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Author: Tom Arden
Publisher: Victor Gollancz
ISBN: 9780575065178
Category : Brothers
Languages : en
Pages : 448
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Author: Tom Arden
Publisher: Victor Gollancz
ISBN: 9780575065178
Category : Brothers
Languages : en
Pages : 448
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Book Description
Author: Guy Haley
Publisher: Games Workshop
ISBN: 9781849708531
Category : Fiction
Languages : en
Pages : 0
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Book Description
Gripping sci-fi action in this premium Warhammer 40,000 novel Long ago defiled by the Imperium of Man, the eldar maiden world of Dûriel was once a glittering jewel in the crown of the Valedor System. As the tyranids of Hive Fleet Leviathan sweep through the sector consuming everything in their path, wayward Prince Yriel of Iyanden discovers that the farseers have inadvertently brought a greater threat to bear – a fragment of Hive Fleet Kraken, hurled into the warp in order to save the craftworld, has returned. The tyranid fleets cannot be allowed to combine, or their genetic legacies will merge into something even more terrible. Alongside allied forces from Craftworld Biel-Tan and even the dark eldar of Commorragh, Yriel has no choice but to fight on to the bitter end...
Author: Tom ARDEN
Publisher:
ISBN: 9785750651764
Category :
Languages : en
Pages :
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Author:
Publisher:
ISBN:
Category : English drama (Comedy)
Languages : en
Pages : 46
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Book Description
A political satire.
Author: Susan Bindig
Publisher:
ISBN:
Category : Carnaval de Venise (Choreographic work)
Languages : en
Pages : 690
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Author: Janet Beizer
Publisher: U of Minnesota Press
ISBN: 1452970467
Category : Social Science
Languages : en
Pages : 422
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Book Description
How representations of the preparation, sale, and consumption of leftovers in nineteenth-century urban France link socioeconomic and aesthetic history The concept of the “harlequin” refers to the practice of reassembling dinner scraps cleared from the plates of the wealthy to sell, replated, to the poor in nineteenth-century Paris. In The Harlequin Eaters, Janet Beizer investigates how the alimentary harlequin evolved in the nineteenth and early twentieth centuries from the earlier, similarly patchworked Commedia dell’arte Harlequin character and can be used to rethink the entangled place of class, race, and food in the longer history of modernism. By superimposing figurations of the edible harlequin taken from a broad array of popular and canonical novels, newspaper articles, postcard photographs, and lithographs, Beizer shows that what is at stake in nineteenth-century discourses surrounding this mixed meal are representations not only of food but also of the marginalized people—the “harlequin eaters”—who consume it at this time when a global society is emerging. She reveals the imbrication of kitchen narratives and intellectual–aesthetic practices of thought and art, presenting a way to integrate socioeconomic history with the history of literature and the visual arts. The Harlequin Eaters also offers fascinating background to today’s problems of food inequity as it unpacks stories of the for-profit recycling of excess food across class and race divisions.
Author: Theatre Passe Muraille Archives (University of Guelph)
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: John Thurmond
Publisher:
ISBN:
Category : Masques
Languages : en
Pages : 44
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Author: Kathryn Lowerre
Publisher: Routledge
ISBN: 1351886517
Category : Performing Arts
Languages : en
Pages : 306
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Book Description
Unlike collections of essays which focus on a single century or whose authors are drawn from a single discipline, this collection reflects the myriad performance options available to London audiences, offering readers a composite portrait of the music, drama, and dance productions that characterized this rich period. Just as the performing arts were deeply interrelated, the essays presented here, by scholars from a range of fields, engage in dialogue with others in the volume. The opening section examines a famous series of 1701 performances based on the competition between composers to set William Congreve's masque The Judgment of Paris to music. The essays in the central section (the 'mainpiece') showcase performers and productions on the London stage from a variety of perspectives, including English 'tastes' in art and music, the use of dance, the depiction of madness and masculinity in both spoken and musical performances, and genres and modes in the context of contemporary criticism and theatrical practice. A brief afterpiece looks at comic pieces in relation to satire, parody and homage. By bringing together work by scholars of music, dance, and drama, this cross-disciplinary collection illuminates the interconnecting strands that shaped a vibrant theatrical world.
Author: Gilbert Abbott ° Beckett
Publisher:
ISBN:
Category :
Languages : en
Pages : 28
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