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Author: Madeline Maxine Westbrook
Publisher: Madelaine Writes
ISBN: 0976044501
Category : Death
Languages : en
Pages : 259
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Book Description
Author: Madeline Maxine Westbrook
Publisher: Madelaine Writes
ISBN: 0976044501
Category : Death
Languages : en
Pages : 259
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Book Description
Author: Scott Stratten
Publisher: John Wiley & Sons
ISBN: 1119335000
Category : Business & Economics
Languages : en
Pages : 311
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Book Description
UnMarket to build trust and make lifelong customers! In 2009, Scott Stratten and Alison Stratten wrote the bestselling UnMarketing: Stop Marketing, Start Engaging and began a journey that would take them around the world sharing their message of engagement with corporations, entrepreneurs, and students.They are now back with this second edition, because Everything has Changed and Nothing is Different, with all the brilliance of the first edition, plus new content and commentary to reflect the rapidly changing landscape we all live, buy, and work in today. For generations, marketing has been hypocritical. We've been taught to market to others in ways we hate being marketed to (cold-calling, flyers, ads, etc.). So why do we still keep trying the same stale marketing moves? UnMarketing shows you how to unlearn the old ways and consistently attract and engage the right customers. You'll stop just pushing out your message and praying that it sticks somewhere. Potential and current customers want to be listened to, validated, and have a platform to be heard-especially online. With UnMarketing, you'll create a relationship with your customers, and make yourself the logical choice for their needs. We know you've been told to act like other people, talk like other people, and market like all the people, but it is time for you to unlearn everything and start to UnMarket yourself. UnMarketing includes the latest information on: Idea Creation, Viral Marketing and Video, Marketing to Millennials, Authenticity, Transparency and Immediacy, Ethics and Affiliates, Social Media Platforming, UnPodcasting, Word of Mouth, Customer Service, Consumer Advocacy and Leadership. With examples of what to do, and what not to do, from small business right up to worldwide corporations in areas such as real estate, travel, service, retail, and B2B.
Author: Gabriel Harvey
Publisher: Anaphora Literary Press
ISBN: 1681145758
Category : Foreign Language Study
Languages : en
Pages : 252
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Book Description
A poetic satire of ghostwriters being hired to write puffery of and by patrons and sponsors, who pay to gain immortal fame for being “great”, while failing to perform any work to deserve any praise. This volume shows the similarities across Gabriel Harvey’s poetic canon stretching from his critically-ignored self-attributed Smith (1578), his famous “Edmund Spenser”-bylined Fairy Queen (1590), and his semi-recognized “Samuel Brandon”-bylined Virtuous Octavia (1598). This close analysis of Smith is essential for explaining all of Harvey’s multi-bylined output because Smith is an extensive confession about Harvey’s ghostwriting process. Harvey’s Fairy Queen is his mature attempt at an extensive puffery of a monarch, which has been (as Harvey predicted in Smith and Ciceronianus) in return over-puffed as a “great” literary achievement by monarchy-conserving literary scholars across the past four hundred years. The relatively superior in its condensed social message and literary achievement Smith has been ignored in part because the subject of its puffery appears trivial from the perspective of national propaganda. Smith: Or, The Tears of the Muses is a metered poetic composition that can also be performed as a multi-monologue play. The central formulaic structure is grounded in nine Cantos that are delivered by each of the nine Muses; this formula appeared in many British poems and interludes after its appearance in “Nicholas Grimald’s” translation of a “Virgil”-assigned poem called “The Muses” in Songs and Sonnets (1557). The repetitive nature of this puffing formula is subverted not only by the satirical and ironic contradictions that are mixed with the standard exaggerated flatteries of “Sir Thomas Smith” (Elizabeth’s Secretary), but also with several seemingly digressive sections that puff and satirize other bylines, including “Walter Mildmay” (King’s Councilor) and “John Wood” (“Smith’s” copyist and nephew). The central subject of the satire in Smith is Richard Verstegan’s career as a goldsmith, who forged antiques, and committed identity fraud that included ghostwriting books under multiple bylines, including passing himself (as Harvey points out) as at least two different “Sir Thomas Smiths”. The introduction to this volume includes matching handwritten letters that were written by Smith #1 (who died in 1577) and Smith #2 (who died in 1625) and by Verstegan under his own byline. In Smith’s conclusion, Verstegan responds with ridicule of his own directed at Harvey. This is the first full translation of Smith from Latin into English. The accompanying introductory matter, extensive annotations, and class exercises hint at the many scholarly discoveries attainable by researchers who continue the exploration of this elegant work. Acronyms and Figures Exordium Biographies of Sir Smith and Connected Persons The Many “Smiths” and Their Matching Handwriting Synopsis English Translation of Smith/ Latin Original Smithus Text Terms, References, Questions, Exercises
Author: Al Sorci
Publisher: Xlibris Corporation
ISBN: 1462813208
Category : Fiction
Languages : en
Pages : 275
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Book Description
Woody Washborns dream is to be artist. Only he doesnt have what it takes. Or does he? By fateful circumstance Woody is suddenly freed from the obligations of the family farm he has come to loathe. Desperate to learn the secret of artistic expression, he ventures off in search of his hero, Ford Sinclair, a modern day Renaissance man not seen or heard from in twenty years. A seemingly farfetched odyssey, it takes the unlikely detective from the sleepy pastures of Bird in Hand, Pennsylvania to jazzy Harlem, ritzy Palm Beach, crazy Key West, a Navajo Indian reservation in New Mexico, and starlit Hollywood; and then on to a remote island in the South Pacific. Where at last Woodrow Wilson Washborn IV uncovers the bittersweet truth.
