Author: Olive Hoogenboom
Publisher:
ISBN:
Category : Brooklyn (New York, N.Y.)
Languages : en
Pages : 488
Book Description
The First Unitarian Church of Brooklyn, One Hundred Fifty Years
Author: Olive Hoogenboom
Publisher:
ISBN:
Category : Brooklyn (New York, N.Y.)
Languages : en
Pages : 488
Book Description
Publisher:
ISBN:
Category : Brooklyn (New York, N.Y.)
Languages : en
Pages : 488
Book Description
Brooklyn’s Renaissance
Author: Melissa Meriam Bullard
Publisher: Springer
ISBN: 3319501763
Category : History
Languages : en
Pages : 469
Book Description
This book shows how modern Brooklyn’s proud urban identity as an arts-friendly community originated in the mid nineteenth century. Before and after the Civil War, Brooklyn’s elite, many engaged in Atlantic trade, established more than a dozen cultural societies, including the Philharmonic Society, Academy of Music, and Art Association. The associative ethos behind Brooklyn’s fine arts flowering built upon commercial networks that joined commerce, culture, and community. This innovative, carefully researched and documented history employs the concept of parallel Renaissances. It shows influences from Renaissance Italy and Liverpool, then connected to New York through regular packet service like the Black Ball Line that ferried people, ideas, and cargo across the Atlantic. Civil War disrupted Brooklyn’s Renaissance. The city directed energies towards war relief efforts and the women’s Sanitary Fair. The Gilded Age saw Brooklyn’s Renaissance energies diluted by financial and political corruption, planning the Brooklyn Bridge and consolidation with New York City in 1898.
Publisher: Springer
ISBN: 3319501763
Category : History
Languages : en
Pages : 469
Book Description
This book shows how modern Brooklyn’s proud urban identity as an arts-friendly community originated in the mid nineteenth century. Before and after the Civil War, Brooklyn’s elite, many engaged in Atlantic trade, established more than a dozen cultural societies, including the Philharmonic Society, Academy of Music, and Art Association. The associative ethos behind Brooklyn’s fine arts flowering built upon commercial networks that joined commerce, culture, and community. This innovative, carefully researched and documented history employs the concept of parallel Renaissances. It shows influences from Renaissance Italy and Liverpool, then connected to New York through regular packet service like the Black Ball Line that ferried people, ideas, and cargo across the Atlantic. Civil War disrupted Brooklyn’s Renaissance. The city directed energies towards war relief efforts and the women’s Sanitary Fair. The Gilded Age saw Brooklyn’s Renaissance energies diluted by financial and political corruption, planning the Brooklyn Bridge and consolidation with New York City in 1898.
The Quiet Radical
Author: Joseph C. Abdo
Publisher: Joseph Abdo
ISBN: 9729985820
Category : Religion
Languages : en
Pages : 353
Book Description
Samuel Longfellow, youngest brother of Henry Wadsworth Longfellow, is one of the least known protagonists of the 19th century. Abdo examines his social and theological contributions over the years.
Publisher: Joseph Abdo
ISBN: 9729985820
Category : Religion
Languages : en
Pages : 353
Book Description
Samuel Longfellow, youngest brother of Henry Wadsworth Longfellow, is one of the least known protagonists of the 19th century. Abdo examines his social and theological contributions over the years.
Brooklyn Heights
Author: Robert Furman
Publisher: Arcadia Publishing
ISBN: 162619954X
Category : Architecture
Languages : en
Pages : 480
Book Description
Settled in the 1600s, Brooklyn Heights is one of New York's most historic neighborhoods. Its strategic location overlooking the harbor proved instrumental during the Revolutionary War's Battle of Brooklyn. In the 1830s, steam ferries transformed it into America's first suburb, where abolitionism flourished and one of the largest Civil War Sanitary Fairs was held. Throughout the nineteenth century, wealthy philanthropists and entrepreneurs built high-styled Gothic Revival and Italianate homes and founded many landmark Brooklyn institutions. Though the neighborhood declined with the new century, it became a target of Robert Moses's urban renewal projects in the 1930s. Its designation as the city's first historic district saved Brooklyn Heights, and it has since blossomed into one of the city's most desirable neighborhoods.
Publisher: Arcadia Publishing
ISBN: 162619954X
Category : Architecture
Languages : en
Pages : 480
Book Description
Settled in the 1600s, Brooklyn Heights is one of New York's most historic neighborhoods. Its strategic location overlooking the harbor proved instrumental during the Revolutionary War's Battle of Brooklyn. In the 1830s, steam ferries transformed it into America's first suburb, where abolitionism flourished and one of the largest Civil War Sanitary Fairs was held. Throughout the nineteenth century, wealthy philanthropists and entrepreneurs built high-styled Gothic Revival and Italianate homes and founded many landmark Brooklyn institutions. Though the neighborhood declined with the new century, it became a target of Robert Moses's urban renewal projects in the 1930s. Its designation as the city's first historic district saved Brooklyn Heights, and it has since blossomed into one of the city's most desirable neighborhoods.
