Author: Laurent Mannoni
Publisher:
ISBN:
Category : History
Languages : en
Pages : 584
Book Description
Widely regarded by historians of the early moving picture as the best work yet published on pre-cinema, The Great Art of Light and Shadow: Archaeology of the Cinema throws light on a fascinating range of optical media from the twelfth century to the turn of the twentieth. First published in French in 1994 and now translated into English, Laurent Mannoni's account projects a broad picture of the subject area now known as 'pre-cinema'. Starting from the earliest uses of the camera obscura in astronomy and entertainment, Mannoni discusses, among many other devices, the invention and early years of the magic lantern in the seventeenth century, the peepshows and perspective views of the eighteenth century, and the many weird and wonderful nineteenth-century attempts to recreate visions of real life in different ways and forms. This fully-illustrated and accessible account of a strange mixture of science, magic, art and deception introduces to an English-speaking readership many aspects of pre-cinema history from other European countries.
The Great Art of Light and Shadow
Author: Laurent Mannoni
Publisher:
ISBN:
Category : History
Languages : en
Pages : 584
Book Description
Widely regarded by historians of the early moving picture as the best work yet published on pre-cinema, The Great Art of Light and Shadow: Archaeology of the Cinema throws light on a fascinating range of optical media from the twelfth century to the turn of the twentieth. First published in French in 1994 and now translated into English, Laurent Mannoni's account projects a broad picture of the subject area now known as 'pre-cinema'. Starting from the earliest uses of the camera obscura in astronomy and entertainment, Mannoni discusses, among many other devices, the invention and early years of the magic lantern in the seventeenth century, the peepshows and perspective views of the eighteenth century, and the many weird and wonderful nineteenth-century attempts to recreate visions of real life in different ways and forms. This fully-illustrated and accessible account of a strange mixture of science, magic, art and deception introduces to an English-speaking readership many aspects of pre-cinema history from other European countries.
Publisher:
ISBN:
Category : History
Languages : en
Pages : 584
Book Description
Widely regarded by historians of the early moving picture as the best work yet published on pre-cinema, The Great Art of Light and Shadow: Archaeology of the Cinema throws light on a fascinating range of optical media from the twelfth century to the turn of the twentieth. First published in French in 1994 and now translated into English, Laurent Mannoni's account projects a broad picture of the subject area now known as 'pre-cinema'. Starting from the earliest uses of the camera obscura in astronomy and entertainment, Mannoni discusses, among many other devices, the invention and early years of the magic lantern in the seventeenth century, the peepshows and perspective views of the eighteenth century, and the many weird and wonderful nineteenth-century attempts to recreate visions of real life in different ways and forms. This fully-illustrated and accessible account of a strange mixture of science, magic, art and deception introduces to an English-speaking readership many aspects of pre-cinema history from other European countries.
Painting Light and Shadow in Watercolor
Author: William B Lawrence
Publisher: Echo Point Books & Media, LLC
ISBN:
Category : Art
Languages : en
Pages : 239
Book Description
Push your watercolor painting to the next level by mastering the use of color, light, and shadows. Go beyond trying to copy what you see by designing with shapes, shadows, and highlights. Deepen the expressive nature of your paintings as you capture the subject's luminosity. Master painter William B. Lawrence offers hands-on techniques and insights for intermediate to advanced artists. Light and color take the viewer on a journey. Properly harnessed, they can convey emotion, create a mood, or tell a story. Whether your work is realistic, expressive, or abstract, the options are unlimited. Lawrence explores pattern, hue, contrast, and texture in this treasured classic. Using a combination of theory, demonstration, and practical suggestions this new arsenal of tools, will help you grow as an artist. Other techniques covered include: How to design with light and shadow The use of overlapping patterns How light can express movement Learning to use light and dark to add drama and intensity to your work Discover how to guide the viewer's eye through floodlights, spotlights, and other advanced light-manipulation techniques. Painting Light and Shadow in Watercolor will help you create radiant watercolor paintings and give you greater painting pleasure as you develop new skills which bring your imagination to life.