Author: Harry George Pellegrin
Publisher: Lulu.com
ISBN: 1312031956
Category : Biography & Autobiography
Languages : en
Pages : 410
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Book Description
Music: Is it a hobby? Is it a pastime? Is it an ego boost? Is it an obsession? Only if it is an all-consuming obsession should one consider music as a career. Someone once said ""If anything can discourage you from being a musician, let it "" Seduced by the Muse is the biography of a professional musician highlighting how life's experiences--death, injury, sickness, ridicule and praise--shaped a relatively successful career. Music is life to the musician and every incident, emotion and trial form the core of how that musician interprets his world and this interpretation is clearly apparent in every note played. The observations of classical guitarist Harry George Pellegrin. Contains detailed descriptions of paranormal events as well as experiences with a religious cult.]
Author: Mairi MacInnes
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 88
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Book Description
In The Ghostwriter, Mairi MacInnes''s characters have become more rooted, but are still restless and edgy. Her focus now is more on the people set against her North Country landscapes, on her fragility in the face of life, on tensions and anxieties.'
Author: Jeffrey Demsky
Publisher: Springer Nature
ISBN: 3030792218
Category : Social Science
Languages : en
Pages : 150
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Book Description
This book analyzes sensationalized Nazi and Holocaust representations in Anglo-American cultural and political discourses. Recognizing that this history is increasingly removed from contemporary life, it explains how irreverent representations can help rejuvenate the story for successive generations of new learners. Surveying seventy-five-years of transatlantic activities, the work erects counterposing categorizes of “constructive and destructive memorializing,” providing scholars with a new framework for elucidating both this history and its historicization.
Author: Piers Anthony
Publisher: Open Road Media
ISBN: 1504038762
Category : Fiction
Languages : en
Pages : 355
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Book Description
Two Ordinary People from Mundania travel to Xanth to defeat a rogue Night Colt in the latest in a beloved series from bestselling author Piers Anthony. The Night Colt has one ambition: to deliver dreams to the deserving. Unfortunately, only Night Mares can take on this task, and the Colt has no hope of leading his own herd if he can’t get any practice. . . . So he’s struck a deal with a Mundane. During the hours when the Night Mares rest—dusk and dawn—the duo plants stories in the air, compelling the people of Xanth to enact them—whether they want to or not. Unwilling to participate in these fantasies, the princesses of Xanth, Dawn and Eve, come up with a plan to fight the menacing pair, but they’ll need the help of two unlikely heroes to succeed. In Mundania, a mysterious painting entrances Ordinary People Tartan and Tara. But why do they each see something different when they look at it? They quickly learn that it’s not a painting after all, but a portal to a magical world. With nothing to lose, they climb through the portal into Xanth and are met with a plea to help stop the Night Colt and his ghost writer. Tartan and Tara don’t hesitate to join the quest to save Xanth from the ultimate pun-tastrophe. Together with their new friends, they’ll begin a journey full of magic and romance—and, of course, puns—that will lead them to a long-lost prince, a beautiful dragoness, the goddess Isis, and a demon named Ted. With rip-roaring humor and nonstop adventure, the newest addition to Piers Anthony’s popular Xanth series is sure to enchant fans of epic fantasy. Ghost Writer in the Sky is the 41st book in the Xanth series, but you may enjoy reading the series in any order.
