Author: Hillary Eklund
Publisher: Penn State Press
ISBN: 0271093536
Category : Literary Criticism
Languages : en
Pages : 331
Book Description
How does soil, as an ecological element, shape culture? With the sixteenth-century shift in England from an agrarian economy to a trade economy, what changes do we see in representations of soil as reflected in the language and stories during that time? This collection brings focused scholarly attention to conceptions of soil in the early modern period, both as a symbol and as a feature of the physical world, aiming to correct faulty assumptions that cloud our understanding of early modern ecological thought: that natural resources were then poorly understood and recklessly managed, and that cultural practices developed in an adversarial relationship with natural processes. Moreover, these essays elucidate the links between humans and the lands they inhabit, both then and now.
Ground-Work
Author: Hillary Eklund
Publisher: Penn State Press
ISBN: 0271093536
Category : Literary Criticism
Languages : en
Pages : 331
Book Description
How does soil, as an ecological element, shape culture? With the sixteenth-century shift in England from an agrarian economy to a trade economy, what changes do we see in representations of soil as reflected in the language and stories during that time? This collection brings focused scholarly attention to conceptions of soil in the early modern period, both as a symbol and as a feature of the physical world, aiming to correct faulty assumptions that cloud our understanding of early modern ecological thought: that natural resources were then poorly understood and recklessly managed, and that cultural practices developed in an adversarial relationship with natural processes. Moreover, these essays elucidate the links between humans and the lands they inhabit, both then and now.
Publisher: Penn State Press
ISBN: 0271093536
Category : Literary Criticism
Languages : en
Pages : 331
Book Description
How does soil, as an ecological element, shape culture? With the sixteenth-century shift in England from an agrarian economy to a trade economy, what changes do we see in representations of soil as reflected in the language and stories during that time? This collection brings focused scholarly attention to conceptions of soil in the early modern period, both as a symbol and as a feature of the physical world, aiming to correct faulty assumptions that cloud our understanding of early modern ecological thought: that natural resources were then poorly understood and recklessly managed, and that cultural practices developed in an adversarial relationship with natural processes. Moreover, these essays elucidate the links between humans and the lands they inhabit, both then and now.
Grounds of Literary Criticism
Author: Suresh Raval
Publisher: University of Illinois Press
ISBN: 9780252067112
Category : Literary Criticism
Languages : en
Pages : 276
Book Description
This sophisticated and wide-ranging look at literary criticism addresses the major theorists of today and proposes a constructive approach to challenging critical debates. Disclosing conflict as the inevitable outcome of historical change, Suresh Raval refuses the stark either-or choice between the foundationalist stance, which seeks to find the right answers, and the relativist position, which denies the possibility of identifying right and wrong. Raval explores the question of conflict in literary criticism and theory by analyzing how different theories have treated key issues, not to resolve these problems but to show why they resist decisive solution.
Publisher: University of Illinois Press
ISBN: 9780252067112
Category : Literary Criticism
Languages : en
Pages : 276
Book Description
This sophisticated and wide-ranging look at literary criticism addresses the major theorists of today and proposes a constructive approach to challenging critical debates. Disclosing conflict as the inevitable outcome of historical change, Suresh Raval refuses the stark either-or choice between the foundationalist stance, which seeks to find the right answers, and the relativist position, which denies the possibility of identifying right and wrong. Raval explores the question of conflict in literary criticism and theory by analyzing how different theories have treated key issues, not to resolve these problems but to show why they resist decisive solution.
The Grounds of English Literature
Author: Christopher Cannon
Publisher: OUP Oxford
ISBN: 0191533750
Category : Literary Criticism
Languages : en
Pages : 250
Book Description
The centuries just after the Norman Conquest are the forgotten period of English literary history. In fact, the years 1066-1300 witnessed an unparalleled ingenuity in the creation of written forms, for this was a time when almost every writer was unaware of the existence of other English writing. In a series of detailed readings of the more important early Middle English works, Cannon shows how the many and varied texts of the period laid the foundations for the project of English literature. This richness is for the first time given credit in these readings by means of an innovative theory of literary form that accepts every written shape as itself a unique contribution to the history of ideas. This theory also suggests that the impoverished understanding of literature we now commonly employ is itself a legacy of this early period, an attribute of the single form we have learned to call 'romance'. A number of reading methods have lately taught us to be more generous in our understandings of what literature might be, but this book shows us that the very variety we now strive to embrace anew actually formed the grounds of English literature-a richness we only lost when we forgot how to recognize it.
