Author: Olle Nordmark
Publisher: Clarke Press
ISBN: 1443721611
Category : Art
Languages : en
Pages : 140
Book Description
FRESCO PAINTING Modern Methods and Techniques for Painting in Fresco and Secco by OLLE NORDMARK AMERICAN ARTISTS GROUP, INC. NEW YORK PREFACE This book has been written for the painter in fresco, who wishes to acquire enough knowledge of the craft to enable him to supervise, guide and efficiently work with the craftsmen plasterers who are put in charge of the preparation of his materials and wall and who will assist him as the finishing plasterers throughout the period of painting. It should be remembered that the surface of the so-called Intonaco, must yield the best possible working conditions, giving the painter the longest possible time to execute the part of the wall intended for a days work. In order that such a condition should prevail, a thorough knowledge of the materials used in the practice of fresco painting must be acquired through the practical utilization of a series of operations to obtain necessary ultimate results. Stress is, therefore, laid upon the fact that the painter him self must guide and guard the preparation of his materials and the different layers of mortar which build up the fresco ground, the foundation for the painting. Also, if he is not prepared himself to do the work, he must be able to give final full direc tions for the Intonaco or painting surface, the richness of the mixing and its perfect application which in itself requires experienced handling of tools in the piece-meal plastering of the wall, all of which is the groundwork for the actual painting. This HANDBOOK, therefore, will endeavor to explain the practice of fresco and fresco-secco painting in connection and collaboration with the trade from which it was derived the building trade. OLLENORDMAKK CONTENTS i WALLS 3 ii PREPARATION OF MORTAR MATERIALS 9 in MORTAR MIXING 17 iv PLASTERING THE FRESCO GROUND 22 v FRESCO GROUNDS 32 vi INTONACO 38 vii PRELIMINARY WORK TO PAINTING THE FRESCO . . 43 viii PAINTING THE FRESCO ... 67 ix SECCO PAINTING IN LIMECOLOR 87 x MODELING OF RELIEF IN MORTAR 95 xi RETOUCHING 101 xii PRELIMINARY WORK FOR PLASTERING ..... 108 xiii THE SCAFFOLD 112 SOURCE OF SUPPLIES 115 INDEX - 121 COLOR PLATES FIRST STEPS IN FRESCO PAINTING 80 by OlXE NORDMARK COMPLETED FRESCO PAINTING 81 by OLLE NORDMARK FRESCOS IN POST OFFICE DEPARTMENT, WASHINGTON, D. C 82 by REGINALD MARSH FRESCOS IN POST OFFICE DEPARTMENT, WASHINGTON, D. C 83 by REGINALD MARSH FRESCOS IN DEPARTMENT OF JUSTICE BUILDING, WASHINGTON, D. C 84 by HENRY VARNUM POOR FRESCOS IN DEPARTMENT OF JUSTICE BUILDING, WASHINGTON, D. C 85 by HENRY VARNUM POOR DETAIL FROM FRESCO IN THE DEPARTMENT OF JUSTICE BUILDING, WASHINGTON, D, C 86 by GEORGE BIDDLE FRESCO PAINTING WALLS CHAPTER ONE T JL. . H H E QUESTION of a suitable wall for the fresco-mural, or how to make any available area a permanent foundation for the plaster coats making up the fresco ground, has vexed the fresco painter from ancient times to our days. BRICK WALLS Generally it can be said that the old-fashioned brick wall made from handmade bricks is still the ideal wall for the fresco mural. Bricks baked to a fresh looking red and laid in lime-sand mortar constitute that kind of a wall. Old plastered walls must first have the plaster removed. Old as well as new walls are cleaned with a weak solution of HYDROCHLORIC ACID, washed with hot water and then sprayed and rinsed with cold. During the spraying the wall is examined for non-absorbentbricks of a muddy violet or clincer grey color. All such bricks baked and burnt beyond the temperature of the fresh red color must either be insulated by waterproofing or, better still, replaced with good bricks to remove the ever present possibility of EFFLORESCENCE. Waterproofing is done by painting over with an ASPHALT type of WATERPROOFING which will still allow the mortar to cling to the safeguarded brick. Deep hollows and faulty bricks are filled out and repaired with lime-sand mortar, 1-2 mixture with brick chips mixed in
