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Author: John Maginnis
Publisher: Pelican Publishing Company, Inc.
ISBN: 9781455616275
Category : Political Science
Languages : en
Pages : 396
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Book Description
A wild and hilarious odyssey through Louisiana politics. In 1983 Edwin Edwards, one of the most investigated, reviled, and successful figures in American politics was at top form and wanted to be governor again. The politics of the Cajun governor, who ran the state for eight years with equal parts charm and savvy while leading a personal life as freewheeling and uninhibited as his politics, is exposed in all his glory.
Author: John Maginnis
Publisher: Pelican Publishing Company, Inc.
ISBN: 9781455616275
Category : Political Science
Languages : en
Pages : 396
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Book Description
A wild and hilarious odyssey through Louisiana politics. In 1983 Edwin Edwards, one of the most investigated, reviled, and successful figures in American politics was at top form and wanted to be governor again. The politics of the Cajun governor, who ran the state for eight years with equal parts charm and savvy while leading a personal life as freewheeling and uninhibited as his politics, is exposed in all his glory.
Author: Horace Logan
Publisher: St. Martin's Griffin
ISBN: 9780312206611
Category : Music
Languages : en
Pages : 288
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Book Description
Author: Tracey E. W. Laird
Publisher: Oxford University Press
ISBN: 019029051X
Category : Music
Languages : en
Pages : 224
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Book Description
On a Saturday night in 1948, Hank Williams stepped onto the stage of the Louisiana Hayride and sang "Lovesick Blues." Up to that point, Williams's yodeling style had been pigeon-holed as hillbilly music, cutting him off from the mainstream of popular music. Taking a chance on this untried artist, the Hayride--a radio "barn dance" or country music variety show like the Grand Ole Opry--not only launched Williams's career, but went on to launch the careers of well-known performers such as Jim Reeves, Webb Pierce, Kitty Wells, Johnny Cash, and Slim Whitman. Broadcast from Shreveport, Louisiana, the local station KWKH's 50,000-watt signal reached listeners in over 28 states and lured them to packed performances of the Hayride's road show. By tracing the dynamic history of the Hayride and its sponsoring station, ethnomusicologist Tracey Laird reveals the critical role that this part of northwestern Louisiana played in the development of both country music and rock and roll. Delving into the past of this Red River city, she probes the vibrant historical, cultural, and social backdrop for its dynamic musical scene. Sitting between the Old South and the West, this one-time frontier town provided an ideal setting for the cross-fertilization of musical styles. The scene was shaped by the region's easy mobility, the presence of a legal "red-light" district from 1903-17, and musical interchanges between blacks and whites, who lived in close proximity and in nearly equal numbers. The region nurtured such varied talents as Huddie Ledbetter, the "king of the twelve-string guitar," and Jimmie Davis, the two term "singing governor" of Louisiana who penned "You Are My Sunshine." Against the backdrop of the colorful history of Shreveport, the unique contribution of this radio barn dance is revealed. Radio shaped musical tastes, and the Hayride's frontier-spirit producers took risks with artists whose reputations may have been shaky or whose styles did not neatly fit musical categories (both Hank Williams and Elvis Presley were rejected by the Opry before they came to Shreveport). The Hayride also served as a training ground for a generation of studio sidemen and producers who steered popular music for decades after the Hayride's final broadcast. While only a few years separated the Hayride appearances of Hank Williams and Elvis Presley--who made his national radio debut on the show in 1954--those years encompassed seismic shifts in the tastes, perceptions, and self-consciousness of American youth. Though the Hayride is often overshadowed by the Grand Ole Opry in country music scholarship, Laird balances the record and reveals how this remarkable show both documented and contributed to a powerful transformation in American popular music.
Author: Joey Kent
Publisher: Pelican Publishing Company
ISBN: 9781455624454
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
This image-laden, entertaining chronology of the Louisiana Hayride radio and stage show is written by the historian and archivist for the venue. The Hayride is credited with introducing the world to Hank Williams, Elvis Presley, Johnny Cash, George Jones, and so many others. The author's father ran the show in the 1970s and 1980s.
Author: Robert Newton Peck
Publisher: Yearling
ISBN: 9780440403838
Category : Juvenile Fiction
Languages : en
Pages : 66
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Book Description
Soup and his best pal, Rob are planning to go on a hayride. Rob hopes it's going to be an ordinary hayride, but he should know better when Soup is in charge. There's no stopping the boys as they fly into action.
Author: Horace Logan
Publisher: Macmillan + ORM
ISBN: 1250108748
Category : Biography & Autobiography
Languages : en
Pages : 324
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Book Description
In 1948, Horace "Hoss" Logan, a young radio producer in Shreveport, Louisiana, started booking talent for a new weekly music show called the Louisiana Hayride. Performed for a live audience and broadcast nationally over the CBS Radio network, the show became known as the "Cradle of the Stars." In this affectionate memoir, Hoss Logan recalls the Hayride's heyday with behind-the-scenes anecdotes about the dozens of musicians he knew and nurtured, including Johnny Cash, Johnny Horton, George Jones, Willie Nelson, Elvis Presley, Jim Reeves, Kitty Wells, Slim Whitman, Hank Williams, Faron Young, and many more. As producer, emcee, and friend to the Hayride performers, Logan gives us a personal look into musical history - from Hank Williams's ups and downs to the teenage Elvis's first performance on national radio to the ways the Hayride's many emerging stars expanded our idea about what country music could be.
