The Graph Music of Morton Feldman PDF Download
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Author: David Cline
Publisher: Cambridge University Press
ISBN: 110710923X
Category : Art
Languages : en
Pages : 405
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Book Description
David Cline provides a detailed analysis of Morton Feldman's graph works and how they changed the course of post-war music.
Author: David Cline
Publisher: Cambridge University Press
ISBN: 110710923X
Category : Art
Languages : en
Pages : 405
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Book Description
David Cline provides a detailed analysis of Morton Feldman's graph works and how they changed the course of post-war music.
Author: David John Cline
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Ray Fields
Publisher: Rowman & Littlefield
ISBN: 1538172283
Category : Music
Languages : en
Pages : 137
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Book Description
Morton Feldman viewed Piano and String Quartet as his capstone work—the culminating example of the aesthetic that Feldman spent his life seeking. Written in 1985, the year before Feldman’s death, this single movement, roughly eighty-minute composition was heralded by Steve Reich as “the most beautiful work [of Feldman’s] I know.” Ray Fields presents a detailed analysis of the complete piece and examines the elements that contribute to its formal and expressive design. He discusses the sonic experience of the music itself and provides insights into Feldman’s aesthetic influences. The book also includes basic biographical information about Feldman; descriptions of the music of his early, middle, and late periods; and an overview of analyses of other Feldman works. In examining this beloved piece, the book addresses the question: what was everything Feldman wanted in his music? Also included are interviews with Kronos Quartet’s David Harrington about the origins of Piano and String Quartet and crucial information from pianist Aki Takahashi about performing the work.
Author: Joshua S. Walden
Publisher: Oxford University Press
ISBN: 0190653507
Category : Art
Languages : en
Pages : 201
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Book Description
Joshua S. Walden's study of the genre of musical portraiture since 1945 focuses on significant composers of the period, including Pierre Boulez, Morton Feldman, Philip Glass, and György Ligeti. Grounding his exploration in key works, Walden uncovers contemporary understandings of music's capacity to depict identity, and of intersections between music, literature, theater, film, and the visual arts.
Author: Ryan Dohoney
Publisher: Bloomsbury Publishing USA
ISBN: 1501345478
Category : Music
Languages : en
Pages : 233
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Book Description
Morton Feldman: Friendship and Mourning in the New York Avant-Garde documents the collaborations and conflicts essential to the history of the post-war avant-garde. It offers a study of composer Morton Feldman's associations and friendships with artists like John Cage, Jackson Pollock, Philip Guston, Frank O'Hara, Charlotte Moorman, and others. Arguing that friendship and mourning sustained the collective aesthetics of the New York School, Dohoney has written an emotional and intimate revision of New York modernism from the point of view of Feldman's agonistic community.
Author: Morton Feldman
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 320
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Book Description
Alongside John Cage and Edgar Varese, Morton Feldman is regarded by many as one of the foremost American composers of the 20th century. Evidence of his lifelong passion for music can be found in the numerous interviews and lectures he gave about his life and work. But despite his reputation and creative output, very little has been published on this charismatic figure. In Morton Feldman Says, editor Chris Villars has collected two decades of interviews, many available here for the first time, illustrating Feldman's creative process and his wide range of cultural interests and references, especially to visual art. Morton Feldman Says contains the first English translation of Sebastian Claren's biographical notes as well as conversations with Gavin Bryars, Kevin Volans and Walter Zimmermann. There are also transcriptions of two of Feldman's lectures, held in Toronto (1982) and Johannesburg (1983).
