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Author: Arthur Marvin Schwartz
Publisher:
ISBN:
Category :
Languages : en
Pages : 296
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Book Description
Author: Arthur Marvin Schwartz
Publisher:
ISBN:
Category :
Languages : en
Pages : 296
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Book Description
Author: Nathaniel Hawthorne
Publisher:
ISBN:
Category :
Languages : en
Pages : 362
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Book Description
Author: T.E. Apter
Publisher: Springer
ISBN: 1349047104
Category : Fiction
Languages : en
Pages : 168
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Book Description
Author: Nathaniel Hawthorne
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 147
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Book Description
The Birthmark deals with the husband's deeply negative obsession of his wife's outer appearances and what does that entail for these two young couples. The birthmark represents various things throughout the story. Two of the main representations are imperfection and mortality. American novelist and short story writer Nathaniel Hawthorne's (1804–1864) writing centers on New England, many works featuring moral allegories with a Puritan inspiration. Hawthorne has also written a few poems which many people are not aware of. His works are considered to be part of the Romantic movement and, more specifically, Dark romanticism. His themes often centre on the inherent evil and sin of humanity, and his works often have moral messages and deep psychological complexity.
Author: John Horden
Publisher: CUP Archive
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 428
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Book Description
Author: Sam B. Girgus
Publisher: University of Texas Press
ISBN: 0292772947
Category : Literary Criticism
Languages : en
Pages : 193
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Book Description
The Law of the Heart is a vigorous challenge to the prevailing concept of the “antidemocratic” image of the self in the American literary and cultural tradition. Sam B. Girgus counters this interpretation and attempts to develop a new understanding of democratic individualism and liberal humanism in American literature under the rubric of literary modernism. The image of the individual self who retreats inward, conforming to a distorted “law of the heart,” emerges from the works of such writers as Cooper and Poe and composer Charles Ives. Yet, as Girgus shows, other American writers relate the idea of the self to reality and culture in a more complex way: the self confronts and is reconciled to the paradox of history and reality. In Girgus’ view, the tradition of pragmatic, humanistic individualism provides a foundation for a future where individual liberty is a major priority. He uses literary modernism as a bridge for relating contemporary social conditions to crises of the American self and culture as seen in the works of writers including Emerson, Howells, Whitman, Henry James, William James, Fitzgerald, Bellow, and McLuhan.
Author: Nina daVinci Nichols
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838635827
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
Indeed, relatively little work has been done on the Cretan myth cycle as a whole, a mixture of heroic Greek legend and savage, pre-Greek elements generally considered to be antithetical to evolved literary languages. As a result, although Ariadne has been extremely important in Western art from the time of ancient Greece through the nineteenth century, she is rarely included in studies of Greek myth.
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 1388
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Book Description
Author: Donald J. Crowley
Publisher: Routledge
ISBN: 1134723342
Category : Literary Criticism
Languages : en
Pages : 540
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Book Description
This set comprises 40 volumes covering 19th and 20th century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.
Author: Matthew Smalley
Publisher: Bloomsbury Publishing
ISBN: 135040005X
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
With seemingly obsessive regularity, American authors, from the mid-nineteenth century to the present, evoke the sermon at culturally loaded moments in their works, deploying the form to underscore the cultural work they imagine their novels or poetry to perform. Examining this longstanding tradition of literary preaching, this book draws on literary applications of design theory to provide a nuanced account of American literature's complex, anxious, and persistent engagement with the Protestant sermon. Analyzing literary preaching as a transhistorical form that simultaneously attracts and repels authors, Smalley demonstrates how major US writersRalph Waldo Emerson, Walt Whitman, Nathaniel Hawthorne, Rebecca Harding Davis, William Faulkner, Zora Neale Hurston, and Toni Morrisonhave subverted the sermon's predominantly religious content in order to reimagine profound moments of reform in a political, cultural, and aesthetic mode. This study elucidates new lines of literary kinship, offers fresh readings of familiar works, and establishes literary preaching as an undertheorized but significant tradition in American literature.
