Ain't Nobody That Can Sing Like Me PDF Download
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Author: Jeanetta Calhoun Mish
Publisher: Mongrel Empire Press
ISBN: 098016849X
Category : Literary Collections
Languages : en
Pages : 419
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Book Description
Way over yonder in the minor key There ain't nobody that can sing like me --Woody Guthrie Originally published as issue #35 of Sugar Mule: A Literary Magazine (www.sugarmule.com), this groundbreaking anthology includes 188 selections of poetry, fiction, creative nonfiction, essays, and visual art by 78 writers and 2 visual artists who currently live in Oklahoma. A powerful gathering of voices, singing hymns, telling stories, making truth from a powerful place. --Rilla Askew, author of Fire in Beulah and Harpsong
Author: Jeanetta Calhoun Mish
Publisher: Mongrel Empire Press
ISBN: 098016849X
Category : Literary Collections
Languages : en
Pages : 419
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Book Description
Way over yonder in the minor key There ain't nobody that can sing like me --Woody Guthrie Originally published as issue #35 of Sugar Mule: A Literary Magazine (www.sugarmule.com), this groundbreaking anthology includes 188 selections of poetry, fiction, creative nonfiction, essays, and visual art by 78 writers and 2 visual artists who currently live in Oklahoma. A powerful gathering of voices, singing hymns, telling stories, making truth from a powerful place. --Rilla Askew, author of Fire in Beulah and Harpsong
Author: Joy Harjo
Publisher: W. W. Norton & Company
ISBN: 0393356817
Category : Poetry
Languages : en
Pages : 449
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Book Description
Selected as one of Oprah Winfrey's "Books That Help Me Through" United States Poet Laureate Joy Harjo gathers the work of more than 160 poets, representing nearly 100 indigenous nations, into the first historically comprehensive Native poetry anthology. This landmark anthology celebrates the indigenous peoples of North America, the first poets of this country, whose literary traditions stretch back centuries. Opening with a blessing from Pulitzer Prize–winner N. Scott Momaday, the book contains powerful introductions from contributing editors who represent the five geographically organized sections. Each section begins with a poem from traditional oral literatures and closes with emerging poets, ranging from Eleazar, a seventeenth-century Native student at Harvard, to Jake Skeets, a young Diné poet born in 1991, and including renowned writers such as Luci Tapahanso, Natalie Diaz, Layli Long Soldier, and Ray Young Bear. When the Light of the World Was Subdued, Our Songs Came Through offers the extraordinary sweep of Native literature, without which no study of American poetry is complete.
Author:
Publisher: University of Oklahoma Press
ISBN: 0806168609
Category : Social Science
Languages : en
Pages : 459
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Book Description
This collectively authored volume celebrates a group of Native critics performing community in a lively, rigorous, sometimes contentious dialogue that challenges the aesthetics of individual literary representation. Janice Acoose infuses a Cree reading of Canadian Cree literature with a creative turn to Cree language; Lisa Brooks looks at eighteenth- and early-nineteenth-century Native writers and discovers little-known networks among them; Tol Foster argues for a regional approach to Native studies that can include unlikely subjects such as Will Rogers; LeAnne Howe creates a fictional character, Embarrassed Grief, whose problematic authenticity opens up literary debates; Daniel Heath Justice takes on two prominent critics who see mixed-blood identities differently than he does in relation to kinship; Phillip Carroll Morgan uncovers written Choctaw literary criticism from the 1830s on the subject of oral performance; Kimberly Roppolo advocates an intertribal rhetoric that can form a linguistic foundation for criticism. Cheryl Suzack situates feminist theories within Native culture with an eye to applying them to subjugated groups across Indian Country; Christopher B. Teuton organizes Native literary criticism into three modes based on community awareness; Sean Teuton opens up new sites for literary performance inside prisons with Native inmates; Robert Warrior wants literary analysis to consider the challenges of eroticism; Craig S. Womack introduces the book by historicizing book-length Native-authored criticism published between 1986 and 1997, and he concludes the volume with an essay on theorizing experience. Reasoning Together proposes nothing less than a paradigm shift in American Indian literary criticism, closing the gap between theory and activism by situating Native literature in real-life experiences and tribal histories. It is an accessible collection that will suit a wide range of courses—and will educate and energize anyone engaged in criticism of Native literature.
Author: Caroline Wigginton
Publisher: UNC Press Books
ISBN: 1469670380
Category : Social Science
Languages : en
Pages : 326
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Book Description
For hundreds of years, American artisanship and American authorship were entangled practices rather than distinct disciplines. Books, like other objects, were multisensory items all North American communities and cultures, including Native and settler colonial ones, regularly made and used. All cultures and communities narrated and documented their histories and imaginations through a variety of media. All created objects for domestic, sacred, curative, and collective purposes. In this innovative work at the intersection of Indigenous studies, literary studies, book history, and material culture studies, Caroline Wigginton tells a story of the interweavings of Native craftwork and American literatures from their ancient roots to the present. Focused primarily on North America, especially the colonized lands and waters now claimed by the United States, this book argues for the foundational but often-hidden aesthetic orientation of American literary history toward Native craftwork. Wigginton knits this narrative to another of Indigenous aesthetic repatriation through the making and using of books and works of material expression. Ultimately, she reveals that Native craftwork is by turns the warp and weft of American literature, interwoven throughout its long history.
