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Author: Jacqueline E. Jung
Publisher: Cambridge University Press
ISBN: 1107022959
Category : Architecture
Languages : en
Pages : 303
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Book Description
This book reveals how Gothic choir screens, through both their architecture and sculpture, were vital vehicles of communication and shapers of community within the Christian church.
Author: Jacqueline E. Jung
Publisher: Cambridge University Press
ISBN: 1107022959
Category : Architecture
Languages : en
Pages : 303
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Book Description
This book reveals how Gothic choir screens, through both their architecture and sculpture, were vital vehicles of communication and shapers of community within the Christian church.
Author: Jerrold E. Hogle
Publisher: Cambridge University Press
ISBN: 1107494486
Category : Literary Criticism
Languages : en
Pages : 526
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Book Description
Gothic as a form of fiction-making has played a major role in Western culture since the late eighteenth century. In this volume, fourteen world-class experts on the Gothic provide thorough and revealing accounts of this haunting-to-horrifying type of fiction from the 1760s (the decade of The Castle of Otranto, the first so-called 'Gothic story') to the end of the twentieth century (an era haunted by filmed and computerized Gothic simulations). Along the way, these essays explore the connections of Gothic fictions to political and industrial revolutions, the realistic novel, the theatre, Romantic and post-Romantic poetry, nationalism and racism from Europe to America, colonized and post-colonial populations, the rise of film and other visual technologies, the struggles between 'high' and 'popular' culture, changing psychological attitudes towards human identity, gender and sexuality, and the obscure lines between life and death, sanity and madness. The volume also includes a chronology and guides to further reading.
Author: David J. Skal
Publisher: Macmillan + ORM
ISBN: 1429998458
Category : Social Science
Languages : en
Pages : 637
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Book Description
A fully updated edition of David J. Skal's Hollywood Gothic, "The ultimate book on Dracula" (Newsweek). The primal image of the black-caped vampire Dracula has become an indelible fixture of the modern imagination. It's recognition factor rivals, in its own perverse way, the familiarity of Santa Claus. Most of us can recite without prompting the salient characteristics of the vampire: sleeping by day in its coffin, rising at dusk to feed on the blood of the living; the ability to shapeshift into a bat, wolf, or mist; a mortal vulnerability to a wooden stake through the heart or a shaft of sunlight. In this critically acclaimed excursion through the life of a cultural icon, David J. Skal maps out the archetypal vampire's relentless trajectory from Victorian literary oddity to movie idol to cultural commodity, digging through the populist veneer to reveal what the prince of darkness says about us all. includes black-and-white Illustrations throughout, plus a new Introduction.
Author: Tamar Jeffers McDonald
Publisher:
ISBN: 9781138711006
Category : Film adaptations
Languages : en
Pages : 0
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Book Description
Gothic Heroines on Screen explores the translation of the literary Gothic heroine on screen, the potential consequences of these adaptations, and contemporary interpretations of the form. Each chapter illuminates the significance of this moving image mediation, relating its screen topics to their various historical, social, and geographical moments of production, while maintaining a focus on the key figure of the investigating woman. Many chapters - perhaps inescapably - delve into the point of adaptation: the Bluebeard story and du Maurier's Rebecca as two key examples. Moving beyond the Old Dark House that frequently forms both the Gothic heroine's backdrop and her area of investigation, some chapters examine alternative locations and their impact on the Gothic heroine, some leave behind the marital thriller to explore what happens when the Gothic meets other genres, such as comedy, while others travel away from the usual Anglo-American contexts to European ones. Throughout the collection, the Gothic heroine's representation is explored within the medium, which brings together image, movement, and sound, and this technological fact takes on varied significance. What does remain constant, however, is the emphasis on the longevity, significance, and distinctiveness of the Gothic heroine in screen culture.
