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Author: Napoleón Garcia
Publisher:
ISBN: 9781890689285
Category : Abiquiú (N.M.)
Languages : en
Pages : 0
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Book Description
The village of Abiquiu, New Mexico, is easily missed by the casual traveler who might think that Abiquiu consists of only the post office and a few stores along Highway 84, about 46 miles northwest of Santa Fe. If one were to go up the road, pass the post office, onto the above mesa, one would be stepping back into an era of early Spanish and Native American history. Abiquiu is established on the site of an old abandoned Indian Pueblo. In the mid-18th century it became a settlement of Spaniards and Genizaros. (A Genizaro claims ancestry of both the Colonial Spanish settlers and Native American Indian tribes of the area.) Like many northern New Mexico villages, Abiquiu has attracted various artists who come to this part of the world to capture the beauty of the landscape One such artist was Georgia O'Keeffe, who first came to this area in early 1930s. She bought a home in the village of Abiquiu in the mid-1940s and lived there for over 40 years. Many journalists and authors have come to the village, interviewed some of the locals and then returned to their big city desks and written about the quaint village life, its inhabitants and its famous world-renowned artist. However, there has never been a book written from the perspective of a native from the village. Not only is Napoleon Garcia a native of Abiquiu, he knew and worked for Georgia O'Keeffe over the 40 years that she made Abiquiu her home, living "around the corner" from his home on the plaza in the pueblo. Napoleon has been interviewed by many of the big city journalists; but has always felt that the resulting work never truly told the story of his village and what it was like having such a famous resident as a fellow villager. With the help of his friend, Analinda, he now has that opportunity to tell his own story."
Author: Napoleón Garcia
Publisher:
ISBN: 9781890689285
Category : Abiquiú (N.M.)
Languages : en
Pages : 0
Get Book Here
Book Description
The village of Abiquiu, New Mexico, is easily missed by the casual traveler who might think that Abiquiu consists of only the post office and a few stores along Highway 84, about 46 miles northwest of Santa Fe. If one were to go up the road, pass the post office, onto the above mesa, one would be stepping back into an era of early Spanish and Native American history. Abiquiu is established on the site of an old abandoned Indian Pueblo. In the mid-18th century it became a settlement of Spaniards and Genizaros. (A Genizaro claims ancestry of both the Colonial Spanish settlers and Native American Indian tribes of the area.) Like many northern New Mexico villages, Abiquiu has attracted various artists who come to this part of the world to capture the beauty of the landscape One such artist was Georgia O'Keeffe, who first came to this area in early 1930s. She bought a home in the village of Abiquiu in the mid-1940s and lived there for over 40 years. Many journalists and authors have come to the village, interviewed some of the locals and then returned to their big city desks and written about the quaint village life, its inhabitants and its famous world-renowned artist. However, there has never been a book written from the perspective of a native from the village. Not only is Napoleon Garcia a native of Abiquiu, he knew and worked for Georgia O'Keeffe over the 40 years that she made Abiquiu her home, living "around the corner" from his home on the plaza in the pueblo. Napoleon has been interviewed by many of the big city journalists; but has always felt that the resulting work never truly told the story of his village and what it was like having such a famous resident as a fellow villager. With the help of his friend, Analinda, he now has that opportunity to tell his own story."
Author: Ilona Katzew
Publisher: Yale University Press
ISBN: 9780300109719
Category : Art
Languages : en
Pages : 262
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Book Description
Casta painting is a distinctive Mexican genre that portrays racial mixing among the Indians, Spaniards & Africans who inhabited the colony, depicted in sets of consecutive images. Ilona Katzew places this art form in its social & historical context.
