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Author: Brian Murdoch
Publisher: Routledge
ISBN: 1317128443
Category : History
Languages : en
Pages : 320
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Book Description
The period immediately following the end of the First World War witnessed an outpouring of artistic and literary creativity, as those that had lived through the war years sought to communicate their experiences and opinions. In Germany this manifested itself broadly into two camps, one condemning the war outright; the other condemning the defeat. Of the former, Erich Maria Remarque’s All Quiet on the Western Front remains the archetypal example of an anti-war novel, and one that has become synonymous with the Great War. Yet the tremendous and enduring popularity of Remarque’s work has to some extent eclipsed a plethora of other German anti-war writers, such as Hans Chlumberg, Ernst Johannsen and Adrienne Thomas. In order to provide a more rounded view of German anti-war literature, this volume offers a selection of essays published by Brian Murdoch over the past twenty years. Beginning with a newly written introduction, providing the context for the volume and surveying recent developments in the subject, the essays that follow range broadly over the German anti-war literary tradition, telling us much about the shifting and contested nature of the war. The volume also touches upon subjects such as responsibility, victimhood, the problem of historical hiatus in the production and reception of novels, drama, poetry, film and other literature written during the war, in the Weimar Republic, and in the Third Reich. The collection also underlines the potential dangers of using novels as historical sources even when they look like diaries. One essay was previously unpublished, two have been augmented, and three are translated into English for the first time. Taken together they offer a fascinating insight into the cultural memory and literary legacy of the First World War and German anti-war texts.
Author: Brian Murdoch
Publisher: Routledge
ISBN: 1317128443
Category : History
Languages : en
Pages : 320
Get Book Here
Book Description
The period immediately following the end of the First World War witnessed an outpouring of artistic and literary creativity, as those that had lived through the war years sought to communicate their experiences and opinions. In Germany this manifested itself broadly into two camps, one condemning the war outright; the other condemning the defeat. Of the former, Erich Maria Remarque’s All Quiet on the Western Front remains the archetypal example of an anti-war novel, and one that has become synonymous with the Great War. Yet the tremendous and enduring popularity of Remarque’s work has to some extent eclipsed a plethora of other German anti-war writers, such as Hans Chlumberg, Ernst Johannsen and Adrienne Thomas. In order to provide a more rounded view of German anti-war literature, this volume offers a selection of essays published by Brian Murdoch over the past twenty years. Beginning with a newly written introduction, providing the context for the volume and surveying recent developments in the subject, the essays that follow range broadly over the German anti-war literary tradition, telling us much about the shifting and contested nature of the war. The volume also touches upon subjects such as responsibility, victimhood, the problem of historical hiatus in the production and reception of novels, drama, poetry, film and other literature written during the war, in the Weimar Republic, and in the Third Reich. The collection also underlines the potential dangers of using novels as historical sources even when they look like diaries. One essay was previously unpublished, two have been augmented, and three are translated into English for the first time. Taken together they offer a fascinating insight into the cultural memory and literary legacy of the First World War and German anti-war texts.
Author: Charles N. Genno
Publisher: University of Toronto Press
ISBN: 1487597444
Category : Literary Criticism
Languages : en
Pages : 247
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Book Description
This collection of eight essays in honour of the distinguished Canadian Germanist G.W. Field treats themes in German narrative prose of the First World War, the pre-war era, and the earliest of the Weimar Republic. The aim of the book is not to present a comprehensive study of the field, but rather to shed new light on specific problems. The essays are organized in the historical sequence of the events and situations to which they are related. The topics include discussions of the concept of war as presented by Robert Musil in Der Mann hone Eigenschaften; the treatment of war as a catalyst by the Expressionist writers Carl Sternheim and Leonhard Frank; the preservation of values in the face of war as dealt in Hesse's Demian; and an exploration of the effects of war on the individual and social values in the works of Salomo Friedländer and Alfred Döblin. An essay on H.G. Well's Mr. Britling Sees It Through helps to clarify the ways in which the reaction of German writers to the war may be viewed as specifically German by providing an outsider's point of view. The final chapter, a survey of the most recent literature on the topic, shows how much World War I lives on in the minds of German writers as the great turning point in German political and cultural history.
Author: Augustinus P. Dierick
Publisher: University of Toronto Press
ISBN: 1442638265
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
An extreme sensitivity to gathering social crisis, an accompanying angry enthusiasm for artistic experimentation and renewal – this compelling mix in German art, poetry, and drama of the period 1910 to 1925 continues to draw both scholarly attention and intense popular interest. In this book Augustinus Dierick focuses on another significant but hitherto neglected medium of German Expressionist thought – short narrative prose – in order to illuminate and evaluate the contribution of that genre to one of the twentieth century's most powerful artistic movements. Dierick's study includes a thorough analysis of the works of a broad range of Expressionist prose writers, from those of such specialists in the genre as Edschmid, Heym, Benn, Loerke, Frank, Sternheim, Ehrenstein, and 'Mynona' to the shorter prose works of such major figures as Alfred Döblin, Heinrich Mann, Max Brod, and Franz Werfel. Dierick isolates the thematic obsessions common among Expressionist writers: the pathos of the self in confrontation with nature and with God, the tension between self and the institutions of bourgeois society, and the attractions and dangers of eroticism. Throughout Dierick stresses the interrelationship between themes and their formal expression. He examines many apparent excesses in style and tone, many aberrations in structure and generic characteristics, and identifies them not as needless experimentation but as a necessary result of the attempt to find appropriate forms for extreme situations and complex ideas. Dierick's analysis makes clear that Expressionist prose has an intrinsic artistic value and, because of certain nuances and different accents, must be included in any estimation of the nature and importance of Expressionism as a whole.