Publisher: Echo Point Books & Media, LLC
ISBN:
Category : Art
Languages : en
Pages : 239
Book Description
Push your watercolor painting to the next level by mastering the use of color, light, and shadows. Go beyond trying to copy what you see by designing with shapes, shadows, and highlights. Deepen the expressive nature of your paintings as you capture the subject's luminosity. Master painter William B. Lawrence offers hands-on techniques and insights for intermediate to advanced artists. Light and color take the viewer on a journey. Properly harnessed, they can convey emotion, create a mood, or tell a story. Whether your work is realistic, expressive, or abstract, the options are unlimited. Lawrence explores pattern, hue, contrast, and texture in this treasured classic. Using a combination of theory, demonstration, and practical suggestions this new arsenal of tools, will help you grow as an artist. Other techniques covered include: How to design with light and shadow The use of overlapping patterns How light can express movement Learning to use light and dark to add drama and intensity to your work Discover how to guide the viewer's eye through floodlights, spotlights, and other advanced light-manipulation techniques. Painting Light and Shadow in Watercolor will help you create radiant watercolor paintings and give you greater painting pleasure as you develop new skills which bring your imagination to life.
Light, Shade and Shadow
Author: E. L. Koller
Publisher: Courier Corporation
ISBN: 0486145328
Category : Art
Languages : en
Pages : 82
Book Description
Without shading, even a beautiful drawing can appear flat. But artists can learn to add dimension to their work with these techniques, illustrations, and exercises that show how to achieve effects with light and shadow.
Publisher: Courier Corporation
ISBN: 0486145328
Category : Art
Languages : en
Pages : 82
Book Description
Without shading, even a beautiful drawing can appear flat. But artists can learn to add dimension to their work with these techniques, illustrations, and exercises that show how to achieve effects with light and shadow.
From Shadow to Light
Author: Steven Brower
Publisher: Fantagraphics Books
ISBN: 1606993585
Category : Art
Languages : en
Pages : 221
Book Description
From Shadow to Light: The Life and Art of Mort Meskin is a coffee table art book and critical biography of one of the twentieth century’s most influential comic book artists. Meskin’s career spanned both the Golden and Silver ages of comics, from the 1940s to the 1960s. His drawing, chiaroscuro technique, and storytelling are considered by connoisseurs of the form to be among the most sophisticated of his time. His passion for his artwork was equaled by his skill, and the quality of his overall oeuvre blurs the artificial distinction between high and low art. Yet he is known mostly among hard-core aficionados today, eclipsed by many of his peers, some of whom he profoundly influenced. Among Meskin’s fans and admirers are Jim Steranko, Joe Kubert, Alex Toth, Carmine Infantino, Steve Ditko, Jerry Robinson, and Jack Kirby. From Shadow to Light: The Life and Art of Mort Meskin will finally give this neglected artist the recognition he’s due.
Publisher: Fantagraphics Books
ISBN: 1606993585
Category : Art
Languages : en
Pages : 221
Book Description
From Shadow to Light: The Life and Art of Mort Meskin is a coffee table art book and critical biography of one of the twentieth century’s most influential comic book artists. Meskin’s career spanned both the Golden and Silver ages of comics, from the 1940s to the 1960s. His drawing, chiaroscuro technique, and storytelling are considered by connoisseurs of the form to be among the most sophisticated of his time. His passion for his artwork was equaled by his skill, and the quality of his overall oeuvre blurs the artificial distinction between high and low art. Yet he is known mostly among hard-core aficionados today, eclipsed by many of his peers, some of whom he profoundly influenced. Among Meskin’s fans and admirers are Jim Steranko, Joe Kubert, Alex Toth, Carmine Infantino, Steve Ditko, Jerry Robinson, and Jack Kirby. From Shadow to Light: The Life and Art of Mort Meskin will finally give this neglected artist the recognition he’s due.