Fresco Painting - Modern Methods and Techniques for Painting in Fresco and Secco
Author: Olle Nordmark
Publisher: Clarke Press
ISBN: 1443721611
Category : Art
Languages : en
Pages : 140
Book Description
FRESCO PAINTING Modern Methods and Techniques for Painting in Fresco and Secco by OLLE NORDMARK AMERICAN ARTISTS GROUP, INC. NEW YORK PREFACE This book has been written for the painter in fresco, who wishes to acquire enough knowledge of the craft to enable him to supervise, guide and efficiently work with the craftsmen plasterers who are put in charge of the preparation of his materials and wall and who will assist him as the finishing plasterers throughout the period of painting. It should be remembered that the surface of the so-called Intonaco, must yield the best possible working conditions, giving the painter the longest possible time to execute the part of the wall intended for a days work. In order that such a condition should prevail, a thorough knowledge of the materials used in the practice of fresco painting must be acquired through the practical utilization of a series of operations to obtain necessary ultimate results. Stress is, therefore, laid upon the fact that the painter him self must guide and guard the preparation of his materials and the different layers of mortar which build up the fresco ground, the foundation for the painting. Also, if he is not prepared himself to do the work, he must be able to give final full direc tions for the Intonaco or painting surface, the richness of the mixing and its perfect application which in itself requires experienced handling of tools in the piece-meal plastering of the wall, all of which is the groundwork for the actual painting. This HANDBOOK, therefore, will endeavor to explain the practice of fresco and fresco-secco painting in connection and collaboration with the trade from which it was derived the building trade. OLLENORDMAKK CONTENTS i WALLS 3 ii PREPARATION OF MORTAR MATERIALS 9 in MORTAR MIXING 17 iv PLASTERING THE FRESCO GROUND 22 v FRESCO GROUNDS 32 vi INTONACO 38 vii PRELIMINARY WORK TO PAINTING THE FRESCO . . 43 viii PAINTING THE FRESCO ... 67 ix SECCO PAINTING IN LIMECOLOR 87 x MODELING OF RELIEF IN MORTAR 95 xi RETOUCHING 101 xii PRELIMINARY WORK FOR PLASTERING ..... 108 xiii THE SCAFFOLD 112 SOURCE OF SUPPLIES 115 INDEX - 121 COLOR PLATES FIRST STEPS IN FRESCO PAINTING 80 by OlXE NORDMARK COMPLETED FRESCO PAINTING 81 by OLLE NORDMARK FRESCOS IN POST OFFICE DEPARTMENT, WASHINGTON, D. C 82 by REGINALD MARSH FRESCOS IN POST OFFICE DEPARTMENT, WASHINGTON, D. C 83 by REGINALD MARSH FRESCOS IN DEPARTMENT OF JUSTICE BUILDING, WASHINGTON, D. C 84 by HENRY VARNUM POOR FRESCOS IN DEPARTMENT OF JUSTICE BUILDING, WASHINGTON, D. C 85 by HENRY VARNUM POOR DETAIL FROM FRESCO IN THE DEPARTMENT OF JUSTICE BUILDING, WASHINGTON, D, C 86 by GEORGE BIDDLE FRESCO PAINTING WALLS CHAPTER ONE T JL. . H H E QUESTION of a suitable wall for the fresco-mural, or how to make any available area a permanent foundation for the plaster coats making up the fresco ground, has vexed the fresco painter from ancient times to our days. BRICK WALLS Generally it can be said that the old-fashioned brick wall made from handmade bricks is still the ideal wall for the fresco mural. Bricks baked to a fresh looking red and laid in lime-sand mortar constitute that kind of a wall. Old plastered walls must first have the plaster removed. Old as well as new walls are cleaned with a weak solution of HYDROCHLORIC ACID, washed with hot water and then sprayed and rinsed with cold. During the spraying the wall is examined for non-absorbentbricks of a muddy violet or clincer grey color. All such bricks baked and burnt beyond the temperature of the fresh red color must either be insulated by waterproofing or, better still, replaced with good bricks to remove the ever present possibility of EFFLORESCENCE. Waterproofing is done by painting over with an ASPHALT type of WATERPROOFING which will still allow the mortar to cling to the safeguarded brick. Deep hollows and faulty bricks are filled out and repaired with lime-sand mortar, 1-2 mixture with brick chips mixed in
