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Author: Gary W Burnett
Publisher: Lutterworth Press
ISBN: 0718843630
Category : Music
Languages : en
Pages : 169
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Book Description
'The Gospel According to the Blues' dares us to read Jesus's Sermon on the Mount in conversation with Robert Johnson, Son House, and Muddy Waters. It suggests that thinking about the blues - the history, the artists, the songs - provides good stimulationfor thinking about the Christian gospel. Both are about a world gone wrong, about injustice, about the human condition, and about hope for a better world. In this book, Gary Burnett probes both the gospel and the history of the blues, to help us understand better the nature of the good news that Jesus preached, and its relevance and challenge to us.
Author: Gary W Burnett
Publisher: Lutterworth Press
ISBN: 0718843630
Category : Music
Languages : en
Pages : 169
Get Book Here
Book Description
'The Gospel According to the Blues' dares us to read Jesus's Sermon on the Mount in conversation with Robert Johnson, Son House, and Muddy Waters. It suggests that thinking about the blues - the history, the artists, the songs - provides good stimulationfor thinking about the Christian gospel. Both are about a world gone wrong, about injustice, about the human condition, and about hope for a better world. In this book, Gary Burnett probes both the gospel and the history of the blues, to help us understand better the nature of the good news that Jesus preached, and its relevance and challenge to us.
Author: Stephen J. Nichols
Publisher: Brazos Press
ISBN: 1587432129
Category : Music
Languages : en
Pages : 192
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Book Description
A vivid investigation of how blues music teaches listeners about sin, suffering, marginalization, lamentation, and worship.
Author: Gary W Burnett
Publisher: Lutterworth Press
ISBN: 0718843657
Category : Music
Languages : en
Pages : 210
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Book Description
'The Gospel According to the Blues' dares us to read Jesus's Sermon on the Mount in conversation with Robert Johnson, Son House, and Muddy Waters. It suggests that thinking about the blues - the history, the artists, the songs - provides good stimulationfor thinking about the Christian gospel. Both are about a world gone wrong, about injustice, about the human condition, and about hope for a better world. In this book, Gary Burnett probes both the gospel and the history of the blues, to help us understand better the nature of the good news that Jesus preached, and its relevance and challenge to us.
Author: Daniel de Vise
Publisher: Grove Press
ISBN: 0802158072
Category : Biography & Autobiography
Languages : en
Pages : 321
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Book Description
The first full and authoritative biography of an American—indeed a world-wide—musical and cultural legend “No one worked harder than B.B. No one inspired more up-and-coming artists. No one did more to spread the gospel of the blues.”—President Barack Obama “He is without a doubt the most important artist the blues has ever produced.”—Eric Clapton Riley “Blues Boy” King (1925-2015) was born into deep poverty in Jim Crow Mississippi. Wrenched away from his sharecropper father, B.B. lost his mother at age ten, leaving him more or less alone. Music became his emancipation from exhausting toil in the fields. Inspired by a local minister’s guitar and by the records of Blind Lemon Jefferson and T-Bone Walker, encouraged by his cousin, the established blues man Bukka White, B.B. taught his guitar to sing in the unique solo style that, along with his relentless work ethic and humanity, became his trademark. In turn, generations of artists claimed him as inspiration, from Jimi Hendrix and Eric Clapton to Carlos Santana and the Edge. King of the Blues presents the vibrant life and times of a trailblazing giant. Witness to dark prejudice and lynching in his youth, B.B. performed incessantly (some 15,000 concerts in 90 countries over nearly 60 years)—in some real way his means of escaping his past. Several of his concerts, including his landmark gig at Chicago’s Cook County Jail, endure in legend to this day. His career roller-coasted between adulation and relegation, but he always rose back up. At the same time, his story reveals the many ways record companies took advantage of artists, especially those of color. Daniel de Visé has interviewed almost every surviving member of B.B. King’s inner circle—family, band members, retainers, managers, and more—and their voices and memories enrich and enliven the life of this Mississippi blues titan, whom his contemporary Bobby “Blue” Bland simply called “the man.”
