Author:
Publisher:
ISBN:
Category : Vocal quartets
Languages : en
Pages : 352
Book Description
The Harmonizer
Author:
Publisher:
ISBN:
Category : Vocal quartets
Languages : en
Pages : 352
Book Description
Publisher:
ISBN:
Category : Vocal quartets
Languages : en
Pages : 352
Book Description
In the Mind of a Master
Author: Slim Spurling
Publisher: iUniverse
ISBN: 9781475930740
Category : Health & Fitness
Languages : en
Pages : 266
Book Description
Slim Spurling was an inventor, researcher, and internationally recognized dowser. He developed the Light-Life (tm) Ring in 1991, which became the prototype of a cutting edge tensor technology. The science represented in the Light-Life (tm) Technology is both ancient and modern. Quantum physics has shown us that ultimately everything is light and energy. This has been demonstrated with the Light-Life (tm) Tools in the energizing of food and water, cleaning of the environment, and the shift in consciousness. *** Geobiology is the study of the influence of earth energies on all forms of life: man, animal, and plant. Normally silent and invisible, these energy fields are felt by many and affect lives in profound ways. With increasing amounts of distorted earth energies appearing on the local and global scene, people need to be aware of the existence of this phenomenom and learn how to remediate its effects so the pain and suffering associated with it can be reduced. Slim Spurling's Light-Life (tm) Tools and Technology offer a means to work with rebalancing our environment in a non-intrusive way without creating an additional burden on the earth. *** This book will guide you in the applications of Slim Spurling's Tools in developing a deeper connection to life and truth. His Light-Life (tm) Harmonizers are known to raise conscious awareness allowing you to attain greater focus. Comprehensive support for the shift mankind expects in 2012 and beyond is offered. Slim Spurling's Tools have been helpful to many people in: Improving their health Decreasing Stress Reducing the necessity for chemicals in the home Calming severe weather Cleaning the environment
Publisher: iUniverse
ISBN: 9781475930740
Category : Health & Fitness
Languages : en
Pages : 266
Book Description
Slim Spurling was an inventor, researcher, and internationally recognized dowser. He developed the Light-Life (tm) Ring in 1991, which became the prototype of a cutting edge tensor technology. The science represented in the Light-Life (tm) Technology is both ancient and modern. Quantum physics has shown us that ultimately everything is light and energy. This has been demonstrated with the Light-Life (tm) Tools in the energizing of food and water, cleaning of the environment, and the shift in consciousness. *** Geobiology is the study of the influence of earth energies on all forms of life: man, animal, and plant. Normally silent and invisible, these energy fields are felt by many and affect lives in profound ways. With increasing amounts of distorted earth energies appearing on the local and global scene, people need to be aware of the existence of this phenomenom and learn how to remediate its effects so the pain and suffering associated with it can be reduced. Slim Spurling's Light-Life (tm) Tools and Technology offer a means to work with rebalancing our environment in a non-intrusive way without creating an additional burden on the earth. *** This book will guide you in the applications of Slim Spurling's Tools in developing a deeper connection to life and truth. His Light-Life (tm) Harmonizers are known to raise conscious awareness allowing you to attain greater focus. Comprehensive support for the shift mankind expects in 2012 and beyond is offered. Slim Spurling's Tools have been helpful to many people in: Improving their health Decreasing Stress Reducing the necessity for chemicals in the home Calming severe weather Cleaning the environment
Books of Metatron Collection
Author: Scriptural Research Institute
Publisher: Scriptural Research Institute
ISBN: 1989852270
Category : Religion
Languages : en
Pages : 134
Book Description