Publisher: Clarke Press
ISBN: 1443721611
Category : Art
Languages : en
Pages : 140
Book Description
FRESCO PAINTING Modern Methods and Techniques for Painting in Fresco and Secco by OLLE NORDMARK AMERICAN ARTISTS GROUP, INC. NEW YORK PREFACE This book has been written for the painter in fresco, who wishes to acquire enough knowledge of the craft to enable him to supervise, guide and efficiently work with the craftsmen plasterers who are put in charge of the preparation of his materials and wall and who will assist him as the finishing plasterers throughout the period of painting. It should be remembered that the surface of the so-called Intonaco, must yield the best possible working conditions, giving the painter the longest possible time to execute the part of the wall intended for a days work. In order that such a condition should prevail, a thorough knowledge of the materials used in the practice of fresco painting must be acquired through the practical utilization of a series of operations to obtain necessary ultimate results. Stress is, therefore, laid upon the fact that the painter him self must guide and guard the preparation of his materials and the different layers of mortar which build up the fresco ground, the foundation for the painting. Also, if he is not prepared himself to do the work, he must be able to give final full direc tions for the Intonaco or painting surface, the richness of the mixing and its perfect application which in itself requires experienced handling of tools in the piece-meal plastering of the wall, all of which is the groundwork for the actual painting. This HANDBOOK, therefore, will endeavor to explain the practice of fresco and fresco-secco painting in connection and collaboration with the trade from which it was derived the building trade. OLLENORDMAKK CONTENTS i WALLS 3 ii PREPARATION OF MORTAR MATERIALS 9 in MORTAR MIXING 17 iv PLASTERING THE FRESCO GROUND 22 v FRESCO GROUNDS 32 vi INTONACO 38 vii PRELIMINARY WORK TO PAINTING THE FRESCO . . 43 viii PAINTING THE FRESCO ... 67 ix SECCO PAINTING IN LIMECOLOR 87 x MODELING OF RELIEF IN MORTAR 95 xi RETOUCHING 101 xii PRELIMINARY WORK FOR PLASTERING ..... 108 xiii THE SCAFFOLD 112 SOURCE OF SUPPLIES 115 INDEX - 121 COLOR PLATES FIRST STEPS IN FRESCO PAINTING 80 by OlXE NORDMARK COMPLETED FRESCO PAINTING 81 by OLLE NORDMARK FRESCOS IN POST OFFICE DEPARTMENT, WASHINGTON, D. C 82 by REGINALD MARSH FRESCOS IN POST OFFICE DEPARTMENT, WASHINGTON, D. C 83 by REGINALD MARSH FRESCOS IN DEPARTMENT OF JUSTICE BUILDING, WASHINGTON, D. C 84 by HENRY VARNUM POOR FRESCOS IN DEPARTMENT OF JUSTICE BUILDING, WASHINGTON, D. C 85 by HENRY VARNUM POOR DETAIL FROM FRESCO IN THE DEPARTMENT OF JUSTICE BUILDING, WASHINGTON, D, C 86 by GEORGE BIDDLE FRESCO PAINTING WALLS CHAPTER ONE T JL. . H H E QUESTION of a suitable wall for the fresco-mural, or how to make any available area a permanent foundation for the plaster coats making up the fresco ground, has vexed the fresco painter from ancient times to our days. BRICK WALLS Generally it can be said that the old-fashioned brick wall made from handmade bricks is still the ideal wall for the fresco mural. Bricks baked to a fresh looking red and laid in lime-sand mortar constitute that kind of a wall. Old plastered walls must first have the plaster removed. Old as well as new walls are cleaned with a weak solution of HYDROCHLORIC ACID, washed with hot water and then sprayed and rinsed with cold. During the spraying the wall is examined for non-absorbentbricks of a muddy violet or clincer grey color. All such bricks baked and burnt beyond the temperature of the fresh red color must either be insulated by waterproofing or, better still, replaced with good bricks to remove the ever present possibility of EFFLORESCENCE. Waterproofing is done by painting over with an ASPHALT type of WATERPROOFING which will still allow the mortar to cling to the safeguarded brick. Deep hollows and faulty bricks are filled out and repaired with lime-sand mortar, 1-2 mixture with brick chips mixed in
