Author: Robert Ryan
Publisher: Open Road Media
ISBN: 1504056671
Category : Fiction
Languages : en
Pages : 1566
Book Description
A trio of gripping historical novels from an acclaimed British author who “skillfully blends fact with fiction” (Time Out London). Empire of Sand: The legendary exploits of Lawrence of Arabia are the starting point for this captivating World War I suspense novel. In the British Army’s general headquarters in Cairo, a young intelligence officer, Lt. Thomas Edward Lawrence, must contend with a notorious German spy, Wilhelm Wassmuss. Local tribes are capturing British soldiers at the German’s behest, and the War Office has sent an assassin. Lawrence must get Captain Quinn within range of his target, a challenge given Wassmuss’s deep knowledge of the desert and its people. In matching wits with a sinister European nemesis, Lawrence starts down a path that will change the face of the Middle East forever. “Plenty of action, some sharp dialogue and swift characterisation . . . Absorbing and thoughtful as well as tense and exciting.” —The Daily Telegraph Death on the Ice: The ill-fated Terra Nova Expedition led by Robert Falcon Scott to the South Pole is brilliantly reimagined in this epic novel. The expedition was Scott’s second journey to Antarctica, driven by the dream of winning the race to the South Pole for England. But small mistakes and bad luck plagued the mission from the start, and when they finally reached their destination on January 17, 1912, Scott and his team were heartbroken to find that Norwegian Roald Amundsen had beaten them there—by more than a month. Little did they know, things were about to get much, much worse . . . “Brings vividly to life the relationships and rivalries, the highs and lows, of the exploration that ended so tragically.” —Daily Mail Signal Red: Inspired by the Great Train Robbery in the United Kingdom in August 1963, Ryan’s gripping re-creation is an edge-of-your-seat caper. Traveling between Glasgow and London, a Royal Mail train was forced to make an unscheduled stop by tampered signals. Led by a charismatic jewel thief, a gang of fifteen unarmed men boarded the train, incapacitated the driver, and made off with more than £2 million. Incensed by the brazenness of the crime, Scotland Yard employed every means to get the thieves to turn on one another. Soon, a meticulous plan descended into a desperate free-for-all as the gang went down one by one. This edition features an afterword by Bruce Reynolds, the mastermind behind the robbery.
The Great British Heroes and Antiheroes Trilogy
Heroes in Contemporary British Culture
Author: Barbara Korte
Publisher: Routledge
ISBN: 1000382699
Category : Social Science
Languages : en
Pages : 161
Book Description
This book explores how British culture is negotiating heroes and heroisms in the twenty-first century. It posits a nexus between the heroic and the state of the nation and explores this idea through British television drama. Drawing on case studies including programmes such as The Last Kingdom, Spooks, Luther and Merlin, the book explores the aesthetic strategies of heroisation in television drama and contextualises the programmes within British public discourses at the time of their production, original broadcasting and first reception. British television drama is a cultural forum in which contemporary Britain’s problems, wishes and cultural values are revealed and debated. By revealing the tensions in contemporary notions of heroes and heroisms, television drama employs the heroic as a lens through which to scrutinise contemporary British society and its responses to crisis and change. Looking back on the development of heroic representations in British television drama over the last twenty years, this book’s analyses show how heroisation in television drama reacts to, and reveals shifts in, British structures of feeling in a time marked by insecurity. The book is ideal for readers interested in British cultural studies, studies of the heroic and popular culture. Introduction of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution (CC-BY-)] 4.0 license.
Publisher: Routledge
ISBN: 1000382699
Category : Social Science
Languages : en
Pages : 161
Book Description
This book explores how British culture is negotiating heroes and heroisms in the twenty-first century. It posits a nexus between the heroic and the state of the nation and explores this idea through British television drama. Drawing on case studies including programmes such as The Last Kingdom, Spooks, Luther and Merlin, the book explores the aesthetic strategies of heroisation in television drama and contextualises the programmes within British public discourses at the time of their production, original broadcasting and first reception. British television drama is a cultural forum in which contemporary Britain’s problems, wishes and cultural values are revealed and debated. By revealing the tensions in contemporary notions of heroes and heroisms, television drama employs the heroic as a lens through which to scrutinise contemporary British society and its responses to crisis and change. Looking back on the development of heroic representations in British television drama over the last twenty years, this book’s analyses show how heroisation in television drama reacts to, and reveals shifts in, British structures of feeling in a time marked by insecurity. The book is ideal for readers interested in British cultural studies, studies of the heroic and popular culture. Introduction of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution (CC-BY-)] 4.0 license.
