The Golden Age of the Accordion PDF Download
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Author: Ronald Flynn
Publisher: Flynn Publications
ISBN: 9780962589911
Category : Music
Languages : en
Pages : 361
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Book Description
Author: Ronald Flynn
Publisher: Flynn Publications
ISBN: 9780962589911
Category : Music
Languages : en
Pages : 361
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Book Description
Author: Helena Simonett
Publisher: University of Illinois Press
ISBN: 0252037200
Category : History
Languages : en
Pages : 347
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Book Description
This collection considers the accordion and its myriad forms, from the concertina, button accordion, and piano accordion familiar in European and North American music to the exotic-sounding South American bandoneon and the sanfoninha. Capturing the instrument's spread and adaptation to many different cultures in North and South America, contributors illuminate how the accordion factored into power struggles over aesthetic values between elites and working-class people who often were members of immigrant and/or marginalized ethnic communities. Specific histories and cultural contexts discussed include the accordion in Brazil, Argentine tango, accordion traditions in Colombia, cross-border accordion culture between Mexico and Texas, Cajun and Creole identity, working-class culture near Lake Superior, the virtuoso Italian-American and Klezmer accordions, Native American dance music, and American avant-garde.
Author: Marion Jacobson
Publisher: University of Illinois Press
ISBN: 0252093852
Category : Music
Languages : en
Pages : 294
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Book Description
No other instrument has witnessed such a dramatic rise to popularity--and precipitous decline--as the accordion. Squeeze This! is the first history of the piano accordion and the first book-length study of the accordion as a uniquely American musical and cultural phenomenon. Ethnomusicologist and accordion enthusiast Marion Jacobson traces the changing idea of the accordion in the United States and its cultural significance over the course of the twentieth century. From the introduction of elaborately decorated European models imported onto the American vaudeville stage and the instrument's celebration by ethnic musical communities and mainstream audiences alike, to the accordion-infused pop parodies by "Weird Al" Yankovic, Jacobson considers the accordion's contradictory status as both an "outsider" instrument and as a major force in popular music in the twentieth century. Drawing on interviews and archival investigations with instrument builders and retailers, artists and audiences, professionals and amateurs, Squeeze This! explores the piano accordion's role as an instrument of community identity and its varied musical and cultural environments. Jacobson concentrates on six key moments of transition: the Americanization of the piano accordion, originally produced and marketed by sales-savvy Italian immigrants; the transformation of the accordion in the 1920s from an exotic, expensive vaudeville instrument to a mass-marketable product; the emergence of the accordion craze in the 1930s and 1940s, when a highly organized "accordion industrial complex" cultivated a white, middle-class market; the peak of its popularity in the 1950s, exemplified by Lawrence Welk and Dick Contino; the instrument's marginalization in the 1960s and a brief, ill-fated effort to promote the accordion to teen rock 'n' roll musicians; and the revival beginning in the 1980s of the accordion as a "world music instrument" and a key component for cabaret and burlesque revivals and pop groups such as alternative experimenters They Might Be Giants and polka rockers Brave Combo. Loaded with dozens of images of gorgeous instruments and enthusiastic performers and fans, Squeeze This! A Cultural History of the Accordion in America represents the accordion in a wide range of popular and traditional musical styles, revealing the richness and diversity of accordion culture in America.
Author: Bruce Triggs
Publisher:
ISBN: 9781999067700
Category :
Languages : en
Pages : 432
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Book Description
With an eye for colorful characters and a sharp sense of humor, accordion historian Bruce Triggs uncovers the hidden back-story of the squeezebox in everyone's closet. Accordion Revolution is about more than an instrument: it's a restoration of the squeezebox to its rightful place at the roots of North America's popular music.