Publisher: OUP Oxford
ISBN: 0191533750
Category : Literary Criticism
Languages : en
Pages : 250
Book Description
The centuries just after the Norman Conquest are the forgotten period of English literary history. In fact, the years 1066-1300 witnessed an unparalleled ingenuity in the creation of written forms, for this was a time when almost every writer was unaware of the existence of other English writing. In a series of detailed readings of the more important early Middle English works, Cannon shows how the many and varied texts of the period laid the foundations for the project of English literature. This richness is for the first time given credit in these readings by means of an innovative theory of literary form that accepts every written shape as itself a unique contribution to the history of ideas. This theory also suggests that the impoverished understanding of literature we now commonly employ is itself a legacy of this early period, an attribute of the single form we have learned to call 'romance'. A number of reading methods have lately taught us to be more generous in our understandings of what literature might be, but this book shows us that the very variety we now strive to embrace anew actually formed the grounds of English literature-a richness we only lost when we forgot how to recognize it.
From Literacy to Literature
Author: Christopher Cannon
Publisher: Oxford University Press
ISBN: 0191084832
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
The first lessons we learn in school can stay with us all our lives, but this was nowhere more true than in the last decades of the fourteenth century when grammar-school students were not only learning to read and write, but understanding, for the first time, that their mother tongue, English, was grammatical. The efflorescence of Ricardian poetry was not a direct result of this change, but it was everywhere shaped by it. This book characterizes this close connection between literacy training and literature, as it is manifest in the fine and ambitious poetry by Gower, Langland and Chaucer, at this transitional moment. This is also a book about the way medieval training in grammar (or grammatica) shaped the poetic arts in the Middle Ages fully as much as rhetorical training. It answers the curious question of what language was used to teach Latin grammar to the illiterate. It reveals, for the first time, what the surviving schoolbooks from the period actually contain. It describes what form a 'grammar school' took in a period from which no school buildings or detailed descriptions survive. And it scrutinizes the processes of elementary learning with sufficient care to show that, for the grown medieval schoolboy, well-learned books functioned, not only as a touchstone for wisdom, but as a knowledge so personal and familiar that it was equivalent to what we would now call 'experience'.
Publisher: Oxford University Press
ISBN: 0191084832
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
The first lessons we learn in school can stay with us all our lives, but this was nowhere more true than in the last decades of the fourteenth century when grammar-school students were not only learning to read and write, but understanding, for the first time, that their mother tongue, English, was grammatical. The efflorescence of Ricardian poetry was not a direct result of this change, but it was everywhere shaped by it. This book characterizes this close connection between literacy training and literature, as it is manifest in the fine and ambitious poetry by Gower, Langland and Chaucer, at this transitional moment. This is also a book about the way medieval training in grammar (or grammatica) shaped the poetic arts in the Middle Ages fully as much as rhetorical training. It answers the curious question of what language was used to teach Latin grammar to the illiterate. It reveals, for the first time, what the surviving schoolbooks from the period actually contain. It describes what form a 'grammar school' took in a period from which no school buildings or detailed descriptions survive. And it scrutinizes the processes of elementary learning with sufficient care to show that, for the grown medieval schoolboy, well-learned books functioned, not only as a touchstone for wisdom, but as a knowledge so personal and familiar that it was equivalent to what we would now call 'experience'.
Literature Suppressed on Political Grounds
Author: Nicholas J. Karolides
Publisher: Infobase Publishing
ISBN: 0816071519
Category : Political Science
Languages : en
Pages : 639
Book Description
Literature Suppressed on Religious Grounds, Revised Edition profiles the censorship of many such essential works of literature. The entries new to this edition include extensive coverage of the Harry Potter series, which has been frequently banned in the United States on the grounds that it promotes witchcraft, as well as entries on two popular textbook series, The Witches by Roald Dahl, Women Without Men: A Novel of Modern Iran, and more. Also included are updates to such entries as The Satanic Verses by Salman Rushdie and On the Origin of Species by Charles Darwin.
Publisher: Infobase Publishing
ISBN: 0816071519
Category : Political Science
Languages : en
Pages : 639
Book Description
Literature Suppressed on Religious Grounds, Revised Edition profiles the censorship of many such essential works of literature. The entries new to this edition include extensive coverage of the Harry Potter series, which has been frequently banned in the United States on the grounds that it promotes witchcraft, as well as entries on two popular textbook series, The Witches by Roald Dahl, Women Without Men: A Novel of Modern Iran, and more. Also included are updates to such entries as The Satanic Verses by Salman Rushdie and On the Origin of Species by Charles Darwin.
