Author: Melvin Burgess
Publisher: Macmillan
ISBN: 9780805071498
Category : Juvenile Fiction
Languages : en
Pages : 182
Book Description
Twelve-year-old David sneaks through the ventilation shafts in his London apartment building pulling pranks on his neighbors, which awakens the ghost of a boy with a grudge against the lonely, senile old man who lives upstairs.
The Ghost Behind the Wall
Author: Melvin Burgess
Publisher: Henry Holt and Company (BYR)
ISBN: 1466838205
Category : Juvenile Fiction
Languages : en
Pages : 122
Book Description
Award-winning author Melvin Burgess's thrilling new ghost story for younger readers. David screamed and the ghostly boy opened his mouth and screamed back. But his scream wasn't the scream of a child—it was the scream of an old, old man. "Come back, come back," screamed the ghost in his cracked old voice. "Don't leave me. Don't go!" Twelve-year-old David lives with his dad in a big old apartment building called Mahogany Villas. When he discovers he can climb through the vent pipes in the building and get into other apartments and play tricks on people, he simply can't resist. His main victim is Robert Alveston, a forgetful man in his nineties who is afraid that he is losing his mind. But David's nasty pranks soon disturb more than his elderly neighbor. One day he comes face-to-face with a ghost, at first friendly but more and more terrifying as it becomes clear that he has a particular grudge against Mr Alveston. Soon both the old man and David are in great danger. "An ultimately poignant adventure that will captivate British author Burgess' fans." - Booklist
Publisher: Henry Holt and Company (BYR)
ISBN: 1466838205
Category : Juvenile Fiction
Languages : en
Pages : 122
Book Description
Award-winning author Melvin Burgess's thrilling new ghost story for younger readers. David screamed and the ghostly boy opened his mouth and screamed back. But his scream wasn't the scream of a child—it was the scream of an old, old man. "Come back, come back," screamed the ghost in his cracked old voice. "Don't leave me. Don't go!" Twelve-year-old David lives with his dad in a big old apartment building called Mahogany Villas. When he discovers he can climb through the vent pipes in the building and get into other apartments and play tricks on people, he simply can't resist. His main victim is Robert Alveston, a forgetful man in his nineties who is afraid that he is losing his mind. But David's nasty pranks soon disturb more than his elderly neighbor. One day he comes face-to-face with a ghost, at first friendly but more and more terrifying as it becomes clear that he has a particular grudge against Mr Alveston. Soon both the old man and David are in great danger. "An ultimately poignant adventure that will captivate British author Burgess' fans." - Booklist
The Ghost Behind the Wall
Author: Melvin Burgess
Publisher: Macmillan
ISBN: 9780805071498
Category : Juvenile Fiction
Languages : en
Pages : 182
Book Description
Twelve-year-old David sneaks through the ventilation shafts in his London apartment building pulling pranks on his neighbors, which awakens the ghost of a boy with a grudge against the lonely, senile old man who lives upstairs.
Publisher: Macmillan
ISBN: 9780805071498
Category : Juvenile Fiction
Languages : en
Pages : 182
Book Description
Twelve-year-old David sneaks through the ventilation shafts in his London apartment building pulling pranks on his neighbors, which awakens the ghost of a boy with a grudge against the lonely, senile old man who lives upstairs.