The Revelation of Metatron is a medieval Jewish work, that claims to have been written in the late-2nd century AD by Rabbi Ishmael 'the High Priest.' It is known by various names, including the Sepher Hekhalot (Book of the Palaces), the 3rd Book of Enoch, and the Book of Rabbi Ishmael the High Priest, although its most common name, is the Revelation of Metatron. The earliest name for the work was likely the Sepher Hekhalot (Book of the Palaces), however, all copies have been so reworked that it cannot be known for sure. It is clear that Rabbi Ishmael did not write it, and his name, which is in almost every verse, was inserted to replace another name that the medieval publisher did not want associated with the book. Rabbi Ishmael was the author of the book called Hekhalot Rabbati (Greater Palaces) sometime between 100 and 130 AD, and his name was late used as a pseudonym by many authors of Merkabah literature between 200 and 1000 AD. Several fragments of the Ascension of Moses have survived to the present, however, most of the work is likely lost forever. The Ascension of Moses is almost certainly the precursor to the Revelation of Metatron, in which Rabbi Ishmael was taken up to the sky by Metatron, the supreme archangel. In the Ascension of Moses, it was Moses who was taken up to the sky, and Metatron played a smaller role, although, clearly the same role in the Long Aramaic Revelation of Moses, which is the closest to Revelation of Metatron. In both the Long Aramaic Revelation of Moses and the Revelation of Metatron, Metatron identifies himself as Enoch, Moses' ancestor, which connects this clearly heretical Jewish work with the older Enochian literature. In the other surviving fragments, the connection is less clear, as is the cosmography of the seven skies, and it is, therefore, possible that there were several stages of textual development before the version that was redacted into the Revelation of Metatron. In the Revelation of Metatron, the role of Moses has been replaced by Rabbi Ishmael, a rabbi who lived in Palestine in the late-1st-century and early-2nd-century AD, however, his name was attached to most of the Merkabah literature in that circulated in Babylonia during between 400 and 1000 AD, and is universally considered to have been used to replace an earlier name. Chapter 15B of the Revelation of Metatron is itself an excerpt from the Ascension of Moses, which, if nothing else, proves that the Ascension has been viewed as an earlier copy of the Revelation since at least the 1000 AD, the latest the Revelation was likely to have been edited significantly. The story of Samyaza and Azazel, which like the Yiddish Ascension of Moses is a Yiddish story found among the Chronicles of Jarahmeel, also appears to be a very ancient story bordering about as close as a Jew could get to polytheism without actually crossing that imaginary line. It is included as an appendix as is seems relevant to the question of Metatron's origin within Judaism, however, it is its treatment of Astarah that reveals its true age. The name is a variation of Asherah, who is mentioned many times in the Hebrew Bible, generally in association with Ba'al. Her worship was banned by King Josiah in the Hebrew Book of Kings when he banned the worship of Ba'al and the armies of the sky (hosts of heaven). Archaeological evidence has proven that Jews (or possibly Essenes) continued to worship Asherah until the 6th century BC, during the early Persians era, which is missing from the Talmud's records.
Publisher: Scriptural Research Institute
ISBN: 1989852270
Category : Religion
Languages : en
Pages : 134
Book Description
The Revelation of Metatron is a medieval Jewish work, that claims to have been written in the late-2nd century AD by Rabbi Ishmael 'the High Priest.' It is known by various names, including the Sepher Hekhalot (Book of the Palaces), the 3rd Book of Enoch, and the Book of Rabbi Ishmael the High Priest, although its most common name, is the Revelation of Metatron. The earliest name for the work was likely the Sepher Hekhalot (Book of the Palaces), however, all copies have been so reworked that it cannot be known for sure. It is clear that Rabbi Ishmael did not write it, and his name, which is in almost every verse, was inserted to replace another name that the medieval publisher did not want associated with the book. Rabbi Ishmael was the author of the book called Hekhalot Rabbati (Greater Palaces) sometime between 100 and 130 AD, and his name was late used as a pseudonym by many authors of Merkabah literature between 200 and 1000 AD. Several fragments of the Ascension of Moses have survived to the present, however, most of the work is likely lost forever. The Ascension of Moses is almost certainly the precursor to the Revelation of Metatron, in which Rabbi Ishmael was taken up to the sky by Metatron, the supreme archangel. In the Ascension