Author: Beverly Gordon
Publisher: Chazen Museum of Art
ISBN: 9780932900180
Category : Art
Languages : en
Pages : 76
Book Description
Even the earliest European explorers to the Americas collected objects made by native people. The ongoing fascination with the artistic and cultural expressions of American Indian people is documented historically, along with a close look at seven midwestern collections. The wide array of art encompassed is handsomely illustrated, and includes pottery, weavings, basketry, beadwork, and carvings. Distributed for the Chazen Museum of Art, University of Wisconsin-Madison
American Indian Art
Author: Beverly Gordon
Publisher: Chazen Museum of Art
ISBN: 9780932900180
Category : Art
Languages : en
Pages : 76
Book Description
Even the earliest European explorers to the Americas collected objects made by native people. The ongoing fascination with the artistic and cultural expressions of American Indian people is documented historically, along with a close look at seven midwestern collections. The wide array of art encompassed is handsomely illustrated, and includes pottery, weavings, basketry, beadwork, and carvings. Distributed for the Chazen Museum of Art, University of Wisconsin-Madison
Publisher: Chazen Museum of Art
ISBN: 9780932900180
Category : Art
Languages : en
Pages : 76
Book Description
Even the earliest European explorers to the Americas collected objects made by native people. The ongoing fascination with the artistic and cultural expressions of American Indian people is documented historically, along with a close look at seven midwestern collections. The wide array of art encompassed is handsomely illustrated, and includes pottery, weavings, basketry, beadwork, and carvings. Distributed for the Chazen Museum of Art, University of Wisconsin-Madison
Infinity of Nations
Author: National Museum of the American Indian
Publisher: Harper Collins
ISBN: 006154731X
Category : History
Languages : en
Pages : 324
Book Description
The National Museum of the American Indian is one of the world's great conservators of cultural heritage, and its collections hold more than 800,000 objects spanning 13,000 years of history of the Native peoples of the Western Hemisphere, from Tierra del Fuego in the south to the Arctic in the north. Drawing on new insights from archaeology, history, and art history, Infinity of Nations uses culturally, historically, and aesthetically significant objects as a point of entry to understanding the people who created them. Following an introduction on the power of objects to engage our imagination, each chapter presents an overview of a region of the Americas and its cultural complexities, written by a noted specialist on that region. Community knowledge-keepers and an impressive new generation of Native scholars contribute highlights on objects that represent important ideas or that capture moments of social change. Together these writers create an extraordinary mosaic. What emerges is a portrait of a complex and dynamic world shaped from its earliest history by contact and exchange among peoples. Illustrated with more than 200 strikingly beautiful photographs published here for the first time, Infinity of Nations opens new avenues that extend well beyond those of conventional cultural studies. Authoritative and accessible, here is an important resource for anyone interested in learning about Native cultures of the Americas.
Publisher: Harper Collins
ISBN: 006154731X
Category : History
Languages : en
Pages : 324
Book Description
The National Museum of the American Indian is one of the world's great conservators of cultural heritage, and its collections hold more than 800,000 objects spanning 13,000 years of history of the Native peoples of the Western Hemisphere, from Tierra del Fuego in the south to the Arctic in the north. Drawing on new insights from archaeology, history, and art history, Infinity of Nations uses culturally, historically, and aesthetically significant objects as a point of entry to understanding the people who created them. Following an introduction on the power of objects to engage our imagination, each chapter presents an overview of a region of the Americas and its cultural complexities, written by a noted specialist on that region. Community knowledge-keepers and an impressive new generation of Native scholars contribute highlights on objects that represent important ideas or that capture moments of social change. Together these writers create an extraordinary mosaic. What emerges is a portrait of a complex and dynamic world shaped from its earliest history by contact and exchange among peoples. Illustrated with more than 200 strikingly beautiful photographs published here for the first time, Infinity of Nations opens new avenues that extend well beyond those of conventional cultural studies. Authoritative and accessible, here is an important resource for anyone interested in learning about Native cultures of the Americas.
