The Grammar of Carnatic Music PDF Download
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Author: K.G. Vijayakrishnan
Publisher: Walter de Gruyter
ISBN: 3110198886
Category : Language Arts & Disciplines
Languages : en
Pages : 359
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Book Description
This book argues that Carnatic music as it is practiced today can be traced to the musical practices of early/mid eighteenth century. Earlier varieties or 'incarnations' of Indian music elaborately described in many musical treatises are only of historical relevance today as the music described is quite different from current practices. It is argued that earlier varieties may not have survived because they failed to meet the three crucial requirements for a language-like organism to survive i.e., a robust community of practitioners/listeners which the author calls the Carnatic Music Fraternity, a sizeable body of musical texts and a felt communicative need. In fact, the central thesis of the book is that Carnatic music, like language, survived and evolved from early/mid eighteenth century when these three requirements were met for the first time in the history of Indian music. The volume includes a foreword by Paul Kiparsky.
Author: K.G. Vijayakrishnan
Publisher: Walter de Gruyter
ISBN: 3110198886
Category : Language Arts & Disciplines
Languages : en
Pages : 359
Get Book Here
Book Description
This book argues that Carnatic music as it is practiced today can be traced to the musical practices of early/mid eighteenth century. Earlier varieties or 'incarnations' of Indian music elaborately described in many musical treatises are only of historical relevance today as the music described is quite different from current practices. It is argued that earlier varieties may not have survived because they failed to meet the three crucial requirements for a language-like organism to survive i.e., a robust community of practitioners/listeners which the author calls the Carnatic Music Fraternity, a sizeable body of musical texts and a felt communicative need. In fact, the central thesis of the book is that Carnatic music, like language, survived and evolved from early/mid eighteenth century when these three requirements were met for the first time in the history of Indian music. The volume includes a foreword by Paul Kiparsky.
Author: Nirmalangshu Mukherji
Publisher: MIT Press
ISBN: 0262291630
Category : Language Arts & Disciplines
Languages : en
Pages : 299
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Book Description
A proposal that the biolinguistic approach to human languages may have identified, beyond the study of language, a specific structure of the human mind. The contemporary discipline of biolinguistics is beginning to have the feel of scientific inquiry. Biolinguistics—especially the work of Noam Chomsky—suggests that the design of language may be “perfect”: language is an optimal solution to conditions of sound and meaning. What is the scope of this inquiry? Which aspect of nature does this science investigate? What is its relation to the rest of science? What notions of language and mind are under investigation? This book is a study of such foundational questions. Exploring Chomsky's claims, Nirmalangshu Mukherji argues that the significance of biolinguistic inquiry extends beyond the domain of language. Biolinguistics is primarily concerned with grammars that represent just the computational aspects of the mind/brain. This restriction to grammars, Mukherji argues, opens the possibility that the computational system of human language may be involved in each cognitive system that requires similar computational resources. Deploying analytical argumentation and empirical evidence, Mukherji suggests that a computational system of language consisting of very specific principles and operations is likely to be involved in each articulatory symbol system—such as music—that manifests unboundedness. In that sense, the biolinguistics approach may have identified, after thousands of years of inquiry, a specific structure of the human mind.
Author: R. Rangaramanuja Iyengar
Publisher:
ISBN:
Category : Carnatic music
Languages : en
Pages : 572
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Book Description
Author: Vikram Sampath
Publisher: Taylor & Francis
ISBN: 1000590747
Category : Music
Languages : en
Pages : 229
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Book Description
In 1902 The Gramophone Company in London sent out recording experts on "expeditions" across the world to record voices from different cultures and backgrounds. All over India, it was women who embraced the challenge of overcoming numerous social taboos and aesthetic handicaps that came along with this nascent technology. Women who took the plunge and recorded largely belonged to the courtesan community, called tawaifs and devadasis, in North and South India, respectively. Recording brought with it great fame, brand recognition, freedom from exploitative patrons, and monetary benefits to the women singers. They were to become pioneers of the music industry in the Indian sub-continent. However, despite the pioneering role played by these women, their stories have largely been forgotten. Contemporaneous with the courtesan women adapting to recording technology was the anti-nautch campaign that sought to abolish these women from the performing space and brand them as common prostitutes. A vigorous renaissance and arts revival movement followed, leading to the creation of a new classical paradigm in both North Indian (Hindustani) and South Indian (Carnatic) classical music. This resulted in the standardization, universalization, and institutionalization of Indian classical music. This newly created classical paradigm impacted future recordings of The Gramophone Company in terms of a shift in genres and styles. Vikram Sampath sheds light on the role and impact of The Gramophone Company’s early recording expeditions on Indian classical music by examining the phenomenon through a sociocultural, historical and musical lens. The book features the indefatigable stories of the women and their experiences in adapting to recording technology. The artists from across India featured are: Gauhar Jaan of Calcutta, Janki Bai of Allahabad, Zohra Bai of Agra, Malka Jaan of Agra, Salem Godavari, Bangalore Nagarathnamma, Coimbatore Thayi, Dhanakoti of Kanchipuram, Bai Sundarabai of Pune, and Husna Jaan of Banaras.