Ghost Wall
Author: Sarah Moss
Publisher: Farrar, Straus and Giroux
ISBN: 0374719551
Category : Fiction
Languages : en
Pages : 145
Book Description
A Southern Living Best New Book of Winter 2019; A Refinery29 Best Book of January 2019; A Most Anticipated Book of 2019 at The Week, Huffington Post, Nylon, and Lit Hub; An Indie Next Pick for January 2019 “Ghost Wall has subtlety, wit, and the force of a rock to the head: an instant classic.” —Emma Donoghue, author of Room "A worthy match for 3 a.m. disquiet, a book that evoked existential dread, but contained it, beautifully, like a shipwreck in a bottle.” —Margaret Talbot, The New Yorker A taut, gripping tale of a young woman and an Iron Age reenactment trip that unearths frightening behavior The light blinds you; there’s a lot you miss by gathering at the fireside. In the north of England, far from the intrusions of cities but not far from civilization, Silvie and her family are living as if they are ancient Britons, surviving by the tools and knowledge of the Iron Age. For two weeks, the length of her father’s vacation, they join an anthropology course set to reenact life in simpler times. They are surrounded by forests of birch and rowan; they make stew from foraged roots and hunted rabbit. The students are fulfilling their coursework; Silvie’s father is fulfilling his lifelong obsession. He has raised her on stories of early man, taken her to witness rare artifacts, recounted time and again their rituals and beliefs—particularly their sacrifices to the bog. Mixing with the students, Silvie begins to see, hear, and imagine another kind of life, one that might include going to university, traveling beyond England, choosing her own clothes and food, speaking her mind. The ancient Britons built ghost walls to ward off enemy invaders, rude barricades of stakes topped with ancestral skulls. When the group builds one of their own, they find a spiritual connection to the past. What comes next but human sacrifice? A story at once mythic and strikingly timely, Sarah Moss’s Ghost Wall urges us to wonder how far we have come from the “primitive minds” of our ancestors.
Publisher: Farrar, Straus and Giroux
ISBN: 0374719551
Category : Fiction
Languages : en
Pages : 145
Book Description
A Southern Living Best New Book of Winter 2019; A Refinery29 Best Book of January 2019; A Most Anticipated Book of 2019 at The Week, Huffington Post, Nylon, and Lit Hub; An Indie Next Pick for January 2019 “Ghost Wall has subtlety, wit, and the force of a rock to the head: an instant classic.” —Emma Donoghue, author of Room "A worthy match for 3 a.m. disquiet, a book that evoked existential dread, but contained it, beautifully, like a shipwreck in a bottle.” —Margaret Talbot, The New Yorker A taut, gripping tale of a young woman and an Iron Age reenactment trip that unearths frightening behavior The light blinds you; there’s a lot you miss by gathering at the fireside. In the north of England, far from the intrusions of cities but not far from civilization, Silvie and her family are living as if they are ancient Britons, surviving by the tools and knowledge of the Iron Age. For two weeks, the length of her father’s vacation, they join an anthropology course set to reenact life in simpler times. They are surrounded by forests of birch and rowan; they make stew from foraged roots and hunted rabbit. The students are fulfilling their coursework; Silvie’s father is fulfilling his lifelong obsession. He has raised her on stories of early man, taken her to witness rare artifacts, recounted time and again their rituals and beliefs—particularly their sacrifices to the bog. Mixing with the students, Silvie begins to see, hear, and imagine another kind of life, one that might include going to university, traveling beyond England, choosing her own clothes and food, speaking her mind. The ancient Britons built ghost walls to ward off enemy invaders, rude barricades of stakes topped with ancestral skulls. When the group builds one of their own, they find a spiritual connection to the past. What comes next but human sacrifice? A story at once mythic and strikingly timely, Sarah Moss’s Ghost Wall urges us to wonder how far we have come from the “primitive minds” of our ancestors.
Behind the Attic Wall
Author: Sylvia Cassedy
Publisher: Harper Collins
ISBN: 0380698439
Category : Juvenile Fiction
Languages : en
Pages : 323
Book Description
In the bleak, forbidding house of her great-aunts, neglected twelve-year-old orphan Maggie hears ghostly voices and finds magic that awakens in her the capacity to love and be loved.
Publisher: Harper Collins
ISBN: 0380698439
Category : Juvenile Fiction
Languages : en
Pages : 323
Book Description
In the bleak, forbidding house of her great-aunts, neglected twelve-year-old orphan Maggie hears ghostly voices and finds magic that awakens in her the capacity to love and be loved.