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Publisher:
ISBN:
Category : Electronic book
Languages : en
Pages : 170
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Book Description
Annotation The Gospel According to the Blues dares us to read Jesus's Sermon on the Mount in conversation with Robert Johnson, Son House, and Muddy Waters. It suggests that thinking about the blues--the history, the artists, the songs--provides good stimulation for thinking about the Christian gospel. Both are about a world gone wrong, about injustice, about the human condition, and both are about hope for a better world. In this book, Gary Burnett probes both the gospel and the history of the blues as we find it in the Sermon on the Mount, to help us understand better the nature of the good news which Jesus preached, and its relevance and challenge to us. "The Gospel According to the Blues is at once a primer in American music, culture, and race and religious history. Gary Burnett moves deftly from lyrics to theory and back again, from Blind Lemon Jefferson to the insights of contemporary scholarship. Highly readable, thoroughly researched, and with deep respect for the art form on every page. For best results, read with scratchy vinyl recordings of the masters as accompaniment."--Michael J. Gilmour, Providence University College, Otterburne, Manitoba, Canada "This book functions like the blues to which it introduces us: as a wake-up call to the cries of lament that stir in the hearts of people all around us. In this informative, moving, and convicting book, Gary Burnett reminds us that the gospel comes as a divine promise of justice and peace in answer to those cries." --J.R. Daniel Kirk, Fuller Theological Seminary, Menlo Park, CA "Gary Burnett's office is shelved with theological books, guitars fill the floor, and the drawers are crammed with CDs. In The Gospel According to the Blues, Gary brings his vocation as a New Testament teacher together with his passion for the blues and gives the reader scholarly knowledge and wise insight." --Steve Stockman, Fitzroy Presbyterian Church, Belfast, UK Gary Burnett (PhD) lectures in New Testament in the Institute of Theology at Queen's University Belfast, in addition to managing a high-tech-business consultancy. He is the author of Paul and the Salvation of the Individual (2001) and of the blues blog Down at the Crossroads.
Author: Alex van der Tuuk
Publisher:
ISBN: 9789082657012
Category : Blues musicians
Languages : en
Pages : 418
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Book Description
Fifty-eight biographies of Paramount blues artists with sensational new information based on years of research: Lovie Austin, Charles Avery, Viola Bartlette, Ed Bell, Eloise Bennett, Arthur "Blind" Blake, Lucille Bogan, Ardell Bragg, Henry Brown, Willie Brown, Hattie Burleson, Bob Call, Ben Covington, Ben Curry, Teddy Darby, Emmett Dickenson, Aletha Dickerson, Mattie Dorsey, Sally Duffie, Amos Easton, Bernice Edwards, Kid Edwards, Will Ezell, Leroy Roscoe Garnett, Clifford Gibson, Roosevelt Graves, Lee Green, George Hannah, Walter Hawkins, Bertha Henderson, Edna Hicks, Eddie House, James Jackson, Charlie Jackson, Louise Johnson, Tommy Johnson, Moses Mason, Hattie McDaniel, Charles McFadden, Sodarisa Miller, Marshall Owens, Charley Patton, Joe Reynolds, Elzadie Robinson, Isadore Rodgers, J.D. Short, Henry Sims, Danny Small, Bessie Mae Smith, Charlie Spand, Freddie Spruell, Frank Stokes, Joel Taggart, Elvie Thomas and Geeshie Wiley, Willard Thomas, Wesley Wallace, Nolan Welsh, "Jabo" Williams.