of Moses, it was Moses who was taken up to the sky, and Metatron played a smaller role, although, clearly the same role in the Long Aramaic Revelation of Moses, which is the closest to Revelation of Metatron. In both the Long Aramaic Revelation of Moses and the Revelation of Metatron, Metatron identifies himself as Enoch, Moses' ancestor, which connects this clearly heretical Jewish work with the older Enochian literature. In the other surviving fragments, the connection is less clear, as is the cosmography of the seven skies, and it is, therefore, possible that there were several stages of textual development before the version that was redacted into the Revelation of Metatron. In the Revelation of Metatron, the role of Moses has been replaced by Rabbi Ishmael, a rabbi who lived in Palestine in the late-1st-century and early-2nd-century AD, however, his name was attached to most of the Merkabah literature in that circulated in Babylonia during between 400 and 1000 AD, and is universally considered to have been used to replace an earlier name. Chapter 15B of the Revelation of Metatron is itself an excerpt from the Ascension of Moses, which, if nothing else, proves that the Ascension has been viewed as an earlier copy of the Revelation since at least the 1000 AD, the latest the Revelation was likely to have been edited significantly. The story of Samyaza and Azazel, which like the Yiddish Ascension of Moses is a Yiddish story found among the Chronicles of Jarahmeel, also appears to be a very ancient story bordering about as close as a Jew could get to polytheism without actually crossing that imaginary line. It is included as an appendix as is seems relevant to the question of Metatron's origin within Judaism, however, it is its treatment of Astarah that reveals its true age. The name is a variation of Asherah, who is mentioned many times in the Hebrew Bible, generally in association with Ba'al. Her worship was banned by King Josiah in the Hebrew Book of Kings when he banned the worship of Ba'al and the armies of the sky (hosts of heaven). Archaeological evidence has proven that Jews (or possibly Essenes) continued to worship Asherah until the 6th century BC, during the early Persians era, which is missing from the Talmud's records.
The Audio Expert
Author: Ethan Winer
Publisher: Routledge
ISBN: 135184007X
Category : Technology & Engineering
Languages : en
Pages : 668
Book Description
The Audio Expert is a comprehensive reference book covering all aspects of audio, with both practical and theoretical explanations. It is written for people who want to understand audio at the deepest, most technical level, but without needing an engineering degree. The Audio Expert explains how audio really works in much more depth than usual, using common sense plain-English explanations and mechanical analogies, with minimal math. It uses an easy to read conversational tone, and includes more than 400 figures and photos to augment the printed text. However, this book goes beyond merely explaining how audio works. It brings together the concepts of audio, aural perception, musical instrument physics, acoustics, and basic electronics, showing how they’re intimately related. It also describes in great detail many practices and techniques used by recording and mixing engineers, including video production and computers. This book is meant for intermediate to advanced recording engineers and audiophiles who want to become experts. There’s plenty for beginners too. One unique feature is explaining how audio devices such as equalizers, compressors, and A/D converters work internally, and how they’re spec’d and tested, rather than merely describing how to use them. There’s plenty of myth-busting and consumerism too. The book doesn’t tell readers what brand power amplifier to buy, but it explains in great detail what defines a good amplifier so people can choose a first-rate model wisely without over-paying. Most explanations throughout the book are platform-agnostic, applying equally to Windows and Mac computers, and to most software and hardware. Many audio and video examples are included to enhance the written text. The new edition offers many updates and improvements throughout. New sections on coding an equalizer, comparing microphone preamps, testing results of loudspeaker isolation devices, new online video content on music theory, plus incorporated chapters on MIDI basics, computers, video production, plus new myth-busters, and much more!