Author: Steven Johnson
Publisher: Routledge
ISBN: 1136532676
Category : Music
Languages : en
Pages : 261
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Book Description
Musicians and artists have always shared mutual interests and exchanged theories of art and creativity. This exchange climaxed just after World War II, when a group of New York-based musicians, including John Cage, Morton Feldman, Earle Brown, and David Tudor, formed friendships with a group of painters. The latter group, now known collectively as either the New York School or the Abstract Expressionists, included Jackson Pollock, Willem deKooning, Robert Motherwell, Mark Rothko, Barnett Newman, Clyfford Still, Franz Kline, Phillip Guston, and William Baziotes. The group also included a younger generation of artists-particularly Robert Rauschenberg and Jasper Johns-that stood somewhat apart from the Abstract Expressionists. This group of painters created what is arguably the first significant American movement in the visual arts. Inspired by the artists, the New York School composers accomplished a similar feat. By the beginning of the 1960s, the New York Schools of art and music had assumed a position of leadership in the world of art. For anyone interested in the development of 20th century art, music, and culture, The New York Schools of Music and Art will make for illuminating reading.
Author: Natilee Harren
Publisher:
ISBN: 022635492X
Category : Art
Languages : en
Pages : 301
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Book Description
"A history of the understudied but highly inventive Fluxus collective founded in NYC in the late 1950s/early 1960s. Fluxus was an unruly, endlessly shifting gang of performers, conceptual writers, musicians, and installation artists who wanted to integrate life into art using found and ordinary objects and processes (like cooking and shaving). Fluxus first arose in the United States under the leadership of George Maciunas and quickly spread to Europe. Artists from Claus Oldenberg to Allan Kaprow to Dick Higgins to Allison Knowles to Joseph Beuys to Gerhard Richter to Nam June Paik to Yoko Ono to Robert Filliou all participated in Fluxus at some point. Unlike other books about Fluxus, this one explores not just the movement itself but also how it figures the transition from modernism to postmodernism, and the historical origins of experimental art practices of the present"--
Author: Alistair Noble
Publisher: Routledge
ISBN: 1317162676
Category : Music
Languages : en
Pages : 228
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Book Description
American composer Morton Feldman is increasingly seen to have been one of the key figures in late-twentieth-century music, with his work exerting a powerful influence into the twenty-first century. At the same time, much about his music remains enigmatic, largely due to long-standing myths about supposedly intuitive or aleatoric working practices. In Composing Ambiguity, Alistair Noble reveals key aspects of Feldman's musical language as it developed during a crucial period in the early 1950s. Drawing models from primary sources, including Feldman's musical sketches, he shows that Feldman worked deliberately within a two-dimensional frame, allowing a focus upon the fundamental materials of sounding pitch in time. Beyond this, Feldman's work is revealed to be essentially concerned with the 12-tone chromatic field, and with the delineation of complexes of simple proportions in 'crystalline' forms. Through close reading of several important works from the early 1950s, Noble shows that there is a remarkable consistency of compositional method, despite the varied experimental notations used by Feldman at this time. Not only are there direct relations to be found between staff-notated works and grid scores, but much of the language developed by Feldman in this period was still in use even in his late works of the 1980s.
Author: Robert Adlington
Publisher: Oxford University Press
ISBN: 0197658814
Category : Music
Languages : en
Pages : 241
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Book Description
Music's role in animating democracy--whether through protests and demonstrations, as a vehicle for political identity, or as a means of overcoming social divides--is well understood. Yet musicians have also been drawn to the potential of embodying democracy itself through musical processes and relationships. In this book, author Robert Adlington uses modern democratic theory to explore what he terms the 'musical modelling of democracy' as manifested in modern and experimental music of the global North. Throughout the book, Adlington demonstrates how composers and musicians have taken strikingly different approaches to this kind of musical modelling. For some, democratic principles inform the textural relationships inscribed into musical scores, as in the case of Elliott Carter's 'polyvocal' compositions. Pioneers of musical indeterminacy sought to democratise the relationship between composer and performers by leaving open key decisions about the realisation of a work. Musicians have involved audiences in active participation to liberate them from the passivity of spectatorship. Free improvisation groups have experimented with new kinds of egalitarian relationships between performers to reject old hierarchies. In examining these different approaches, Adlington illuminates the achievements and ambiguities of musical models of democracy. As a result, this book not only offers an important new perspective on modern musicians' engagement with a central political idea of the past century, but it also encourages a deeper and more critical engagement with the idea of democracy within present-day musical life.
