, and served as president of his high school's literary society. Dunbar's popularity increased rapidly after his work was praised by William Dean Howells, a leading editor associated with Harper's Weekly. Dunbar became one of the first African-American writers to establish an international reputation. In addition to his poems, short stories, and novels, he also wrote the lyrics for the musical comedy In Dahomey (1903), the first all-African-American musical produced on Broadway in New York. The musical later toured in the United States and the United Kingdom. Suffering from tuberculosis, which then had no cure, Dunbar died in Dayton, Ohio, at the age of 33. Much of Dunbar's more popular work in his lifetime was written in the "Negro dialect" associated with the antebellum South, though he also used the Midwestern regional dialect of James Whitcomb Riley. Dunbar also wrote in conventional English in other poetry and novels and is considered the first important African American sonnet writer. Since the late 20th century, scholars have become more interested in these other works. COMPLETE POETICAL WORKS INTRODUCTION TO LYRICS OF LOWLY LIFE LYRICS OF LOWLY LIFE NATURE AND ART LYRICS OF THE HEARTHSIDE THE CONQUERORS HUMOUR AND DIALECT LYRICS OF LOVE AND LAUGHTER LYRICS OF LOVE AND SORROW LYRICS OF SUNSHINE AND SHADOW MISCELLANEOUS THE NOVELS THE UNCALLED THE LOVE OF LANDRY THE FANATICS THE SPORT OF THE GODS THE SHORT STORY COLLECTIONS FOLKS FROM DIXIE THE HEART OF HAPPY HOLLOW THE STRENGTH OF GIDEON AND OTHER STORIES IN OLD PLANTATION DAYS UNCOLLECTED SHORT STORIES THE NON-FICTION REPRESENTATIVE AMERICAN NEGROES
The Publishers Weekly
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 2122
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 2122
Book Description