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Author: Sumathi Ramaswamy
Publisher: Duke University Press
ISBN: 0822391538
Category : History
Languages : en
Pages : 402
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Book Description
Making the case for a new kind of visual history, The Goddess and the Nation charts the pictorial life and career of Bharat Mata, “Mother India,” the Indian nation imagined as mother/goddess, embodiment of national territory, and unifying symbol for the country’s diverse communities. Soon after Mother India’s emergence in the late nineteenth century, artists, both famous and amateur, began to picture her in various media, incorporating the map of India into her visual persona. The images they produced enabled patriotic men and women in a heterogeneous population to collectively visualize India, affectively identify with it, and even become willing to surrender their lives for it. Filled with illustrations, including 100 in color, The Goddess and the Nation draws on visual studies, gender studies, and the history of cartography to offer a rigorous analysis of Mother India’s appearance in painting, print, poster art, and pictures from the late nineteenth century to the present. By exploring the mutual entanglement of the scientifically mapped image of India and a (Hindu) mother/goddess, Sumathi Ramaswamy reveals Mother India as a figure who relies on the British colonial mapped image of her dominion to distinguish her from the other goddesses of India, and to guarantee her novel status as embodiment, sign, and symbol of national territory. Providing an exemplary critique of ideologies of gender and the science of cartography, Ramaswamy demonstrates that images do not merely reflect history; they actively make it. In The Goddess and the Nation, she teaches us about pictorial ways of learning the form of the nation, of how to live with it—and ultimately to die for it.
Author: Sumathi Ramaswamy
Publisher: Duke University Press
ISBN: 0822391538
Category : History
Languages : en
Pages : 402
Get Book Here
Book Description
Making the case for a new kind of visual history, The Goddess and the Nation charts the pictorial life and career of Bharat Mata, “Mother India,” the Indian nation imagined as mother/goddess, embodiment of national territory, and unifying symbol for the country’s diverse communities. Soon after Mother India’s emergence in the late nineteenth century, artists, both famous and amateur, began to picture her in various media, incorporating the map of India into her visual persona. The images they produced enabled patriotic men and women in a heterogeneous population to collectively visualize India, affectively identify with it, and even become willing to surrender their lives for it. Filled with illustrations, including 100 in color, The Goddess and the Nation draws on visual studies, gender studies, and the history of cartography to offer a rigorous analysis of Mother India’s appearance in painting, print, poster art, and pictures from the late nineteenth century to the present. By exploring the mutual entanglement of the scientifically mapped image of India and a (Hindu) mother/goddess, Sumathi Ramaswamy reveals Mother India as a figure who relies on the British colonial mapped image of her dominion to distinguish her from the other goddesses of India, and to guarantee her novel status as embodiment, sign, and symbol of national territory. Providing an exemplary critique of ideologies of gender and the science of cartography, Ramaswamy demonstrates that images do not merely reflect history; they actively make it. In The Goddess and the Nation, she teaches us about pictorial ways of learning the form of the nation, of how to live with it—and ultimately to die for it.
Author: Sumathi Ramaswamy
Publisher: Duke University Press Books
ISBN: 9780822345923
Category : History
Languages : en
Pages : 0
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Book Description
Making the case for a new kind of visual history, The Goddess and the Nation charts the pictorial life and career of Bharat Mata, “Mother India,” the Indian nation imagined as mother/goddess, embodiment of national territory, and unifying symbol for the country’s diverse communities. Soon after Mother India’s emergence in the late nineteenth century, artists, both famous and amateur, began to picture her in various media, incorporating the map of India into her visual persona. The images they produced enabled patriotic men and women in a heterogeneous population to collectively visualize India, affectively identify with it, and even become willing to surrender their lives for it. Filled with illustrations, including 100 in color, The Goddess and the Nation draws on visual studies, gender studies, and the history of cartography to offer a rigorous analysis of Mother India’s appearance in painting, print, poster art, and pictures from the late nineteenth century to the present. By exploring the mutual entanglement of the scientifically mapped image of India and a (Hindu) mother/goddess, Sumathi Ramaswamy reveals Mother India as a figure who relies on the British colonial mapped image of her dominion to distinguish her from the other goddesses of India, and to guarantee her novel status as embodiment, sign, and symbol of national territory. Providing an exemplary critique of ideologies of gender and the science of cartography, Ramaswamy demonstrates that images do not merely reflect history; they actively make it. In The Goddess and the Nation, she teaches us about pictorial ways of learning the form of the nation, of how to live with it—and ultimately to die for it.