Author: Mahadevan Ramesh
Publisher:
ISBN: 9788184932690
Category : Carnatic music
Languages : en
Pages : 91
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Book Description
Author: Emmie Te Nijenhuis
Publisher: BRILL
ISBN: 9004662502
Category : History
Languages : en
Pages : 166
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Book Description
Author: Amanda J. Weidman
Publisher: Duke University Press
ISBN: 0822388057
Category : Music
Languages : en
Pages : 367
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Book Description
While Karnatic music, a form of Indian music based on the melodic principle of raga and time cycles called tala, is known today as South India’s classical music, its status as “classical” is an early-twentieth-century construct, one that emerged in the crucible of colonial modernity, nationalist ideology, and South Indian regional politics. As Amanda J. Weidman demonstrates, in order for Karnatic music to be considered classical music, it needed to be modeled on Western classical music, with its system of notation, composers, compositions, conservatories, and concerts. At the same time, it needed to remain distinctively Indian. Weidman argues that these contradictory imperatives led to the emergence of a particular “politics of voice,” in which the voice came to stand for authenticity and Indianness. Combining ethnographic observation derived from her experience as a student and performer of South Indian music with close readings of archival materials, Weidman traces the emergence of this politics of voice through compelling analyses of the relationship between vocal sound and instrumental imitation, conventions of performance and staging, the status of women as performers, debates about language and music, and the relationship between oral tradition and technologies of printing and sound reproduction. Through her sustained exploration of the way “voice” is elaborated as a trope of modern subjectivity, national identity, and cultural authenticity, Weidman provides a model for thinking about the voice in anthropological and historical terms. In so doing, she shows that modernity is characterized as much by particular ideas about orality, aurality, and the voice as it is by regimes of visuality.
Author: Bigamudre Chaitanya Deva
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 306
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Book Description
Collection of papers on the psycho-acoustics of music.
Author: Lakshmi Subramanian
Publisher: Routledge
ISBN: 1351383124
Category : Music
Languages : en
Pages : 220
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Book Description
The essays in New Mansions for Music: Performance, Pedagogy and Criticism look at one of the most ancient and rigorous classical musical traditions of India, the Karnatik music system, and the kind of changes it underwent once it was relocated from traditional spaces of temples and salons to the public domain. Nineteenth-century Madras led the way in the transformation that Karnatik music underwent as it encountered the forces of modernization and standardization. This study also contributes to our understanding of the experience of modernity in India through the prism of music. The role of Madras city as patron and custodian of the performing arts, especially classical music offers an invaluable perspective on the larger processes of modernization in India. As the title suggests, the areas of classical music, which were most influenced by these developments were pedagogy or modes of musical transmission, performance conventions and criticism or music appreciation. Once the urban elite demanded the widening of the teaching of classical music, traditional modes of music instruction underwent a major change involving a breakdown of the gurushishya parampara or the tradition wherein the teacher imparted knowledge to a chosen few. Caste and kinship were important determining factors for the selection of these shishyas or students, but in modern institutions like the universities these boundaries had to be demolished. Simultaneously, the public staging of music brought the performer into a new relationship with his audience, especially as the art form became subject to validation and criticism by the newly emerging music critic. In an immensely readable book peppered with anecdotes and conversations with leading musicians and critics of the day, as well as humorous visual representations, part caricature, part satirical, the author describes a rapidly changing society and its new look in early twentieth century Madras.
Author: Bhattacharyya, Siddhartha
Publisher: IGI Global
ISBN: 1522504990
Category : Computers
Languages : en
Pages : 543
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Book Description
Multimedia represents information in novel and varied formats. One of the most prevalent examples of continuous media is video. Extracting underlying data from these videos can be an arduous task. From video indexing, surveillance, and mining, complex computational applications are required to process this data. Intelligent Analysis of Multimedia Information is a pivotal reference source for the latest scholarly research on the implementation of innovative techniques to a broad spectrum of multimedia applications by presenting emerging methods in continuous media processing and manipulation. This book offers a fresh perspective for students and researchers of information technology, media professionals, and programmers.
