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Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 510
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 510
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Book Description
Author: William Ayrton
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 528
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Book Description
Author: Michael Kassler
Publisher: Routledge
ISBN: 135155011X
Category : Music
Languages : en
Pages : 664
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Book Description
Hailed as a child prodigy and later acclaimed as England's finest extempore organist, Samuel Wesley - son of Charles Wesley and nephew of John Wesley, the founders of Methodism - is best known today for his musical compositions and for his promotion of the music of J. S. Bach. At the heart of this source book is a calendar of Samuel Wesley's correspondence. The editors date and summarise the content of over 1100 surviving letters and other documents, most of which have not previously been published. The book accordingly reveals considerable new information about Wesley and his complex personal affairs, including his incarceration for debt and his confinement in a lunatic asylum for a year. Many details are provided about London musical life in the era from Boyce to Mendelssohn that prior scholars have not taken into account. The book also presents a chronology of Wesley's life, a descriptive list of his nearly 550 musical and literary works, a discography, an iconography and a bibliography. It therefore is the most comprehensive available reference source for Wesley's life, times and music.
Author: Mark Kroll
Publisher: Rowman & Littlefield
ISBN: 0810859203
Category : Composers
Languages : en
Pages : 534
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Book Description
Contemporary Jewish Writing in Britain and Ireland presents a wide range of writers-some at the heart of British culture, others outside the mainstream-who address the issue of Jewish cultural difference in Great Britain and Ireland. Editor Bryan Cheyette has assembled a striking roster of writers whose extraordinary imagination and understanding of Jewish experience in Britain and Ireland have transformed English literature in recent decades. They include established figures like Anita Brookner, Harold Pinter, and George Steiner, as well as such vibrant new voices as Elena Lappin, Jonathan Treitel, and Jonathan Wilson. As Cheyette argues, "the contemporary British-Jewish writers in this volume defy the authority of England and the Anglo-Jewish community. . . . [All are risk-takers who . . . will eventually help replace narrow national narratives and gendered identities with a broader, more plural, diasporic culture."
Author:
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ISBN:
Category :
Languages : en
Pages : 868
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Book Description
Author: ColinTimothy Eatock
Publisher: Routledge
ISBN: 1351558498
Category : Music
Languages : en
Pages : 208
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Book Description
This valuable book considers the reception of the composer, pianist, organist and conductor Felix Mendelssohn in nineteenth-century England, and his influence on English musical culture. Despite the composer's immense popularity in the nation during his lifetime and in the decades following his death, this is the first book to deal exclusively with the subject of Mendelssohn in England. Mendelssohn's highly successful ten trips to Britain, between 1829 and 1847, are documented and discussed in detail, as are his relationships with English musicians and a variety of prominent figures. An introductory chapter describes the musical life of England (especially London) at the time of Mendelssohn's arrival and the last two chapters deal with the composer's posthumous reception, to the end of the Victorian era. Eatock reveals Mendelssohn as a catalyst for the expansion of English musical culture in the nineteenth century. In taking this position, the author challenges much of the extant literature on the subject and provides an engaging story that brings Mendelssohn and his English experiences to life.
Author: Pippa Drummond
Publisher: Routledge
ISBN: 1317018753
Category : History
Languages : en
Pages : 353
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Book Description
A history of the English music festival is long overdue. Dr Pippa Drummond argues that these festivals represented the most significant cultural events in provincial England during the nineteenth century and emphasizes their particular importance in the promotion and commissioning of new music. Drawing on material from surviving accounts, committee records, programmes, contemporary pamphlets and reviews, Drummond shows how the festivals responded to and reflected the changing social and economic conditions of their day. Coverage includes a chronological overview documenting the history of individual festivals followed by a detailed exploration of such topics as performers and performance practice, logistics and finance, programmes and commissioning, together with information concerning the composition and provenance of festival choirs and orchestras. Also discussed are the effects of improved transport and new technologies on the festivals, sacred and secular conflicts, gender issues, the role of philanthropy, the nature of patronage and the changing social status of festival audiences. The book will also be of interest to social, economic and local historians.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 24
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Book Description
Author: Howard Mills
Publisher: Cambridge University Press
ISBN: 9780521148306
Category : Biography & Autobiography
Languages : en
Pages : 280
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Book Description
Dr Mills' critical study examines the life and times of Thomas Love Peacock (1785-1866).
Author: George Kennaway
Publisher: Routledge
ISBN: 1317079809
Category : Music
Languages : en
Pages : 320
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Book Description
This innovative study of nineteenth-century cellists and cello playing shows how simple concepts of posture, technique and expression changed over time, while acknowledging that many different practices co-existed. By placing an awareness of this diversity at the centre of an historical narrative, George Kennaway has produced a unique cultural history of performance practices. In addition to drawing upon an unusually wide range of source materials - from instructional methods to poetry, novels and film - Kennaway acknowledges the instability and ambiguity of the data that supports historically informed performance. By examining nineteenth-century assumptions about the very nature of the cello itself, he demonstrates new ways of thinking about historical performance today. Kennaway’s treatment of tone quality and projection, and of posture, bow-strokes and fingering, is informed by his practical insights as a professional cellist and teacher. Vibrato and portamento are examined in the context of an increasing divergence between theory and practice, as seen in printed sources and heard in early cello recordings. Kennaway also explores differing nineteenth-century views of the cello’s gendered identity and the relevance of these cultural tropes to contemporary performance. By accepting the diversity and ambiguity of nineteenth-century sources, and by resisting oversimplified solutions, Kennaway has produced a nuanced performing history that will challenge and engage musicologists and performers alike.