Author: Elisabeth Krimmer
Publisher: Cambridge University Press
ISBN: 1139488376
Category : Literary Criticism
Languages : en
Pages :
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Book Description
The history of literature about war is marked by a fundamental paradox: although war forms the subject of countless novels, dramas, poems, and films, it is often conceived as indescribable. Even as many writers strive towards an ideal of authenticity, they maintain that no representation can do justice to the terror and violence of war. Readings of Schiller, Kleist, Jünger, Remarque, Grass, Böll, Handke, and Jelinek reveal that stylistic and aesthetic features, gender discourses, and concepts of agency and victimization can all undermine a text's martial stance or its ostensible pacifist agenda. Spanning the period from the Revolutionary and Napoleonic Wars to the recent wars in Yugoslavia and Iraq, this book investigates the aesthetic, theoretical, and historical challenges that confront writers of war.
Author: Harro Grabolle
Publisher: Akademiai Kiado
ISBN: 9789630581929
Category : History
Languages : en
Pages : 240
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Book Description
Analysis of British and German prose fiction written between 1916 and 1937, with different ideological points of view. Authors represented include, from Germany, Fritz von Unruh, Josef M. Wehner, Werner Beumelburg, Arnold Zweig, and from Britain, Alec J. Dawson, Alan P. Herbert, Arthur D. Gristwood, Frederic Manning and David Jones.
Author: Brian Murdoch
Publisher: Camden House
ISBN: 9781571133281
Category : Fiction
Languages : en
Pages : 272
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Book Description
New view of Remarque's novels as a chronicle of the century yet more than a mere reflection of historical events.
Author: David Welch
Publisher: Bloomsbury Publishing
ISBN: 0857724711
Category : History
Languages : en
Pages : 386
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Book Description
Adolf Hitler, writing in Mein Kampf, was scathing in his condemnation of German propaganda in World War I, declaring that Germany failed to recognise that the mobilization of public opinion was a weapon of the first order. This, despite the fact that propaganda had been regarded by the German leadership, arguably for the first time, as an intrinsic part of the war effort. In this book, David Welch fully examines German society - politics, propaganda, public opinion and total war - in the Great War. Drawing on a wide range of sources - posters, newspapers, journals, film, Parliamentary debates, police and military reports and private papers - he argues that the moral collapse of Germany was due less to the failure to disseminate propaganda than to the inability of the military authorities and the Kaiser to reinforce this propaganda, and to acknowledge the importance of public opinion in forging an effective link between leadership and the people.
Author: David Welch
Publisher: Rutgers University Press
ISBN: 9780813527987
Category : History
Languages : en
Pages : 382
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Book Description
Adolf Hitler, writing in Mein Kampf, was scathing in his condemnation of German propaganda in the First World War, declaring that Germany had failed to recognize propaganda as a weapon of the first order. This despite the fact that propaganda had been regarded, arguably for the first time, as an intrinsic part of the war effort. David Welch has written the first book to fully examine German society -- politics, propaganda, public opinion, and total war -- in the Great War. Drawing on a wide range of sources -- from posters, newspapers, journals, film, parliamentary debates, police and military reports, and private papers -- Welch argues that the moral collapse of Germany was due less to the failure to disseminate propaganda than to the inability of the military authorities and the Kaiser to reinforce this propaganda, and to acknowledge the importance of public opinion in forging an effective link between leadership and the people.
Author: Erich Maria Remarque
Publisher: Routledge
ISBN: 1134972059
Category : History
Languages : en
Pages : 384
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Book Description
The full German text of Remarque's 1929 novel is accompanied by German-English vocabulary. Notes and a detailed introduction in English put the work in its social and historical context.
Author: Matthias Konzett
Publisher: Routledge
ISBN: 1135941297
Category : Literary Criticism
Languages : en
Pages : 3105
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Book Description
Designed to provide English readers of German literature the opportunity to familiarize themselves with both the established canon and newly emerging literatures that reflect the concerns of women and ethnic minorities, the Encyclopedia of German Literature includes more than 500 entries on writers, individual work, and topics essential to an understanding of this rich literary tradition. Drawing on the expertise of an international group of experts, the essays in the encyclopedia reflect developments of the latest scholarship in German literature, culture, and history and society. In addition to the essays, author entries include biographies and works lists; and works entries provide information about first editions, selected critical editions, and English-language translations. All entries conclude with a list of further readings.