The Flag in American Indian Art
Author: Toby Herbst
Publisher: University of Washington Press
ISBN:
Category : Flags
Languages : en
Pages : 128
Book Description
"The Flag in American Indian Art includes fifty-four examples from the Thaw Collection and sixty-seven lent by Kate and Joel Kopp. The two collections form the most extensive assemblage of images of the American flag in American Indian art. They include the work of more than two dozen different peoples, from the Iroquois of the Northeast to the Makah of Neah Bay at the entrance to Puget Sound, from the Navajo in the Southwest to the Athapaskan of Alaska. When seen together, the objects present a multitude of different forms, uses, construction techniques, and design. Depictions of the American flag vary from close facsimiles to near abstractions"--Page 7.
Publisher: University of Washington Press
ISBN:
Category : Flags
Languages : en
Pages : 128
Book Description
"The Flag in American Indian Art includes fifty-four examples from the Thaw Collection and sixty-seven lent by Kate and Joel Kopp. The two collections form the most extensive assemblage of images of the American flag in American Indian art. They include the work of more than two dozen different peoples, from the Iroquois of the Northeast to the Makah of Neah Bay at the entrance to Puget Sound, from the Navajo in the Southwest to the Athapaskan of Alaska. When seen together, the objects present a multitude of different forms, uses, construction techniques, and design. Depictions of the American flag vary from close facsimiles to near abstractions"--Page 7.
Lovelock Cave
Author: Llewellyn Lemont Loud
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 568
Book Description
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 568
Book Description
Native American Art in the Twentieth Century
Author: W. Jackson Rushing III
Publisher: Routledge
ISBN: 1136180036
Category : Art
Languages : en
Pages : 249
Book Description
This illuminating and provocative book is the first anthology devoted to Twentieth Century Native American and First Nation art. Native American Art brings together anthropologists, art historians, curators, critics and distinguished Native artists to discuss pottery, painitng, sculpture, printmaking, photography and performance art by some of the most celebrated Native American and Canadian First Nation artists of our time The contributors use new theoretical and critical approaches to address key issues for Native American art, including symbolism and spirituality, the role of patronage and musuem practices, the politics of art criticism and the aesthetic power of indigenous knowledge. The artist contributors, who represent several Native nations - including Cherokee, Lakota, Plains Cree, and those of the PLateau country - emphasise the importance of traditional stories, myhtologies and ceremonies in the production of comtemporary art. Within great poignancy, thye write about recent art in terms of home, homeland and aboriginal sovereignty Tracing the continued resistance of Native artists to dominant orthodoxies of the art market and art history, Native American Art in the Twentieth Century argues forcefully for Native art's place in modern art history.
Publisher: Routledge
ISBN: 1136180036
Category : Art
Languages : en
Pages : 249
Book Description
This illuminating and provocative book is the first anthology devoted to Twentieth Century Native American and First Nation art. Native American Art brings together anthropologists, art historians, curators, critics and distinguished Native artists to discuss pottery, painitng, sculpture, printmaking, photography and performance art by some of the most celebrated Native American and Canadian First Nation artists of our time The contributors use new theoretical and critical approaches to address key issues for Native American art, including symbolism and spirituality, the role of patronage and musuem practices, the politics of art criticism and the aesthetic power of indigenous knowledge. The artist contributors, who represent several Native nations - including Cherokee, Lakota, Plains Cree, and those of the PLateau country - emphasise the importance of traditional stories, myhtologies and ceremonies in the production of comtemporary art. Within great poignancy, thye write about recent art in terms of home, homeland and aboriginal sovereignty Tracing the continued resistance of Native artists to dominant orthodoxies of the art market and art history, Native American Art in the Twentieth Century argues forcefully for Native art's place in modern art history.
Who Owns the Past?
