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Author: Bidisha
Publisher: Unbound Publishing
ISBN: 1800180179
Category : Biography & Autobiography
Languages : en
Pages : 48
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Book Description
Where and who do we want to be? How might we get there? What might happen if we stay on our current course? In The Future of Serious Art, Bidisha uses her personal journey through novels, TV and film to mirror the seismic changes that have occurred in culture and its industries in recent years. The digital revolution has brought all of TV, cinema and music into the palms of our hands. It’s easier than ever to bring stories to life, but what happens when artistic work is rebranded as 'content creation'? Where does this leave literary novelists and arthouse filmmakers? What about those auteur-directors who make mainstream but thoughtful films for the big screen? As a storyteller herself, and a woman of colour who isn't a millennial, Bidisha asks who is taken seriously as an artist, what is taken seriously as art now and how that might change over the next century. This brief but mighty book is one of five that comprise the first set of FUTURES essays. Each standalone book presents the author's original vision of a singular aspect of the future which inspires in them hope or reticence, optimism or fear. Read individually, these essays will inform, entertain and challenge. Together, they form a picture of what might lie ahead, and ask the reader to imagine how we might make the transition from here to there, from now to then.
Author: Bidisha
Publisher: Unbound Publishing
ISBN: 1800180179
Category : Biography & Autobiography
Languages : en
Pages : 48
Get Book Here
Book Description
Where and who do we want to be? How might we get there? What might happen if we stay on our current course? In The Future of Serious Art, Bidisha uses her personal journey through novels, TV and film to mirror the seismic changes that have occurred in culture and its industries in recent years. The digital revolution has brought all of TV, cinema and music into the palms of our hands. It’s easier than ever to bring stories to life, but what happens when artistic work is rebranded as 'content creation'? Where does this leave literary novelists and arthouse filmmakers? What about those auteur-directors who make mainstream but thoughtful films for the big screen? As a storyteller herself, and a woman of colour who isn't a millennial, Bidisha asks who is taken seriously as an artist, what is taken seriously as art now and how that might change over the next century. This brief but mighty book is one of five that comprise the first set of FUTURES essays. Each standalone book presents the author's original vision of a singular aspect of the future which inspires in them hope or reticence, optimism or fear. Read individually, these essays will inform, entertain and challenge. Together, they form a picture of what might lie ahead, and ask the reader to imagine how we might make the transition from here to there, from now to then.
Author: Richard McQuellon
Publisher: Oxford University Press
ISBN: 0199752869
Category : Medical
Languages : en
Pages : 162
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Book Description
Every day, thousands of people receive a diagnosis of serious, life-threatening illness, and their families and friends suddenly become caregivers. Despite the best of intentions it is not always easy to communicate well under these circumstances, or find deep empathy for something one has never before experienced. When is it best to speak, and when to be silent? How can someone provide real comfort, and how can relationships with loved ones facing serious illness be enhanced in this most difficult time? This book is about how to be an encouraging caregiver and friend under the most difficult circumstances, when the possibility of death is all too real The authors believe that open dialogue must not be avoided until the last minute when opportunities will be limited, but that caregivers and loved ones can embrace this time, mortal time, honestly as a way to sensitively and compassionately engage with those for whom a central fact of life is realized--that all of our lives are time-limited. In The Art of Conversation Through Serious Illness, the authors consider how to best listen to and speak with one facing life-threatening illness, with lessons on being a primary conversation partner, becoming properly empathic and receiving empathy, maintaining everyday conversation, using platitudes appropriately, understanding healthy denial, and talking about dying. Offering bedside guidance usually only available to professionals and peppered with insightful anecdotes from the authors' own experiences, this gentle, succinct book is appropriate for anyone going through this uniquely difficult yet universal life experience.
Author: Vinay Gupta
Publisher: Unbound Publishing
ISBN: 1800180144
Category : Social Science
Languages : en
Pages : 63
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Book Description
Where and who do we want to be? How might we get there? What might happen if we stay on our current course? The Future of Stuff asks what kind of world will we live in when every item of property has a digital trace, when nothing can be lost and everything has a story. Will property and ownership become as fluid as film is today: summoned on demand, dismissed with a swipe? What will this mean for how we buy, rent, share and dispose of stuff? About what our stuff says about us? And how will this impact on us, on manufacturing and supply, and on the planet? This brief but mighty book is one of five that comprise the first set of FUTURES essays. Each standalone book presents the author's original vision of a singular aspect of the future which inspires in them hope or reticence, optimism or fear. Read individually, these essays will inform, entertain and challenge. Together, they form a picture of what might lie ahead, and ask the reader to imagine how we might make the transition from here to there, from now to then.
Author: Robert Greene
Publisher: Profile Books
ISBN: 1847651402
Category : Family & Relationships
Languages : en
Pages : 496
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Book Description
Which sort of seducer could you be? Siren? Rake? Cold Coquette? Star? Comedian? Charismatic? Or Saint? This book will show you which. Charm, persuasion, the ability to create illusions: these are some of the many dazzling gifts of the Seducer, the compelling figure who is able to manipulate, mislead and give pleasure all at once. When raised to the level of art, seduction, an indirect and subtle form of power, has toppled empires, won elections and enslaved great minds. In this beautiful, sensually designed book, Greene unearths the two sides of seduction: the characters and the process. Discover who you, or your pursuer, most resembles. Learn, too, the pitfalls of the anti-Seducer. Immerse yourself in the twenty-four manoeuvres and strategies of the seductive process, the ritual by which a seducer gains mastery over their target. Understand how to 'Choose the Right Victim', 'Appear to Be an Object of Desire' and 'Confuse Desire and Reality'. In addition, Greene provides instruction on how to identify victims by type. Each fascinating character and each cunning tactic demonstrates a fundamental truth about who we are, and the targets we've become - or hope to win over. The Art of Seduction is an indispensable primer on the essence of one of history's greatest weapons and the ultimate power trip. From the internationally bestselling author of The 48 Laws of Power, Mastery, and The 33 Strategies Of War.