Publisher: Routledge
ISBN: 135184007X
Category : Technology & Engineering
Languages : en
Pages : 668
Book Description
The Audio Expert is a comprehensive reference book covering all aspects of audio, with both practical and theoretical explanations. It is written for people who want to understand audio at the deepest, most technical level, but without needing an engineering degree. The Audio Expert explains how audio really works in much more depth than usual, using common sense plain-English explanations and mechanical analogies, with minimal math. It uses an easy to read conversational tone, and includes more than 400 figures and photos to augment the printed text. However, this book goes beyond merely explaining how audio works. It brings together the concepts of audio, aural perception, musical instrument physics, acoustics, and basic electronics, showing how they’re intimately related. It also describes in great detail many practices and techniques used by recording and mixing engineers, including video production and computers. This book is meant for intermediate to advanced recording engineers and audiophiles who want to become experts. There’s plenty for beginners too. One unique feature is explaining how audio devices such as equalizers, compressors, and A/D converters work internally, and how they’re spec’d and tested, rather than merely describing how to use them. There’s plenty of myth-busting and consumerism too. The book doesn’t tell readers what brand power amplifier to buy, but it explains in great detail what defines a good amplifier so people can choose a first-rate model wisely without over-paying. Most explanations throughout the book are platform-agnostic, applying equally to Windows and Mac computers, and to most software and hardware. Many audio and video examples are included to enhance the written text. The new edition offers many updates and improvements throughout. New sections on coding an equalizer, comparing microphone preamps, testing results of loudspeaker isolation devices, new online video content on music theory, plus incorporated chapters on MIDI basics, computers, video production, plus new myth-busters, and much more!
Revelation of Metatron
Author: Scriptural Research Institute
Publisher: Scriptural Research Institute
ISBN: 1989852238
Category : Religion
Languages : en
Pages : 107
Book Description
The Revelation of Metatron is a medieval Jewish work, that claims to have been written in the late-2nd century AD by Rabbi Ishmael 'the High Priest.' It is known by various names, including the Sepher Hekhalot (Book of the Palaces), the 3rd Book of Enoch, and the Book of Rabbi Ishmael the High Priest, although its most common name, is the Revelation of Metatron. The earliest name for the work was likely the Sepher Hekhalot (Book of the Palaces), however, all copies have been so reworked that it cannot be known for sure. It is clear that Rabbi Ishmael did not write it, and his name, which is in almost every verse, was inserted to replace another name that the medieval publisher did not want associated with the book. Rabbi Ishmael was the author of the book called Hekhalot Rabbati (Greater Palaces) sometime between 100 and 130 AD, and his name was late used as a pseudonym by many authors of Merkabah literature between 200 and 1000 AD. Hekhalot (Palaces) and Merkabah (Flying-chariot) are two related forms of Jewish literature that developed from the visions from in the prophetic books, such as Ezekiel, apocalyptic books, such as Isaiah, and the Enochian tradition. Hekhalot literature, which includes books that focus on Merkabah, such as Maaseh Merkabah (Working of the Flying-Chariot), is the term used for works written during the Second Temple era. During the Second Jewish-Roman War, Merkabah literature was prohibited, largely it seems, due to the teachings of Rabbi Elisha ben Abujah, more commonly referred to as 'Aher,' meaning 'the other.' After the literature was banned, it went 'underground' and continued to be used in secret, resulting in the Merkabah (Flying-chariot) literature, which itself later gave rise to the Kabbalah school of Judaism. At each stage the literature became more metaphysical and spiritual, resulting in stranger and stranger texts for the uninitiated, much of which can be seen in the various additions and redactions to the Revelation of Metatron. The contents of the chapters of the Ascension of Moses that have survived to the present show that the Ascension is an earlier version of the Revelation of Metatron, and the original protagonist of the story, later redacted to Rabbi Ishmael. There are several parallels between the stories of Moses and Metatron in the Ascension, and the stories of Ishmael and Metatron in the Revelation, however, the Revelation includes several heretical concepts that the original redactor and author of Chapter 16 did not want to ascribe to Moses and therefore used the popular Merkabah pseudonym Ishmael. The date of the original redaction is also difficult to determine, as Aher is a heretic in the Talmuds and Tosefta, and so the derogatory nick-name could have been adopted from the Talmud or Tosefta at any point. Nevertheless, if the original work was Rabbi Elisha's (Aher's) Sepher Hekhalot, it would have likely been redacted before the Babylonian Talmud's version of the story, which did not bother to name him. By that point, the text would have been by a generally unknown author, and there would have been no reason to redact his name from it. This would place the original redaction sometime before 450 AD, and likely in Byzantine Palestine.
