Tragedy of the Grecian Daughter. By Arthur Murphy, Esq. Adapted for Theatrical Representation, as Performed at the Theatres-royal Covent-Garden and Drury-Lane ... with a Critique, by R. Cumberland, Esq PDF Download
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Author: Arthur Murphy
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
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Book Description
Author: Arthur Murphy
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
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Book Description
![British Theatre: Alzira, by Aaron Hill [adapted from Voltaire] 1791. The Grecian daughter, by Arthur Murphy. 1792. Isabella; or, The fatal marriage, altered from Southern [by D. Garrick] 1792. The fair penitent, by N. Rowe. 1791 PDF](https://books.google.com/books/content/images/frontcover/5YA0AAAAMAAJ?fife=w80-h100)
Author: John Bell
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 356
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Book Description
Author: John Bell
Publisher:
ISBN:
Category :
Languages : en
Pages : 470
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Book Description
Author: Arthur Murphy
Publisher:
ISBN:
Category :
Languages : en
Pages : 74
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Book Description
Author: Arthur Murphy
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 96
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Book Description
Author: John Bell
Publisher:
ISBN:
Category :
Languages : en
Pages : 470
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Book Description
Author: Arthur Murphy
Publisher:
ISBN:
Category :
Languages : en
Pages : 72
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Book Description
Author: John Bell
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 290
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 456
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Book Description
Author: Glen McGillivray
Publisher: Springer Nature
ISBN: 3031228995
Category : History
Languages : en
Pages : 231
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Book Description
This book offers an innovative account of how audiences and actors emotionally interacted in the English theatre during the middle decades of the eighteenth century, a period bookended by two of its stars: David Garrick and Sarah Siddons. Drawing upon recent scholarship on the history of emotions, it uses practice theory to challenge the view that emotional interactions between actors and audiences were governed by empathy. It carefully works through how actors communicated emotions through their voices, faces and gestures, how audiences appraised these performances, and mobilised and regulated their own emotional responses. Crucially, this book reveals how theatre spaces mediated the emotional practices of audiences and actors alike. It examines how their public and frequently political interactions were enabled by these spaces.
