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Author: Joseph Bouchardy
Publisher: mOnocle-Lash Anti-Press
ISBN:
Category : Young Adult Fiction
Languages : en
Pages : 35
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Book Description
This drole tale, written in 1835 on the cusp of Bouchardy’s switch from engraving to drama, is his first work ever translated into English. In it, Lady Anna has fallen in love at a performance of Romeo and Juliet—but does she love the famous Romantic actor Garrick, or the character of Romeo, or the play itself? In any case, her father has offered £20,000 to anyone who can cure her infatuation. Bouchardy swings the reader deviously back and forth between wistful sentiment and disillusioned irony. He also sheds some light on Romanticist attitudes toward theatre, history, truth, fiction, and the blending of life and art.
Author: Joseph Bouchardy
Publisher: mOnocle-Lash Anti-Press
ISBN:
Category : Young Adult Fiction
Languages : en
Pages : 35
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Book Description
This drole tale, written in 1835 on the cusp of Bouchardy’s switch from engraving to drama, is his first work ever translated into English. In it, Lady Anna has fallen in love at a performance of Romeo and Juliet—but does she love the famous Romantic actor Garrick, or the character of Romeo, or the play itself? In any case, her father has offered £20,000 to anyone who can cure her infatuation. Bouchardy swings the reader deviously back and forth between wistful sentiment and disillusioned irony. He also sheds some light on Romanticist attitudes toward theatre, history, truth, fiction, and the blending of life and art.
Author: Francis Beaumont
Publisher:
ISBN:
Category :
Languages : en
Pages : 492
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Book Description
Author:
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 852
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Book Description
Author: monOcle-Lash Anti-Press
Publisher: Lulu.com
ISBN: 1948637030
Category : History
Languages : en
Pages : 192
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Book Description
Revenance is dedicated to the forgotten or untold histories of 19th Century avant-garde and dissenting countercultures. It promotes historiography practiced as game, as activism, as trans-generational collaboration, as communal memory, which running athwart the academic, refuses to describe history as finished, and does not stand apart to observe its object from a distance, in the posture of false 'objectivity' which Power always assumes. Instead: a committed historiography, which does not stand outside the stream of time or apart from its object: intellectual and precise, yet ludic and multi-form, one moment manifest as an essay, the next as a poem. A historiography created within the utopian fringe, and for the same community, responsive to our changing conditions, needs, and desires. A historiography that we take personally, merging imperceptibly into experiments in daily life, social praxis, and thought. Volume I collects the first five issues of the journal, from 2016-18.
Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 864
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 60
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Author: James Silk Buckingham
Publisher:
ISBN:
Category :
Languages : en
Pages : 854
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Author: Amanda Weldy Boyd
Publisher: Anthem Press
ISBN: 1783086688
Category : Performing Arts
Languages : en
Pages : 287
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Book Description
“Staging Memory and Materiality in Eighteenth-Century Theatrical Biography” examines theatrical biography as a nascent genre in eighteenth-century England. This study specifically focuses on Thomas Davies’ 1780 memoir of David Garrick as the first moment of mastery in the genre’s history, the three-way war for the right to tell Charles Macklin’s story at the turn of the century and James Boaden’s theatrical biography spree in the 1820s and 1830s, including the lives of John Philip Kemble, Sarah Siddons, Dorothy Jordan and Elizabeth Inchbald. This project investigates the extent to which biographers envisioned themselves as artists, inheriting the anxiety of impermanence and correlating fear of competition that plagued their thespian subjects. It traces a suggestive, but not determinative, outline of generic development, noting the shifting generic features that emerge in context of a given work’s predecessors. Drawing heavily on primary sources, then-contemporary reviews and archival material in the form of extra-illustrated or “scrapbooked” editions of the biographies, this text is invested in the ways that the increasing emphasis on materiality was designed to consolidate, but often challenged, the biographer’s authority. This turn to materiality also authorized readerly participation, allowing readers to “co-author” biographies through the use of material insertions, asserting their own presence in the texts about beloved thespians.
Author: David Garrick
Publisher:
ISBN:
Category :
Languages : en
Pages : 652
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 842
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