The Fresco Painting Technique
Author: Tiziano Lucchesi
Publisher:
ISBN: 9788833840413
Category : Art
Languages : en
Pages : 84
Book Description
Publisher:
ISBN: 9788833840413
Category : Art
Languages : en
Pages : 84
Book Description
Techniques of Icon and Wall Painting
Author: Aidan Hart
Publisher:
ISBN: 9780852442159
Category : Icon painting
Languages : en
Pages : 0
Book Description
This is the most comprehensive book to date on the techniques of icon and wall painting. Illustrated with over 450 colour photos and 180 drawings, it will be a source of pleasure and inspiration for the general reader as well as for the practising icon painter. The book is more than just a technical manual; it sets artistic practice in the context of the Church's spirituality and liturgy, with chapters on the theology and history of the icon, the role and symbolism of the iconostasis, and the principles behind the positioning of wall paintings within churches. The wealth of information in this book makes it an indispensable reference text, not only for iconographers but also for any painter working in egg tempera, fresco or secco. All the necessary processes are covered, including the making gessoing of wooden panels, gilding, preparing pigments, lime plastering and fresco, the various techniques for painting in tempera, right through to photographing the finished artwork. -- from dust jacket.
Publisher:
ISBN: 9780852442159
Category : Icon painting
Languages : en
Pages : 0
Book Description
This is the most comprehensive book to date on the techniques of icon and wall painting. Illustrated with over 450 colour photos and 180 drawings, it will be a source of pleasure and inspiration for the general reader as well as for the practising icon painter. The book is more than just a technical manual; it sets artistic practice in the context of the Church's spirituality and liturgy, with chapters on the theology and history of the icon, the role and symbolism of the iconostasis, and the principles behind the positioning of wall paintings within churches. The wealth of information in this book makes it an indispensable reference text, not only for iconographers but also for any painter working in egg tempera, fresco or secco. All the necessary processes are covered, including the making gessoing of wooden panels, gilding, preparing pigments, lime plastering and fresco, the various techniques for painting in tempera, right through to photographing the finished artwork. -- from dust jacket.
Ali Cavanaugh
Author: Ali Cavanaugh
Publisher: Unicorn
ISBN: 9781911604778
Category : Mural painting and decoration
Languages : en
Pages : 0
Book Description
Modern Fresco Paintings is the first collection of Ali Cavanaugh's paintings, andit follows her entire career using watercolor on kaolin clay to create hermodern fresco technique and the lovely work that flows from it. Beginning withher hyper-realistic portraits and ending with her latest, more free-flowingpictures, her use of light, color, and the human form captures the essence ofher models and their forms and feelings in a particular moment. Cavanaugh's artistic sensibilitywas developed by two important events in her childhood. Her dependence on the visualworld began when she lost much of her hearing through spinal meningitis whenshe was two, and her creative spirit developed out of her being raised in a ruralenvironment where she had to create her own ways of expressing herself and makingher own fun. She developed her stunningmodern fresco medium almost by accident as she was learning to apply the outerlayer of plaster to her home in Santa Fe, New Mexico. Since that time thisvolume illustrates her growth as an artist and her mastery of the technique. These are lovely works, paintedmasterfully. Both long-time followers of Cavanaugh's work---from the earliest "SockArms" paintings to those who found her through more recent work like the Chroma series---and those who are discoveringher and her art for the first time, will be delighted by this collection.