The History of a Kincaid Family
Author: James Bernard Newman
Publisher: Lulu.com
ISBN: 0557468469
Category : Scotland
Languages : en
Pages : 338
Book Description
Publisher: Lulu.com
ISBN: 0557468469
Category : Scotland
Languages : en
Pages : 338
Book Description
Choral Music in Nineteenth-century America
Author: N. Lee Orr
Publisher: Scarecrow Press
ISBN: 9780810836648
Category : History
Languages : en
Pages : 156
Book Description
Choral music represented an important part of American cultural life during the nineteenth century, whether integral to worship or merely for entertainment. Despite this history, choral music remains one of the more neglected studies in the scholarly community. In an effort to fill this gap, N. Lee Orr and W. Dan Hardin offer a new approach to the study of choral music by mapping out and bringing bibliographical control to this expansive and challenging field of study. Their unique guide focuses on literature related to choral music in the United States from the end of the second decade of the nineteenth century through the earlier part of the twentieth century. Choral Music in Nineteenth-Century America explores the entire range of choral music conceived, written, published, rehearsed, and performed by an ensemble of singers gathered specifically to present the music before an audience or congregation. The guide expertly sifts through the extensive literature to cite the most notable sources for study and provides individual chapters on the leading nineteenth-century composers who were instrumental in the development of choral music.
Publisher: Scarecrow Press
ISBN: 9780810836648
Category : History
Languages : en
Pages : 156
Book Description
Choral music represented an important part of American cultural life during the nineteenth century, whether integral to worship or merely for entertainment. Despite this history, choral music remains one of the more neglected studies in the scholarly community. In an effort to fill this gap, N. Lee Orr and W. Dan Hardin offer a new approach to the study of choral music by mapping out and bringing bibliographical control to this expansive and challenging field of study. Their unique guide focuses on literature related to choral music in the United States from the end of the second decade of the nineteenth century through the earlier part of the twentieth century. Choral Music in Nineteenth-Century America explores the entire range of choral music conceived, written, published, rehearsed, and performed by an ensemble of singers gathered specifically to present the music before an audience or congregation. The guide expertly sifts through the extensive literature to cite the most notable sources for study and provides individual chapters on the leading nineteenth-century composers who were instrumental in the development of choral music.
Hell on Color, Sweet on Song
Author: Francis R. Kowsky
Publisher: Fordham Univ Press
ISBN: 153150258X
Category : Biography & Autobiography
Languages : en
Pages : 229
Book Description
Reveals new and previously unknown biographical material about an important figure in nineteenth-century American architecture and music. Jacob Wrey Mould is not a name that readily comes to mind when we think of New York City architecture. Yet he was one-third of the party responsible for the early development of the city’s Central Park. To this day, his sculptural reliefs, tile work, and structures in the Park enthrall visitors. Mould introduced High Victorian architecture to NYC, his fingerprint most pronounced in his striking and colorful ornamental designs and beautiful embellishments found in the carved decorations and mosaics at the Bethesda Terrace. Resurfacing the forgotten contributions of Mould, Hell on Color, Sweet on Song presents a study of this nineteenth-century American architect and musical genius. Jacob Wrey Mould, whose personal history included a tie to Africa, was born in London in 1825 and trained there as an architect before moving to New York in 1852. The following year, he received the commission to design All Souls Unitarian Church. Nicknamed “the Church of the Holy Zebra,” it was the first building in America to display the mix of colorful materials and medieval Italian inspiration that was characteristic of High Victorian Gothic architecture. In addition to being an architect and designer, Mould was an accomplished musician and prolific translator of opera librettos. Yet anxiety over money and resentment over lack of appreciation of his talents soured Mould’s spirit. Unsystematic, impractical, and immune from maturity, he displayed a singular indifference to the realities of architecture as a commercial enterprise. Despite his personal shortcomings, he influenced the design of some of NYC’s revered landmarks, including Sheepfold, the Metropolitan Museum of Art, the American Museum of Natural History, the City Hall Park fountain, and the Morningside Park promenade. From 1875 to 1879, he worked for Henry Meiggs, the “Yankee Pizarro,” in Lima, Peru. Resting on the foundation of Central Park docent Lucille Gordon’s heroic efforts to raise from obscurity one of the geniuses of American architecture and a significant contributor to the world of music in his time, Hell on Color, Sweet on Song sheds new light on a forgotten genius of American architecture and music. Funding for this book was provided by: Furthermore: a program of the J. M. Kaplan Fund
Publisher: Fordham Univ Press
ISBN: 153150258X
Category : Biography & Autobiography
Languages : en
Pages : 229
Book Description