Author: James Pylant
Publisher: Jacobus Books
ISBN: 0984185771
Category : True Crime
Languages : en
Pages : 284
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Book Description
It began in the 1800s. In the Texas town of Mineral Wells, people drinking the strange-tasting water claimed to be cured of insanity, rheumatism, and terminal illness. Discovery of the phenomenon beguiled thousands of tourists, curiosity seekers, and the afflicted who desperately sought cures. Yet, the town that promoted its “crazy water” attracted eccentric citizens, including wealthy Will and Anna Johnson, who, unable to cope with the deaths of their children, spared no expense in preserving the bodies for entombment in a mausoleum; paperclip inventor David Galbraith, the builder of a house in the shape of a honeycomb; and influential mortician Bob Beetham, who gained power by keeping the town’s secrets. In Texas Gothic, author James Pylant also uncovers the mysterious life of beautiful and ambitious Mineral Wells resident Corinne Griffith. After becoming a famous star of the silent screen and one of America’s richest women, she made a shocking courtroom claim that she was not the “real” Corinne Griffith. Under the looming 14-story Baker Hotel, Mineral Wells thrived with visits from movie stars; yet, the “crazy water” beckoned exploiters and predators. Texas Gothic reveals true tales of the town’s forgotten past: murder, white slavery, prostitution, and mysterious deaths.
Author: Keith McDonald
Publisher: Anthem Press
ISBN: 178527774X
Category : Art
Languages : en
Pages : 180
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Book Description
This book looks at contemporary Gothic cinema within a transnational approach. With a focus on the aesthetic and philosophical roots which lie at the heart of the Gothic, the study invokes its literary as well as filmic forebears, by exploring how these styles informed strands of the modern filmic Gothic: the ghost narrative, folk horror, the vampire movie, cosmic horror and finally, the zombie film. In recent years, the concept of transnationalism has ‘trans’-cended its original boundaries, perhaps excessively in the minds of some. Originally defined in the wake of the rise of globalisation in the 1990s, as a way to study cinema beyond national boundaries, where the look and the story of a film reflected the input of more than one nation, or region, or culture. It was considered too confining to study national cinemas in an age of internationalization, witnessing the fusions of cultures, and post-colonialism, exile and diasporas. The concept allows us to appreciate the broader range of forces from a wider international perspective while at the same time also engaging with concepts of nationalism, identity and an acknowledgement of cinema itself. It also facilitated studies to focus on notions of hybridity where terms were not fixed but were constantly shifting and mobile. The central idea of the book is that after horror/Gothic film was dragged into disrepute by the rise of torture porn and endless North American remakes, a set of international filmmakers are seeking to emphasize the aesthetic, artistic and philosophical potential of the Gothic. Such filmmakers include Guillermo del Toro (Crimson Peak), Ana Lily Amirpour (A Girl Walks Home Alone at Night), Park Chan-wook (The Handmaiden, Stoker), Tomas Alfredson (Let the Right One In), Wim Wenders (Only Lovers Left Alive), Ben Wheatley (A Field in England), Jane Campion (Top of the Lake), and Carol Morley (The Falling). Although written in an accessible manner, the book incorporates theory and engages extensively into research to tap into key developments in Gothic studies – transnationalism, fandom and genre fiction, and transmedia exchanges – bringing these together along with popular culture and associated phenomena.
Author: Igor Krstic
Publisher: Edinburgh University Press
ISBN: 1474406882
Category : Performing Arts
Languages : en
Pages : 450
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Book Description
Near to one billion people call slums their home, making it a reasonable claim to describe our world as a 'planet of slums.' But how has this hard and unyielding way of life been depicted on screen? How have filmmakers engaged historically and across the globe with the social conditions of what is often perceived as the world's most miserable habitats?Combining approaches from cultural, globalisation and film studies, Igor Krstic outlines a transnational history of films that either document or fictionalise the favelas, shantytowns, barrios poulares or chawls of our 'planet of slums', exploring the way accelerated urbanisation has intersected with an increasingly interconnected global film culture. From Jacob Riis' How The Other Half Lives (1890) to Danny Boyle's Slumdog Millionaire (2008), the volume provides a number of close readings of films from different historical periods and regions to outline how contemporary film and media practices relate to their past predeccesors, demonstrating the way various filmmakers, both north and south of the equator, have repeatedly grappled with, rejected or continuously modified documentary and realist modes to convey life in our 'planet of slums'.
