Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 556
Book Description
American Art Annual
1954 Proceedings: Forty-Fifth Annual Rotary Convention
Author:
Publisher: Rotary International
ISBN:
Category :
Languages : en
Pages : 386
Book Description
Publisher: Rotary International
ISBN:
Category :
Languages : en
Pages : 386
Book Description
American Art Directory
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 568
Book Description
The biographical material formerly included in the directory is issued separately as Who's who in American art, 1936/37-
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 568
Book Description
The biographical material formerly included in the directory is issued separately as Who's who in American art, 1936/37-
Catalogue of the Annual Exhibition of American Oil Paintings and Sculpture
Author:
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 434
Book Description
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 434
Book Description
The Other American Moderns
Author: ShiPu Wang
Publisher: Penn State Press
ISBN: 0271080701
Category : Art
Languages : en
Pages : 422
Book Description
In The Other American Moderns, ShiPu Wang analyzes the works of four early twentieth-century American artists who engaged with the concept of “Americanness”: Frank Matsura, Eitarō Ishigaki, Hideo Noda, and Miki Hayakawa. In so doing, he recasts notions of minority artists’ contributions to modernism and American culture. Wang presents comparative studies of these four artists’ figurative works that feature Native Americans, African Americans, and other racial and ethnic minorities, including Matsura and Susan Timento Pose at Studio (ca. 1912), The Bonus March (1932), Scottsboro Boys (1933), and Portrait of a Negro (ca. 1926). Rather than creating art that reflected “Asian aesthetics,” Matsura, Ishigaki, Noda, and Hayakawa deployed “imagery of the Other by the Other” as their means of exploring, understanding, and contesting conditions of diaspora and notions of what it meant to be American in an age of anti-immigrant sentiment and legislation. Based on a decade-long excavation of previously unexamined collections in the United States and Japan, The Other American Moderns is more than a rediscovery of “forgotten” minority artists: it reconceives American modernism by illuminating these artists’ active role in the shaping of a multicultural and cosmopolitan culture. This nuanced analysis of their deliberate engagement with the ideological complexities of American identity contributes a new vision to our understanding of non-European identity in modernism and American art.
Publisher: Penn State Press
ISBN: 0271080701
Category : Art
Languages : en
Pages : 422
Book Description
In The Other American Moderns, ShiPu Wang analyzes the works of four early twentieth-century American artists who engaged with the concept of “Americanness”: Frank Matsura, Eitarō Ishigaki, Hideo Noda, and Miki Hayakawa. In so doing, he recasts notions of minority artists’ contributions to modernism and American culture. Wang presents comparative studies of these four artists’ figurative works that feature Native Americans, African Americans, and other racial and ethnic minorities, including Matsura and Susan Timento Pose at Studio (ca. 1912), The Bonus March (1932), Scottsboro Boys (1933), and Portrait of a Negro (ca. 1926). Rather than creating art that reflected “Asian aesthetics,” Matsura, Ishigaki, Noda, and Hayakawa deployed “imagery of the Other by the Other” as their means of exploring, understanding, and contesting conditions of diaspora and notions of what it meant to be American in an age of anti-immigrant sentiment and legislation. Based on a decade-long excavation of previously unexamined collections in the United States and Japan, The Other American Moderns is more than a rediscovery of “forgotten” minority artists: it reconceives American modernism by illuminating these artists’ active role in the shaping of a multicultural and cosmopolitan culture. This nuanced analysis of their deliberate engagement with the ideological complexities of American identity contributes a new vision to our understanding of non-European identity in modernism and American art.
John Sloan's Oil Paintings
Author: John Sloan
Publisher: University of Delaware Press
ISBN: 0874134390
Category : Art
Languages : en
Pages : 316
Book Description
Descriptions and histories of the 1,265 oils by John Sloan (1871-1951), more than 1,000 of which are illustrated. Includes critical commentary, the artist's own comments, and an analysis of Sloan's work and his role in American painting. Indexing by title and subject. Illustrated.
Publisher: University of Delaware Press
ISBN: 0874134390
Category : Art
Languages : en
Pages : 316
Book Description
Descriptions and histories of the 1,265 oils by John Sloan (1871-1951), more than 1,000 of which are illustrated. Includes critical commentary, the artist's own comments, and an analysis of Sloan's work and his role in American painting. Indexing by title and subject. Illustrated.
Catalogue of the Annual Exhibition of Oil Paintings and Sculpture by American Artists
Author: Art Institute of Chicago
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 116
Book Description
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 116
Book Description
Biographical Sketches of American Artists
Author: Michigan State Library
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 380
Book Description
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 380
Book Description
Annual Reports
Author: Carnegie Institute
Publisher:
ISBN:
Category : Art museums
Languages : en
Pages : 336
Book Description
Includes report of the director of fine arts, of the director of the Museum, and of the director of the Technical schools.
Publisher:
ISBN:
Category : Art museums
Languages : en
Pages : 336
Book Description
Includes report of the director of fine arts, of the director of the Museum, and of the director of the Technical schools.
The Women Impressionists
Author: Russell T. Clement
Publisher: Bloomsbury Publishing USA
ISBN: 0313032467
Category : Art
Languages : en
Pages : 212
Book Description
This reference organizes and describes the primary and secondary literature surrounding Mary Stevenson Cassatt, Berthe Morisot, Eva Gonzalès, and Marie Bracquemond, four major women Impressionist artists. The Impressionist group included several women artists of considerable ability whose works and lives were largely ignored until the advent of feminist art criticism in the early 1970s. They studied, worked, and exhibited with their male counterparts including Degas, Manet, Monet, and Pissarro. The entries provide extensive coverage of the careers, critical reception, exhibition history, and growing reputations of these four female artists and discuss women Impressionists in general as they shared the challenges of becoming accepted as professional artists in late 19th-century society. Containing nearly 900 citations of manuscripts, books, articles, reproductions, films, exhibitions, and reviews, this unique sourcebook will appeal to both art and women's studies scholars. Each artist receives a biographical sketch, chronology, information about individual and group exhibitions and reviews, and a primary and secondary bibliography, which captures details about the artist's life, career, and relationship with other artists. An art works index and names index complete the volume.
Publisher: Bloomsbury Publishing USA
ISBN: 0313032467
Category : Art
Languages : en
Pages : 212
Book Description
This reference organizes and describes the primary and secondary literature surrounding Mary Stevenson Cassatt, Berthe Morisot, Eva Gonzalès, and Marie Bracquemond, four major women Impressionist artists. The Impressionist group included several women artists of considerable ability whose works and lives were largely ignored until the advent of feminist art criticism in the early 1970s. They studied, worked, and exhibited with their male counterparts including Degas, Manet, Monet, and Pissarro. The entries provide extensive coverage of the careers, critical reception, exhibition history, and growing reputations of these four female artists and discuss women Impressionists in general as they shared the challenges of becoming accepted as professional artists in late 19th-century society. Containing nearly 900 citations of manuscripts, books, articles, reproductions, films, exhibitions, and reviews, this unique sourcebook will appeal to both art and women's studies scholars. Each artist receives a biographical sketch, chronology, information about individual and group exhibitions and reviews, and a primary and secondary bibliography, which captures details about the artist's life, career, and relationship with other artists. An art works index and names index complete the volume.