Author: Abby Klein
Publisher: Scholastic Inc.
ISBN: 0545932149
Category : Juvenile Fiction
Languages : en
Pages : 71
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Book Description
Everyone's favorite 2nd-grader is in for some spooky fun! Freddy's friends can't wait to try the haunted hayride at the Halloween festival -- especially Freddy's new friend, Josh. The hayride is supposed to be really scary! But when Max bets Josh that Freddy will be too much of a fraidy-cat to join them, Freddy is determined to be brave . . . no matter what!
Author: Heather Alexander
Publisher:
ISBN: 9780329543372
Category : Halloween
Languages : en
Pages :
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Book Description
It's Halloween and Allie Gator can't wait to pull her first hayride wagon to bring the children to the pumpkin patch. Along the way, Allie hears spooky noises in the corn maze and sees a ghost in the cornstalks, plus a black cat keeps crossing her path (and that worries Allie). Is Merriweather Farm haunted?
Author: Tracey E. W. Laird
Publisher: Oxford University Press
ISBN: 0195167511
Category : History
Languages : en
Pages : 221
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Book Description
On a Saturday night in 1948, Hank Williams stepped onto the stage of the Louisiana Hayride and sang "Lovesick Blues." Up to that point, Williams's yodeling style had been pigeon-holed as hillbilly music, cutting him off from the mainstream of popular music. Taking a chance on this untried artist, the Hayride--a radio "barn dance" or country music variety show like the Grand Ole Opry--not only launched Williams's career, but went on to launch the careers of well-known performers such as Jim Reeves, Webb Pierce, Kitty Wells, Johnny Cash, and Slim Whitman.Broadcast from Shreveport, Louisiana, the local station KWKH's 50,000-watt signal reached listeners in over 28 states and lured them to packed performances of the Hayride's road show. By tracing the dynamic history of the Hayride and its sponsoring station, ethnomusicologist Tracey Laird reveals the critical role that this part of northwestern Louisiana played in the development of both country music and rock and roll. Delving into the past of this Red River city, she probes the vibrant historical, cultural, and social backdrop for its dynamic musical scene. Sitting between the Old South and the West, this one-time frontier town provided an ideal setting for the cross-fertilization of musical styles. The scene was shaped by the region's easy mobility, the presence of a legal "red-light" district from 1903-17, and musical interchanges between blacks and whites, who lived in close proximity and in nearly equal numbers. The region nurtured such varied talents as Huddie Ledbetter, the "king of the twelve-string guitar," and Jimmie Davis, the two term "singing governor" of Louisiana who penned "You Are My Sunshine."Against the backdrop of the colorful history of Shreveport, the unique contribution of this radio barn dance is revealed. Radio shaped musical tastes, and the Hayride's frontier-spirit producers took risks with artists whose reputations may have been shaky or whose styles did not neatly fit musical categories (both Hank Williams and Elvis Presley were rejected by the Opry before they came to Shreveport). The Hayride also served as a training ground for a generation of studio sidemen and producers who steered popular music for decades after the Hayride's final broadcast. While only a few years separated the Hayride appearances of Hank Williams and Elvis Presley--who made his national radio debut on the show in 1954--those years encompassed seismic shifts in the tastes, perceptions, and self-consciousness of American youth. Though the Hayride is often overshadowed by the Grand Ole Opry in country music scholarship, Laird balances the record and reveals how this remarkable show both documented and contributed to a powerful transformation in American popular music.
Author: Kip Lornell
Publisher: Univ. Press of Mississippi
ISBN: 1496800621
Category : Music
Languages : en
Pages : 560
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Book Description
To borrow words from Stan “The Record Man” Lewis, Shreveport, Louisiana, is one of this nation's most important “regional-sound cities.” Its musical distinctiveness has been shaped by individuals and ensembles, record label and radio station owners, announcers and disc jockeys, club owners and sound engineers, music journalists and musicians. The area's output cannot be described by a single genre or style. Rather, its music is a kaleidoscope of country, blues, R&B, rockabilly, and rock. Shreveport Sounds in Black and White presents that evolution in a collection of scholarly and popular writing that covers institutions and people who nurtured the musical life of the city and surroundings. The contributions of icons like Leadbelly and Hank Williams, and such lesser-known names as Taylor-Griggs Melody Makers and Eddie Giles come to light. New writing explores the famed Louisiana Hayride, musicians Jimmie Davis and Dale Hawkins, local disc jockey “Dandy Don” Logan, and KWKH studio sound engineer Bob Sullivan. With glimpses into the lives of original creators, Shreveport Sounds in Black and White reveals the mix that emerges from the ongoing interaction between the city's black and white musicians.