The Grave on the Wall
Author: Brandon Shimoda
Publisher: City Lights Books
ISBN: 0872867935
Category : Biography & Autobiography
Languages : en
Pages : 202
Book Description
A memoir and book of mourning, a grandson’s attempt to reconcile his own uncontested citizenship with his grandfather’s lifelong struggle. A memoir and book of mourning, a grandson’s attempt to reconcile his own uncontested citizenship with his grandfather’s lifelong struggle. Award-winning poet Brandon Shimoda has crafted a lyrical portrait of his paternal grandfather, Midori Shimoda, whose life—child migrant, talented photographer, suspected enemy alien and spy, desert wanderer, American citizen—mirrors the arc of Japanese America in the twentieth century. In a series of pilgrimages, Shimoda records the search to find his grandfather, and unfolds, in the process, a moving elegy on memory and forgetting. Praise for The Grave on the Wall: "Shimoda brings his poetic lyricism to this moving and elegant memoir, the structure of which reflects the fragmentation of memories. … It is at once wistful and devastating to see Midori's life come full circle … In between is a life with tragedy, love, and the horrors unleashed by the atomic bomb."—Booklist, starred review "In a weaving meditation, Brandon Shimoda pens an elegant eulogy for his grandfather Midori, yet also for the living, we who survive on the margins of graveyards and rituals of our own making."—Karen Tei Yamashita, author of Letters to Memory "Sometimes a work of art functions as a dream. At other times, a work of art functions as a conscience. In the tradition of Juan Rulfo’s Pedro Páramo, Brandon Shimoda's The Grave on the Wall is both. It is also the type of fragmented reckoning only America could instigate."—Myriam Gurba, author of Mean “Within this haunted sepulcher built out of silence, loss, and grief—its walls shadowed by the traumas of racial oppression and violence—a green river lined with peach trees flows beneath a bridge that leads back to the grandson."—Jeffrey Yang, author of Hey, Marfa: Poems "It is part dream, part memory, part forgetting, part identity. It is a remarkable exploration of how citizenship is forged by the brutal US imperial forces—through slave labor, forced detention, indiscriminate bombing, historical amnesia and wall. If someone asked me, Where are you from? I would answer, From The Grave on the Wall."—Don Mee Choi, author of Hardly War "Shimoda intercedes into the absences, gaps and interstices of the present and delves the presence of mystery. This mystery is part of each of us. Shimoda outlines that mystery in silence and silhouette, in objects left behind at site-specific travels to Japan and in the disparate facts of his grandpa’s FBI file. Gratitude to Brandon Shimoda for taking on the mystery which only literature accepts as the basic challenge."—Sesshu Foster, author of City of the Future "Shimoda is a mystic writer … He puts what breaches itself (always) onto the page, so that the act of writing becomes akin to paper-making: an attention to fibers, coagulation, texture and the water-fire mixtures that signal irreversible alteration or change. … he has written a book that touches the bottom of my own soul."—Bhanu Kapil, author of Ban en Banlieue "The Grave on the Wall is a passage of aching nostalgia and relentless assembly out of which something more important than objective truth is conjured—a ritual frisson, a veracity of spirit. I am grateful to have traveled along.”—Trisha Low, The Believer
Publisher: City Lights Books
ISBN: 0872867935
Category : Biography & Autobiography
Languages : en
Pages : 202
Book Description
A memoir and book of mourning, a grandson’s attempt to reconcile his own uncontested citizenship with his grandfather’s lifelong struggle. A memoir and book of mourning, a grandson’s attempt to reconcile his own uncontested citizenship with his grandfather’s lifelong struggle. Award-winning poet Brandon Shimoda has crafted a lyrical portrait of his paternal grandfather, Midori Shimoda, whose life—child migrant, talented photographer, suspected enemy alien and spy, desert wanderer, American citizen—mirrors the arc of Japanese America in the twentieth century. In a series of pilgrimages, Shimoda records the search to find his grandfather, and unfolds, in the process, a moving elegy on memory and forgetting. Praise for The Grave on the Wall: "Shimoda brings his poetic lyricism to this moving and elegant memoir, the structure of which reflects the fragmentation of memories. … It is at once wistful and devastating to see Midori's life come full circle … In between is a life with tragedy, love, and the horrors unleashed by the atomic bomb."