Painting Light and Shadow
Author: Betty L. Schlemm
Publisher: Rockport Publishers
ISBN: 9781564963482
Category : Light in art
Languages : en
Pages : 0
Book Description
More than 130 artists briefly describe how they achieved light and shadow in the watercolor paintings selected for this collection.
Publisher: Rockport Publishers
ISBN: 9781564963482
Category : Light in art
Languages : en
Pages : 0
Book Description
More than 130 artists briefly describe how they achieved light and shadow in the watercolor paintings selected for this collection.
Keys to Painting
Author: Rachel Rubin Wolf
Publisher: Northlight
ISBN: 9780891349310
Category : Light in art
Languages : en
Pages : 0
Book Description
Shows how light can can bring drama, emotion, and power to your painting.
Publisher: Northlight
ISBN: 9780891349310
Category : Light in art
Languages : en
Pages : 0
Book Description
Shows how light can can bring drama, emotion, and power to your painting.
The Dramatic Portrait
Author: Chris Knight
Publisher: Rocky Nook, Inc.
ISBN: 1681982161
Category : Photography
Languages : en
Pages : 351
Book Description
Without light, there is no photograph. As almost every photographer knows, the word “photograph” has its roots in two Greek words that, together, mean “drawing with light.” But what is less commonly acknowledged and understood is the role that shadow plays in creating striking, expressive imagery, especially in portraiture. It is through deft, nuanced use of both light and shadow that you can move beyond shooting simply ordinary, competent headshots into the realm of creating dramatic portraiture that can so powerfully convey a subject’s inner essence, communicate a personal narrative, and express your photographic vision. In The Dramatic Portrait: The Art of Crafting Light and Shadow, Chris Knight addresses portraiture with a unique approach to both light and shadow that allows you to improve and elevate your own portraiture. He begins with the history of portraiture, from the early work of Egyptians and Greeks to the sublime treatment of light and subject by artists such as Caravaggio, Rembrandt, and Vermeer. Chris then dives into a deep, hands-on exploration of light, shadow, and portraiture, offering numerous lessons and takeaways. He covers:
Publisher: Rocky Nook, Inc.
ISBN: 1681982161
Category : Photography
Languages : en
Pages : 351
Book Description
Without light, there is no photograph. As almost every photographer knows, the word “photograph” has its roots in two Greek words that, together, mean “drawing with light.” But what is less commonly acknowledged and understood is the role that shadow plays in creating striking, expressive imagery, especially in portraiture. It is through deft, nuanced use of both light and shadow that you can move beyond shooting simply ordinary, competent headshots into the realm of creating dramatic portraiture that can so powerfully convey a subject’s inner essence, communicate a personal narrative, and express your photographic vision. In The Dramatic Portrait: The Art of Crafting Light and Shadow, Chris Knight addresses portraiture with a unique approach to both light and shadow that allows you to improve and elevate your own portraiture. He begins with the history of portraiture, from the early work of Egyptians and Greeks to the sublime treatment of light and subject by artists such as Caravaggio, Rembrandt, and Vermeer. Chris then dives into a deep, hands-on exploration of light, shadow, and portraiture, offering numerous lessons and takeaways. He covers:
- • The qualities of light: hard, soft, and the spectrum in between
- • The relationships between light, subject, and background, and how to control them
- • Lighting patterns such as Paramount, Rembrandt, loop, and split
- • Lighting ratios and how they affect contrast in your image
- • Equipment: from big and small modifiers to grids, snoots, barn doors, flags, and gels
- • Multiple setups for portrait shoots, including those that utilize one, two, and three lights
- • How color contributes to drama and mood, eliciting an emotional response from the viewer
- • How to approach styling your portrait, from wardrobe to background
- • The post-processing workflow, including developing the RAW file, maximizing contrast, color grading, retouching, and dodging and burning for heightened drama and effect
- • How all of these elements culminate to help you define your personal style and create your own narrative
Color and Light
Author: James Gurney
Publisher: Andrews McMeel Publishing
ISBN: 0740797719
Category : Art
Languages : en
Pages : 226
Book Description
Unlike many other art books only give recipes for mixing colors or describe step-by-step painting techniques, *Color and Light* answers the questions that realist painters continually ask, such as: "What happens with sky colors at sunset?", "How do colors change with distance?", and "What makes a form look three-dimensional?" Author James Gurney draws on his experience as a plain-air painter and science illustrator to share a wealth of information about the realist painter's most fundamental tools: color and light. He bridges the gap between abstract theory and practical knowledge for traditional and digital artists of all levels of experience.
