The Fox, The Captain's Doll, The Ladybird PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Fox, The Captain's Doll, The Ladybird PDF full book. Access full book title The Fox, The Captain's Doll, The Ladybird by D.H. Lawrence. Download full books in PDF and EPUB format.
Author: D.H. Lawrence
Publisher: Rosetta Books
ISBN: 0795351615
Category : Fiction
Languages : en
Pages : 393
Get Book Here
Book Description
The acclaimed author of Sons and Lovers explores the effects of war on humanity in three novellas. Written between November 1920 and December 1921, these novellas were enthusiastically received by D. H. Lawrence’s readers. Including the original ending of The Fox, the Cambridge edition adds new depth to the legacy of Lawrence’s story of a disruptive fox in a troublesome time. A visit to Austria in 1920 inspired the characters and settings of The Captain’s Doll, diving into a storied relationship between a Scottish soldier and a German countess in occupied Germany. Also featuring the original unedited edition of The Ladybird, a heartbreaking tale of a wounded soldier and the English nurse who tended his wounds, this is a complete collection of three of Lawrence’s brilliantly crafted war stories about human emotions and relationships.
Author: D.H. Lawrence
Publisher: Rosetta Books
ISBN: 0795351615
Category : Fiction
Languages : en
Pages : 393
Get Book Here
Book Description
The acclaimed author of Sons and Lovers explores the effects of war on humanity in three novellas. Written between November 1920 and December 1921, these novellas were enthusiastically received by D. H. Lawrence’s readers. Including the original ending of The Fox, the Cambridge edition adds new depth to the legacy of Lawrence’s story of a disruptive fox in a troublesome time. A visit to Austria in 1920 inspired the characters and settings of The Captain’s Doll, diving into a storied relationship between a Scottish soldier and a German countess in occupied Germany. Also featuring the original unedited edition of The Ladybird, a heartbreaking tale of a wounded soldier and the English nurse who tended his wounds, this is a complete collection of three of Lawrence’s brilliantly crafted war stories about human emotions and relationships.
Author: D. H. Lawrence
Publisher: Cambridge University Press
ISBN: 9780521007085
Category : Fiction
Languages : en
Pages : 360
Get Book Here
Book Description
A critical edition of three 'novelettes' written between November 1920 and December 1921.
Author: David Herbert Lawrence
Publisher:
ISBN:
Category :
Languages : en
Pages : 264
Get Book Here
Book Description
Author: David Herbert Lawrence
Publisher:
ISBN:
Category :
Languages : en
Pages : 255
Get Book Here
Book Description
Author: John B. Humma
Publisher: University of Missouri Press
ISBN: 9780826207425
Category : Literary Criticism
Languages : en
Pages : 148
Get Book Here
Book Description
Although D. H. Lawrence's later novels have been the subject of much discussion by critics, few scholars have recognized or dealt with his sense of craft. By examining Lawrence's careful and finely orchestrated strategies with language, especially metaphor, Humma argues that a number of the longer works--from Aaron's Rod on and including the posthumously published The Virgin and the Gipsy--are small masterpieces. Different in kind from Women in Love or The Rainbow, these fictions are very important in their own way. Humma maintains that the early and middle novels work largely through powerful symbols. Those of the last decade, though, develop through an intricate interlacing of metaphor and symbolic detail. Humma devotes a chapter to each to Aaron's Rod, The Ladybird, Kangaroo, St.Mawr, The Plumed Serpent, The Virgin and the Gipsy, Lady Chatterley's Lover and The Escaped Cock. Aaron's Rod, as a transitional work, reveals much about Lawrence's narrative method and its dependence upon combinations of images. The Plumed Serpent, Humma suggests, is Lawrence's most ambitious failure. Other critics have faulted plot, character, and meaning, but Humma sees incoherent metaphors as the basis for those other problems. Because Lawrence's metaphors shape myths essential to central actions and meanings, the reader cannot fully appreciate the strategic function of metaphor in them. When Lawrence's method is successful, as it is in Lady Chatterley's Lover, for example, figures of speech overlap each other, crossing boundaries in a web of "interpenetrating metaphors" that provide both structural integrity and thematic resonance. Paying close attention to the texts, Metaphor and Meaning in D. H. Lawrence's Later Novels shows that Lawrence was far from the indifferent craftsman in his later fiction that he has frequently been considered. In fact, Lawrence was acutely aware that language and meaning are inseparable, that technique, as Mark Schorer said, is discovery. John Humma's fresh perspective upon the art and meaning of Lawrence's later work provides a major revaluation of this last phase in the writer's career.
