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Author: James Hall
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 178
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Book Description
The Harpe's Head: A Legend of Kentucky' is a non-fiction account about the crimes attributed to the Harpe brothers, Micajah "Big" Harpe, born Joshua Harper, and Wiley "Little" Harpe, born William Harper. They were murderers, highwaymen and river pirates who operated in Tennessee, Kentucky, Illinois and Mississippi in the late 18th century. They are often considered the earliest documented serial killers in the United States history.
Author: James Hall
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 178
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Book Description
The Harpe's Head: A Legend of Kentucky' is a non-fiction account about the crimes attributed to the Harpe brothers, Micajah "Big" Harpe, born Joshua Harper, and Wiley "Little" Harpe, born William Harper. They were murderers, highwaymen and river pirates who operated in Tennessee, Kentucky, Illinois and Mississippi in the late 18th century. They are often considered the earliest documented serial killers in the United States history.
Author: James Hall
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 298
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Book Description
The author presents this as a fictional story based on unnamed historical characters of frontier Kentucky.
Author: James W. Hall
Publisher: ReadHowYouWant.com
ISBN: 1458708209
Category : Fiction
Languages : en
Pages : 390
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Book Description
This work beautifully portrays the remorse and desperation of a woman who realizes that her mistakes will affect her loved ones. That the consequences of man's actions are not always controlled is beautifully portrayed here. A fine amalgamation of imagination and reality.
Author: Shirley Samuels
Publisher: Oxford University Press
ISBN: 9780195351699
Category : Literary Criticism
Languages : en
Pages : 206
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Book Description
Facing America: Iconography and the Civil War investigates and explains the changing face of America during the Civil War. To conjure a face for the nation, author Shirley Samuels also explores the body of the nation imagined both physically and metaphorically, arguing that the Civil War marks a dramatic shift from identifying the American nation as feminine to identifying it as masculine. Expressions of such a change appear in the allegorical configurations of nineteenth-century American novels, poetry, cartoons, and political rhetoric. Because of the visibility of war's assaults on the male body, masculine vulnerability became such a dominant facet of national life that it practically obliterated the visibility of other vulnerable bodies. The simultaneous advent of photography and the Civil War in the nineteenth century may be as influential as the conjoined rise of the novel and the middle class in the eighteenth century. Both advents herald a changed understanding of how a transformative media can promote new cultural and national identities. Bodies immobilized because of war's practices of wounding and death are also bodies made static for the camera's gaze. The look of shock on the faces of soldiers photographed in order to display their wounds emphasizes the new technology of war literally embodied in the impact of new imploding bullets on vulnerable flesh. Such images mark both the context for and a counterpoint to the "look" of Walt Whitman as he bends over soldiers in their hospital beds. They also provide a way to interpret the languishing male heroes of novels such as August Evans's Macaria (1864), a southern elegy for the sundering of the nation. This book crucially shows how visual iconography affects the shift in postbellum gendered and racialized identifications of the nation.
Author: Arthur H. Clark Company
Publisher:
ISBN:
Category : Americana
Languages : en
Pages : 648
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 436
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Book Description
Author: Elizabeth Johns
Publisher: Yale University Press
ISBN: 9780300057546
Category : Art
Languages : en
Pages : 292
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Book Description
American genre painting flourished in the thirty years before the Civil War, a period of rapid social change that followed the election of President Andrew Jackson. It has long been assumed that these paintings--of farmers, western boatmen and trappers, blacks both slave and free, middle-class women, urban urchins, and other everyday folk--served as records of an innocent age, reflecting a Jacksonian optimism and faith in the common man. In this enlightening book Elizabeth Johns presents a different interpretation--arguing that genre paintings had a social function that related in a more significant and less idealistic way to the political and cultural life of the time. Analyzing works by William Sidney Mount, George Caleb Bingham, David Gilmore Blythe, Lilly Martin Spencer, and others, Johns reveals the humor and cynicism in the paintings and places them in the context of stories about the American character that appeared in sources ranging from almanacs and newspapers to joke books and political caricature. She compares the productions of American painters with those of earlier Dutch, English, and French genre artists, showing the distinctive interests of American viewers. Arguing that art is socially constructed to meet the interests of its patrons and viewers, she demonstrates that the audience for American genre paintings consisted of New Yorkers with a highly developed ambition for political and social leadership, who enjoyed setting up citizens of the new democracy as targets of satire or condescension to satisfy their need for superiority. It was this network of social hierarchies and prejudices--and not a blissful celebration of American democracy--that informed the look and the richly ambiguous content of genre painting.
Author: Lyle Henry Wright
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 292
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Book Description
Author: William Peterfield Trent
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 616
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Book Description
Author: William Peterfield Trent
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 622
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Book Description