Publisher: Scriptural Research Institute
ISBN: 1989852238
Category : Religion
Languages : en
Pages : 107
Book Description
The Revelation of Metatron is a medieval Jewish work, that claims to have been written in the late-2nd century AD by Rabbi Ishmael 'the High Priest.' It is known by various names, including the Sepher Hekhalot (Book of the Palaces), the 3rd Book of Enoch, and the Book of Rabbi Ishmael the High Priest, although its most common name, is the Revelation of Metatron. The earliest name for the work was likely the Sepher Hekhalot (Book of the Palaces), however, all copies have been so reworked that it cannot be known for sure. It is clear that Rabbi Ishmael did not write it, and his name, which is in almost every verse, was inserted to replace another name that the medieval publisher did not want associated with the book. Rabbi Ishmael was the author of the book called Hekhalot Rabbati (Greater Palaces) sometime between 100 and 130 AD, and his name was late used as a pseudonym by many authors of Merkabah literature between 200 and 1000 AD. Hekhalot (Palaces) and Merkabah (Flying-chariot) are two related forms of Jewish literature that developed from the visions from in the prophetic books, such as Ezekiel, apocalyptic books, such as Isaiah, and the Enochian tradition. Hekhalot literature, which includes books that focus on Merkabah, such as Maaseh Merkabah (Working of the Flying-Chariot), is the term used for works written during the Second Temple era. During the Second Jewish-Roman War, Merkabah literature was prohibited, largely it seems, due to the teachings of Rabbi Elisha ben Abujah, more commonly referred to as 'Aher,' meaning 'the other.' After the literature was banned, it went 'underground' and continued to be used in secret, resulting in the Merkabah (Flying-chariot) literature, which itself later gave rise to the Kabbalah school of Judaism. At each stage the literature became more metaphysical and spiritual, resulting in stranger and stranger texts for the uninitiated, much of which can be seen in the various additions and redactions to the Revelation of Metatron. The contents of the chapters of the Ascension of Moses that have survived to the present show that the Ascension is an earlier version of the Revelation of Metatron, and the original protagonist of the story, later redacted to Rabbi Ishmael. There are several parallels between the stories of Moses and Metatron in the Ascension, and the stories of Ishmael and Metatron in the Revelation, however, the Revelation includes several heretical concepts that the original redactor and author of Chapter 16 did not want to ascribe to Moses and therefore used the popular Merkabah pseudonym Ishmael. The date of the original redaction is also difficult to determine, as Aher is a heretic in the Talmuds and Tosefta, and so the derogatory nick-name could have been adopted from the Talmud or Tosefta at any point. Nevertheless, if the original work was Rabbi Elisha's (Aher's) Sepher Hekhalot, it would have likely been redacted before the Babylonian Talmud's version of the story, which did not bother to name him. By that point, the text would have been by a generally unknown author, and there would have been no reason to redact his name from it. This would place the original redaction sometime before 450 AD, and likely in Byzantine Palestine.
Modern Records, Maverick Methods
Author: Samantha Bennett
Publisher: Bloomsbury Publishing USA
ISBN: 1501344129
Category : Music
Languages : en
Pages : 257
Book Description
From the Fairlight CMI through MIDI to the digital audio workstations at the turn of the millennium, Modern Records, Maverick Methods examines a critical period in commercial popular music record production: the transformative digital age from the late 1970s until 2000. Drawing on a discography of more than 300 recordings across pop, rock, hip hop, dance and alternative musics from artists such as the Beastie Boys, Madonna, U2 and Fatboy Slim, and extensive and exclusive ethnographic work with many world-renowned recordists, Modern Records presents a fresh and insightful new perspective on one of the most significant eras in commercial music record production. The book traces the development of significant music technologies through the 1980s and 1990s, revealing how changing attitudes and innovative techniques of recording personnel reimagined recording processes and, finally, exemplifies the impact of these technologies and techniques via six comprehensive tech-processual analyses. This meticulously researched and timely book reveals the complexity of recordists' responses to a technological landscape in flux.