Author: Philip Roth
Publisher: Farrar, Straus and Giroux
ISBN: 1466846399
Category : Fiction
Languages : en
Pages : 263
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Book Description
Philip Roth's The Anatomy Lesson was a finalist for the National Book Award and the National Book Critics Circle Award. A comic masterpiece and brilliant finale to the Zuckerman trilogy. The writer Nathan Zukerman comes down with a mysterious physical affliction--pure pain, beginning in his neck and shoulders, invading his torso and taking possession of his life. Zukerman, whose work was his life, is unable to write a line. Now his work is trekking from one doctor to the next--from orthopedist to osteopath to neurologist to psychiatrist--but none can find a cause for the pain and nobody can assuage it. So begins Philip Roth's strangely comic new novel, The Anatomy Lesson. In it, we find Nathan Zukerman beset at age forty not only by his pain but by his past. He seriously wonders if he ought to be a novelist at all. At his wit's end, bewildered by both the obstinate pain and the isolating profession, and unconsolable by his "harem of Florence Nightingales"--Gloria, his accountant's wildly mothering wife; Jaga, the depressed Polish refuge from the hair-treatment clinic (to add to his suffering, Zukerman is going bald); Diana, the distressingly self-possessed Finch College heiress; and the temptingly levelheaded painter Jenny--Zukerman tries to pin his catastrophe on some source he can confront. There is no shortage of candidates. Zukerman's brother blames his acerbic bestseller Carnovsky, for ruining the lives of their late parents, and will have nothing to do with him. There's the critic Milton Appel, once Zuckerman's literary conscience, now his scourge--the Grand Inquisitor of Inquiry magazine, the New York Jewish cultural monthly. Searching desperately for a diagnosis that will lead to a cure, Zuckerman asks himself if the pain can have been caused by his adversaries, or by his astonishingly intractable grief for his mother, or by the disgust he has come to feel for the literary vocation he once loved. And while he is wondering, his dependence on painkillers grows into an addiction to Percodan, marijuana, and hundred-proof vodka. In the last half of The Anatomy Lesson, Zuckerman breaks out of invalid imprisonment in his Manhattan apartment and sets off on a journey to escape the pain, the adversaries, the grief, and the career--a journey into a new existence, a search for a "second life." Persuaded that a doctor's life is everything a writer's is not, Zuckerman flies to Chicago with the intention of applying to medical school at his alma mater. Though the pain he encounters there is worse even than what he's fled, the startling quest for the second life provides some of the funniest scenes in all of Roth's fiction. With the serious playfulness and extravagant insistence characteristic of his work, Roth, in his fourteenth published book, presents an astonishing antithesis to The Magic Mountain: The Anatomy Lesson is a great comedy of illness. Roth's strength has always been the ability to depict the boisterous, the farcical, and the extreme in human behavior while revealing at the same time a world that immediately strikes the reader as real--what the English critic Hermione Lee has called, in writing of Roth's career, "a manner at once...brash and thoughtful...lyrical and wry, which projects through comic expostulations and confessions of the speakers a knowing, humane authority." The Anatomy Lesson is one of Roth's finest achievements in this vein.
Author: Philip Roth
Publisher: Farrar, Straus and Giroux
ISBN: 1466846453
Category : Fiction
Languages : en
Pages : 236
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Book Description
Philip Roth's fictional alter-ego returns in Zuckerman Unbound, "...masterful, sure in every touch." (The New York Times) The sensationalizing sixties are coming to an end, and even writing a novel can make you a star. The writer Nathan Zuckerman publishes his fourth book, an aggressive, abrasive, and comically erotic novel entitled Carnovsky, and all at once he is on the cover of Life, one of the decade's most notorious celebrities. This is the same Nathan Zuckerman who in Philip Roth's much praised The Ghost Writer was the dedicated young apprentice drawing sustenance from the great books and the integrity of their authors. Now in his mid-thirties, Zuckerman, a would-be recluse despite his fame, ventures out on the streets of Manhattan, and not only is he assumed to be his own fictional satyr, Gilbert Carnovsky ("Hey, you do all that stuff in that book?"), but he also finds himself the target of admirers, admonishers, advisers, and would-be literary critics. The recent murders of Robert Kennedy and Martin Luther King, Jr., lead an unsettled Nathan Zuckerman to wonder if "target" may be more than a figure of speech. Yet, streetcorner recognition and media notoriety are the least disturbing consequences of writing Carnovsky. Against his best interests, the newly renowned novelist retreats from his oldest friends, breaks his marriage to a virtuous woman, and damages, perhaps irreparably, his affectionate connection to his younger brother and his family. Even when finally he lives out the fantasies of his fans and enjoys an exhilarating night with the beautiful and worldly film star Caesara O'Shea (a rather more capable celebrity), he is dismayed the following morning by the caliber of the competition up in the erotic big leagues. In some of Zuckerman Unbound's funniest episodes Zuckerman endures the blandishments of another New Jersey boy who has briefly achieved his own moment of stardom. He is the broken and resentful fan Alvin Pepler, in the fifties a national celebrity on the TV quiz show "Smart Money." Thrust back into obscurity when headlined scandals forced the quiz show off the air, Pepler now attaches himself to Zuckerman and won't let go--an "Angel of Manic Delights" to the amused novelist (who momentarily sees him as his "pop self"), and yet also the likely source of a demonic threat. But the surprise that fate finally delivers is more devilish than any cooked up by Alvin Pepler, or even by Zuckerman's imagination. In the coronary-care unit of a Miami Hospital, Nathan's father bestows upon his older son not a blessing but what seems to be a curse. And, in an astonishingly bitter final turn, a confrontation with his brother opens the way for the novelist's deep and painful understanding of the deathblow that Carnovsky has dealt to his own past.