—Booklist, starred review "In a weaving meditation, Brandon Shimoda pens an elegant eulogy for his grandfather Midori, yet also for the living, we who survive on the margins of graveyards and rituals of our own making."—Karen Tei Yamashita, author of Letters to Memory "Sometimes a work of art functions as a dream. At other times, a work of art functions as a conscience. In the tradition of Juan Rulfo’s Pedro Páramo, Brandon Shimoda's The Grave on the Wall is both. It is also the type of fragmented reckoning only America could instigate."—Myriam Gurba, author of Mean “Within this haunted sepulcher built out of silence, loss, and grief—its walls shadowed by the traumas of racial oppression and violence—a green river lined with peach trees flows beneath a bridge that leads back to the grandson."—Jeffrey Yang, author of Hey, Marfa: Poems "It is part dream, part memory, part forgetting, part identity. It is a remarkable exploration of how citizenship is forged by the brutal US imperial forces—through slave labor, forced detention, indiscriminate bombing, historical amnesia and wall. If someone asked me, Where are you from? I would answer, From The Grave on the Wall."—Don Mee Choi, author of Hardly War "Shimoda intercedes into the absences, gaps and interstices of the present and delves the presence of mystery. This mystery is part of each of us. Shimoda outlines that mystery in silence and silhouette, in objects left behind at site-specific travels to Japan and in the disparate facts of his grandpa’s FBI file. Gratitude to Brandon Shimoda for taking on the mystery which only literature accepts as the basic challenge."—Sesshu Foster, author of City of the Future "Shimoda is a mystic writer … He puts what breaches itself (always) onto the page, so that the act of writing becomes akin to paper-making: an attention to fibers, coagulation, texture and the water-fire mixtures that signal irreversible alteration or change. … he has written a book that touches the bottom of my own soul."—Bhanu Kapil, author of Ban en Banlieue "The Grave on the Wall is a passage of aching nostalgia and relentless assembly out of which something more important than objective truth is conjured—a ritual frisson, a veracity of spirit. I am grateful to have traveled along.”—Trisha Low, The Believer
Grave's End
Author: Elaine Mercado
Publisher: Llewellyn Worldwide
ISBN: 9780738700038
Category : Ghosts
Languages : en
Pages : 196
Book Description
You leave us alone; we'll leave you alone. When Elaine Mercado and her first husband bought their home in Brooklyn, N. Y., in 1982, they had no idea that they and their two young daughters were embarking on a thirteen-year nightmare. thin a few days of moving in, Elaine and her older daughter began to experience the sensation of being watched. Then came scratching noises and weird smells, followed by voices whispering, maniacal laughter, shadowy figures scurrying along baseboards, and small balls of light bouncing along the ceilings. From the beginning of the haunting, "suffocating dreams" were experienced by everyone except the younger daughter. These eventually accelerated to physical aggression directed at Elaine and both the girls. This book is the true story of how one family tried to cope with living in a haunted house. It also describes how, with the help of parapsychologist Dr. Hans Holzer and medium Marisa Anderson, the family discovered the tragic and heartbreaking secrets buried in the house at Grave's End. I struggle to open my eyes, but achieve nothing but frustration and failure. I am not asleep. I am fully conscious, in a state of panic unthinkable during the day intolerable in the dark of night, held prisoner by some tortured, invisible presence, insistent on abruptly invading my slumber. The more I struggle toward freedom, the more I am pushed into the mattress, perspiring, heart palpitating, a scream involuntarily silenced within my throat. Some nights I experience my skin being stroked while I fight to regain control of my body, my sight. Thank God, this was not one of those nights. Tonight it lets me open my eyes, shaken but unviolated, frightened, but not as frightened as I know I can become. First Runner up for the 2001 Coalition of Visionary Resources (COVR) Award for Best Biographical/Personal Book
Publisher: Llewellyn Worldwide
ISBN: 9780738700038
Category : Ghosts
Languages : en
Pages : 196
Book Description