Author: Jean Toomer
Publisher: Univ. of Tennessee Press
ISBN: 9781572335820
Category : Literary Collections
Languages : en
Pages : 162
Get Book Here
Book Description
Author: David Herbert Lawrence (Schriftsteller)
Publisher:
ISBN:
Category :
Languages : en
Pages : 323
Get Book Here
Book Description
Author: David Herbert Lawrence
Publisher:
ISBN: 9781675505687
Category :
Languages : en
Pages : 70
Get Book Here
Book Description
The Captain's Doll is a short story or novella by the English author D. H. Lawrence. It was written in 1921 and first published by Martin Secker in March 1923 in a volume withThe Ladybird and The Fox. It was the basis of the 1983 TV film of the same name with Jeremy Irons as the Captain. The story chronicles the journey of fallen German aristocrat Countess Johanna 'Hannele' zu Rassentlow as she dates a Scottish officer of unusual philosophy. The relationship develops into one of D. H. Lawrence's idiosyncratic 'wicked triangles'. The intimate relationship between Captain Alexander Hepburn and Hannele is intruded upon when the captain's wife Evangeline travels to Germany suspicious of foul play. The plot unfolds with two parallel narratives; one in the symbolic domain, the other a traditional short story narrative about these protagonists. The concurrent symbolic tale that unfolds centers around the central image of The Captain's Doll-after which the story gains its title. This doll is a striking portrait of the Captain, with his "slender legs" and mesmerizing dark stare encapsulated in the silks and calico of a lifeless, inanimate object. This doll is an ongoing motif throughout the story as it acts as a metaphor for the dehumanizing effects of war on Hepburn - an English gentleman who had been part of the war machine and in the aftermath has come to believe that "we are worth so very little". Another profound metaphor and image employed by Lawrence is the great 'glacier' described from afar to be "cold, angry" and a reflection of the captain's deep seated desire to subjugate Hannele and arguably conquer her "physically, sexually and from the inside" as she muses in free indirect speech narration. The couple ascend the mountain together, and the sheer enormity of this natural wonder prompts discussion of the smallness of a human being in comparison, bringing the captain to make megalomaniacal claims that he is indeed bigger than the mountain. He projects this onto the vast ice, its "soft flesh like" described with uncanny similarity to the earlier descriptions of Hannele swimming in the lake near her new home in Austria. Critics have debated the symbolic meaning of this ice monument, as the captain's determination to conquer it points to the obvious metaphorical domination of Hannele who "watches from below" as the crazed captain scrambles to the summit. Reaching the top, the captain is invigorated, yet Lawrence's narration becomes quite introspective of the transformation of the captain's worldview implicitly coupled with description of this barren vista of ice-"a world of ice"-that is "sufficient unto itself in its lifelessness". Akin to the gender commentary in The Fox on how the war had created a paradigm shift in the social roles within English society, this compelling narrative imparts to the reader a more intimate account of the death of a spirit and the dissemblance of class. The introduction of D. H. Lawrence, Three Novellas, an anthology that collates The Fox, The Captain's Doll, and The Ladybird, makes a comparison between the poetic works ofWilfred Owen and these stories as literary exploration of war that 'pity war'. This comes across in many of Lawrence's letters and implicitly in these texts, as each of the characters is in some way impacted by World War I. Lawrence must have been a keen observer of the social and personal ramifications of WWI, having written and published soon after the war, in 1923.
Author: David Herbert Lawrence
Publisher:
ISBN: 9781712589779
Category :
Languages : en
Pages : 70
Get Book Here
Book Description
The Captain's Doll is a short story or novella by the English author D. H. Lawrence. It was written in 1921 and first published by Martin Secker in March 1923 in a volume withThe Ladybird and The Fox. It was the basis of the 1983 TV film of the same name with Jeremy Irons as the Captain. The story chronicles the journey of fallen German aristocrat Countess Johanna 'Hannele' zu Rassentlow as she dates a Scottish officer of unusual philosophy. The relationship develops into one of D. H. Lawrence's idiosyncratic 'wicked triangles'. The intimate relationship between Captain Alexander Hepburn and Hannele is intruded upon when the captain's wife Evangeline travels to Germany suspicious of foul play. The plot unfolds with two parallel narratives; one in the symbolic domain, the other a traditional short story narrative about these protagonists. The concurrent symbolic tale that unfolds centers around the central image of The Captain's Doll-after which the story gains its title. This doll is a striking portrait of the Captain, with his "slender legs" and mesmerizing dark stare encapsulated in the silks and calico of a lifeless, inanimate object. This doll is an ongoing motif throughout the story as it acts as a metaphor for the dehumanizing effects of war on Hepburn - an English gentleman who had been part of the war machine and in the aftermath has come to believe that "we are worth so very little". Another profound metaphor and image employed by Lawrence is the great 'glacier' described from afar to be "cold, angry" and a reflection of the captain's deep seated desire to subjugate Hannele and arguably conquer her "physically, sexually and from the inside" as she muses in free indirect speech narration. The couple ascend the mountain together, and the sheer enormity of this natural wonder prompts discussion of the smallness of a human being in comparison, bringing the captain to make megalomaniacal claims that he is indeed bigger than the mountain. He projects this onto the vast ice, its "soft flesh like" described with uncanny similarity to the earlier descriptions of Hannele swimming in the lake near her new home in Austria. Critics have debated the symbolic meaning of this ice monument, as the captain's determination to conquer it points to the obvious metaphorical domination of Hannele who "watches from below" as the crazed captain scrambles to the summit. Reaching the top, the captain is invigorated, yet Lawrence's narration becomes quite introspective of the transformation of the captain's worldview implicitly coupled with description of this barren vista of ice-"a world of ice"-that is "sufficient unto itself in its lifelessness". Akin to the gender commentary in The Fox on how the war had created a paradigm shift in the social roles within English society, this compelling narrative imparts to the reader a more intimate account of the death of a spirit and the dissemblance of class. The introduction of D. H. Lawrence, Three Novellas, an anthology that collates The Fox, The Captain's Doll, and The Ladybird, makes a comparison between the poetic works of Wilfred Owen and these stories as literary exploration of war that 'pity war'. This comes across in many of Lawrence's letters and implicitly in these texts, as each of the characters is in some way impacted by World War I. Lawrence must have been a keen observer of the social and personal ramifications of WWI, having written and published soon after the war, in 1923.
Author: d.h. lawrence
Publisher:
ISBN:
Category :
Languages : en
Pages : 334
Get Book Here
Book Description
