The Theatre Industry in Nineteenth-Century France PDF Download
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Author: Frederick William John Hemmings
Publisher: Cambridge University Press
ISBN: 0521441420
Category : Drama
Languages : en
Pages : 335
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Book Description
This 1993 book explores the history of French theatre in the nineteenth century.
Author: Frederick William John Hemmings
Publisher: Cambridge University Press
ISBN: 0521441420
Category : Drama
Languages : en
Pages : 335
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Book Description
This 1993 book explores the history of French theatre in the nineteenth century.
Author: Marvin Carlson
Publisher: Metuchen, N.J : Scarecrow Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 344
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Book Description
Author: Pratima Prasad
Publisher: University of Delaware Press
ISBN: 9780874139778
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
The essays in Novel Stages examine the myriad intersections between drama and the novel in nineteenth-century France, a period when the two genres were in constant engagement with one another. The collection is unified by common intellectual concerns: the inscription of theatrical esthetics within the novel; the common practice among nineteenth-century novelists of adapting their works for the stage; and the novel's engagement with popular forms of theater. The essays provide insight into a specific aspect of the relationship between the theater and the novel in the nineteenth century. Their distinct perspectives form an overview of the literary landscape of nineteenth-century France, and demonstrate many ways in which all major nineteenth-century French novelists, including Hugo, Flaubert, Sand, and Zola, participated in the theatrical culture of their century.
Author: Marvin Carlson
Publisher:
ISBN:
Category : Theater France History
Languages : en
Pages : 326
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Book Description
Author: Frederic William John Hemmings
Publisher: Cambridge University Press
ISBN: 9780521035019
Category : Drama
Languages : en
Pages : 336
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Book Description
This is the first book to explore the history of French theater in the nineteenth century through its special role as an organized popular entertainment. Traditionally regarded as an elite art form, in post-Revolutionary France the stage began to be seen as an industry like any other and the theater became one of the few areas of employment where women were in demand as much as men. In this lively account, Hemmings examines how the theater world flourished and evolved, and reveals such matters as the difficult life of the actress, salaries and contracts, and the profession of the playwright.
Author: Robert Justin Goldstein
Publisher: Berghahn Books
ISBN: 1845458990
Category : History
Languages : en
Pages : 320
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Book Description
In nineteenth-century Europe the ruling elites viewed the theater as a form of communication which had enormous importance. The theater provided the most significant form of mass entertainment and was the only arena aside from the church in which regular mass gatherings were possible. Therefore, drama censorship occupied a great deal of the ruling class’s time and energy, with a particularly focus on proposed scripts that potentially threatened the existing political, legal, and social order. This volume provides the first comprehensive examination of nineteenth-century political theater censorship at a time, in the aftermath of the French Revolution, when the European population was becoming increasingly politically active.
Author: John McCormick
Publisher: Routledge
ISBN: 1134880006
Category : Literary Criticism
Languages : en
Pages : 375
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Book Description
This is the only book to provide an account of how popular theatre developed from the fairground booths of the eighteenth century to become a vehicle of mass entertainment in the following century. Whereas other studies offer a traditional approach to the theatres of high culture, John McCormick takes the role of impartial historian, uncovering the popular theatres of the boulevards, suburbs and fairgrounds. He focuses on the social and economic context in which vaudevilles, pantomimes and melodramas were performed, and explores the audiences who enjoyed them.
Author: Angela C. Pao
Publisher: University of Pennsylvania Press
ISBN: 1512806803
Category : Literary Criticism
Languages : en
Pages : 247
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Book Description
The author draws upon the methodologies of theater and cultural studies to examine the construction of "the Orient" on the Parisian stage during the nineteenth century, the period of France's first imperial expansions into North Africa and the Middle East. As an increasingly large segment of the French population moved into contact with the Middle East and North Africa as soldiers, colonial administrators, settlers, and merchants, the balance between fantasy and immediacy in Orientalized drama shifted. The domestic melodrama gave way to elaborately staged military spectacles based on current events. Performed before working-class audiences, many of whose members were to be called up for military service, these spectacles bore explicit political and imperial agendas. Mining rich archival resources of play-texts, censorship reports, critical reviews, and contemporary writings on performance practice, this book reveals the complex processes by which the institutions of popular culture helped shape nineteenth-century notions of race, ethnicity, and nationality.
Author: Corry Cropper
Publisher: Rutgers University Press
ISBN: 1684482380
Category : Performing Arts
Languages : en
Pages : 427
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Book Description
Winner of the 2021 Best International Book Award from the Mormon History Association In the late nineteenth century, numerous French plays, novels, cartoons, and works of art focused on Mormons. Unlike American authors who portrayed Mormons as malevolent “others,” however, French dramatists used Mormonism to point out hypocrisy in their own culture. Aren't Mormon women, because of their numbers in a household, more liberated than French women who can't divorce? What is polygamy but another name for multiple mistresses? This new critical edition presents translations of four musical comedies staged or published in France in the late 1800s: Mormons in Paris (1874), Berthelier Meets the Mormons (1875), Japheth’s Twelve Wives (1890), and Stephana’s Jewel (1892). Each is accompanied by a short contextualizing introduction with details about the music, playwrights, and staging. Humorous and largely unknown, these plays use Mormonism to explore and mock changing French mentalities during the Third Republic, lampooning shifting attitudes and evolving laws about marriage, divorce, and gender roles. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Author: Dr Cecilia Feilla
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472404319
Category : Performing Arts
Languages : en
Pages : 432
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Book Description
Smoothly blending performance theory, literary analysis, and historical insights, Cecilia Feilla explores the mutually dependent discourses of feeling and politics and their impact on the theatre and theatre audiences during the French Revolution. Remarkably, the most frequently performed and popular plays from 1789 to 1799 were not the political action pieces that have been the subject of much literary and historical criticism, but rather sentimental dramas and comedies, many of which originated on the stages of the Old Regime. Feilla suggests that theatre provided an important bridge from affective communities of sentimentality to active political communities of the nation, arguing that the performance of virtue on stage served to foster the passage from private emotion to public virtue and allowed groups such as women, children, and the poor who were excluded from direct political participation to imagine a new and inclusive social and political structure. Providing close readings of texts by, among others, Denis Diderot, Collot d'Herbois, and Voltaire, Feilla maps the ways in which continuities and innovations in the theatre from 1760 to 1800 set the stage for the nineteenth century. Her book revitalizes and enriches our understanding of the significance of sentimental drama, showing that it was central to the way that drama both shaped and was shaped by political culture.