Publisher: Bloomsbury Publishing USA
ISBN: 1501344129
Category : Music
Languages : en
Pages : 257
Book Description
From the Fairlight CMI through MIDI to the digital audio workstations at the turn of the millennium, Modern Records, Maverick Methods examines a critical period in commercial popular music record production: the transformative digital age from the late 1970s until 2000. Drawing on a discography of more than 300 recordings across pop, rock, hip hop, dance and alternative musics from artists such as the Beastie Boys, Madonna, U2 and Fatboy Slim, and extensive and exclusive ethnographic work with many world-renowned recordists, Modern Records presents a fresh and insightful new perspective on one of the most significant eras in commercial music record production. The book traces the development of significant music technologies through the 1980s and 1990s, revealing how changing attitudes and innovative techniques of recording personnel reimagined recording processes and, finally, exemplifies the impact of these technologies and techniques via six comprehensive tech-processual analyses. This meticulously researched and timely book reveals the complexity of recordists' responses to a technological landscape in flux.
Automated Sound Design
Author: Eric Lyon
Publisher: A-R Editions, Inc.
ISBN: 0895798948
Category : Music
Languages : en
Pages : 426
Book Description
Sound design is a ubiquitous subject for electronic musicians working across a staggering array of contemporary musical styles and practices. There is an extensive literature covering the creation of Foley effects, and another body of literature addressing domain-specific applications of sound design technique, e.g., how to make bass sounds for Dubstep or how to produce drum sounds for Trap. There is also a computer music literature that focuses on the mathematics of digital signal processing as it pertains to implementing classic digital synthesis and processing techniques. Automated Sound Design addresses the topic from a different perspective, demonstrating the power of sound design when enhanced by automated structures implemented with computer programming. Through the techniques and projects developed in this book, the reader will learn how to create sound design scenarios that generate classes of sounds with controlled unpredictability and unlimited variety of output. This adventure will reveal new ways to work with additive synthesis, frequency modulation, analysis-transformation synthesis, drum machines, Black MIDI, and spatialization for binaural listening.
Publisher: A-R Editions, Inc.
ISBN: 0895798948
Category : Music
Languages : en
Pages : 426
Book Description
Sound design is a ubiquitous subject for electronic musicians working across a staggering array of contemporary musical styles and practices. There is an extensive literature covering the creation of Foley effects, and another body of literature addressing domain-specific applications of sound design technique, e.g., how to make bass sounds for Dubstep or how to produce drum sounds for Trap. There is also a computer music literature that focuses on the mathematics of digital signal processing as it pertains to implementing classic digital synthesis and processing techniques. Automated Sound Design addresses the topic from a different perspective, demonstrating the power of sound design when enhanced by automated structures implemented with computer programming. Through the techniques and projects developed in this book, the reader will learn how to create sound design scenarios that generate classes of sounds with controlled unpredictability and unlimited variety of output. This adventure will reveal new ways to work with additive synthesis, frequency modulation, analysis-transformation synthesis, drum machines, Black MIDI, and spatialization for binaural listening.