Author: Arlene B. Hirschfelder
Publisher: Scarecrow Press
ISBN: 0810877090
Category : History
Languages : en
Pages : 585
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Book Description
Communicates information about the histories, contemporary presence, and various other facts of the Native peoples of the United States. From publisher description.
Author: Marcia Haag
Publisher: University of Oklahoma Press
ISBN: 9780806138558
Category : Language Arts & Disciplines
Languages : en
Pages : 188
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Book Description
Stories of Choctaw lives convey lessons in language.
Author: Chadwick Allen
Publisher: U of Minnesota Press
ISBN: 1452966621
Category : Art
Languages : en
Pages : 389
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Book Description
A necessary reexamination of Indigenous mounds, demonstrating their sustained vitality and vibrant futurity by centering Native voices Typically represented as unsolved mysteries or ruins of a tragic past, Indigenous mounds have long been marginalized and misunderstood. In Earthworks Rising, Chadwick Allen issues a compelling corrective, revealing a countertradition based in Indigenous worldviews. Alongside twentieth- and twenty-first-century Native writers, artists, and intellectuals, Allen rebuts colonial discourses and examines the multiple ways these remarkable structures continue to hold ancient knowledge and make new meaning—in the present and for the future. Earthworks Rising is organized to align with key functional categories for mounds (effigies, platforms, and burials) and with key concepts within mound-building cultures. From the Great Serpent Mound in Ohio to the mound metropolis Cahokia in Illinois to the generative Mother Mound in Mississippi, Allen takes readers deep into some of the most renowned earthworks. He draws on the insights of poets Allison Hedge Coke and Margaret Noodin, novelists LeAnne Howe and Phillip Carroll Morgan, and artists Monique Mojica and Alyssa Hinton, weaving in a personal history of earthwork encounters and productive conversation with fellow researchers. Spanning literature, art, performance, and built environments, Earthworks Rising engages Indigenous mounds as forms of “land-writing” and as conduits for connections across worlds and generations. Clear and compelling, it provokes greater understanding of the remarkable accomplishments of North America’s diverse mound-building cultures over thousands of years and brings attention to new earthworks rising in the twenty-first century.
Author: Gordon Henry
Publisher: Salt Publishing
ISBN:
Category : Poetry
Languages : en
Pages : 148
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Book Description
This is a poetically charged work of autobiographical retrospection, speculative memory and an artistic alternative to common constructions of identity. The influences include traditional songs, ceremonial undercurrents, dream vehicles, disparate landscapes, chemical vapors, relative longings and belief in the possibility of healing again and again even after death. Some works herein are water-source clear, some are abstract meditative breaths, some are ironic dialogues with memorial humor and some are attempts to tease characters out into the open. This collection is held together by relatives, fragments, an undeniable belief in the creative force of even the slightest wisp of memory.
Author: Phillip Carroll Morgan
Publisher: Salt Pub
ISBN: 9781844712670
Category : Poetry
Languages : en
Pages : 123
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Book Description
Poetry from "an enrolled Choctaw/Chickasaw bilingual poet ..."
Author: Cat Ruiz
Publisher: Salt Publishing
ISBN:
Category : Poetry
Languages : en
Pages : 144
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Book Description
Stirring up the Water is a river of merging currents. In this award-winning first collection, the waters are at times stirred softly as though with the tips of the fingers, and at times harshly like an oar thrusting into the water’s depths. These poems address issues of ethnic identity, class, and love. They explore life’s injustices and dive into ages-old religious-spiritual questioning, casting their nets far across a philosophical sea. Ruiz “charts her stories” around the world from Australia to Canada to Spain, and lets herself “be carried by the current” of each place, “listening and learning” from them without intruding upon their sanctity. She contemplates the natural world by “living in the moment of bird wing and flight,” and by showing the ever-present “cycle of life, journey, death, then life again.” After exploring the tough and the gentle sides of human behaviour, she discovers the depth and purity at the core of human love. With these poetic waters we see that to live “at the edge” is no less bountiful than to live with a sense of normality and is often more conducive to seeing and knowing “the mystery.” Presented in freestyle verse and formal rhythms, Stirring up the Water is honest and forthright, at times simple and at times complex in vision. These waters offer channels of wisdom that are accessible to all seekers, poets and non-poets alike. Stirring up the Water won the First Book Award in Poetry from the Native Writers Circle of the Americas.
