The Freaks of Origin PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Freaks of Origin PDF full book. Access full book title The Freaks of Origin by David Fox Orr. Download full books in PDF and EPUB format.
Author: David Fox Orr
Publisher: AuthorHouse
ISBN: 154624655X
Category : Fiction
Languages : en
Pages : 1059
Get Book Here
Book Description
The Freaks of Origin is a story involving magic, powers, and alternate, interconnected worlds. Yet despite all that, the main focus consists of growing up under desperate circumstances and how this affects each character. There are several unique characters, and they all have a breath of life and realism into them that’s easy to identify with and grow attached to. However, the most prominent protagonist of our story is on a teenage boy named Fox who, while dealing with his crazy life, is trying to fight against all odds to not become what he considers to be “the bad guy.” Will he and his unlikely group of friends who refer to themselves as the freaks literally make it out of high school alive? Will he be able to maintain the most important relationships in his life without becoming what he hates the most? Is a group of misfits cut out to save the small yet corrupt town of Origin? You’ll have to read through this tale of life, love, and loss to find out!
Author: David Fox Orr
Publisher: AuthorHouse
ISBN: 154624655X
Category : Fiction
Languages : en
Pages : 1059
Get Book Here
Book Description
The Freaks of Origin is a story involving magic, powers, and alternate, interconnected worlds. Yet despite all that, the main focus consists of growing up under desperate circumstances and how this affects each character. There are several unique characters, and they all have a breath of life and realism into them that’s easy to identify with and grow attached to. However, the most prominent protagonist of our story is on a teenage boy named Fox who, while dealing with his crazy life, is trying to fight against all odds to not become what he considers to be “the bad guy.” Will he and his unlikely group of friends who refer to themselves as the freaks literally make it out of high school alive? Will he be able to maintain the most important relationships in his life without becoming what he hates the most? Is a group of misfits cut out to save the small yet corrupt town of Origin? You’ll have to read through this tale of life, love, and loss to find out!
Author: Daniel P Mannix
Publisher: eNet Press
ISBN: 1618867571
Category :
Languages : en
Pages : 245
Get Book Here
Book Description
A noir classic about the era of the sideshow when freaks were the star attraction — respected and revered by other carnival members. Their stories are frankly and tenderly told by an author who lived and worked as a carny.
Author: Anna Kérchy
Publisher: Cambridge Scholars Publishing
ISBN: 1443846422
Category : Social Science
Languages : en
Pages : 295
Get Book Here
Book Description
This collection offers cultural historical analyses of enfreakment and freak shows, examining the social construction and spectacular display of wondrous, monstrous, or curious Otherness in the formerly relatively neglected region of Continental Europe. Forgotten stories are uncovered about freak-show celebrities, medical specimen, and philosophical fantasies presenting the anatomically unusual in a wide range of sites, including curiosity cabinets, anatomical museums, and traveling circus acts. The essays explore the locally specific dimensions of the exhibition of extraordinary bodies within their particular historical, cultural and political context. Thus the impact of the Nazi eugenics programs, state Socialism, or the Chernobyl catastrophe is observed closely and yet the transnational dimensions of enfreakment are made obvious through topics ranging from Jesuit missionaries’ diabolization of American Indians, to translations of Continental European teratology in British medical journals, and the Hollywood silver screen’s colonization of European fantasies about deformity. Although Continental European freaks are introduced as products of ideologically-infiltrated representations, they also emerge as embodied subjects endowed with their own voice, view, and subversive agency.
Author: Rosemarie Garland-Thomson
Publisher: NYU Press
ISBN: 9780814782224
Category : Health & Fitness
Languages : en
Pages : 426
Get Book Here
Book Description
A groundbreaking anthology that probes the disposition towards the visually different Giants. Midgets. Tribal non-Westerners. The very fat. The very thin. Hermaphrodites. Conjoined twins. The disabled. The very hirsute. In American history, all have shared the platform equally, as freaks, human oddities, their only commonality their assigned role of anomalous other to the gathered throngs. For the price of a ticket, freak shows offered spectators an icon of bodily otherness whose difference from them secured their own membership in a common American identity--by comparison ordinary, tractable, normal. Rosemarie Thomson's groundbreaking anthology probes America's disposition toward the visually different. The book's essays fall into four main categories: historical explorations of American freak shows in the era of P.T. Barnum; the articulation of the freak in literary and textual discourses; contemporary relocations of freak shows; and theoretical analyses of freak culture. Essays address such diverse topics as American colonialism and public presentations of natives; laughing gas demonstrations in the 1840's; Shirley Temple and Tom Thumb; Todd Browning's landmark movie Freaks; bodybuilders as postmodern freaks; freaks in Star Trek; Michael Jackson's identification with the Elephant Man; and the modern talk show as a reconfiguration of the freak show. In her introduction, Thomson traces the freak show from antiquity to the modern period and explores the constitutive, political, and textual properties of such exhibits. Freakery is a fresh, insightful exploration of a heretofore neglected aspect of American mass culture.