Extinction Event (Predator Academy 1)
Author: Craig DeLancey
Publisher: 496 \ Perfect Number Press
ISBN:
Category : Fiction
Languages : en
Pages : 259
Book Description
In a Galaxy at war, one human will join the fight. Lincoln Finn is having a bad day. He just got kicked out of college, and his plans to travel the world are dashed. It seems all his dreams are dying. But then a spaceship lands in his yard. Lincoln has been accepted into the Harmonizer Academy, where aliens from across the Galaxy train to become the most elite warriors of a star-spanning Alliance. War has begun, and the survival of Earth depends upon whether the Harmonizers can win their battles. But first, Lincoln must survive the training. With his “pack”—a group of seven aliens—he is given a daunting first task: to save a primitive species from extinction when their planet is targeted with an asteroid bombardment. But all is not as it seems, and the rag-tag team of candidates must alone confront new enemies of the Alliance. The future of the Alliance, and the survival of all life on Earth, depends upon their success. Extinction Event is the first book of a six-volume series. The Philadelphia Free Press writes of the companion series, The Predator Space Chronicles, "They are impossible to put down and filled with exciting action in an alien-filled galaxy that humans have just joined." EXTINCTION EVENT Novel 86,000 words ABOUT THE AUTHOR: Craig DeLancey is a writer and philosopher. His novels include the Predator Space Chronicles and Gods of Earth. He has published dozens of short stories, in places like Analog, Lightspeed, Nature Physics, Shimmer, and the Mississippi Review Online. His story "Julie Is Three" won the Analog Anlab readers choice award for short story in 2012 and is being made into a film by Storycom. His story "RedKing" is in several of the year's best science fiction anthologies. He lives in Upstate New York and teaches philosophy at Oswego State. You can sign up for Craig's quarterly email list at: http://eepurl.com/c-cTjL Your email address will never be shared and will only be used for periodic updates and free fiction. www.craigdelancey.com Stop by the Facebook page for the Predator Space Universe: https://www.facebook.com/WellOfFuries
Publisher: 496 \ Perfect Number Press
ISBN:
Category : Fiction
Languages : en
Pages : 259
Book Description
In a Galaxy at war, one human will join the fight. Lincoln Finn is having a bad day. He just got kicked out of college, and his plans to travel the world are dashed. It seems all his dreams are dying. But then a spaceship lands in his yard. Lincoln has been accepted into the Harmonizer Academy, where aliens from across the Galaxy train to become the most elite warriors of a star-spanning Alliance. War has begun, and the survival of Earth depends upon whether the Harmonizers can win their battles. But first, Lincoln must survive the training. With his “pack”—a group of seven aliens—he is given a daunting first task: to save a primitive species from extinction when their planet is targeted with an asteroid bombardment. But all is not as it seems, and the rag-tag team of candidates must alone confront new enemies of the Alliance. The future of the Alliance, and the survival of all life on Earth, depends upon their success. Extinction Event is the first book of a six-volume series. The Philadelphia Free Press writes of the companion series, The Predator Space Chronicles, "They are impossible to put down and filled with exciting action in an alien-filled galaxy that humans have just joined." EXTINCTION EVENT Novel 86,000 words ABOUT THE AUTHOR: Craig DeLancey is a writer and philosopher. His novels include the Predator Space Chronicles and Gods of Earth. He has published dozens of short stories, in places like Analog, Lightspeed, Nature Physics, Shimmer, and the Mississippi Review Online. His story "Julie Is Three" won the Analog Anlab readers choice award for short story in 2012 and is being made into a film by Storycom. His story "RedKing" is in several of the year's best science fiction anthologies. He lives in Upstate New York and teaches philosophy at Oswego State. You can sign up for Craig's quarterly email list at: http://eepurl.com/c-cTjL Your email address will never be shared and will only be used for periodic updates and free fiction. www.craigdelancey.com Stop by the Facebook page for the Predator Space Universe: https://www.facebook.com/WellOfFuries
DAFX
Author: Udo Zölzer
Publisher: John Wiley & Sons
ISBN: 0470979674
Category : Computers
Languages : en
Pages : 639
Book Description
The rapid development in various fields of Digital Audio Effects, or DAFX, has led to new algorithms and this second edition of the popular book, DAFX: Digital Audio Effects has been updated throughout to reflect progress in the field. It maintains a unique approach to DAFX with a lecture-style introduction into the basics of effect processing. Each effect description begins with the presentation of the physical and acoustical phenomena, an explanation of the signal processing techniques to achieve the effect, followed by a discussion of musical applications and the control of effect parameters. Topics covered include: filters and delays, modulators and demodulators, nonlinear processing, spatial effects, time-segment processing, time-frequency processing, source-filter processing, spectral processing, time and frequency warping musical signals. Updates to the second edition include: Three completely new chapters devoted to the major research areas of: Virtual Analog Effects, Automatic Mixing and Sound Source Separation, authored by leading researchers in the field . Improved presentation of the basic concepts and explanation of the related technology. Extended coverage of the MATLABTM scripts which demonstrate the implementation of the basic concepts into software programs. Companion website (www.dafx.de) which serves as the download source for MATLABTM scripts, will be updated to reflect the new material in the book. Discussing DAFX from both an introductory and advanced level, the book systematically introduces the reader to digital signal processing concepts, how they can be applied to sound and their use in musical effects. This makes the book suitable for a range of professionals including those working in audio engineering, as well as researchers and engineers involved in the area of digital signal processing along with students on multimedia related courses.
