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Author: Craig Morgan Teicher
Publisher: Graywolf Press
ISBN: 1555978215
Category : Literary Criticism
Languages : en
Pages : 177
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Book Description
One of our most perceptive critics on the ways that poets develop poems, a career, and a life Though it seems, at first, like an art of speaking, poetry is an art of listening. The poet trains to hear clearly and, as much as possible, without interruption, the voice of his or her mind, the voice that gathers, packs with meaning, and unpacks the language he or she knows. It can take a long time to learn to let this voice speak without getting in its way. This slow learning, the growth of this habit of inner attentiveness, is poetic development, and it is the substance of the poet’s art. Of course, this growth is rarely steady, never linear, and is sometimes not actually growth but diminishment—that’s all part of the compelling story of a poet’s way forward. —from the Introduction “The staggering thing about a life’s work is it takes a lifetime to complete,” Craig Morgan Teicher writes in these luminous essays. We Begin in Gladness considers how poets start out, how they learn to hear themselves, and how some offer us that rare, glittering thing: lasting work. Teicher traces the poetic development of the works of Sylvia Plath, John Ashbery, Louise Glück, and Francine J. Harris, among others, to illuminate the paths they forged—by dramatic breakthroughs or by slow increments, and always by perseverance. We Begin in Gladness is indispensable for readers curious about the artistic life and for writers wondering how they might light out—or even scale the peak of the mountain.
Author: Craig Morgan Teicher
Publisher: Graywolf Press
ISBN: 1555978215
Category : Literary Criticism
Languages : en
Pages : 177
Get Book Here
Book Description
One of our most perceptive critics on the ways that poets develop poems, a career, and a life Though it seems, at first, like an art of speaking, poetry is an art of listening. The poet trains to hear clearly and, as much as possible, without interruption, the voice of his or her mind, the voice that gathers, packs with meaning, and unpacks the language he or she knows. It can take a long time to learn to let this voice speak without getting in its way. This slow learning, the growth of this habit of inner attentiveness, is poetic development, and it is the substance of the poet’s art. Of course, this growth is rarely steady, never linear, and is sometimes not actually growth but diminishment—that’s all part of the compelling story of a poet’s way forward. —from the Introduction “The staggering thing about a life’s work is it takes a lifetime to complete,” Craig Morgan Teicher writes in these luminous essays. We Begin in Gladness considers how poets start out, how they learn to hear themselves, and how some offer us that rare, glittering thing: lasting work. Teicher traces the poetic development of the works of Sylvia Plath, John Ashbery, Louise Glück, and Francine J. Harris, among others, to illuminate the paths they forged—by dramatic breakthroughs or by slow increments, and always by perseverance. We Begin in Gladness is indispensable for readers curious about the artistic life and for writers wondering how they might light out—or even scale the peak of the mountain.
Author: Pierre Destrée
Publisher: BRILL
ISBN: 9004201831
Category : Literary Criticism
Languages : en
Pages : 456
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Book Description
Plato’s discussions of poetry and the poets stand at the cradle of Western literary criticism. Plato is, paradoxically, both the philosopher who cites, or alludes to, works of poetry more than any other, and the one who is at the same time the harshest critic of poetry. The nineteen essays presented here aim to offer various avenues to this paradox, and to illuminate the ways poetry and the poets are discussed by Plato throughout his writing career, from the Apology and the Ion to the Laws. As well as throwing new light on old topics, such as mimesis and poetic inspiration, the volume introduces fresh approaches to Plato’s philosophy of poetry and literature.
Author: Harry Vredeveld
Publisher: BRILL
ISBN: 9004228950
Category : Literary Criticism
Languages : en
Pages : 810
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Book Description
Hailed as “King of Poets” by Johann Reuchlin in 1514, Eobanus Hessus (1488–1540) was eager to build on his fame with a stream of new works: “Easter Hymn,” “On True Nobility,” “On the Avoidance of Drunkenness,” “Response from His Majesty Maximilian” (answering Hutten’s “Letter from Italia”), and the short epic “Christ’s Victory over the Underworld,” as well as a hitherto unknown “Inaugural Lecture” on Cicero and Plautus. In 1515 he anonymously published a mock-quodlibetical speech that applies the scholastic method of argumentation to “The Species of Drunkards.” Eobanus’ first bestseller, this brilliant satire was reprinted well into the eighteenth century. All of these texts are included in the present volume, along with annotated translations, ground-breaking introductions, and commentary.