Author: Stephanie Lewthwaite
Publisher: University of Oklahoma Press
ISBN: 0806152885
Category : Art
Languages : en
Pages : 363
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Book Description
When New Mexico became an alternative cultural frontier for avant-garde Anglo-American writers and artists in the early twentieth century, the region was still largely populated by Spanish-speaking Hispanos. Anglos who came in search of new personal and aesthetic freedoms found inspiration for their modernist ventures in Hispano art forms. Yet, when these arrivistes elevated a particular model of Spanish colonial art through their preservationist endeavors and the marketplace, practicing Hispano artists found themselves working under a new set of patronage relationships and under new aesthetic expectations that tied their art to a static vision of the Spanish colonial past. In A Contested Art, historian Stephanie Lewthwaite examines the complex Hispano response to these aesthetic dictates and suggests that cultural encounters and appropriation produced not only conflict and loss but also new transformations in Hispano art as the artists experimented with colonial art forms and modernist trends in painting, photography, and sculpture. Drawing on native and non-native sources of inspiration, they generated alternative lines of modernist innovation and mestizo creativity. These lines expressed Hispanos’ cultural and ethnic affiliations with local Native peoples and with Mexico, and presented a vision of New Mexico as a place shaped by the fissures of modernity and the dynamics of cultural conflict and exchange. A richly illustrated work of cultural history, this first book-length treatment explores the important yet neglected role Hispano artists played in shaping the world of modernism in twentieth-century New Mexico. A Contested Art places Hispano artists at the center of narratives about modernism while bringing Hispano art into dialogue with the cultural experiences of Mexicans, Chicanas/os, and Native Americans. In doing so, it rewrites a chapter in the history of both modernism and Hispano art. Published in cooperation with The William P. Clements Center for Southwest Studies, Southern Methodist University
Author: Malcolm Ebright
Publisher: UNM Press
ISBN:
Category : History
Languages : en
Pages : 368
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Book Description
The little-known story of a priest's charges of witchcraft among Indians in mid-eighteenth-century New Mexico and how the Spanish government rejected the charges in the effort to achieve peace with their Native subjects.
Author: Peter H. Hassrick
Publisher: University of Oklahoma Press
ISBN: 9780806139487
Category : Art
Languages : en
Pages : 434
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Book Description
The definitive retrospective on Ernest L. Blumenschein (1874-1960), one of the founders of the Taos Society of Artists and perhaps the most accomplished of all the painters associated with that organization. Reproducing masterworks from a new exhibit along with additional works and historical photographs, this volume forms the most comprehensive assemblage of his paintings ever published.
Author: Dr Kathleen J Martin
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409480658
Category : Religion
Languages : en
Pages : 312
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Book Description
Indigenous Symbols and Practices in the Catholic Church presents views, concepts and perspectives on the relationships among Indigenous Peoples and the Catholic Church, as well as stories, images and art as metaphors for survival in a contemporary world. Few studies present such interdisciplinary interpretations from contributors in multiple disciplines regarding appropriation, spiritual and religious tradition, educational issues in the teaching of art and art history, the effects of government sanctions on traditional practice, or the artistic interpretation of symbols from Indigenous perspectives. Through photographs and visual materials, interviews and data analysis, personal narratives and stories, these chapters explore the experiences of Indigenous Peoples whose lives have been impacted by multiple forces – Christian missionaries, governmental policies, immigration and colonization, education, assimilation and acculturation. Contributors investigate current contexts and complex areas of conflict regarding missionization, appropriation and colonizing practices through asking questions such as, 'What does the use of images mean for resistance, transformation and cultural destruction?' And, 'What new interpretations and perspectives are necessary for Indigenous traditions to survive and flourish in the future?'
Author: Moises Gonzales
Publisher: University of New Mexico Press
ISBN: 0826361072
Category : History
Languages : en
Pages : 390
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Book Description
Winner of the 2021 Heritage Publication Award from the New Mexico Historic Preservation Division Nación Genízara examines the history, cultural evolution, and survival of the Genízaro people. The contributors to this volume cover topics including ethnogenesis, slavery, settlements, poetics, religion, gender, family history, and mestizo genetics. Fray Angélico Chávez defined Genízaro as the ethnic term given to indigenous people of mixed tribal origins living among the Hispano population in Spanish fashion. They entered colonial society as captives taken during wars with Utes, Apaches, Comanches, Kiowas, Navajos, and Pawnees. Genízaros comprised a third of the population by 1800. Many assimilated into Hispano and Pueblo society, but others in the land-grant communities maintained their identity through ritual, self-government, and kinship. Today the persistence of Genízaro identity blurs the lines of distinction between Native and Hispanic frameworks of race and cultural affiliation. This is the first study to focus exclusively on the detribalized Native experience of the Genízaro in New Mexico.