Publisher: John Wiley & Sons
ISBN: 0470979674
Category : Computers
Languages : en
Pages : 639
Book Description
The rapid development in various fields of Digital Audio Effects, or DAFX, has led to new algorithms and this second edition of the popular book, DAFX: Digital Audio Effects has been updated throughout to reflect progress in the field. It maintains a unique approach to DAFX with a lecture-style introduction into the basics of effect processing. Each effect description begins with the presentation of the physical and acoustical phenomena, an explanation of the signal processing techniques to achieve the effect, followed by a discussion of musical applications and the control of effect parameters. Topics covered include: filters and delays, modulators and demodulators, nonlinear processing, spatial effects, time-segment processing, time-frequency processing, source-filter processing, spectral processing, time and frequency warping musical signals. Updates to the second edition include: Three completely new chapters devoted to the major research areas of: Virtual Analog Effects, Automatic Mixing and Sound Source Separation, authored by leading researchers in the field . Improved presentation of the basic concepts and explanation of the related technology. Extended coverage of the MATLABTM scripts which demonstrate the implementation of the basic concepts into software programs. Companion website (www.dafx.de) which serves as the download source for MATLABTM scripts, will be updated to reflect the new material in the book. Discussing DAFX from both an introductory and advanced level, the book systematically introduces the reader to digital signal processing concepts, how they can be applied to sound and their use in musical effects. This makes the book suitable for a range of professionals including those working in audio engineering, as well as researchers and engineers involved in the area of digital signal processing along with students on multimedia related courses.
Terrorism and Communication
Author: Jonathan Matusitz
Publisher: SAGE
ISBN: 1452240280
Category : Language Arts & Disciplines
Languages : en
Pages : 521
Book Description
Based on the premise that terrorism is essentially a message, Terrorism and Communication: A Critical Introduction examines terrorism from a communication perspective—making it the first text to offer a complete picture of the role of communication in terrorist activity. Through the extensive examination of state-of-the-art research on terrorism as well as recent case studies and speech excerpts, communication and terrorism scholar Jonathan Matusitz explores the ways that terrorists communicate messages through actions and discourse. Using a multifaceted approach, he draws valuable insights from relevant disciplines, including mass communication, political communication, and visual communication, as he illustrates the key role that media outlets play in communicating terrorists' objectives and examines the role of global communication channels in both spreading and combating terrorism. This is an essential introduction to understanding what terrorism is, how it functions primarily through communication, how we talk about it, and how we prevent it.
Publisher: SAGE
ISBN: 1452240280
Category : Language Arts & Disciplines
Languages : en
Pages : 521
Book Description
Based on the premise that terrorism is essentially a message, Terrorism and Communication: A Critical Introduction examines terrorism from a communication perspective—making it the first text to offer a complete picture of the role of communication in terrorist activity. Through the extensive examination of state-of-the-art research on terrorism as well as recent case studies and speech excerpts, communication and terrorism scholar Jonathan Matusitz explores the ways that terrorists communicate messages through actions and discourse. Using a multifaceted approach, he draws valuable insights from relevant disciplines, including mass communication, political communication, and visual communication, as he illustrates the key role that media outlets play in communicating terrorists' objectives and examines the role of global communication channels in both spreading and combating terrorism. This is an essential introduction to understanding what terrorism is, how it functions primarily through communication, how we talk about it, and how we prevent it.