The Folk Songs of North America, in the English Language PDF Download
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Author: Alan Lomax
Publisher:
ISBN:
Category : Folk music
Languages : en
Pages : 664
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Book Description
Author: Alan Lomax
Publisher:
ISBN:
Category : Folk music
Languages : en
Pages : 662
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Book Description
Author: Richard Johnston
Publisher: E.C. Kirby
ISBN:
Category : Children's songs
Languages : en
Pages : 542
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Book Description
Author: Amy L. Cohn
Publisher: Scholastic Inc.
ISBN: 9780590428682
Category : Juvenile Nonfiction
Languages : en
Pages : 434
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Book Description
A compilation of more than 120 folk songs, tales, poems, and stories telling the history of America and reflecting its multicultural society. Illustrated by award-winning artists.
Author: Alan Lomax
Publisher:
ISBN:
Category : Folk music
Languages : en
Pages : 668
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Book Description
Words, music, and origins of over 300 folksongs, with easy and playable piano, guitar, and banjo arrangements.
Author: Tristram Potter Coffin
Publisher: Philadelphia : American Folklore Society
ISBN:
Category : Ballads, English
Languages : en
Pages : 216
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Book Description
Author: Tracey West
Publisher: Scholastic Inc.
ISBN: 9780439043878
Category : Education
Languages : en
Pages : 68
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Book Description
Contains classroom activities that use folk songs to connect students to major events in U.S. history.
Author: Richard J. Watts
Publisher: Cambridge University Press
ISBN: 1107112710
Category : Language Arts & Disciplines
Languages : en
Pages : 391
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Book Description
The relationship between language and music has much in common - rhythm, structure, sound, metaphor. Exploring the phenomena of song and performance, this book presents a sociolinguistic model for analysing them. Based on ethnomusicologist John Blacking's contention that any song performed communally is a 'folk song' regardless of its generic origins, it argues that folk song to a far greater extent than other song genres displays 'communal' or 'inclusive' types of performance. The defining feature of folk song as a multi-modal instantiation of music and language is its participatory nature, making it ideal for sociolinguistic analysis. In this sense, a folk song is the product of specific types of developing social interaction whose major purpose is the construction of a temporally and locally based community. Through repeated instantiations, this can lead to disparate communities of practice, which, over time, develop sociocultural registers and a communal stance towards aspects of meaningful events in everyday lives that become typical of a discourse community.
Author: Alan Lomax
Publisher:
ISBN:
Category : Folk songs
Languages : en
Pages : 660
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Book Description
Words, music and history of over 300 folk songs arranged by regions and subject matter and indexed by titles and first lines.
Author: David G. Dodd
Publisher: Simon and Schuster
ISBN: 1501123327
Category : Music
Languages : en
Pages : 512
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Book Description
Additional edition statement from dust jacket.
Author: Tristram Potter Coffin
Publisher: University of Texas Press
ISBN: 0292744811
Category : Social Science
Languages : en
Pages : 316
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Book Description
Tristram Potter Coffin’s The British Traditional Ballad in North America, published in 1950, became recognized as the standard reference to the published material on the Child ballad in North America. Centering on the theme of story variation, the book examines ballad variation in general, treats the development of the traditional ballad into an art form, and provides a bibliographical guide to story variation as well as a general bibliography of titles referred to in the guide. Roger deV. Renwick’s supplement to The British Traditional Ballad in North America provides a thorough review of all sources of North American ballad materials published from 1963, the date of the last revision of the original volume, to 1977. The references, which include published text fragments and published title lists of items in archival collections, are arranged according to each ballad’s story variations. Textual and thematic comparisons among ballads in the British and American tradition are made throughout. In his introductory essay Renwick synthesizes the various theoretical approaches to the phenomenon of variation that have appeared in scholarly publications since 1963 and provides examples from texts referred to in the bibliographical guide itself. The supplement, like its parent work, is an invaluable reference tool for the study of variation in ballad form, content, and style. Together with the reprinted text of the 1963 edition, the supplement provides an exhaustive bibliography to the literature on the British traditional ballad in North America.