Publisher: Unicorn
ISBN: 9781911604778
Category : Mural painting and decoration
Languages : en
Pages : 0
Book Description
Modern Fresco Paintings is the first collection of Ali Cavanaugh's paintings, andit follows her entire career using watercolor on kaolin clay to create hermodern fresco technique and the lovely work that flows from it. Beginning withher hyper-realistic portraits and ending with her latest, more free-flowingpictures, her use of light, color, and the human form captures the essence ofher models and their forms and feelings in a particular moment. Cavanaugh's artistic sensibilitywas developed by two important events in her childhood. Her dependence on the visualworld began when she lost much of her hearing through spinal meningitis whenshe was two, and her creative spirit developed out of her being raised in a ruralenvironment where she had to create her own ways of expressing herself and makingher own fun. She developed her stunningmodern fresco medium almost by accident as she was learning to apply the outerlayer of plaster to her home in Santa Fe, New Mexico. Since that time thisvolume illustrates her growth as an artist and her mastery of the technique. These are lovely works, paintedmasterfully. Both long-time followers of Cavanaugh's work---from the earliest "SockArms" paintings to those who found her through more recent work like the Chroma series---and those who are discoveringher and her art for the first time, will be delighted by this collection.
Greek Painting Techniques and Materials from the Fourth to the First Century BC
Author: Ioanna Kakoulli
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 172
Book Description
This book provides the first comprehensive overview of the techniques and materials used in a range of monumental paintings from the Late Classical to the Graeco-Roman period reflecting the Hellenistic culture. Based primarily on the technical examination and analyses of wall paintings, painted architectural elements and marble monuments, the scientific study of materials provides information on the chemical composition of the plasters, the nature of pigments and their microstructure and identifies patterns of trade and methods of manufacture (if synthesised). The results suggest a highly developed and cosmopolitan culture, encompassing the entire Mediterranean region and beyond, from the mountains of Macedonia to the deserts of Ptolemaic Egypt and the Eurasian Plateau, throughout which ideas and goods flowed freely.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 172
Book Description
This book provides the first comprehensive overview of the techniques and materials used in a range of monumental paintings from the Late Classical to the Graeco-Roman period reflecting the Hellenistic culture. Based primarily on the technical examination and analyses of wall paintings, painted architectural elements and marble monuments, the scientific study of materials provides information on the chemical composition of the plasters, the nature of pigments and their microstructure and identifies patterns of trade and methods of manufacture (if synthesised). The results suggest a highly developed and cosmopolitan culture, encompassing the entire Mediterranean region and beyond, from the mountains of Macedonia to the deserts of Ptolemaic Egypt and the Eurasian Plateau, throughout which ideas and goods flowed freely.
Florence
Author: Ross King
Publisher: Black Dog & Leventhal
ISBN: 9781631910012
Category : Art
Languages : en
Pages : 0
Book Description
New York Times bestseller A magnificent, never-before-published collection of every painting and fresco on display in the Uffizi, the Galleria Palatina of the Pitti Palace, the Accademia, and the Duomo, and more -- nearly 2,000 works of art -- all presented in a beautiful slipcased package. This stunning book provides a comprehensive look at the masterpieces housed in the Renaissance art capital of the world including the art of Giotto, Leonardo da Vinci, Michelangelo, Ghirlandaio, Correggio, Botticelli, Caravaggio, Titian, Rembrandt, van Dyck, El Greco, and hundreds more. Ross King, bestselling author of Brunelleschi's Dome and Michelangelo and the Pope's Ceiling, explores the history of art in Florence through seven introductory essays connecting the paintings, politics, the every day life of Florentines and how they influenced each other. Art historian Anja Grebe (author of The Louvre and The Vatican), highlights two hundred and fifty of the most iconic and significant paintings and frescoes around the historic city. This stunning showcase of the art capital of the world also includes two removable posters of Florence -- one from the Renaissance and one from the present day.