You leave us alone; we'll leave you alone. When Elaine Mercado and her first husband bought their home in Brooklyn, N. Y., in 1982, they had no idea that they and their two young daughters were embarking on a thirteen-year nightmare. thin a few days of moving in, Elaine and her older daughter began to experience the sensation of being watched. Then came scratching noises and weird smells, followed by voices whispering, maniacal laughter, shadowy figures scurrying along baseboards, and small balls of light bouncing along the ceilings. From the beginning of the haunting, "suffocating dreams" were experienced by everyone except the younger daughter. These eventually accelerated to physical aggression directed at Elaine and both the girls. This book is the true story of how one family tried to cope with living in a haunted house. It also describes how, with the help of parapsychologist Dr. Hans Holzer and medium Marisa Anderson, the family discovered the tragic and heartbreaking secrets buried in the house at Grave's End. I struggle to open my eyes, but achieve nothing but frustration and failure. I am not asleep. I am fully conscious, in a state of panic unthinkable during the day intolerable in the dark of night, held prisoner by some tortured, invisible presence, insistent on abruptly invading my slumber. The more I struggle toward freedom, the more I am pushed into the mattress, perspiring, heart palpitating, a scream involuntarily silenced within my throat. Some nights I experience my skin being stroked while I fight to regain control of my body, my sight. Thank God, this was not one of those nights. Tonight it lets me open my eyes, shaken but unviolated, frightened, but not as frightened as I know I can become. First Runner up for the 2001 Coalition of Visionary Resources (COVR) Award for Best Biographical/Personal Book
Ghost Walls
Author: Sally M. Walker
Publisher: Lerner Publishing Group
ISBN: 0761354085
Category : Juvenile Nonfiction
Languages : en
Pages : 140
Book Description
In 1638, John Lewger made a home in the wilderness of the New World, in a place called Maryland. He named his house St. John's, and for nearly eighty years, it was the center of an ambitious English plan to build a new kind of community on American soil. Men and women lived and worked within its walls. Babies were born. Last breaths drawn. St. John's walls witnessed the first stirrings of the great struggles that would dominate the continent for the next three centuries: The unimaginable wealth of the New World's crops and natural resources. The promise of religious tolerance under a new model of government. The injustice of slavery. The betrayal of native peoples. The struggle for equality between men and women. If St. John's walls could have talked, they would have spoken volumes of American history. And then the walls crumbled. One hundred years after it was built, St. John's House had been abandoned. The buildings slowly deteriorated, returning to the Maryland soil to be plowed under by generations of Maryland farmers. St. John's walls were silent for more than two centuries, little more than ghosts haunting the historical and archeological records. But they weren't lost. Not entirely. Award-winning author Sally M. Walker tells the story of how teams of scientists and historians managed to hear the ghostly echoes of St. John's House and, over the course of decades of painstaking work, made them speak their stories again.
Publisher: Lerner Publishing Group
ISBN: 0761354085
Category : Juvenile Nonfiction
Languages : en
Pages : 140
Book Description
In 1638, John Lewger made a home in the wilderness of the New World, in a place called Maryland. He named his house St. John's, and for nearly eighty years, it was the center of an ambitious English plan to build a new kind of community on American soil. Men and women lived and worked within its walls. Babies were born. Last breaths drawn. St. John's walls witnessed the first stirrings of the great struggles that would dominate the continent for the next three centuries: The unimaginable wealth of the New World's crops and natural resources. The promise of religious tolerance under a new model of government. The injustice of slavery. The betrayal of native peoples. The struggle for equality between men and women. If St. John's walls could have talked, they would have spoken volumes of American history. And then the walls crumbled. One hundred years after it was built, St. John's House had been abandoned. The buildings slowly deteriorated, returning to the Maryland soil to be plowed under by generations of Maryland farmers. St. John's walls were silent for more than two centuries, little more than ghosts haunting the historical and archeological records. But they weren't lost. Not entirely. Award-winning author Sally M. Walker tells the story of how teams of scientists and historians managed to hear the ghostly echoes of St. John's House and, over the course of decades of painstaking work, made them speak their stories again.