Reveals new and previously unknown biographical material about an important figure in nineteenth-century American architecture and music. Jacob Wrey Mould is not a name that readily comes to mind when we think of New York City architecture. Yet he was one-third of the party responsible for the early development of the city’s Central Park. To this day, his sculptural reliefs, tile work, and structures in the Park enthrall visitors. Mould introduced High Victorian architecture to NYC, his fingerprint most pronounced in his striking and colorful ornamental designs and beautiful embellishments found in the carved decorations and mosaics at the Bethesda Terrace. Resurfacing the forgotten contributions of Mould, Hell on Color, Sweet on Song presents a study of this nineteenth-century American architect and musical genius. Jacob Wrey Mould, whose personal history included a tie to Africa, was born in London in 1825 and trained there as an architect before moving to New York in 1852. The following year, he received the commission to design All Souls Unitarian Church. Nicknamed “the Church of the Holy Zebra,” it was the first building in America to display the mix of colorful materials and medieval Italian inspiration that was characteristic of High Victorian Gothic architecture. In addition to being an architect and designer, Mould was an accomplished musician and prolific translator of opera librettos. Yet anxiety over money and resentment over lack of appreciation of his talents soured Mould’s spirit. Unsystematic, impractical, and immune from maturity, he displayed a singular indifference to the realities of architecture as a commercial enterprise. Despite his personal shortcomings, he influenced the design of some of NYC’s revered landmarks, including Sheepfold, the Metropolitan Museum of Art, the American Museum of Natural History, the City Hall Park fountain, and the Morningside Park promenade. From 1875 to 1879, he worked for Henry Meiggs, the “Yankee Pizarro,” in Lima, Peru. Resting on the foundation of Central Park docent Lucille Gordon’s heroic efforts to raise from obscurity one of the geniuses of American architecture and a significant contributor to the world of music in his time, Hell on Color, Sweet on Song sheds new light on a forgotten genius of American architecture and music. Funding for this book was provided by: Furthermore: a program of the J. M. Kaplan Fund
Notable American Unitarians 1936-1961
Author: Herbert Vetter
Publisher: Lulu.com
ISBN: 0615147844
Category : History
Languages : en
Pages : 278
Book Description
Concise biographies of over 100 American Unitarians 1936-1961
Publisher: Lulu.com
ISBN: 0615147844
Category : History
Languages : en
Pages : 278
Book Description
Concise biographies of over 100 American Unitarians 1936-1961
Servanthood of Song
Author: Stanley R. McDaniel
Publisher: Wipf and Stock Publishers
ISBN: 1666755931
Category : Music
Languages : en
Pages : 837
Book Description
Servanthood of Song is a history of American church music from the colonial era to the present. Its focus is on the institutional and societal pressures that have shaped church song and have led us directly to where we are today. The gulf which separates advocates of traditional and contemporary worship—Black and White, Protestant and Catholic—is not new. History repeatedly shows us that ministry, to be effective, must meet the needs of the entire worshiping community, not just one segment, age group, or class. Servanthood of Song provides a historical context for trends in contemporary worship in the United States and suggests that the current polemical divisions between advocates of contemporary and traditional, classically oriented church music are both unnecessary and counterproductive. It also draws from history to show that, to be the powerful component of worship it can be, music—whatever the genre—must be viewed as a ministry with training appropriate to that. Servanthood of Song provides a critical resource for anyone considering a career in either musical or pastoral ministries in the American church as well as all who care passionately about vital and authentic worship for the church of today.
Publisher: Wipf and Stock Publishers
ISBN: 1666755931
Category : Music
Languages : en
Pages : 837
Book Description
Servanthood of Song is a history of American church music from the colonial era to the present. Its focus is on the institutional and societal pressures that have shaped church song and have led us directly to where we are today. The gulf which separates advocates of traditional and contemporary worship—Black and White, Protestant and Catholic—is not new. History repeatedly shows us that ministry, to be effective, must meet the needs of the entire worshiping community, not just one segment, age group, or class. Servanthood of Song provides a historical context for trends in contemporary worship in the United States and suggests that the current polemical divisions between advocates of contemporary and traditional, classically oriented church music are both unnecessary and counterproductive. It also draws from history to show that, to be the powerful component of worship it can be, music—whatever the genre—must be viewed as a ministry with training appropriate to that. Servanthood of Song provides a critical resource for anyone considering a career in either musical or pastoral ministries in the American church as well as all who care passionately about vital and authentic worship for the church of today.
Proceedings of the New York State Historical Association with the Quarterly Journal
Author: New York State Historical Association
Publisher:
ISBN:
Category : New York (State)
Languages : en
Pages : 610
Book Description
Publisher:
ISBN:
Category : New York (State)
Languages : en
Pages : 610
Book Description