Author: Gerald Janecek
Publisher: University Press of Kentucky
ISBN: 0813161673
Category : Literary Criticism
Languages : en
Pages : 231
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Book Description
Andrey Bely, novelist, essayist, theoretician, critic, and poet, was a central figure in the Russian Symbolist movement of the 1920s, the most important literary movement in Russia in this century. Bely articulated a Symbolist aesthetic and originated a new approach to the study of Russian metrics and versification, giving rise to a new scholarly discipline that still thrives in the West. Although regarded by some critics, including Vladimir Nabokov, as the author of the greatest Russian novel of this century, Bely has been nearly forgotten in his native country for ideological reasons. In the West he remains little known and generally under-valued. But with recent English translations of Kotik Letaev and his masterpiece, Petersburg, interest in Bely is increasing. Janecek's book brings together some of the best modern scholarship on Bely and the Russian Symbolist movement of the 1920s.
Author: Samuel Woolcock Christophers
Publisher:
ISBN:
Category : Hymn writers
Languages : en
Pages : 560
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Book Description
Author: Edmund G. Gardner
Publisher:
ISBN:
Category : Poets, Italian
Languages : en
Pages : 464
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Book Description
Author: Ronald E. Peterson
Publisher: John Benjamins Publishing
ISBN: 9027276900
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
The era of Russian Symbolism (1892-1917) has been called the Silver Age of Russian culture, and even the Second Golden Age. Symbolist authors are among the greatest Russian authors of this century, and their activities helped to foster one of the most significant advances in cultural life (in poetry, prose, music, theater, and painting) that has ever been seen there. This book is designed to serve as an introduction to Symbolism in Russia, as a movement, an artistic method, and a world view. The primary emphasis is on the history of the movement itself. Attention is devoted to what the Symbolists wrote, said, and thought, and on how they interacted. In this context, the main actors are the authors of poetry, prose, drama, and criticism, but space is also devoted to the important connections between literary figures and artists, philosophers, and the intelligentsia in general. This broad, detailed and balanced account of this period will serve as a standard reference work an encourage further research among scholars and students of literature.
Author: Margaret Clunies Ross
Publisher: DS Brewer
ISBN: 1843842793
Category : Literary Collections
Languages : en
Pages : 295
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Book Description
Accessible guide to and description of the medieval poetic tradition in Scandinavia. This is the first book in English to deal with the twin subjects of Old Norse poetry and the various vernacular treatises on native poetry that were a conspicuous feature of medieval intellectual life in Iceland and the Orkneys from the mid-twelfth to the fourteenth centuries. Its aim is to give a clear description of the rich poetic tradition of early Scandinavia, particularly in Iceland, where it reached its zenith, and to demonstrate the social contextsthat favoured poetic composition, from the oral societies of the early Viking Age in Norway and its colonies to the devout compositions of literate Christian clerics in fourteenth-century Iceland. The author analyses the two dominant poetic modes, eddic and skaldic, giving fresh examples of their various styles and subjects; looks at the prose contexts in which most Old Norse poetry has been preserved; and discusses problems of interpretation thatarise because of the poetry's mode of transmission. She is concerned throughout to link indigenous theory with practice, beginning with the pre-Christian ideology of poets as favoured by the god ódinn and concluding with the Christian notion that a plain style best conveys the poet's message. Margaret Clunies Ross is McCaughey Professor of English Language and Early English Literature and Director of the Centre for Medieval Studies at the University of Sydney.
Author: William Archer
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 658
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Book Description
Author: Rina Lapidus
Publisher: Routledge
ISBN: 1134516908
Category : Social Science
Languages : en
Pages : 320
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Book Description
This book deals with the work of fifteen young Jewish poets who were killed, died of wounds, or were executed in captivity while serving in the Red Army in the Second World War. All were young, all were poets, most were thoroughly assimilated into Soviet society whilst at the same time being rooted in Jewish culture and traditions. Their poetry, written mostly in Russian, Yiddish, and Ukrainian, was coloured by their backgrounds, by the literary and cultural climate that prevailed in the Soviet Union, and was deeply concerned with their expectation of impending death at the hands of the Nazis. The book examines the poets’ backgrounds, their lives, their poetry and their deaths. Like the experiences and poetry of the British First World War poets, the lives and poems of these young Jewish poets are extremely interesting and deeply moving.
