The Faure Song Cycles PDF Download
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Author: Stephen Rumph
Publisher: Univ of California Press
ISBN: 0520969901
Category : Music
Languages : en
Pages : 277
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Book Description
Gabriel Fauré’s mélodies offer an inexhaustible variety of style and expression that have made them the foundation of the French art song repertoire. During the second half of his long career, Fauré composed all but a handful of his songs within six carefully integrated cycles. Fauré moved systematically through his poetic contemporaries, exhausting Baudelaire’s Les fleurs du mal before immersing himself in the Parnassian poets. He would set nine poems by Armand Silvestre in swift succession (1878-84), seventeen by Paul Verlaine (1887-94), and eighteen by Charles Van Lerberghe (1906-14). As an artist deeply engaged with some of the most important cultural issues of the period, Fauré reimagined his musical idiom with each new poet and school, and his song cycles show the same sensitivity to the poetic material. Far more than Debussy, Ravel, or Poulenc, he crafted his song cycles as integrated works, reordering poems freely and using narratives, key schemes, and even leitmotifs to unify the individual songs. The Fauré Song Cycles explores the peculiar vision behind each synthesis of music and verse, revealing the astonishing imagination and insight of Fauré’s musical readings. This book offers not only close readings of Fauré’s musical works but an interdisciplinary study of how he responded to the changing schools and aesthetic currents of French poetry.
Author: Stephen Rumph
Publisher: Univ of California Press
ISBN: 0520969901
Category : Music
Languages : en
Pages : 277
Get Book Here
Book Description
Gabriel Fauré’s mélodies offer an inexhaustible variety of style and expression that have made them the foundation of the French art song repertoire. During the second half of his long career, Fauré composed all but a handful of his songs within six carefully integrated cycles. Fauré moved systematically through his poetic contemporaries, exhausting Baudelaire’s Les fleurs du mal before immersing himself in the Parnassian poets. He would set nine poems by Armand Silvestre in swift succession (1878-84), seventeen by Paul Verlaine (1887-94), and eighteen by Charles Van Lerberghe (1906-14). As an artist deeply engaged with some of the most important cultural issues of the period, Fauré reimagined his musical idiom with each new poet and school, and his song cycles show the same sensitivity to the poetic material. Far more than Debussy, Ravel, or Poulenc, he crafted his song cycles as integrated works, reordering poems freely and using narratives, key schemes, and even leitmotifs to unify the individual songs. The Fauré Song Cycles explores the peculiar vision behind each synthesis of music and verse, revealing the astonishing imagination and insight of Fauré’s musical readings. This book offers not only close readings of Fauré’s musical works but an interdisciplinary study of how he responded to the changing schools and aesthetic currents of French poetry.
Author: Mario Joseph Serge Gérard Champagne
Publisher:
ISBN:
Category : Song cycles
Languages : en
Pages : 336
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Book Description
Author: Edward R. Phillips
Publisher: Routledge
ISBN: 1135575134
Category : Music
Languages : en
Pages : 401
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Book Description
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Author:
Publisher:
ISBN:
Category : History, Modern
Languages : en
Pages : 884
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Book Description
Vols. 17-18 cover 1775-1914.
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 492
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Book Description
Author: Gloria Shafer
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 126
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Book Description
Providing an historical overview of the song cycle and a survey of the children's song cycle, this text includes structural, stylistic, and interpretative analysis of four representative children's song cycles and an original cycle.
Author: Rob Cowan
Publisher:
ISBN:
Category : Chamber music
Languages : en
Pages : 282
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Book Description
Author: Mark Evan Bonds
Publisher: Prentice Hall
ISBN:
Category : Music
Languages : en
Pages : 532
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Book Description
Suitable for all courses in music history. This brief and accessible text provides undergraduates with a conceptual framework for understanding stylistic and social developments in the history of music from classical antiquity to the present. This text allows the student to grasp the richness and importance of musical history in two important ways. It combines narrative with primary sources in a lively and engaging manner and it traces key concepts of musical style and the uses of music across time.
Author: Rodgers and Hammerstein Archives of Recorded Sound
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 872
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Book Description
Author: Stephen Walsh
Publisher: Simon and Schuster
ISBN: 1639362371
Category : Music
Languages : en
Pages : 295
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Book Description
A rich and luminous biography of nineteenth century music. **A New Yorker "Best Book of the Year"** When one thinks of “great” classical music—music with the most emotional resonance and timelessness—we harken back to the nineteenth century and the Romantic tradition. We recall the sweet melody of a Schubert song, the heroine dying for love in an Italian opera, the swooning orchestration of a Tchaikovsky symphony. The emotional resonance of nineteenth century has moved generations muscians and resonated with countless listeners. It has inspired artists and writers. But no writer until how has adopted such a vividly insightful narrative approach as Stephen Walsh and he shows how there is more to Romantic music that meets the eye—and the ear. With authority, insight, and passion, The Beloved Vision, links the music history of this singular epoch to the ideas that lay behind Romanticism in all its manifestations. In this complete, entertaining, and singularly readable account, we come to understand the entire phase in music history that has become the mainstay of the twentieth and twenty-first century concert and operatic repertoire. We also come to understand Beethoven, Mahler, Schubert, Chopin, and Wagner anew. The narrative begins in the eighteenth century, with C.P.E. Bach, Haydn and the literary movement known as Sturm und Drang, seen as a reaction of the individual artist to the confident certainties of the Enlightenment. The windows are flung open, and everything to do with style, form, even technique, is exposed to the emotional and intellectual weather, the impulses and preferences of the individual composer. Risk taking—the braving of the unknown—was certainly an important part of what the composers wanted to do, as true of Chopin and Verdi as it is of Berlioz and Wagner. It's an exciting, colorful, story, told with passion but also with the precision and clarity of detail for which Stephen Walsh is so widely admired. The Beloved Vision is a cultural tour de force, by turns bold, challenging, and immensely stimulating.