Publisher: Black Dog & Leventhal
ISBN: 9781631910012
Category : Art
Languages : en
Pages : 0
Book Description
New York Times bestseller A magnificent, never-before-published collection of every painting and fresco on display in the Uffizi, the Galleria Palatina of the Pitti Palace, the Accademia, and the Duomo, and more -- nearly 2,000 works of art -- all presented in a beautiful slipcased package. This stunning book provides a comprehensive look at the masterpieces housed in the Renaissance art capital of the world including the art of Giotto, Leonardo da Vinci, Michelangelo, Ghirlandaio, Correggio, Botticelli, Caravaggio, Titian, Rembrandt, van Dyck, El Greco, and hundreds more. Ross King, bestselling author of Brunelleschi's Dome and Michelangelo and the Pope's Ceiling, explores the history of art in Florence through seven introductory essays connecting the paintings, politics, the every day life of Florentines and how they influenced each other. Art historian Anja Grebe (author of The Louvre and The Vatican), highlights two hundred and fifty of the most iconic and significant paintings and frescoes around the historic city. This stunning showcase of the art capital of the world also includes two removable posters of Florence -- one from the Renaissance and one from the present day.
The Painter's Methods and Materials
Author: A. P. Laurie
Publisher: Courier Corporation
ISBN: 0486146928
Category : Art
Languages : en
Pages : 324
Book Description
Many of the valuable techniques and materials formerly used in painting have been lost or forgotten. With the convenience of the art supply store, the artist is no longer forced to acquaint himself with many of the operations performed by the great craftsmen-painters of the past. The result is that the modern painter often does not understand the chemical and physical reasons for the steps he follows. This book bridges the gap between artist and craftsman, and gives the reader insights into the classical techniques of the great masters as well as the procedures followed today. Professor Laurie has based his book on an intensive study of great master paintings and manuscripts as well as on actual experiment. He covers techniques for painting on wood panels, paper, walls, and canvas, and for dealing with watercolors, tempera, fresco, pigments and colors, balsams, resins, turpentines, varnishes, waxes, sizings, and various oils such as walnuts, linseed, and poppy. The reader will also find much information on the behavior of light through various refractions, prism effect in layers of paint, and the cleaning and preservation of pictures. The discussion is illustrated by 48 full-page plates. These reproductions of actual paintings by major and minor masters — Rembrandt, Lippi, Michelangelo, Botticelli, Rubens, Hals, and others — were selected to show specific points of painting condition or technical procedures. Microphotographs are used to show cross-sections of painting, age cracks, flaking, pigment particles, and similar material.
Publisher: Courier Corporation
ISBN: 0486146928
Category : Art
Languages : en
Pages : 324
Book Description
Many of the valuable techniques and materials formerly used in painting have been lost or forgotten. With the convenience of the art supply store, the artist is no longer forced to acquaint himself with many of the operations performed by the great craftsmen-painters of the past. The result is that the modern painter often does not understand the chemical and physical reasons for the steps he follows. This book bridges the gap between artist and craftsman, and gives the reader insights into the classical techniques of the great masters as well as the procedures followed today. Professor Laurie has based his book on an intensive study of great master paintings and manuscripts as well as on actual experiment. He covers techniques for painting on wood panels, paper, walls, and canvas, and for dealing with watercolors, tempera, fresco, pigments and colors, balsams, resins, turpentines, varnishes, waxes, sizings, and various oils such as walnuts, linseed, and poppy. The reader will also find much information on the behavior of light through various refractions, prism effect in layers of paint, and the cleaning and preservation of pictures. The discussion is illustrated by 48 full-page plates. These reproductions of actual paintings by major and minor masters — Rembrandt, Lippi, Michelangelo, Botticelli, Rubens, Hals, and others — were selected to show specific points of painting condition or technical procedures. Microphotographs are used to show cross-sections of painting, age cracks, flaking, pigment particles, and similar material.