Publisher: Andrews McMeel Publishing
ISBN: 0740797719
Category : Art
Languages : en
Pages : 226
Book Description
Unlike many other art books only give recipes for mixing colors or describe step-by-step painting techniques, *Color and Light* answers the questions that realist painters continually ask, such as: "What happens with sky colors at sunset?", "How do colors change with distance?", and "What makes a form look three-dimensional?" Author James Gurney draws on his experience as a plain-air painter and science illustrator to share a wealth of information about the realist painter's most fundamental tools: color and light. He bridges the gap between abstract theory and practical knowledge for traditional and digital artists of all levels of experience.
The Shadow Drawing
Author: Francesca Fiorani
Publisher: Macmillan + ORM
ISBN: 0374715297
Category : Art
Languages : en
Pages : 373
Book Description
"[The Shadow Drawing] reorients our perspective, distills a life and brings it into focus—the very work of revision and refining that its subject loved best." —Parul Sehgal, The New York Times | Editors' Choice An entirely new account of Leonardo the artist and Leonardo the scientist, and why they were one and the same man Leonardo da Vinci has long been celebrated for his consummate genius. He was the painter who gave us the Mona Lisa and The Last Supper, and the inventor who anticipated the advent of airplanes, hot air balloons, and other technological marvels. But what was the connection between Leonardo the painter and Leonardo the scientist? Historians of Renaissance art have long supposed that Leonardo became increasingly interested in science as he grew older and turned his insatiable curiosity in new directions. They have argued that there are, in effect, two Leonardos—an artist and an inventor. In this pathbreaking new interpretation, the art historian Francesca Fiorani offers a different view. Taking a fresh look at Leonardo’s celebrated but challenging notebooks, as well as other sources, Fiorani argues that Leonardo became familiar with advanced thinking about human vision when he was still an apprentice in a Florence studio—and used his understanding of optical science to develop and perfect his painting techniques. For Leonardo, the task of the painter was to capture the interior life of a human subject, to paint the soul. And even at the outset of his career, he believed that mastering the scientific study of light, shadow, and the atmosphere was essential to doing so. Eventually, he set down these ideas in a book—A Treatise on Painting—that he considered his greatest achievement, though it would be disfigured, ignored, and lost in subsequent centuries. Ranging from the teeming streets of Florence to the most delicate brushstrokes on the surface of the Mona Lisa, The Shadow Drawing vividly reconstructs Leonardo’s life while teaching us to look anew at his greatest paintings. The result is both stirring biography and a bold reconsideration of how the Renaissance understood science and art—and of what was lost when that understanding was forgotten.