Beyond the Wall
Author: Ambrose Bierce
Publisher: CreateSpace
ISBN: 9781493670734
Category : Fiction
Languages : en
Pages : 26
Book Description
Ambrose Gwinnett Bierce (born June 24, 1842, assumed to have died sometime after December 26, 1913) was an American editorialist, journalist, short story writer, fabulist, and satirist. He wrote the short story "An Occurrence at Owl Creek Bridge" and compiled a satirical lexicon The Devil's Dictionary. His vehemence as a critic, his motto "Nothing matters," and the sardonic view of human nature that informed his work, all earned him the nickname "Bitter Bierce." Despite his reputation as a searing critic, Bierce was known to encourage younger writers, including poet George Sterling and fiction writer W. C. Morrow. Bierce employed a distinctive style of writing, especially in his stories. His style often embraces an abrupt beginning, dark imagery, vague references to time, limited descriptions, impossible events and the theme of war. In 1913, Bierce traveled to Mexico to gain first-hand experience of the Mexican Revolution. While traveling with rebel troops, he disappeared without a trace. Bierce was considered a master of pure English by his contemporaries, and virtually everything that came from his pen was notable for its judicious wording and economy of style. He wrote in a variety of literary genres. His short stories are held among the best of the 19th century, providing a popular following based on his roots. He wrote realistically of the terrible things he had seen in the war in such stories as "An Occurrence at Owl Creek Bridge," "The Boarded Window," "Killed at Resaca," and "Chickamauga." In addition to his ghost and war stories, he also published several volumes of poetry. His Fantastic Fables anticipated the ironic style of grotesquerie that became a more common genre in the 20th century. One of Bierce's most famous works is his much-quoted book, The Devil's Dictionary, originally an occasional newspaper item which was first published in book form in 1906 as The Cynic's Word Book. It consists of satirical definitions of English words which lampoon cant and political double-talk. Under the entry "leonine," meaning a single line of poetry with an internal rhyming scheme, he included an apocryphal couplet written by the fictitious "Bella Peeler Silcox" (i.e. Ella Wheeler Wilcox) in which an internal rhyme is achieved in both lines only by mispronouncing the rhyming words: The electric light invades the dunnest deep of Hades. Cries Pluto, 'twixt his snores: "O tempora! O mores! Bierce's twelve-volume Collected Works were published in 1909, the seventh volume of which consists solely of The Devil's Dictionary, the title Bierce himself preferred to The Cynic's Word Book.