Author: Michael M. Kaiser
Publisher: Brandeis University Press
ISBN: 1611687047
Category : Performing Arts
Languages : en
Pages : 197
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Book Description
In this clear-minded but sobering book, Michael M. Kaiser assesses the current state of arts institutions-orchestras; opera, ballet, modern dance, and theater companies; and even museums. According to Kaiser, new developments in the twenty-first century, including the Internet explosion, the death of the recording industry, the near-death of subscriptions, economic instability, the focus on STEM education in schools, the introduction of movie-theater opera, the erosion of newspapers, the threat to serious arts criticism, and the aging of the donor base have together created tremendous challenges for all arts organizations. Using Michael Porter's model of industry structure to describe how industries evolve, Kaiser argues persuasively that unless steps are taken now, midsized performing arts institutions will have all but evaporated by 2035. Only the largest arts organizations will survive, with tickets priced for the very wealthy and programming limited to the most popular and lucrative productions. Kaiser concludes with a call to arms. With three extraordinary decades' experience as an arts administrator behind him, he advocates passionately for risk-taking in programming and more creative marketing, and details what needs to happen now-building strong donor bases, creating effective boards, and collective action-to sustain the performing arts for generations to come.
Author: Griselda Pollock
Publisher: Routledge
ISBN: 1134393776
Category : Art
Languages : en
Pages : 436
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Book Description
In this selection of recent essays, Pollock insightfully engages all major areas of contemporary theory, especially focusing on sexed subjectivities, post-colonialism and Marxist-informed history. In her commentary, Penny Florence places Pollock's critique of modernism, art history, and criticism within the context of the social, political, and ideological developments that have taken place since the 1970s. Florence recognizes in Pollock's work a critical model that moves beyond the contradictions that take place within the history of art. Pollock's own essays and Florence's commentary elaborate the complexities in evaluating this prominent theorist and feminist, whose work demands a capacity to sustain contradiction.
Author: John Arthur Passmore
Publisher: Open Court Publishing Company
ISBN:
Category : Aesthetics
Languages : en
Pages : 318
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Book Description
Author: Hans Abbing
Publisher: Springer Nature
ISBN: 3031186486
Category : Business & Economics
Languages : en
Pages : 355
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Book Description
Combining an economic perspective with sociological and historic insights, this book investigates the separation of ‘popular’ and ‘serious’ art over a period of almost two centuries. As the boundaries between our perceptions of established art and popular become more porous, Abbing considers questions such as: Who benefitted from the separation? Why is exclusivity in the established arts so important? Did exclusivity lead to high cost, high subsidies and high prices? Were and are underprivileged groups excluded from art consumption and production? How did popular music become so successful in the second half of the twentieth century? Why does the art profession remain extraordinarily attractive for youngsters in spite of low incomes? The book also discusses the evolution of art in the twenty-first century, considering for example how the platform economy affects the arts, whether or not the established arts are joining the entertainment industry, and the current level of diversity in art. Written from the dual perspective of the author as an artist and social scientist, the book will be of interest for cultural economists and academics as well as artists and general readers interested in art.
Author: Bill Martin
Publisher: Open Court
ISBN: 0812699440
Category : Music
Languages : en
Pages : 376
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Book Description
In Listening to the Future, Bill Martin sets the scene for the emergence of progressive rock and examines the most important groups, from the famous to the obscure. He also surveys the pathbreaking albums and provides resources for readers to explore the music further. "Written with the insights of an academic, the authority of a musicologist, and—best of all—the passion of a true fan. Martin charts topographic oceans, courts crimson kings, does some brain salad surgery, and generally rocks out in 7/8 time." —Jim DeRogatis Sun-Times music critic
Author: G.V. Loewen
Publisher: Strategic Book Publishing & Rights Agency
ISBN: 1682356620
Category : Philosophy
Languages : en
Pages : 310
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Book Description
“We have established what our general expectations of ‘the past’ are to be, given that it is our creation and thus it ‘owes’ something or other to us. It is at first motivated by resentment, tends toward reification, and divulges reconciliation. It has the character of a ‘space,’ it is something more ‘moral’ than we, and is also possessed of the variety of other traits, including it being a space of acts rather than action and also of the mystery of hiddenness. The past is, in its essence, something occlusive and worthy of inspection along this line alone. The query that begins all of it at this moment is simply, ‘why did this occur?’ To comprehend the presence of the past in this more radical manner – the object, especially if it is art, objects to us and thus as well to all of our nostalgic and romantic desires of it – we find we must engage in both memorial imagination as well as memorial recollection.” (From the book.) In this first volume of a three-part study, a phenomenology of how we understand the presence of time in the world begins with the question: How do we understand the concept of the past? This question has a number of aspects to it: What is “the past?” How does the past retain its presence in the present? What is the temporal character of that which no longer fully exists? And so on. This analysis attempts to capture the curious amalgam of memory, biography, and history, and subject it to the objection of the present. Herein, the dead must answer to the living inasmuch as the inverse has also ever been the case.