Author: Xavier Aldana Reyes
Publisher: Routledge
ISBN: 1315395363
Category : Performing Arts
Languages : en
Pages : 277
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Book Description
Arguing for the need to understand Gothic cinema as an aesthetic mode, this book explores its long history, from its transitional origins in phantasmagoria shows and the first ‘trick’ films to its postmodern fragmentation in the Gothic pastiches of Tim Burton. But what is Gothic cinema? Is the iconography of the Gothic film equivalent to that of the horror genre? Are the literary origins of the Gothic what solidified its aesthetics? And exactly what cultural roles does the Gothic continue to perform for us today? Gothic Cinema covers topics such as the chiaroscuro experiments of early German cinema, the monster cinema of the 1930s, the explained supernatural of the old dark house mystery films of the 1920s and the Female Gothics of the 1940s, the use of vibrant colours in the period Gothics of the late 1950s, the European exploitation booms of the 1960s and 1970s, and the animated films and Gothic superheroes that dominate present times. Throughout, Aldana Reyes makes a strong case for a medium-specific and more intuitive approach to the Gothic on screen that acknowledges its position within wider film industries with their own sets of financial pressures and priorities. This groundbreaking book is the first thorough chronological, transhistorical and transnational study of Gothic cinema, ideal for both new and seasoned scholars, as well as those with a wider interest in the Gothic.
Author: Spike Bucklow
Publisher: Boydell & Brewer
ISBN: 178327123X
Category : Architecture
Languages : en
Pages : 362
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Book Description
Fresh examinations of one of the most important church furnishings of the middle ages. The churches of medieval Europe contained richly carved and painted screens, placed between the altar and the congregation; they survive in particularly high numbers in England, despite being partly dismantled during the Reformation. While these screens divided "lay" from "priestly" jurisdiction, it has also been argued that they served to unify architectural space. This volume brings together the latest scholarship on the subject, exploring in detail numerous aspects of the construction and painting of screens, it aims in particular to unite perspectives from science and art history. Examples are drawn from a wide geographical range, from Scandinavia to Italy. Spike Bucklow is Director of Research at the Hamilton Kerr Institute, University of Cambridge; Richard Marks is Emeritus Professor of the History of Art at the University of York and currently a member of the History of Art Department, University of Cambridge; Lucy Wrapson is Assistant to the Director at the Hamilton Kerr Institute, University of Cambridge. Contributors: Paul Binski, Spike Bucklow, Donal Cooper, David Griffith, Hugh Harrison, JacquelineJung, Justin Kroesen, Julian Luxford, Richard Marks, Ebbe Nyborg, Eddie Sinclair, Jeffrey West, Lucy Wrapson.
Author: Eoghain Hamilton
Publisher: BRILL
ISBN: 184888088X
Category : Social Science
Languages : en
Pages : 197
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Book Description
This volume was first published by Interdisciplinary Press in 2012. The Gothic lives! From The Castle of Otranto to today’s Let Me In, the Gothic continues to be part of popular consciousness. Yet, even as it has adapted to fit changing times and technologies, it has retained both its essence and its hold on our imagination. What defines the Gothic? What are its parameters? This collection of essays, the work of scholars who met at the first-ever global conference on the Gothic, looks at the Gothic today—in print and other media including cinema, in music, in fashion, and in the popular culture of countries around the world. This volume of essays is another step in the process of understanding a genre that stretches the boundaries of definition and continues to make its way, adapting and changing along the way, into new aspects of modern culture.
