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Author: Robert Hans van Gulik
Publisher: Brill Archive
ISBN:
Category : Animals
Languages : en
Pages : 144
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Book Description
Author: Robert Hans van Gulik
Publisher: Brill Archive
ISBN:
Category : Animals
Languages : en
Pages : 144
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Book Description
Author: Raymond Corbey
Publisher: Cambridge University Press
ISBN: 9780521836838
Category : Nature
Languages : en
Pages : 250
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Book Description
This book traces the discovery and interpretation of the human-like great apes and shows how the taboo-ridden animal-human boundary was challenged.
Author: Roel Sterckx
Publisher: Cambridge University Press
ISBN: 1108428150
Category : History
Languages : en
Pages : 293
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Book Description
This innovative collection opens a door into the rich history of animals in China. This title is also available as Open Access.
Author: Roel Sterckx
Publisher: State University of New York Press
ISBN: 0791489159
Category : Religion
Languages : en
Pages : 388
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Book Description
Exploring the cultural perception of animals in early Chinese thought, this careful reading of Warring States and Han dynasty writings analyzes how views of animals were linked to human self perception and investigates the role of the animal world in the conception of ideals of sagehood and socio-political authority. Roel Sterckx shows how perceptions of the animal world influenced early Chinese views of man's place among the living species and in the world at large. He argues that the classic Chinese perception of the world did not insist on clear categorical or ontological boundaries between animals, humans, and other creatures such as ghosts and spirits. Instead the animal realm was positioned as part of an organic whole and the mutual relationships among the living species—both as natural and cultural creatures—were characterized as contingent, continuous, and interdependent.
Author: R.H. van Gulik
Publisher: BRILL
ISBN: 9004487867
Category : History
Languages : en
Pages : 444
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Book Description
In 1961 Robert van Gulik published his pioneering overview of Sexual Life in Ancient China. This edition of the work is preceded by an elaborate introduction by Paul Rakita Goldin assessing the value of Van Gulik’s volume, the subject itself, and its author. The introduction is followed by an extensive and up-to-date bibliography on the subject, which guides the modern reader in the literature on the field which appeared after the publication of Van Gulik's volume. One of the criticisms in 1961 regarded the Latin translations of passages deemed too explicit by Van Gulik. In this 2002 edition all Latin has for the first time been translated into unambiguous English, thus making the full text widely available to an academic audience.
Author: Susan Lappan
Publisher: Springer Science & Business Media
ISBN: 0387886044
Category : Science
Languages : en
Pages : 518
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Book Description
It is a great honor to be asked to introduce this exciting new volume, having been heavily involved in the first comprehensive synthesis in the early 1980s. Gibbons are the most enthralling of primates. On the one hand, they are the most appealing animals, with their upright posture and body shape, facial markings, dramatic arm-swinging locomotion and suspensory postures, and devastating duets; on the other hand, the small apes are the most diverse, hence biologically valuable and informative, of our closest relatives. It is hard for me to believe that it is 40 years to the month since I first set foot on the Malay Peninsula to start my doctoral study of the siamang. I am very proud to have followed in the footsteps of the great pioneer of primate field study, Clarence Ray Carpenter (CR or Ray, who I was fortunate to meet twice, in Pennsylvania and in Zurich), first in Central America (in 1967) and then in Southeast Asia. It is 75 years since he studied howler monkeys on Barro Colorado Island in the Panama Canal Zone. It is 70 years since he studied the white-handed gibbon in Thailand.
Author: Susan M. Cheyne
Publisher: Cambridge University Press
ISBN: 1108479413
Category : Nature
Languages : en
Pages : 349
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Book Description
This volume brings together current research and practice on gibbon conservation, ecology, taxonomy and phylogenetics.
Author: Jerome Silbergeld
Publisher: University of Hawaii Press
ISBN: 0824872568
Category : Art
Languages : en
Pages : 474
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Book Description
China has an age-old zoomorphic tradition. The First Emperor was famously said to have had the heart of a tiger and a wolf. The names of foreign tribes were traditionally written with characters that included animal radicals. In modern times, the communist government frequently referred to Nationalists as “running dogs,” and President Xi Jinping, vowing to quell corruption at all levels, pledged to capture both “the tigers” and “the flies.” Splendidly illustrated with works ranging from Bronze Age vessels to twentieth-century conceptual pieces, this volume is a wide-ranging look at zoomorphic and anthropomorphic imagery in Chinese art. The contributors, leading scholars in Chinese art history and related fields, consider depictions of animals not as simple, one-for-one symbolic equivalents: they pursue in depth, in complexity, and in multiple dimensions the ways that Chinese have used animals from earliest times to the present day to represent and rhetorically stage complex ideas about the world around them, examining what this means about China, past and present. In each chapter, a specific example or theme based on real or mythic creatures is derived from religious, political, or other sources, providing the detailed and learned examination needed to understand the means by which such imagery was embedded in Chinese cultural life. Bronze Age taotie motifs, calendrical animals, zoomorphic modes in Tantric Buddhist art, Song dragons and their painters, animal rebuses, Heaven-sent auspicious horses and foreign-sent tribute giraffes, the fantastic specimens depicted in the Qing Manual of Sea Oddities, the weirdly indeterminate creatures found in the contemporary art of Huang Yong Ping—these and other notable examples reveal Chinese attitudes over time toward the animal realm, explore Chinese psychology and patterns of imagination, and explain some of the critical means and motives of Chinese visual culture. The Zoomorphic Imagination in Chinese Art and Culture will find a ready audience among East Asian art and visual culture specialists and those with an interest in literary or visual rhetoric. Contributors: Sarah Allan, Qianshen Bai, Susan Bush, Daniel Greenberg, Carmelita (Carma) Hinton, Judy Chungwa Ho, Kristina Kleutghen, Kathlyn Liscomb, Jennifer Purtle, Jerome Silbergeld, Henrik Sørensen, and Eugene Y. Wang.
Author: Aaron Gross
Publisher: Columbia University Press
ISBN: 0231152973
Category : Nature
Languages : en
Pages : 390
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Book Description
This interdisciplinary and cross-cultural collection reflects the growth of animal studies as an independent field and the rise of 'animality' as a critical lens through which to analyze society and culture, on par with race and gender.
Author: Corey Byrnes
Publisher: Columbia University Press
ISBN: 0231547129
Category : Literary Criticism
Languages : en
Pages : 345
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Book Description
In 1994, workers broke ground on China’s Three Gorges Dam. By its completion in 2012, the dam had transformed the ecology of the Yangzi River, displaced over a million people, and forever altered a landscape immortalized in centuries of literature and art. The controversial history of the dam is well known; what this book uncovers are its unexpected connections to the cultural traditions it seems to sever. By reconsidering the dam in relation to the aesthetic history of the Three Gorges region over more than two millennia, Fixing Landscape offers radically new ways of thinking about cultural and spatial production in contemporary China. Corey Byrnes argues that this monumental feat of engineering can only be understood by confronting its status as a techno-poetic act, a form of landscaping indebted to both the technical knowledge of engineers and to the poetic legacies of the Gorges as cultural site. Synthesizing methods drawn from premodern, modern, and contemporary Chinese studies, as well as from critical geography, art history, and the environmental humanities, Byrnes offers innovative readings of eighth-century poetry, paintings from the twelfth through twenty-first centuries, contemporary film, nineteenth-century British travelogues, and Chinese and Western maps, among other sources. Fixing Landscape shows that premodern poetry and visual art have something urgent to tell us about a contemporary experiment in spatial production. Poems and paintings may not build dams, but Byrnes argues that the Three Gorges Dam would not exist as we know it without them.