Author: Lynn Abbott
Publisher: Univ. Press of Mississippi
ISBN: 1496810058
Category : Music
Languages : en
Pages : 433
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Book Description
Blues Book of the Year —Living Blues Association of Recorded Sound Collections Awards for Excellence Best Historical Research in Recorded Blues, Gospel, Soul, or R&B–Certificate of Merit (2018) 2023 Blues Hall of Fame Inductee - Classic of Blues Literature category With this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music. Fortified by decades of research, the authors bring to life the performers, entrepreneurs, critics, venues, and institutions that were most crucial to the emergence of the blues in black southern vaudeville theaters; the shadowy prehistory and early development of the blues is illuminated, detailed, and given substance. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America’s favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Insular black southern theaters provided a safe haven, where coon songs underwent rehabilitation and blues songs suitable for the professional stage were formulated. The process was energized by dynamic interaction between the performers and their racially-exclusive audience. The first blues star of black vaudeville was Butler “String Beans” May, a blackface comedian from Montgomery, Alabama. Before his bizarre, senseless death in 1917, String Beans was recognized as the “blues master piano player of the world.” His musical legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the race recording era. While male blues singers remained tethered to the role of blackface comedian, female “coon shouters” acquired a more dignified aura in the emergent persona of the “blues queen.” Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, such as forgotten blues heroine Ora Criswell and her protégé Trixie Smith, ingeniously reconfigured the blackface mask for their own subversive purposes. In 1921 black vaudeville activity was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collaboration with the emergent race record industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell. By this time the blues had moved beyond the confines of entertainment for an exclusively black audience. Small-time black vaudeville became something it had never been before—a gateway to big-time white vaudeville circuits, burlesque wheels, and fancy metropolitan cabarets. While the 1920s was the most glamorous and remunerative period of vaudeville blues, the prior decade was arguably even more creative, having witnessed the emergence, popularization, and early development of the original blues on the African American vaudeville stage.
Author: Otis Moss
Publisher: The Pilgrim Press
ISBN: 0829820159
Category : Art
Languages : en
Pages : 119
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Book Description
Every Sunday, Otis Moss III and his preaching attract over 5,000 people to Chicago's Trinity United Church of Christ. Moss describes himself as, "a jazz-influenced pastor with a hip-hop vibe committed to the Gospel of Jesus Christ rooted in love and justice." He admits he can talk endlessly about theology, popular culture, and movies, and has even based some of his best sermons, collected in this book, on these powerful films: The Wiz, 12 Years a Slave, The Butler, The Book of Eli, The Color Purple, Avatar, Flight, and For Colored Girls. Discussion questions are included, making it ideal for individuals or groups, movie nights and book clubs.
Author: Michael W. Harris
Publisher: Oxford University Press
ISBN: 0199879885
Category : Social Science
Languages : en
Pages : 240
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Book Description
Most observers believe that gospel music has been sung in African-American churches since their organization in the late 1800s. Yet nothing could be further from the truth, as Michael W. Harris's history of gospel blues reveals. Tracing the rise of gospel blues as seen through the career of its founding figure, Thomas Andrew Dorsey, Harris tells the story of the most prominent person in the advent of gospel blues. Also known as "Georgia Tom," Dorsey had considerable success in the 1920s as a pianist, composer, and arranger for prominent blues singes including Ma Rainey. In the 1930s he became involved in Chicago's African-American, old-line Protestant churches, where his background in the blues greatly influenced his composing and singing. Following much controversy during the 1930s and the eventual overwhelming response that Dorsey's new form of music received, the gospel blues became a major force in African-American churches and religion. His more than 400 gospel songs and recent Grammy Award indicate that he is still today the most prolific composer/publisher in the movement. Delving into the life of the central figure of gospel blues, Harris illuminates not only the evolution of this popular musical form, but also the thought and social forces that forged the culture in which this music was shaped.
Author: Chris Thomas King
Publisher: Chicago Review Press
ISBN: 1641604476
Category : Music
Languages : en
Pages : 581
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Book Description
"A fresh new perspective that will be a true revolution to readers and will open new lines of discussion on . . . the importance of the city of New Orleans for generations to come." —Dr. Michael White, jazz clarinetist, composer, and Keller Endowed Chair at Xavier University of LA An untold authentic counter-narrative blues history and the first written by an African American blues artist All prior histories on the blues have alleged it originated on plantations in the Mississippi Delta. Not true, says author Chris Thomas King. In The Blues, King present facts to disprove such myths. This book is the first to argue the blues began as a cosmopolitan art form, not a rural one. As early as 1900, the sound of the blues was ubiquitous in New Orleans. The Mississippi Delta, meanwhile, was an unpopulated sportsman's paradise—the frontier was still in the process of being cleared and drained for cultivation.? Expecting these findings to be controversial in some circles, King has buttressed his conclusions with primary sources and years of extensive research, including a sojourn to West Africa and interviews with surviving folklorists and blues researchers from the 1960s folk-rediscovery epoch.? New Orleans, King states, was the only place in the Deep South where the sacred and profane could party together without fear of persecution, creating the blues.