Publisher: CreateSpace
ISBN: 9781493670734
Category : Fiction
Languages : en
Pages : 26
Book Description
Ambrose Gwinnett Bierce (born June 24, 1842, assumed to have died sometime after December 26, 1913) was an American editorialist, journalist, short story writer, fabulist, and satirist. He wrote the short story "An Occurrence at Owl Creek Bridge" and compiled a satirical lexicon The Devil's Dictionary. His vehemence as a critic, his motto "Nothing matters," and the sardonic view of human nature that informed his work, all earned him the nickname "Bitter Bierce." Despite his reputation as a searing critic, Bierce was known to encourage younger writers, including poet George Sterling and fiction writer W. C. Morrow. Bierce employed a distinctive style of writing, especially in his stories. His style often embraces an abrupt beginning, dark imagery, vague references to time, limited descriptions, impossible events and the theme of war. In 1913, Bierce traveled to Mexico to gain first-hand experience of the Mexican Revolution. While traveling with rebel troops, he disappeared without a trace. Bierce was considered a master of pure English by his contemporaries, and virtually everything that came from his pen was notable for its judicious wording and economy of style. He wrote in a variety of literary genres. His short stories are held among the best of the 19th century, providing a popular following based on his roots. He wrote realistically of the terrible things he had seen in the war in such stories as "An Occurrence at Owl Creek Bridge," "The Boarded Window," "Killed at Resaca," and "Chickamauga." In addition to his ghost and war stories, he also published several volumes of poetry. His Fantastic Fables anticipated the ironic style of grotesquerie that became a more common genre in the 20th century. One of Bierce's most famous works is his much-quoted book, The Devil's Dictionary, originally an occasional newspaper item which was first published in book form in 1906 as The Cynic's Word Book. It consists of satirical definitions of English words which lampoon cant and political double-talk. Under the entry "leonine," meaning a single line of poetry with an internal rhyming scheme, he included an apocryphal couplet written by the fictitious "Bella Peeler Silcox" (i.e. Ella Wheeler Wilcox) in which an internal rhyme is achieved in both lines only by mispronouncing the rhyming words: The electric light invades the dunnest deep of Hades. Cries Pluto, 'twixt his snores: "O tempora! O mores! Bierce's twelve-volume Collected Works were published in 1909, the seventh volume of which consists solely of The Devil's Dictionary, the title Bierce himself preferred to The Cynic's Word Book.
Behind the Bedroom Wall
Author: Laura E. Williams
Publisher: Milkweed Editions
ISBN: 1571318267
Category : Juvenile Fiction
Languages : en
Pages : 147
Book Description
It is 1942. Korinna, a thirteen-year-old girl in Germany, is an active member of the local Jungmadel, a Nazi youth group, along with many of her friends. She believes that Hitler is helping Germany by dealing with what he calls the “Jewish problem,” a campaign that she witnesses as her Jewish neighbors are attacked and taken from their homes. When Korinna discovers that her parents—who are secretly members of an underground resistance group—are sheltering a family of Jewish refugees behind her bedroom wall, she is shocked. As she comes to know the family her sympathies begin to turn, and when someone tips off the Gestapo, Korinna’s loyalties are put to the test. She must decide what she really believes and whom she really trusts. An exciting novel for middle-grade readers, Behind the Bedroom Wall teaches tolerance and understanding while exploring why Nazism held so many in its deadly thrall.
Publisher: Milkweed Editions
ISBN: 1571318267
Category : Juvenile Fiction
Languages : en
Pages : 147
Book Description
It is 1942. Korinna, a thirteen-year-old girl in Germany, is an active member of the local Jungmadel, a Nazi youth group, along with many of her friends. She believes that Hitler is helping Germany by dealing with what he calls the “Jewish problem,” a campaign that she witnesses as her Jewish neighbors are attacked and taken from their homes. When Korinna discovers that her parents—who are secretly members of an underground resistance group—are sheltering a family of Jewish refugees behind her bedroom wall, she is shocked. As she comes to know the family her sympathies begin to turn, and when someone tips off the Gestapo, Korinna’s loyalties are put to the test. She must decide what she really believes and whom she really trusts. An exciting novel for middle-grade readers, Behind the Bedroom Wall teaches tolerance and understanding while exploring why Nazism held so many in its deadly thrall.
Something Upstairs
Author: Avi
Publisher: Scholastic Inc.
ISBN: 0545214912
Category : Juvenile Fiction
Languages : en
Pages : 148
Book Description
When he moves from Los Angeles to Providence, Rhode Island, Kenny discovers that his new house is haunted by the spirit of a black slave boy who asks Kenny to return with him to the early nineteenth century and prevent his murder by slave traders.
Publisher: Scholastic Inc.
ISBN: 0545214912
Category : Juvenile Fiction
Languages : en
Pages : 148
Book Description
When he moves from Los Angeles to Providence, Rhode Island, Kenny discovers that his new house is haunted by the spirit of a black slave boy who asks Kenny to return with him to the early nineteenth century and prevent his murder by slave traders.