Author: Maxinillien de Lafayette
Publisher: Lulu.com
ISBN: 0359411703
Category : Performing Arts
Languages : en
Pages : 104
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Book Description
Accordion Stars Illustrated Magazine-Book. Vol.1, March 2019. In colors.Gracing the cover: Debra Peters, James Rand, Annelies Winten, Linda Ann Warren, Jean Dauvin, Madlyn.Published by Maximillien de Lafayette?, Times Squares Press?, Stars Illustrated Magazine?, New York, and Federation of American Musicians, Singers and Performing Artists, Inc. (FAMSPA). Interviews With Accordion world champions and the biggest names in the business. The world's 500 magnificent accordionists. Why accordion's large Organizations in the U.S. do not publish an accordion magazine? Health problems caused by playing the accordion, instructions for safe lifting and carrying techniques (Your accordion's case).The 10 Best Accordion Cases/Gig Bags. How to reduce fatigue, stress, and pain of the back caused by playing the accordion.
Author: Maximillien de Lafayette
Publisher: Lulu.com
ISBN: 035977315X
Category : Performing Arts
Languages : en
Pages : 742
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Book Description
SECOND EDITION-ACCORDION AND WORLD'S BEST CONTEMPORARY ACCORDIONISTS, ENCYCLOPEDIE UNIVERSELLE DES ACCORDEONISTES CONTEMPORAINS. ●ВСЕМИРНАЯ ЭНЦИКЛОПЕДИЯ СОВРЕМЕННЫХ АККОРДЕОНИСТОВ. Published by Times Square Press New York and the Federation of American Musicians, Singers and Performing Artists, Inc. (FAMSPA). In collaboration with Stars Illustrated magazine, New York, and Accordion Stars Illustrated magazine.
Author: Annie Proulx
Publisher: Simon and Schuster
ISBN: 1416588884
Category : Fiction
Languages : en
Pages : 502
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Book Description
Pulitzer Prize–winning author Annie Proulx brings the immigrant experience to life in this stunning novel that traces the ownership of a simple green accordion. E. Annie Proulx’s Accordion Crimes is a masterpiece of storytelling that spans a century and a continent. Proulx brings the immigrant experience in America to life through the eyes of the descendants of Mexicans, Poles, Africans, Irish-Scots, Franco-Canadians and many others, all linked by their successive ownership of a simple green accordion. The music they make is their last link with the past—voice for their fantasies, sorrows and exuberance. Proulx’s prodigious knowledge, unforgettable characters and radiant language make Accordion Crimes a stunning novel, exhilarating in its scope and originality.
Author: Dan Michael Worrall
Publisher: Dan Michael Worrall
ISBN: 0982599609
Category : Music
Languages : en
Pages : 353
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Book Description
Author: Henry Doktorski
Publisher: Mel Bay Publications
ISBN: 1609746821
Category : Music
Languages : en
Pages : 193
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Book Description
Count Guido Deiro (1886-1950), Italian-born composer and accordion virtuoso. Deiro was a major force in the popularization of the accordion in the early 20th century. Concert accordionist and scholar Henry Doktorski has transcribed and edited all of Deiro's original music for accordion-45 pieces including waltzes, rags, marches, polkas, fox trots, tangos, and popular Deiro favorites: My Florence Waltz, Egypto Fantasia, Sharpshooter's March, and the Broadway hit, Kismet.A lengthy essay and rare photos from the Deiro family archive complete the 192-page book.
Author: Karen E. McAulay
Publisher: Taylor & Francis
ISBN: 1040216501
Category : History
Languages : en
Pages : 221
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Book Description
Late Victorian Scotland had a flourishing music publishing trade, evidenced by the survival of a plethora of vocal scores and dance tune books; and whether informing us what people actually sang and played at home, danced to, or enjoyed in choirs, or reminding us of the impact of emigration from Britain for both emigrants and their families left behind, examining this neglected repertoire provides an insight into Scottish musical culture and is a valuable addition to the broader social history of Scotland. The decline of the music trade by the mid-twentieth century is attributable to various factors, some external, but others due to the conservative and perhaps somewhat parochial nature of the publishers’ output. What survives bears witness to the importance of domestic and amateur music-making in ordinary lives between 1880 and 1950. Much of the music is now little more than a historical artefact. Nonetheless, Karen E. McAulay shows that the nature of the music, the song and fiddle tune books’ contents, the paratext around the collections, its packaging, marketing and dissemination all document the social history of an era whose everyday music has often been dismissed as not significant or, indeed, properly ‘old’ enough to merit consideration. The book will be valuable for academics as well as folk musicians and those interested in the social and musical history of Scotland and the British Isles.