Book from the Ground
Author: Bing Xu
Publisher: MIT Press
ISBN: 0262536226
Category : Art
Languages : en
Pages : 129
Book Description
A book without words, recounting a day in the life of an office worker, told completely in the symbols, icons, and logos of modern life. Twenty years ago I made Book from the Sky, a book of illegible Chinese characters that no one could read. Now I have created Book from the Ground, a book that anyone can read. —Xu Bing Following his classic work Book from the Sky, the Chinese artist Xu Bing presents a new graphic novel—one composed entirely of symbols and icons that are universally understood. Xu Bing spent seven years gathering materials, experimenting, revising, and arranging thousands of pictograms to construct the narrative of Book from the Ground. The result is a readable story without words, an account of twenty-four hours in the life of “Mr. Black,” a typical urban white-collar worker. Our protagonist's day begins with wake-up calls from a nearby bird and his bedside alarm clock; it continues through tooth-brushing, coffee-making, TV-watching, and cat-feeding. He commutes to his job on the subway, works in his office, ponders various fast-food options for lunch, waits in line for the bathroom, daydreams, sends flowers, socializes after work, goes home, kills a mosquito, goes to bed, sleeps, and gets up the next morning to do it all over again. His day is recounted with meticulous and intimate detail, and reads like a postmodern, post-textual riff on James Joyce's account of Bloom's peregrinations in Ulysses. But Xu Bing's narrative, using an exclusively visual language, could be published anywhere, without translation or explication; anyone with experience in contemporary life—anyone who has internalized the icons and logos of modernity, from smiley faces to transit maps to menus—can understand it.
Publisher: MIT Press
ISBN: 0262536226
Category : Art
Languages : en
Pages : 129
Book Description
A book without words, recounting a day in the life of an office worker, told completely in the symbols, icons, and logos of modern life. Twenty years ago I made Book from the Sky, a book of illegible Chinese characters that no one could read. Now I have created Book from the Ground, a book that anyone can read. —Xu Bing Following his classic work Book from the Sky, the Chinese artist Xu Bing presents a new graphic novel—one composed entirely of symbols and icons that are universally understood. Xu Bing spent seven years gathering materials, experimenting, revising, and arranging thousands of pictograms to construct the narrative of Book from the Ground. The result is a readable story without words, an account of twenty-four hours in the life of “Mr. Black,” a typical urban white-collar worker. Our protagonist's day begins with wake-up calls from a nearby bird and his bedside alarm clock; it continues through tooth-brushing, coffee-making, TV-watching, and cat-feeding. He commutes to his job on the subway, works in his office, ponders various fast-food options for lunch, waits in line for the bathroom, daydreams, sends flowers, socializes after work, goes home, kills a mosquito, goes to bed, sleeps, and gets up the next morning to do it all over again. His day is recounted with meticulous and intimate detail, and reads like a postmodern, post-textual riff on James Joyce's account of Bloom's peregrinations in Ulysses. But Xu Bing's narrative, using an exclusively visual language, could be published anywhere, without translation or explication; anyone with experience in contemporary life—anyone who has internalized the icons and logos of modernity, from smiley faces to transit maps to menus—can understand it.
Anonymity
Author: John Mullan
Publisher: Princeton University Press
ISBN: 0691230927
Category : Literary Criticism
Languages : en
Pages : 385
Book Description
Some of the greatest works in English literature were first published without their authors' names. Why did so many authors want to be anonymous--and what was it like to read their books without knowing for certain who had written them? In Anonymity, John Mullan gives a fascinating and original history of hidden identity in English literature. From the sixteenth century to today, he explores how the disguises of writers were first used and eventually penetrated, how anonymity teased readers and bamboozled critics--and how, when book reviews were also anonymous, reviewers played tricks of their own in return. Today we have forgotten that the first readers of Gulliver's Travels and Sense and Sensibility had to guess who their authors might be, and that writers like Sir Walter Scott and Charlotte Brontë went to elaborate lengths to keep secret their authorship of the best-selling books of their times. But, in fact, anonymity is everywhere in English literature. Spenser, Donne, Marvell, Defoe, Swift, Fanny Burney, Austen, Byron, Thackeray, Lewis Carroll, Tennyson, George Eliot, Sylvia Plath, and Doris Lessing--all hid their names. With great lucidity and wit, Anonymity tells the stories of these and many other writers, providing a fast-paced, entertaining, and informative tour through the history of English literature.