Author: Sumathi Ramaswamy
Publisher:
ISBN: 9788189884994
Category : Group identity
Languages : en
Pages : 379
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Book Description
"Making the case for a new kind of visual history, The Goddess and the Nation charts the pictorial life and career of Bharat Mata, 'Mother India', the Indian nation imagined as mother/goddess, embodiment of national territory, and unifying symbol for the country's diverse communities. Soon after Mother India's emergence in the late nineteenth century, artists, both famous and amateur, began to picture her in various media, incorporating the map of India into her visual persona. The images they produced enabled patriotic men and women in a heterogeneous population to collectively visualize India, affectively identify with it, and even become willing to surrender their lives for it. Filled with illustrations, including 100 in color, The Goddess and the Nation draws on visual studies, gender studies, and the history of cartography to offer a rigorous analysis of Mother India's appearance in painting, print, poster art, and pictures from the late nineteenth century to the present. By exploring the mutual entanglement of the scientifically mapped image of India and a (Hindu) mother/goddess, Sumathi Ramaswamy reveals Mother India as a figure who relies on the British colonial mapped image of her dominion to distinguish her from the other goddesses of India, and to guarantee her novel status as embodiment, sign, and symbol of national territory. Providing an exemplary critique of ideologies of gender and the science of cartography, Ramaswamy demonstrates that images do not merely reflect history; they actively make it." -- Back cover.
Author: Alan Butler
Publisher: Simon and Schuster
ISBN: 1620553988
Category : Body, Mind & Spirit
Languages : en
Pages : 451
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Book Description
Explores how a secret cabal of influential families has shaped the United States according to the principles of sacred geometry and Goddess veneration • Exposes the esoteric influences behind the National Grange Order of Husbandry • Examines the sacred design and hidden purpose of the Washington Monument • Reveals how the three obelisks in New York City depict the stars of Orion’s Belt • Explains how every baseball diamond is actually a temple to the Goddess In America: Nation of the Goddess, Alan Butler and Janet Wolter reveal how a secret cabal of influential “Venus” families with a lineage tracing back to the Eleusinian Mysteries has shaped the history of the United States since its founding. The evidence for such incredible assertions comes from American institutions such as the National Grange Order of Husbandry and from the man-made landscape of the United States where massive structures and whole cities conform to an agenda designed to elevate the feminine within religion and society. The authors explain how the Venus families, working through the Freemasons and later the Grange, planned the American Revolution and the creation of the United States. It was this group who set the stage for the Founding Fathers to create Washington, D.C., according to the principles of sacred geometry, with an eye toward establishing the New Jerusalem. The authors explore the sacred design of the Washington Monument, revealing its occult purpose and connections to the heavens. They reveal how the obelisks in New York City depict the stars of Orion’s Belt just like the Giza pyramids and how the site of one of them, St. Paul’s Chapel, is the American counterpart to Rosslyn Chapel in Scotland. Exposing the strong esoteric influences behind the establishment of the Grange in the United States, they connect this apparently conservative order of farmers to the Venus families and trace its lineage back to the Cisterians, who were a major voice in the promotion of the Crusades and the establishment of the Knights Templar. The authors conclude with the startling revelation that nearly every city in America has a temple to the Goddess hidden in plain sight--their baseball diamonds--exposing the extent to which the Venus families are still at work behind the scenes.