Heroes and Anti-heroes in Medieval Romance
Author: Neil Cartlidge
Publisher: DS Brewer
ISBN: 1843843048
Category : Literary Collections
Languages : en
Pages : 260
Book Description
Investigations into the heroic - or not - behaviour of the protagonists of medieval romance. Medieval romances so insistently celebrate the triumphs of heroes and the discomfiture of villains that they discourage recognition of just how morally ambiguous, antisocial or even downright sinister their protagonists can be, and, correspondingly, of just how admirable or impressive their defeated opponents often are. This tension between the heroic and the antiheroic makes a major contribution to the dramatic complexity of medieval romance, but it is not an aspect of the genre that has been frequently discussed up until now. Focusing on fourteen distinct characters and character-types in medieval narrative, this book illustrates the range of different ways in which the imaginative power and appeal of romance-texts often depend on contradictions implicit in the very ideal of heroism. Dr Neil Cartlidge is Lecturer in English at the University of Durham. Contributors: Neil Cartlidge, Penny Eley, David Ashurst, Meg Lamont, Laura Ashe, Judith Weiss, Gareth Griffith, Kate McClune, Nancy Mason Bradbury, Ad Putter, Robert Rouse, Siobhain Bly Calkin, James Wade, Stephanie Vierick Gibbs Kamath
Publisher: DS Brewer
ISBN: 1843843048
Category : Literary Collections
Languages : en
Pages : 260
Book Description
Investigations into the heroic - or not - behaviour of the protagonists of medieval romance. Medieval romances so insistently celebrate the triumphs of heroes and the discomfiture of villains that they discourage recognition of just how morally ambiguous, antisocial or even downright sinister their protagonists can be, and, correspondingly, of just how admirable or impressive their defeated opponents often are. This tension between the heroic and the antiheroic makes a major contribution to the dramatic complexity of medieval romance, but it is not an aspect of the genre that has been frequently discussed up until now. Focusing on fourteen distinct characters and character-types in medieval narrative, this book illustrates the range of different ways in which the imaginative power and appeal of romance-texts often depend on contradictions implicit in the very ideal of heroism. Dr Neil Cartlidge is Lecturer in English at the University of Durham. Contributors: Neil Cartlidge, Penny Eley, David Ashurst, Meg Lamont, Laura Ashe, Judith Weiss, Gareth Griffith, Kate McClune, Nancy Mason Bradbury, Ad Putter, Robert Rouse, Siobhain Bly Calkin, James Wade, Stephanie Vierick Gibbs Kamath
Great British Fictional Detectives
Author: Russell James
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 248
Book Description
Highlights over 350 British literary detectives, many famous through their film and TV adaptations. Using essays to highlight different types of detectives and focusing on some of the more famous such as Sherlock Holmes and Inspector Morse, the author celebrates the role of the detective in British fiction.
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 248
Book Description
Highlights over 350 British literary detectives, many famous through their film and TV adaptations. Using essays to highlight different types of detectives and focusing on some of the more famous such as Sherlock Holmes and Inspector Morse, the author celebrates the role of the detective in British fiction.
Catalog of Copyright Entries. Third Series
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1626
Book Description
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1626
Book Description
New Statesman Society
Author:
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 850
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 850
Book Description
Christianity and Comics
Author: Blair Davis
Publisher: Rutgers University Press
ISBN: 1978828233
Category : Literary Criticism
Languages : en
Pages : 253
Book Description
The Bible has inspired Western art and literature for centuries, so it is no surprise that Christian iconography, characters, and stories have also appeared in many comic books. Yet the sheer stylistic range of these comics is stunning. They include books from Christian publishers, as well as underground comix with religious themes and a vast array of DC, Marvel, and Dark Horse titles, from Hellboy to Preacher. Christianity and Comics presents an 80-year history of the various ways that the comics industry has drawn from biblical source material. It explores how some publishers specifically targeted Christian audiences with titles like Catholic Comics, books featuring heroic versions of Oral Roberts and Billy Graham, and special religious-themed editions of Archie. But it also considers how popular mainstream comics like Daredevil, The Sandman, Ghost Rider, and Batman are infused with Christian themes and imagery. Comics scholar Blair Davis pays special attention to how the medium’s unique use of panels, word balloons, captions, and serialized storytelling have provided vehicles for telling familiar biblical tales in new ways. Spanning the Golden Age of comics to the present day, this book charts how comics have both reflected and influenced Americans’ changing attitudes towards religion.