Author: American Council for Cultural Policy
Publisher: Rutgers University Press
ISBN: 9780813536873
Category : Antiques & Collectibles
Languages : en
Pages : 402
Book Description
Public and private institutions in the United States have long been home to a variety of art works, antiquities, and ethnological materials. For years, these collections have been seen as important archives that allow present and future generations to enjoy, appreciate, and value the art of all cultures. The past decade, however, has seen major changes in law and public policy and an active, ongoing debate over legal and ethical issues affecting the ownership of art and other cultural property. Contributors to Who Owns the Past? include legal scholars, museum professionals, anthropologists, archaeologists, and collectors. In clear, nontechnical language, they provide a comprehensive overview of the development of cultural property law and practices, as well as recent case law affecting the ability of museums and private collectors to own art from other countries. Topics covered include rights to property, ethical ownership, the public responsibilities of museums, threats to art from war, pillage, and development, and international cooperation to preserve collections in the developing world. Engaging all perspectives on this debate, Who Owns the Past? challenges all who care about the arts to work together toward policies that consider traditional American interests in securing cultural resources and respect international concerns over loss of heritage.
Publisher: Rutgers University Press
ISBN: 9780813536873
Category : Antiques & Collectibles
Languages : en
Pages : 402
Book Description
Public and private institutions in the United States have long been home to a variety of art works, antiquities, and ethnological materials. For years, these collections have been seen as important archives that allow present and future generations to enjoy, appreciate, and value the art of all cultures. The past decade, however, has seen major changes in law and public policy and an active, ongoing debate over legal and ethical issues affecting the ownership of art and other cultural property. Contributors to Who Owns the Past? include legal scholars, museum professionals, anthropologists, archaeologists, and collectors. In clear, nontechnical language, they provide a comprehensive overview of the development of cultural property law and practices, as well as recent case law affecting the ability of museums and private collectors to own art from other countries. Topics covered include rights to property, ethical ownership, the public responsibilities of museums, threats to art from war, pillage, and development, and international cooperation to preserve collections in the developing world. Engaging all perspectives on this debate, Who Owns the Past? challenges all who care about the arts to work together toward policies that consider traditional American interests in securing cultural resources and respect international concerns over loss of heritage.
Bulletin/Annual Report
Author: Elvehjem Museum of Art
Publisher:
ISBN:
Category :
Languages : en
Pages : 210
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 210
Book Description
The Honorable Paul H. Buchanan, Jr. Collection of American Paintings
Author: Heritage Auction Galleries (Dallas, Tex.)
Publisher: Heritage Capital Corporation
ISBN: 9781599673707
Category : Painting, American
Languages : en
Pages : 116
Book Description
Publisher: Heritage Capital Corporation
ISBN: 9781599673707
Category : Painting, American
Languages : en
Pages : 116
Book Description
The Responsive Eye
Author: Ralph T. Coe
Publisher: Metropolitan Museum of Art
ISBN: 1588390853
Category : Indian art
Languages : en
Pages : 342
Book Description
Over the past three decades, Ralph T. Coe has traveled extensively throughout the United States and Canada to assemble this collection of Native American art, one of the finest in private hands today. Immersed in the cultures of Native America, he has come to know artists and artisans, traders, dealers, and shop proprietors, selecting the very best they have to offer. The Ralph T. Coe Collection includes representative pieces from most Native American geographic regions and historical periods, beginning with objects dating back to the fourth millennium B.C. Many examples-men's shirts with ermine fringe, weapons, and button blankets-evoke the heroic lifestyle of the past, while small objects, such as tipi and kayak models, dolls, and tiny moccasins, speak to a more intimate significance. Ritual objects imbued with spiritual meaning-masks and katsinas, tablitas and medicine bundles-as well as utilitarian objects, such as pottery and baskets, also have a strong presence. This catalogue tells the stories of nearly two hundred of these objects, combining art history with personal reminiscence, and reveals the role Coe has played in bringing about awareness of the artistic heritage of Native America.-- Metropolitan Museum of Art website.