Author: Megan Bryson
Publisher: Stanford University Press
ISBN: 1503600459
Category : Religion
Languages : en
Pages : 261
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Book Description
Dali is a small region on a high plateau in Southeast Asia. Its main deity, Baijie, has assumed several gendered forms throughout the area's history: Buddhist goddess, the mother of Dali's founder, a widowed martyr, and a village divinity. What accounts for so many different incarnations of a local deity? Goddess on the Frontier argues that Dali's encounters with forces beyond region and nation have influenced the goddess's transformations. Dali sits at the cultural crossroads of Southeast Asia, India, and Tibet; it has been claimed by different countries but is currently part of Yunnan Province in Southwest China. Megan Bryson incorporates historical-textual studies, art history, and ethnography in her book to argue that Baijie provided a regional identity that enabled Dali to position itself geopolitically and historically. In doing so, Bryson provides a case study of how people craft local identities out of disparate cultural elements and how these local identities transform over time in relation to larger historical changes—including the increasing presence of the Chinese state.
Author: Jessica Vantine Birkenholtz
Publisher: Oxford University Press
ISBN: 0190844558
Category : Religion
Languages : en
Pages : 345
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Book Description
Reciting the Goddess presents the first critical study of the Svasthanivratakatha (SVK), a sixteenth-century Hindu narrative textual tradition. The extensive SVK manuscript tradition offers a rare opportunity to observe the making of a specific, distinct Hindu religious tradition. Jessica Vantine Birkenholtz argues that the SVK serves as a lens through which we can observe the creation of modern 'Hinduism' in the Himalayas, as the text both mirrored and informed key moments in the self-conscious creation of Nepal as the 'world's only Hindu kingdom' in the late medieval and early modern period. Birkenholtz mines the literary historiography that is contained within the SVK text itself, chronicling the text's literary and narrative development as well as the development of the Svasthani goddess tradition. She outlines the process whereby the SVK gradually transformed into a Purana text, and became a critical source for Nepali Hindu belief and identity. She also examines the elusive character of the goddess Svasthani whose identity is tied to the pan-Hindu goddess tradition, and the representation of women in the SVK and the ways in which the text influenced local and regional debates on the ideal of Hindu womanhood. Reciting the Goddess presents Nepal's celebrated SVK as a micro-level illustration of the powerful ways in which people, place, and literature intersect to produce new ideas and concepts of identity and place, even in a historically non-literate culture.
Author: Lynn E. Roller
Publisher: Univ of California Press
ISBN: 0520210247
Category : History
Languages : en
Pages : 402
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Book Description
This is the first thorough account of the nature and the spread of the cult of Cybele, the Great Mother, and the first to present her worship soberly as a religion rather than sensationally as an orgiastic celebration of self-castrated priest-attendants.
Author: Minfong Ho
Publisher: Scholastic Paperbacks
ISBN: 9780439381987
Category : Juvenile Fiction
Languages : en
Pages : 201
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Book Description
After the Communists take over Cambodia and her family is torn from their city life, twelve-year-old Nakri and her older sister attempt to maintain their hope as well as their classical dancing skills in the midst of their struggle to survive. Reprint.
Author: Véronique Bénéï
Publisher: Stanford University Press
ISBN: 0804759065
Category : Social Science
Languages : en
Pages : 368
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Book Description
This book explores how regional and national senses of belonging are produced and transmitted in elementary schools in western India.
Author: Catherine Rubin Kermorgant
Publisher: Random House India
ISBN: 8184005601
Category : Social Science
Languages : en
Pages : 406
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Book Description
Servants of the Goddess weaves together the heartbreaking, yet paradoxically life-affirming stories of five devadasis—women, in the clutches of an ancient fertility cult, forced to serve the gods. Catherine Rubin Kermorgant sets out attempting to make a documentary film about the lives of present-day devadasis. Through her, we meet and get to know the devadasi women of Kalyana, a remote village in Karnataka. As they grow to trust Kermorgant and welcome her as an honorary sister, we hear their stories in their own words: stories of oppression, discrimination, violence and, most importantly, resilience. Kermorgant becomes a part of these stories and finds herself unwittingly enmeshed in a world of gender and caste bias which extends far beyond Kalyana—all the way to Paris, where the documentary is to be edited and produced. Servants of the Goddess is a testament to women’s strength and spirit, and a remarkably astute analysis of gender and caste relations in today’s rural India.