Author: Bernardo Gallegos
Publisher: Springer
ISBN: 9463510389
Category : Education
Languages : en
Pages : 164
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Book Description
The essays in this volume contain a symphony of carefully orchestrated narratives that engage a wide-ranging assemblage of topics including immigration, indigenous identity, Genízaros, hybridity, education, religious syncretism, and United States and Spanish imperialism. Utilizing excavated memory, archival history, and employing the work of performance and postcolonial theorists, the author examines Native American slavery and captivity in the Spanish Colonial Southwest, with emphasis on Coyotes (indigenous mixed-bloods) of Pueblo/Spanish ancestry as well as descendants of Indigenous servants. The essays engage the cultural politics of education within the context of hybrid religious practices such as pilgrimages to el Cerro de Tepeyac, the site of veneration of the pre-Columbian Goddess Tonanztin and her contemporary, la Señora de Guadalupe; el Santuario de Chimayo, the pre-Hispanic Tewa religious site that continues to serve as the destination for pilgrims, albeit now draped in Catholic ritual; and the Comanche dance ceremony of the Saracino sisters of Atrisco. The essays emerge in part from the author’s childhood in the Barelas and Atrisco neighborhoods of Albuquerque, two of several mixed-blood indigenous communities of New Mexico plagued by a devastating heroin epidemic in the 1950s and 60s. “Bernardo Gallegos has produced a stunning achievement. Postcolonial Indigenous Performances: Coyote Musings on Genízaros, Hybridity, Education, and Slavery is an emotionally gripping, beautifully written, and intellectually captivating page turner that theorizes the ‘Genízaro story’ in a way that brings the genocidal underpinnings of the colonial agenda to light.” – Angela Valenzuela, College of Education, University of Texas at Austin “Postcolonial Indigenous Performances: Coyote Musings on Genízaros, Hybridity, Education, and Slavery is a brilliant expression of complexities, contours, and nuances of indigenous lived experience. It is told through the eyes and the being of Bernardo Gallegos, who lived inside that experience, knowing the ghosts of its distant past and relationships of its recent present.” – William H. Schubert, Professor Emeritus of Curriculum and Instruction and former University Scholar, University of Illinois at Chicago “This beautifully written book shows how the past horrors of Native American subjugation and enslavement can haunt the lives of their descendants. Bernardo Gallegos’ superb research and personal narrative tells the story of colonial New Mexico and the resulting psychological damage on future generations. I’m still haunted by the effect on me of the Choctaw march on the Trail of Tears.” – Joel Spring, City University of New York
Author: Andrés Reséndez
Publisher: HarperCollins
ISBN: 0544602676
Category : Social Science
Languages : en
Pages : 453
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Book Description
NATIONAL BOOK AWARD FINALIST | WINNER OF THE BANCROFT PRIZE. A landmark history—the sweeping story of the enslavement of tens of thousands of Indians across America, from the time of the conquistadors up to the early twentieth century. Since the time of Columbus, Indian slavery was illegal in much of the American continent. Yet, as Andrés Reséndez illuminates in his myth-shattering The Other Slavery, it was practiced for centuries as an open secret. There was no abolitionist movement to protect the tens of thousands of Natives who were kidnapped and enslaved by the conquistadors. Reséndez builds the incisive case that it was mass slavery—more than epidemics—that decimated Indian populations across North America. Through riveting new evidence, including testimonies of courageous priests, rapacious merchants, and Indian captives, The Other Slavery reveals nothing less than a key missing piece of American history. For over two centuries we have fought over, abolished, and tried to come to grips with African American slavery. It is time for the West to confront an entirely separate, equally devastating enslavement we have long failed truly to see. “The Other Slavery is nothing short of an epic recalibration of American history, one that’s long overdue...In addition to his skills as a historian and an investigator, Résendez is a skilled storyteller with a truly remarkable subject. This is historical nonfiction at its most important and most necessary.” — Literary Hub, 20 Best Works of Nonfiction of the Decade ““One of the most profound contributions to North American history.”—Los Angeles Times
Author: Paul Bahn
Publisher: Archaeopress Publishing Ltd
ISBN: 1784913545
Category : Social Science
Languages : en
Pages : 379
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Book Description
This is the fifth volume in the series Rock Art Studies: News of the World. Like the previous editions, it covers rock art research and management across the globe over a five-year period, in this case the years 2010 to 2014 inclusive.