Publisher: Metropolitan Museum of Art
ISBN: 1588390853
Category : Indian art
Languages : en
Pages : 342
Book Description
Over the past three decades, Ralph T. Coe has traveled extensively throughout the United States and Canada to assemble this collection of Native American art, one of the finest in private hands today. Immersed in the cultures of Native America, he has come to know artists and artisans, traders, dealers, and shop proprietors, selecting the very best they have to offer. The Ralph T. Coe Collection includes representative pieces from most Native American geographic regions and historical periods, beginning with objects dating back to the fourth millennium B.C. Many examples-men's shirts with ermine fringe, weapons, and button blankets-evoke the heroic lifestyle of the past, while small objects, such as tipi and kayak models, dolls, and tiny moccasins, speak to a more intimate significance. Ritual objects imbued with spiritual meaning-masks and katsinas, tablitas and medicine bundles-as well as utilitarian objects, such as pottery and baskets, also have a strong presence. This catalogue tells the stories of nearly two hundred of these objects, combining art history with personal reminiscence, and reveals the role Coe has played in bringing about awareness of the artistic heritage of Native America.-- Metropolitan Museum of Art website.
Basket Weavers for the California Curio Trade
Author: Marvin Cohodas
Publisher: University of Arizona Press
ISBN: 081654106X
Category : Social Science
Languages : en
Pages : 448
Book Description
The peoples of northwestern Califonia's Lower Klamath River area have long been known for their fine basketry. Two early-twentieth-century weavers of that region, Elizabeth Hickox and her daughter Louise, created especially distinctive baskets that are celebrated today for their elaboration of technique, form, and surface designs. Marvin Cohodas now explores the various forces that influenced Elizabeth Hickox, analyzing her relationship with the curio trade, and specifically with dealer Grace Nicholson, to show how those associations affected the development and marketing of baskets. He explains the techniques and patterns that Hickox created to meet the challenge of weaving design into changig three-dimensional forms. In addition to explicating the Hickoxes' basketry, Cohodas interprets its uniqueness as a form of intersocietal art, showing how Elizabeth first designed her distinctive trinket basket to convey a particular view of the curio trade and its effect on status within her community. Through its close examination of these superb practitioners of basketry, Basket Weavers for the California Curio Trade addresses many of today's most pressing questions in Native American art studies concerning individuality, patronage, and issues of authenticity. Graced with historic photographs and full-color plates, it reveals the challenges faced by early-twentieth-century Native weavers. Published with the assistance of The Southwest Museum, Los Angeles.
Publisher: University of Arizona Press
ISBN: 081654106X
Category : Social Science
Languages : en
Pages : 448
Book Description
The peoples of northwestern Califonia's Lower Klamath River area have long been known for their fine basketry. Two early-twentieth-century weavers of that region, Elizabeth Hickox and her daughter Louise, created especially distinctive baskets that are celebrated today for their elaboration of technique, form, and surface designs. Marvin Cohodas now explores the various forces that influenced Elizabeth Hickox, analyzing her relationship with the curio trade, and specifically with dealer Grace Nicholson, to show how those associations affected the development and marketing of baskets. He explains the techniques and patterns that Hickox created to meet the challenge of weaving design into changig three-dimensional forms. In addition to explicating the Hickoxes' basketry, Cohodas interprets its uniqueness as a form of intersocietal art, showing how Elizabeth first designed her distinctive trinket basket to convey a particular view of the curio trade and its effect on status within her community. Through its close examination of these superb practitioners of basketry, Basket Weavers for the California Curio Trade addresses many of today's most pressing questions in Native American art studies concerning individuality, patronage, and issues of authenticity. Graced with historic photographs and full-color plates, it reveals the challenges faced by early-twentieth-century Native weavers. Published with the assistance of The Southwest Museum, Los Angeles.