Publisher: Macmillan + ORM
ISBN: 0374715297
Category : Art
Languages : en
Pages : 373
Book Description
"[The Shadow Drawing] reorients our perspective, distills a life and brings it into focus—the very work of revision and refining that its subject loved best." —Parul Sehgal, The New York Times | Editors' Choice An entirely new account of Leonardo the artist and Leonardo the scientist, and why they were one and the same man Leonardo da Vinci has long been celebrated for his consummate genius. He was the painter who gave us the Mona Lisa and The Last Supper, and the inventor who anticipated the advent of airplanes, hot air balloons, and other technological marvels. But what was the connection between Leonardo the painter and Leonardo the scientist? Historians of Renaissance art have long supposed that Leonardo became increasingly interested in science as he grew older and turned his insatiable curiosity in new directions. They have argued that there are, in effect, two Leonardos—an artist and an inventor. In this pathbreaking new interpretation, the art historian Francesca Fiorani offers a different view. Taking a fresh look at Leonardo’s celebrated but challenging notebooks, as well as other sources, Fiorani argues that Leonardo became familiar with advanced thinking about human vision when he was still an apprentice in a Florence studio—and used his understanding of optical science to develop and perfect his painting techniques. For Leonardo, the task of the painter was to capture the interior life of a human subject, to paint the soul. And even at the outset of his career, he believed that mastering the scientific study of light, shadow, and the atmosphere was essential to doing so. Eventually, he set down these ideas in a book—A Treatise on Painting—that he considered his greatest achievement, though it would be disfigured, ignored, and lost in subsequent centuries. Ranging from the teeming streets of Florence to the most delicate brushstrokes on the surface of the Mona Lisa, The Shadow Drawing vividly reconstructs Leonardo’s life while teaching us to look anew at his greatest paintings. The result is both stirring biography and a bold reconsideration of how the Renaissance understood science and art—and of what was lost when that understanding was forgotten.
Light and Shadow in Drawing
Author: Gabriel Martín i Roig
Publisher: B.E.S. Publishing
ISBN: 9780764159909
Category : Drawing
Languages : en
Pages : 0
Book Description
(back cover) Titles in Barron's Drawing Academy series guide beginning students through a detailed training course in the art of drawing. The books open with basic instruction, then proceed to analyze the details that make up a successfully executed drawing. Drawing Academy titles make fine self-instruction manuals and can also serve as textbooks in formal art classes. LEARNING BY DOING Constant practice teaches you to analyze the characteristics and understand the difficulties you must overcome in developing techniques to produce light and shadow effects. Exercises will teach you mastery of strokes, shadings, and tonal ranges. ANALYSIS It is not enough to practice. You must also learn to see. The Analysis Section following each exercise shows how professional artists resolve difficulties and achieve desired graphic effects in their drawings. You'll learn to profit from others' achievements and incorporate some of their solutions and effects into your own work. SKETCHBOOK A section at the end of each chapter is the sketchbook section. It allows you to analyze the difficulties you encountered and isolate different parts of your overall composition to measure your success in attempting light and shadow effects, tone-building processes, applying tonal scales, and fully developing your draftsman's skills. Available titles in Drawing Academy Series: The Basics of Drawing Line and Shading in Drawing Light and Shadow in Drawing
Publisher: B.E.S. Publishing
ISBN: 9780764159909
Category : Drawing
Languages : en
Pages : 0
Book Description
(back cover) Titles in Barron's Drawing Academy series guide beginning students through a detailed training course in the art of drawing. The books open with basic instruction, then proceed to analyze the details that make up a successfully executed drawing. Drawing Academy titles make fine self-instruction manuals and can also serve as textbooks in formal art classes. LEARNING BY DOING Constant practice teaches you to analyze the characteristics and understand the difficulties you must overcome in developing techniques to produce light and shadow effects. Exercises will teach you mastery of strokes, shadings, and tonal ranges. ANALYSIS It is not enough to practice. You must also learn to see. The Analysis Section following each exercise shows how professional artists resolve difficulties and achieve desired graphic effects in their drawings. You'll learn to profit from others' achievements and incorporate some of their solutions and effects into your own work. SKETCHBOOK A section at the end of each chapter is the sketchbook section. It allows you to analyze the difficulties you encountered and isolate different parts of your overall composition to measure your success in attempting light and shadow effects, tone-building processes, applying tonal scales, and fully developing your draftsman's skills. Available titles in Drawing Academy Series: The Basics of Drawing Line and Shading in Drawing Light and Shadow in Drawing