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Author: Daniel Matore
Publisher: Oxford University Press
ISBN: 0192857215
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
Is poetry a visual art? Why do the pages of nineteenth-century poetry look so different to those of twentieth-century verse? Exploiting the expressive possibilities of print--from spacing and indentation to alignment and typeface--is one of the defining ways in which poetry was modernized in the twentieth century. While the visual experiments of European poets have been well documented, the typographical explorations of poets writing in English have been largely neglected. This volume confronts a major unanswered question: why did British and American poets, from the beginning of the twentieth century right up to the present day, choose to experiment with the design and lay-out of the printed page? This book aims to provide the first detailed account of this lineage of literary style, examining the poetry and criticism of figures such as Ezra Pound, Hope Mirrlees, William Carlos Williams, E.E. Cummings, Marianne Moore, David Jones, Denise Levertov, Charles Olson, Frances Motz Boldereff, and J.H. Prynne. It draws on unpublished archival materials to show how poets began to draft, sketch, and compose in new and eccentric ways as they annexed the roles of book designer and printer. Typography, it argues, was instrumental in debates about metre, free verse, and the nature of poetry as poems morphed into scores, slogans, maps, and signs. It investigates how the typography of poetry was animated by musicology, psychophysics, linguistics, politics, ophthalmology, cartography, and advertising.
Author: Daniel Matore
Publisher: Oxford University Press
ISBN: 0192857215
Category : Literary Criticism
Languages : en
Pages : 257
Get Book Here
Book Description
Is poetry a visual art? Why do the pages of nineteenth-century poetry look so different to those of twentieth-century verse? Exploiting the expressive possibilities of print--from spacing and indentation to alignment and typeface--is one of the defining ways in which poetry was modernized in the twentieth century. While the visual experiments of European poets have been well documented, the typographical explorations of poets writing in English have been largely neglected. This volume confronts a major unanswered question: why did British and American poets, from the beginning of the twentieth century right up to the present day, choose to experiment with the design and lay-out of the printed page? This book aims to provide the first detailed account of this lineage of literary style, examining the poetry and criticism of figures such as Ezra Pound, Hope Mirrlees, William Carlos Williams, E.E. Cummings, Marianne Moore, David Jones, Denise Levertov, Charles Olson, Frances Motz Boldereff, and J.H. Prynne. It draws on unpublished archival materials to show how poets began to draft, sketch, and compose in new and eccentric ways as they annexed the roles of book designer and printer. Typography, it argues, was instrumental in debates about metre, free verse, and the nature of poetry as poems morphed into scores, slogans, maps, and signs. It investigates how the typography of poetry was animated by musicology, psychophysics, linguistics, politics, ophthalmology, cartography, and advertising.
Author: Eva Haji?ová
Publisher: John Benjamins Publishing
ISBN: 9781588111753
Category : Language Arts & Disciplines
Languages : en
Pages : 392
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Book Description
The fourth volume of the revived series of "Travaux du Cercle linguistique de Prague" brings three contributions (by J. Vachek, O. Leka and V. Skali?ka) connected with the classical period of the Prague School, as well as papers delivered at the conference "Function, Form, and Meaning: Bridges and Interfaces," held in Prague in 1998. Some of the contributions concern issues of grammar of different languages including a syntactic annotation of a large Czech text corpus, a comparison of Hebrew conditionals with English, a characterization of the typology of the Indo-European verb. A further part focuses on topic-focus articulation (information sentence structure, functional sentence perspective), with a concept of 'perspective' introduced as close to but distinct from 'topic' and with three different viewpoints on the semantics of information structure. Two broader essays on the nature of language are then presented, while the last section analyzes the structure of free verse. The volume represents a contribution to the continuing fruitful interaction between the work of the Prague School and the more and less closely related approaches of linguists in other countries.
Author: Tobias Wilke
Publisher: University of Chicago Press
ISBN: 0226817768
Category : Literary Criticism
Languages : en
Pages : 274
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Book Description
Considers the avant-garde rethinking of poetic language in terms of physical speech production. Avant-garde writers and artists of the twentieth century radically reconceived poetic language, appropriating scientific theories and techniques as they turned their attention to the physical process of spoken language. This modernist “sound writing” focused on the bodily production of speech, which it rendered in poetic, legible, graphic form. Modernist sound writing aims to capture the acoustic phenomenon of vocal articulation by graphic means. Tobias Wilke considers sound writing from its inception in nineteenth-century disciplines like physiology and experimental phonetics, following its role in the aesthetic practices of the interwar avant-garde and through to its reemergence in the postwar period. These projects work with the possibility of crossing over from the audible to the visible, from speech to notation, from body to trace. Employing various techniques and concepts, this search for new possibilities played a central role in the transformation of poetry into a site of radical linguistic experimentation. Considering the works of writers and artists—including Raoul Hausmann, Kurt Schwitters, Viktor Shklovsky, Hugo Ball, Charles Olson, and Marshall McLuhan—Wilke offers a fresh look at the history of the twentieth-century avant-garde.
