Author: Douglas Bennett
Publisher: Four Courts Press
ISBN: 9780950548869
Category : Goldwork
Languages : en
Pages : 0
Book Description
This important book charts the history of the Dublin Company of Goldsmiths, from the Middle Ages to the present. It demonstrates the close link between the guild and the city and shows how the Company adapted to changing circumstances to maintain relevance in the modern era. [Subject: Irish history, Dublin history, Guilds, local history, medieval history, renaissance history, modern history]
The Goldsmiths of Dublin
Author: Douglas Bennett
Publisher: Four Courts Press
ISBN: 9780950548869
Category : Goldwork
Languages : en
Pages : 0
Book Description
This important book charts the history of the Dublin Company of Goldsmiths, from the Middle Ages to the present. It demonstrates the close link between the guild and the city and shows how the Company adapted to changing circumstances to maintain relevance in the modern era. [Subject: Irish history, Dublin history, Guilds, local history, medieval history, renaissance history, modern history]
Publisher: Four Courts Press
ISBN: 9780950548869
Category : Goldwork
Languages : en
Pages : 0
Book Description
This important book charts the history of the Dublin Company of Goldsmiths, from the Middle Ages to the present. It demonstrates the close link between the guild and the city and shows how the Company adapted to changing circumstances to maintain relevance in the modern era. [Subject: Irish history, Dublin history, Guilds, local history, medieval history, renaissance history, modern history]
English Goldsmiths and Their Marks
Author: Sir Charles James Jackson
Publisher:
ISBN:
Category : Goldsmiths
Languages : en
Pages : 778
Book Description
Publisher:
ISBN:
Category : Goldsmiths
Languages : en
Pages : 778
Book Description
The Journal of the Royal Society of Antiquaries of Ireland
Author: Royal Society of Antiquaries of Ireland
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 558
Book Description
Index of archaeological papers published in 1891, under the direction of the Congress of Archaeological Societies in union with the Society of Antiquaries.
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 558
Book Description
Index of archaeological papers published in 1891, under the direction of the Congress of Archaeological Societies in union with the Society of Antiquaries.
A History of Ireland
Author: Thomas Mooney
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 1726
Book Description
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 1726
Book Description
Hall Marks on Gold & Silver Plate
Author: William Chaffers
Publisher:
ISBN:
Category : Goldwork
Languages : en
Pages : 370
Book Description
Publisher:
ISBN:
Category : Goldwork
Languages : en
Pages : 370
Book Description
The Gold Rocks of Great Britain and Ireland, and a General Outline of the Gold Regions of the World, with a Treatise on the Geology of Gold
Author: John Calvert (Mineral Surveyor.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 364
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 364
Book Description
Hall marks on gold and silver plate
Author: William Chaffers
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
Book Description
A Literary History of Ireland
Author: D. Hyde
Publisher: Рипол Классик
ISBN: 1143856481
Category :
Languages : en
Pages : 678
Book Description
Publisher: Рипол Классик
ISBN: 1143856481
Category :
Languages : en
Pages : 678
Book Description
The Irish Quarterly Review
Author:
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 486
Book Description
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 486
Book Description
From Ireland Coming
Author: Colum Hourihane
Publisher: Princeton University Press
ISBN: 9780691088259
Category : Art
Languages : en
Pages : 382
Book Description
Lying at Europe's remote western edge, Ireland long has been seen as having an artistic heritage that owes little to influences beyond its borders. This publication, the first to focus on Irish art from the eighth century AD to the end of the sixteenth century, challenges the idea that the best-known Irish monuments of that period-the high crosses, the Book of Kells, the Tara Brooch, the round towers-reflect isolated, insular traditions. Seventeen essays examine the iconography, history, and structure of these familiar works, as well as a number of previously unpublished pieces, and demonstrate that they do have a place in the main currents of European art. While this book reveals unexpected links between Ireland, Late-Antique Italy, the Byzantine Empire, and the Anglo-Saxons, its center is always the artistic culture of Ireland itself. It includes new research on the Sheela-na-gigs, often thought to be merely erotic sculptures; on the larger cultural meanings of the Tuam Market Cross and its nineteenth-century re-erection; and on late-medieval Irish stone crosses and metalwork. The emphasis on later monuments makes this one of the first volumes to deal with Irish art after the Norman invasion. The contributors are Cormac Bourke, Mildred Budny, Tessa Garton, Peter Harbison, Jane Hawkes, Colum Hourihane, Catherine E. Karkov, Heather King, Susanne McNab, Raghnall Floinn, Emmanuelle Pirotte, Roger Stalley, Kees Veelenturf, Dorothy Hoogland Verkerk, Niamh Whitfield, Maggie McEnchroe Williams, and Susan Youngs.
Publisher: Princeton University Press
ISBN: 9780691088259
Category : Art
Languages : en
Pages : 382
Book Description
Lying at Europe's remote western edge, Ireland long has been seen as having an artistic heritage that owes little to influences beyond its borders. This publication, the first to focus on Irish art from the eighth century AD to the end of the sixteenth century, challenges the idea that the best-known Irish monuments of that period-the high crosses, the Book of Kells, the Tara Brooch, the round towers-reflect isolated, insular traditions. Seventeen essays examine the iconography, history, and structure of these familiar works, as well as a number of previously unpublished pieces, and demonstrate that they do have a place in the main currents of European art. While this book reveals unexpected links between Ireland, Late-Antique Italy, the Byzantine Empire, and the Anglo-Saxons, its center is always the artistic culture of Ireland itself. It includes new research on the Sheela-na-gigs, often thought to be merely erotic sculptures; on the larger cultural meanings of the Tuam Market Cross and its nineteenth-century re-erection; and on late-medieval Irish stone crosses and metalwork. The emphasis on later monuments makes this one of the first volumes to deal with Irish art after the Norman invasion. The contributors are Cormac Bourke, Mildred Budny, Tessa Garton, Peter Harbison, Jane Hawkes, Colum Hourihane, Catherine E. Karkov, Heather King, Susanne McNab, Raghnall Floinn, Emmanuelle Pirotte, Roger Stalley, Kees Veelenturf, Dorothy Hoogland Verkerk, Niamh Whitfield, Maggie McEnchroe Williams, and Susan Youngs.