Author: Adam Anderson
Publisher:
ISBN:
Category :
Languages : en
Pages : 566
Get Book Here
Book Description
Author: Yunte Huang
Publisher: Liveright Publishing
ISBN: 163149385X
Category : History
Languages : en
Pages : 354
Get Book Here
Book Description
“An astonishing story, by turns ghastly, hilarious, unnerving, and moving.”—Stephen Greenblatt, author of The Rise and Fall of Adam and Eve In this “excellent” portrait of America’s famed nineteenth-century Siamese twins, celebrated biographer Yunte Huang discovers in the conjoined lives of Chang and Eng Bunker (1811–1874) a trenchant “comment on the times in which we live” (Wall Street Journal). “Uncovering ironies, paradoxes and examples of how Chang and Eng subverted what Leslie Fiedler called ‘the tyranny of the normal’ ” (BBC), Huang depicts the twins’ implausible route to assimilation after their “discovery” in Siam by a British merchant in 1824 and arrival in Boston as sideshow curiosities in 1829. Their climb from subhuman, freak-show celebrities to rich, southern gentry who profited from entertaining the Jacksonian mobs; their marriage to two white sisters, resulting in twenty-one children; and their owning of slaves, is here not just another sensational biography but an “extraordinary” (New York Times), Hawthorne-like excavation of America’s historical penchant for tyrannizing the other—a tradition that, as Huang reveals, becomes inseparable from American history itself.
Author: Laurence A. Rickels
Publisher: U of Minnesota Press
ISBN: 0816653305
Category : Performing Arts
Languages : en
Pages : 226
Get Book Here
Book Description
Since 1974, German filmmaker Ulrike Ottinger has created a substantial body of films that explore a world of difference defined by the tension and transfer between settled and nomadic ways of life. In many of her films, including Exile Shanghai, an experimental documentary about the Jews of Shanghai, and Joan of Arc of Mongolia, in which passengers on the Trans-Siberian Express are abducted by Mongolian bandits, she also probes the encounter with the other, whether exotic or simply unpredictable. In Ulrike Ottinger Laurence A. Rickels offers a series of sensitive and original analyses of Ottinger’s films, as well as her more recent photographic artworks, situated within a dazzling thought experiment centered on the history of art cinema through the turn of the twenty-first century. In addition to commemorating the death of a once-vital art form, this book also affirms Ottinger’s defiantly optimistic turn toward the documentary film as a means of mediating present clashes between tradition and modernity, between the local and the global. Widely regarded as a singular and provocative talent, Ottinger’s conspicuous absence from critical discourse is, for Rickels, symptomatic of the art cinema’s demise. Incorporating interviews he conducted with Ottinger and illustrated with stunning examples from her photographic oeuvre, this book takes up the challenges posed by Ottinger’s filmography to interrogate, ultimately, the very practice-and possibility-of art cinema today. Laurence A. Rickels is professor of German and comparative literature at the University of California, Santa Barbara, and the author of several books, including The Case of California, The Vampire Lectures, and the three-volume Nazi Psychoanalysis (all published by Minnesota). He is a recognized art writer whose reflections on contemporary visual art appear regularly in numerous exhibition catalogues as well as in Artforum, artUS, and Flash Art.
Author: Sarah Himsel Burcon
Publisher: Cambridge Scholars Publishing
ISBN: 1443857696
Category : Social Science
Languages : en
Pages : 170
Get Book Here
Book Description
Fabricating the Body: Effects of Obligation and Exchange in Contemporary Discourse is comprised of nine chapters that revolve around the body, and more specifically, issues related to identity. The text draws on a variety of criticism—including disability, gender, and psychoanalytic studies—to theorize aspects relevant to the human body historically. For example, Rachel Herzl-Betz’s “A Paratactic ‘Missing Link’: Dorian Gray and the Performance of Embodied Modernity” uses disability studies as a lens through which to examine Oscar Wilde’s literary debt to the atavistic discourse of late-Victorian freak shows. Moving forward in time, Melissa Ames’s chapter, “Bodies of Debt: Interrogating the Costs of Technological Progress, Scientific Advancement, and Social Conquests through Dystopian Literature” is a pedagogy-focused chapter. In the chapter, Ames discusses a college course in which she asked students to consider contemporary debates, such as cloning, stem cell research, human trafficking, and so forth, in tandem with fictional texts that relate these issues. Ultimately, the class wrestled with the question of: what do we do when human survival and societal progress come at extreme costs? As a whole, the text works to stimulate conversations surrounding the body, and specifically, bodies that can be labeled “indebted.” Fabricating the Body brings together issues of gender, class, and identity, and investigates ethical concerns along with topics related to marginalization and the mind/body split. Ultimately, the text situates the body as a productive space for academic research.
Author: Hensleigh Wedgwood
Publisher:
ISBN:
Category :
Languages : en
Pages : 584
Get Book Here
Book Description
Author: Robert Bogdan
Publisher: University of Chicago Press
ISBN: 022622743X
Category : Performing Arts
Languages : en
Pages : 338
Get Book Here
Book Description
This cultural history of the travelling freak show in America chronicles the rise and fall of the industry as attitudes about disability evolved. From 1840 until 1940, hundreds of freak shows crisscrossed the United States, from the smallest towns to the largest cities, exhibiting their casts of dwarfs, giants, Siamese twins, bearded ladies, savages, snake charmers, fire eaters, and other oddities. By today’s standards such displays would be considered cruel and exploitative—the pornography of disability. Yet for one hundred years the freak show was widely accepted as one of America’s most popular forms of entertainment. Robert Bogdan’s fascinating social history brings to life the world of the freak show and explores the culture that nurtured and, later, abandoned it. In uncovering this neglected chapter of show business, he describes in detail the flimflam artistry behind the shows, the promoters and the audiences, and the gradual evolution of public opinion from awe to embarrassment. Freaks were not born, Bogdan reveals; they were manufactured by the amusement world, usually with the active participation of the freaks themselves. Many of the "human curiosities" found fame and fortune, until the ascent of professional medicine transformed them from marvels into pathological specimens.