Author: Peter Steiner
Publisher: Cornell University Press
ISBN: 1501707019
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
Russian Formalism, one of the twentieth century's most important movements in literary criticism, has received far less attention than most of its rivals. Examining Formalism in light of more recent developments in literary theory, Peter Steiner here offers the most comprehensive critique of Formalism to date. Steiner studies the work of the Formalists in terms of the major tropes that characterized their thought. He first considers those theorists who viewed a literary work as a mechanism, an organism, or a system. He then turns to those who sought to reduce literature to its most basic element—language—and who consequently replaced poetics with linguistics. Throughout, Steiner elucidates the basic principles of the Formalists and explores their contributions to the study of poetics, literary history, the theory of literary genre, and prosody. Russian Formalism is an authoritative introduction to the movement that was a major precursor of contemporary critical thought.
Author: Thomas E. Rudolph
Publisher: Hal Leonard Corporation
ISBN: 1423488474
Category : Music
Languages : en
Pages : 475
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Book Description
Sibelius is a Hal Leonard publication.
Author:
Publisher: Brian French
ISBN:
Category :
Languages : en
Pages : 536
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Book Description
Author: Tom Conley
Publisher: Cambridge University Press
ISBN: 9780521410311
Category : Design
Languages : en
Pages : 242
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Book Description
This book studies the importance of typographic shapes in French Renaissance literature in the context of psychoanalysis and of the history of printed writing. Focusing on the poetry of Clement Marot, Rabelais's Gargantua, Ronsard's sonnets and the Essais of Montaigne, it argues that printed characters can either supplement or betray what they appear to articulate. They often reveal compositional patterns that do not appear to be under authorial control, and open political and subjective dimensions through the interaction of verbal and visual materials. This unconscious, proto-Freudian writing has complex historical relations with practices found in the media of the twentieth century.
Author: Sandra Lee Kleppe
Publisher: Routledge
ISBN: 1317020952
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
Best known as one of the great short story writers of the twentieth century, Raymond Carver also published several volumes of poetry and considered himself as much a poet as a fiction writer. Sandra Lee Kleppe combines comparative analysis with an in-depth examination of Carver’s poems, making a case for the quality of Carver’s poetic output and showing the central role Carver’s pursuit of poetry played in his career as a writer. Carver constructed his own organic literary system of 'autopoetics,' a concept connected to a paradigm shift in our understanding of the inter-relatedness of biological and cultural systems. This idea is seen as informing Carver’s entire production, and a distinguishing feature of Kleppe’s book is its contextualization of Carver’s poetry within the complex literary and scientific systems that influenced his development as a writer. Kleppe addresses the common themes and intertextual links between Carver’s poetry and short story careers, situates Carver’s poetry within the love poem tradition, explores the connections between neurology and poetic memories, and examines Carver’s use of the elegy genre within the context of his terminal illness. Tellingly, Carver’s poetry, which has aroused slight interest among literary scholars, is frequently taught to medical students. This testimony to the interdisciplinary implications of Carver’s work suggests the appropriateness of Kleppe’s culminating discussion of Carver’s work as a bridge between the fields of literature and medicine.
Author: Jan Foale
Publisher: Routledge
ISBN: 1135246629
Category : Education
Languages : en
Pages : 187
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Book Description
Creative Approaches to Poetry for the Primary Framework for Literacy supports teachers in planning, teaching and, most importantly, enjoying poetry with their pupils. With an emphasis on creative, cross curricular approaches the authors explore tried and tested methods of teaching poetry in an engaging and comprehensive manner. A carefully considered range of poems has been included in order to expand children’s repertoires in a variety of poetic forms. Chapters cover: how to develop a range of creative approaches to teaching poetry, involving visualisation, drama, choral speaking, performance, discussion and writing how to engage children from a variety of backgrounds and abilities in experiencing poetry in its many forms integrating the teaching of poetry with all other areas of the curriculum including ICT and citizenship effectively linking all work to the KS1 poetry units of the renewed Primary National Framework for Literacy an innovative model that takes children on a journey beginning before they meet the poem through to becoming poets themselves. This accessible and user-friendly book includes informative case studies, photographs and children’s work to demonstrate alternative routes to working with poetry. It will prove an invaluable resource for all primary teachers seeking to employ progressive and effective strategies in the teaching of poetry.
Author: Peter Hühn
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110616645
Category : Literary Criticism
Languages : en
Pages : 1033
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Book Description
This handbook brings together 42 contributions by leading narratologists devoted to the study of narrative devices in European literatures from antiquity to the present. Each entry examines the use of a specific narrative device in one or two national literatures across the ages, whether in successive or distant periods of time. Through the analysis of representative texts in a range of European languages, the authors compellingly trace the continuities and evolution of storytelling devices, as well as their culture-specific manifestations. In response to Monika Fludernik’s 2003 call for a "diachronization of narratology," this new handbook complements existing synchronic approaches that tend to be ahistorical in their outlook, and departs from postclassical narratologies that often prioritize thematic and ideological concerns. A new direction in narrative theory, diachronic narratology explores previously overlooked questions, from the evolution of free indirect speech from the Middle Ages to the present, to how changes in narrative sequence encoded the shift from a sacred to a secular worldview in early modern Romance literatures. An invaluable new resource for literary theorists, historians, comparatists, discourse analysts, and linguists.