Fresco Painting, Its Art and Technique
Author: James Ward
Publisher:
ISBN:
Category : Mural painting and decoration
Languages : en
Pages : 164
Book Description
Publisher:
ISBN:
Category : Mural painting and decoration
Languages : en
Pages : 164
Book Description
Historical Painting Techniques, Materials, and Studio Practice
Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
The Frescoes of Conrad Albrizio
Author: Carolyn A. Bercier
Publisher: LSU Press
ISBN: 0807171026
Category : Art
Languages : en
Pages : 0
Book Description
The artist Conrad Albrizio (1894–1973), a New York City native who studied internationally, made his home in New Orleans for more than a half century. To the people of Louisiana and Alabama, he bestowed the lasting gift of large-scale public frescoes, a form he championed long after the general popularity of communal art waned. From regional realism in his New Deal–commissioned works of the 1930s to his abstract-influenced, socially conscious interpretations of the 1950s, Albrizio’s creations exemplify the midcentury period while showcasing the ancient technique of fresco. In this lavishly illustrated volume, Carolyn A. Bercier analyzes Albrizio’s frescoes against the backdrop of the artist’s life. In her introduction, Elise Grenier, who has restored several of Albrizio’s murals, acquaints readers with the demands of painting in fresco, a method also employed by Albrizio’s contemporaries the Mexican muralists. By 1936, Albrizio had completed six fresco panels in the Louisiana State Capitol and his first federally funded mural, in the DeRidder, Louisiana, post office. That same year he joined the faculty of Louisiana State University’s new department of art, where his students depicted him within their murals in Allen Hall. Albrizio continued his fresco commissions for another eighteen years, including scenes in the post office in Russellville, Alabama; the State Fair Exhibits Building in Shreveport, Louisiana; the Capitol Annex Building in Baton Rouge; and the parish courthouse in New Iberia, Louisiana. His culminating accomplishments are an epic cycle portraying shipping, the elements, and the constellations in the lobby of the Waterman Building (now Wachovia Building) in Mobile, and a monumental rendition of Louisiana’s history in the New Orleans Union Passenger Terminal. Both visually lush and richly informative, The Frescoes of Conrad Albrizio pays deserved homage and brings fresh awareness to the under-recognized public murals of a passionate and prolific artist of the twentieth century.
Publisher: LSU Press
ISBN: 0807171026
Category : Art
Languages : en
Pages : 0
Book Description
The artist Conrad Albrizio (1894–1973), a New York City native who studied internationally, made his home in New Orleans for more than a half century. To the people of Louisiana and Alabama, he bestowed the lasting gift of large-scale public frescoes, a form he championed long after the general popularity of communal art waned. From regional realism in his New Deal–commissioned works of the 1930s to his abstract-influenced, socially conscious interpretations of the 1950s, Albrizio’s creations exemplify the midcentury period while showcasing the ancient technique of fresco. In this lavishly illustrated volume, Carolyn A. Bercier analyzes Albrizio’s frescoes against the backdrop of the artist’s life. In her introduction, Elise Grenier, who has restored several of Albrizio’s murals, acquaints readers with the demands of painting in fresco, a method also employed by Albrizio’s contemporaries the Mexican muralists. By 1936, Albrizio had completed six fresco panels in the Louisiana State Capitol and his first federally funded mural, in the DeRidder, Louisiana, post office. That same year he joined the faculty of Louisiana State University’s new department of art, where his students depicted him within their murals in Allen Hall. Albrizio continued his fresco commissions for another eighteen years, including scenes in the post office in Russellville, Alabama; the State Fair Exhibits Building in Shreveport, Louisiana; the Capitol Annex Building in Baton Rouge; and the parish courthouse in New Iberia, Louisiana. His culminating accomplishments are an epic cycle portraying shipping, the elements, and the constellations in the lobby of the Waterman Building (now Wachovia Building) in Mobile, and a monumental rendition of Louisiana’s history in the New Orleans Union Passenger Terminal. Both visually lush and richly informative, The Frescoes of Conrad Albrizio pays deserved homage and brings fresh awareness to the under-recognized public murals of a passionate and prolific artist of the twentieth century.