Publisher: Princeton University Press
ISBN: 0691230927
Category : Literary Criticism
Languages : en
Pages : 385
Book Description
Some of the greatest works in English literature were first published without their authors' names. Why did so many authors want to be anonymous--and what was it like to read their books without knowing for certain who had written them? In Anonymity, John Mullan gives a fascinating and original history of hidden identity in English literature. From the sixteenth century to today, he explores how the disguises of writers were first used and eventually penetrated, how anonymity teased readers and bamboozled critics--and how, when book reviews were also anonymous, reviewers played tricks of their own in return. Today we have forgotten that the first readers of Gulliver's Travels and Sense and Sensibility had to guess who their authors might be, and that writers like Sir Walter Scott and Charlotte Brontë went to elaborate lengths to keep secret their authorship of the best-selling books of their times. But, in fact, anonymity is everywhere in English literature. Spenser, Donne, Marvell, Defoe, Swift, Fanny Burney, Austen, Byron, Thackeray, Lewis Carroll, Tennyson, George Eliot, Sylvia Plath, and Doris Lessing--all hid their names. With great lucidity and wit, Anonymity tells the stories of these and many other writers, providing a fast-paced, entertaining, and informative tour through the history of English literature.
Smoothing the Ground
Author: Brian Swann
Publisher: Univ of California Press
ISBN: 9780520049130
Category : Literary Criticism
Languages : en
Pages : 388
Book Description
A compilation of essays and translations in which leading scholars in the fields of linguistics, folklore, ethnopoetics and literary criticism discuss the continuing American Indian oral tradition as literature. Native Americans invested the spoken word with reverence and power, and the oral literature that resulted from the fusing of language and event into vital force is extraordinarily rich and potent. Authors such as Dell Hymes, Karl Kroeber, Dennis Tedlock, Jarold Ramsey and John Bierhorst address the many aspects of the study of this literature, from the problem of translation and of the role of the literary critic to the interpretation of specific stories. ISBN 0-520-04902-0 : $12.95.
Publisher: Univ of California Press
ISBN: 9780520049130
Category : Literary Criticism
Languages : en
Pages : 388
Book Description
A compilation of essays and translations in which leading scholars in the fields of linguistics, folklore, ethnopoetics and literary criticism discuss the continuing American Indian oral tradition as literature. Native Americans invested the spoken word with reverence and power, and the oral literature that resulted from the fusing of language and event into vital force is extraordinarily rich and potent. Authors such as Dell Hymes, Karl Kroeber, Dennis Tedlock, Jarold Ramsey and John Bierhorst address the many aspects of the study of this literature, from the problem of translation and of the role of the literary critic to the interpretation of specific stories. ISBN 0-520-04902-0 : $12.95.
Common Ground
Author: Judith Frank
Publisher: Stanford University Press
ISBN: 9780804741897
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
The author reads four 18th-century satiric novels—Joseph Andrews, A Sentimental Journey, Humphrey Clinker, and Cecilia—"from below," exploring how the gentle authors' experiences of the poor shape the novels both thematically and formally.
Publisher: Stanford University Press
ISBN: 9780804741897
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
The author reads four 18th-century satiric novels—Joseph Andrews, A Sentimental Journey, Humphrey Clinker, and Cecilia—"from below," exploring how the gentle authors' experiences of the poor shape the novels both thematically and formally.
English Grounds
Author: Andrew Rumsey
Publisher: SCM Press
ISBN: 0334061148
Category : Religion
Languages : en
Pages : 142
Book Description
In this journal of short, lyrical reflections, Andrew Rumsey takes the reader on an exploration of faith, place and identity. Focusing on the author’s home in Wiltshire, as he arrives to take up an ancient role in a testing time, English Grounds is both an affirmation and critique of this country’s Christian heritage. Together the essays challenge us to think more deeply about the place of the Church in the consciousness of the English, and the place of England in the consciousness of the Church.
Publisher: SCM Press
ISBN: 0334061148
Category : Religion
Languages : en
Pages : 142
Book Description
In this journal of short, lyrical reflections, Andrew Rumsey takes the reader on an exploration of faith, place and identity. Focusing on the author’s home in Wiltshire, as he arrives to take up an ancient role in a testing time, English Grounds is both an affirmation and critique of this country’s Christian heritage. Together the essays challenge us to think more deeply about the place of the Church in the consciousness of the English, and the place of England in the consciousness of the Church.