The Great North American Stage Directors: Harold Clurman, Orson Welles, Margo Jones: The Director in the Company PDF Download
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Author: Cheryl Black
Publisher:
ISBN:
Category : Theater
Languages : en
Pages :
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Book Description
"Each volume provides substantial treatment of three major directors, with each director considered by two specialists, combining analysis of the director's practical craft with accounts of the historical, cultural and theoretical context of their practice. Links between the featured directors and other artists and directors from the period are traced to round out the picture of influences and artistic development."--
Author: Cheryl Black
Publisher:
ISBN:
Category : Theater
Languages : en
Pages :
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Book Description
"Each volume provides substantial treatment of three major directors, with each director considered by two specialists, combining analysis of the director's practical craft with accounts of the historical, cultural and theoretical context of their practice. Links between the featured directors and other artists and directors from the period are traced to round out the picture of influences and artistic development."--
Author: Jonathan Chambers
Publisher: Bloomsbury Publishing
ISBN: 1350189340
Category : Performing Arts
Languages : en
Pages : 273
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Book Description
This volume assesses the accomplishments of three mid-20th century, North American stage directors: Harold Clurman, Orson Welles, and Margo Jones. Though their theatre-making endeavours were distinct, each produced work that challenged preconceived notions of theatre-making, all while working within the structure of a company. As directors drawn to the potential rewards of collaboration, all also were keenly adept at understanding how the relationship with a company of collaborators is often marked by struggle and crisis. The essays in this volume explore how these accomplished directors not only created bold work, but also drew on the complex energies of the theatre companies with which they worked to reimagine the shape and scope of theatre directing. The Great North American Stage Directors series provides an authoritative account of the art of directing in North America by examining the work of twenty-four major practitioners from the late 19th century to the present. Each of the eight volumes examines three directors and offers an overview of their practices, theoretical ideas, and contributions to modern theatre. The studies chart the life and work of each major North American theatre director, placing his or her achievement in the context of other important theatre practitioners and broader social history. Written by a team of leading experts, the series presents the genealogy of directing in North America while simultaneously chronicling crucial trends and championing contemporary interpretation.
Author: Cheryl Black
Publisher: Bloomsbury Publishing
ISBN: 1350045403
Category : Theater
Languages : en
Pages : 273
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Book Description
"Each volume provides substantial treatment of three major directors, with each director considered by two specialists, combining analysis of the director's practical craft with accounts of the historical, cultural and theoretical context of their practice. Links between the featured directors and other artists and directors from the period are traced to round out the picture of influences and artistic development."--
Author: James Peck
Publisher:
ISBN: 9781350045699
Category :
Languages : en
Pages :
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Book Description
Author: Harold Clurman
Publisher: Da Capo Press
ISBN: 9780306801860
Category : Performing Arts
Languages : en
Pages : 352
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Book Description
The Group Theatre was perhaps the most significant experiment in the history of American theater. Producing plays that reflected topical issues of the decade and giving a creative chance to actors, directors, and playwrights who were either fed up with or shut out of commercial theater, the "Group" remains a permanent influence on American drama despite its brief ten-year life. It was here that method acting, native realism, and political language had their tryouts in front of audiences who anticipated--indeed demanded--a departure from the Broadway "show-biz" tradition. In this now classic account, Harold Clurman, founder of the Group Theatre and a dynamic force as producer-director-critic for fifty years, here re-creates history he helped make with Lee Strasberg, Elia Kazan, Irwin Shaw, Clifford Odets, Cheryl Crawford, Morris Carnovsky, and William Saroyan. Stella Adler contributed a new introduction to this edition which remembers Clurman, the thirties, and the heady atmosphere of a tumultuous decade.
Author: Harold Clurman
Publisher: Simon and Schuster
ISBN: 0684826224
Category : Performing Arts
Languages : en
Pages : 332
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Book Description
Originally published: New York: Collier Books, 1972.
Author: Jerry Roberts
Publisher: Scarecrow Press
ISBN: 0810863782
Category : Performing Arts
Languages : en
Pages : 863
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Book Description
From live productions of the 1950s like Requiem for a Heavyweight to big budget mini-series like Band of Brothers, long-form television programs have been helmed by some of the most creative and accomplished names in directing. Encyclopedia of Television Film Directors brings attention to the directors of these productions, citing every director of stand alone long-form television programs: made for TV movies, movie-length pilots, mini-series, and feature-length anthology programs, as well as drama, comedy, and musical specials of more than 60 minutes. Each of the nearly 2,000 entries provides a brief career sketch of the director, his or her notable works, awards, and a filmography. Many entries also provide brief discussions of key shows, movies, and other productions. Appendixes include Emmy Awards, DGA Awards, and other accolades, as well as a list of anthology programs. A much-needed reference that celebrates these often-neglected artists, Encyclopedia of Television Film Directors is an indispensable resource for anyone interested in the history of the medium.
Author: Lunning, Jr. (Ev)
Publisher:
ISBN: 9781725746336
Category : College theater
Languages : en
Pages : 526
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Book Description
Author: Thomas S. Hischak
Publisher: McFarland
ISBN: 0786453095
Category : Performing Arts
Languages : en
Pages : 645
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Book Description
New York City's Broadway district is by far the most prestigious and lucrative venue for American performers, playwrights, entertainers and technicians. While there are many reference works and critical studies of selected Broadway plays or musicals and even more works about the highlights of the American theater, this is the first single-volume book to cover all of the activities on Broadway between 1919 and 2007. More than 14,000 productions are briefly described, including hundreds of plays, musicals, revivals, and specialty programs. Entries include famous and forgotten works, designed to give a complete picture of Broadway's history and development, its evolution since the early twentieth century, and its rise to unparalleled prominence in the world of American theater. The productions are identified in terms of plot, cast, personnel, critical reaction, and significance in the history of New York theater and culture. In addition to a chronological list of all Broadway productions between 1919 and 2007, the book also includes approximately 600 important productions performed on Broadway before 1919.
Author: Stefan Kanfer
Publisher: Vintage
ISBN: 1400078040
Category : Biography & Autobiography
Languages : en
Pages : 386
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Book Description
Stefan Kanfer, acclaimed biographer of Lucille Ball and Groucho Marx, now gives us the definitive life of Marlon Brando, seamlessly intertwining the man and the work to give us a stunning and illuminating appraisal. Beginning with Brando’s turbulent childhood, Kanfer follows him to New York where he made his star-making Broadway debut as Stanley Kowalski in A Streetcar Named Desire at age twenty-three. Brando then decamped for Hollywood, and Kanfer looks at each of Brando’s films over the years—from The Men in 1950 to The Score in 2001—offering deft and insightful analysis of his sometimes brilliant, sometimes baffling performances. And, finally, Kanfer brings into focus Brando’s self-destructiveness, ambivalence toward his craft, and the tragedies that shadowed his last years.