Publisher: Rutgers University Press
ISBN: 1978828233
Category : Literary Criticism
Languages : en
Pages : 253
Book Description
The Bible has inspired Western art and literature for centuries, so it is no surprise that Christian iconography, characters, and stories have also appeared in many comic books. Yet the sheer stylistic range of these comics is stunning. They include books from Christian publishers, as well as underground comix with religious themes and a vast array of DC, Marvel, and Dark Horse titles, from Hellboy to Preacher. Christianity and Comics presents an 80-year history of the various ways that the comics industry has drawn from biblical source material. It explores how some publishers specifically targeted Christian audiences with titles like Catholic Comics, books featuring heroic versions of Oral Roberts and Billy Graham, and special religious-themed editions of Archie. But it also considers how popular mainstream comics like Daredevil, The Sandman, Ghost Rider, and Batman are infused with Christian themes and imagery. Comics scholar Blair Davis pays special attention to how the medium’s unique use of panels, word balloons, captions, and serialized storytelling have provided vehicles for telling familiar biblical tales in new ways. Spanning the Golden Age of comics to the present day, this book charts how comics have both reflected and influenced Americans’ changing attitudes towards religion.
Heroes, Antiheroes, and the Holocaust
Author: David Morrison
Publisher: Milah Press, Incorporated
ISBN:
Category : History
Languages : en
Pages : 344
Book Description
Deals with American Jewish attitudes during the Holocaust
Publisher: Milah Press, Incorporated
ISBN:
Category : History
Languages : en
Pages : 344
Book Description
Deals with American Jewish attitudes during the Holocaust
Analyzing Ideology and Narratology in Film Series, Sequels, and Trilogies
Author: Seçmen, Emre Ahmet
Publisher: IGI Global
ISBN:
Category : Art
Languages : en
Pages : 283
Book Description
The study of ideology and narratology in film reveals intricate layers of meaning and cultural significance embedded within cinematic narratives. This exploration delves into how ideologies are conveyed, reinforced, or challenged across multiple installments of a film franchise. By analyzing the narrative structures, character developments, and thematic continuities, scholars can uncover the underlying messages and societal implications that shape audience perceptions. Analyzing Ideology and Narratology in Film Series, Sequels, and Trilogies explores the complex narrative and ideological dimensions within multi-installment cinematic works. It investigates how sequential storytelling in film not only entertains but also reflects and shapes cultural, social, and political ideologies. By examining narrative structures in film series and franchises, this book reveals the subtle ways in which ideologies are constructed, perpetuated, or subverted. Covering topics such as narrative complexity, psychoanalytical analysis, and ideology, this book is a valuable resource for academicians, researchers, post-graduate students, educators, sociologists, and more.
Publisher: IGI Global
ISBN:
Category : Art
Languages : en
Pages : 283
Book Description
The study of ideology and narratology in film reveals intricate layers of meaning and cultural significance embedded within cinematic narratives. This exploration delves into how ideologies are conveyed, reinforced, or challenged across multiple installments of a film franchise. By analyzing the narrative structures, character developments, and thematic continuities, scholars can uncover the underlying messages and societal implications that shape audience perceptions. Analyzing Ideology and Narratology in Film Series, Sequels, and Trilogies explores the complex narrative and ideological dimensions within multi-installment cinematic works. It investigates how sequential storytelling in film not only entertains but also reflects and shapes cultural, social, and political ideologies. By examining narrative structures in film series and franchises, this book reveals the subtle ways in which ideologies are constructed, perpetuated, or subverted. Covering topics such as narrative complexity, psychoanalytical analysis, and ideology, this book is a valuable resource for academicians, researchers, post-graduate students, educators, sociologists, and more.
British Crime Film
Author: Barry Forshaw
Publisher: Springer
ISBN: 113727459X
Category : Performing Arts
Languages : en
Pages : 231
Book Description
Presenting a social history of British crime film, this book focuses on the strategies used in order to address more radical notions surrounding class, politics, sex, delinquency, violence and censorship. Spanning post-war crime cinema to present-day "Mockney" productions, it contextualizes the films and identifies important and neglected works.
Publisher: Springer
ISBN: 113727459X
Category : Performing Arts
Languages : en
Pages : 231
Book Description
Presenting a social history of British crime film, this book focuses on the strategies used in order to address more radical notions surrounding class, politics, sex, delinquency, violence and censorship. Spanning post-war crime cinema to present-day "Mockney" productions, it contextualizes the films and identifies important and neglected works.