Basic Principles in Pianoforte Playing PDF Download
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Author: Josef Lhévinne
Publisher:
ISBN:
Category : Piano
Languages : en
Pages : 68
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Book Description
Great modern teacher and pianist's concise statement of principles, technique, and related material. Includes 10 musical examples.
Author: Josef Lhévinne
Publisher:
ISBN:
Category : Piano
Languages : en
Pages : 68
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Book Description
Great modern teacher and pianist's concise statement of principles, technique, and related material. Includes 10 musical examples.
Author: Tobias Matthay
Publisher:
ISBN:
Category : Piano
Languages : en
Pages : 156
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Book Description
Author: Seymour Fink
Publisher: Hal Leonard Corporation
ISBN: 9780931340468
Category : Music
Languages : en
Pages : 196
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Book Description
(Amadeus). This holistic approach to the keyboard, based on a sound understanding of the relationship between physical function and musical purpose, is an invaluable resource for pianists and teachers. Professor Fink explains his ideas and demonstrates his innovative developmental exercises that set the pianist free to express the most profound musical ideas. HARDCOVER.
Author: Tobias Matthay
Publisher:
ISBN:
Category : Piano
Languages : en
Pages : 162
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Book Description
Author: Tobias Matthay
Publisher: London : J. Williams ; Boston : Boston Music (G. Schirmer)
ISBN:
Category : Piano
Languages : en
Pages : 32
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Book Description
Author: Tobias Matthay
Publisher:
ISBN:
Category : Piano
Languages : en
Pages : 18
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Book Description
Author: Alfred Cortot
Publisher:
ISBN:
Category : Piano
Languages : en
Pages : 102
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Book Description
Author: Tobias Matthay
Publisher: Read Books Ltd
ISBN: 152876689X
Category : Music
Languages : en
Pages : 53
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Book Description
First published in 1920, this book contains a fantastic guide to teaching piano playing for music teachers, written by Tobias Matthay. Tobias Augustus Matthay (1858 – 1945) was an English pianist, composer, and teacher. He was taught composition while at the Royal Academy of Music by Arthur Sullivan and Sir William Sterndale Bennett, and he was instructed in the piano by William Dorrell and Walter Macfarren. Contents include: “Method in its Good and Its Bad Sense”, “Fad-Methods to be Avoided”, “Method in its Helpful Sense”, “Cramming v. Teaching”, “Method v. Teaching Devices”, “Example of Method in Teaching, Fore-am Rotation”, “Repetition of Formulae Useless, Knowledge of Facts Essential”, etc. This timeless handbook will be of considerable utility to piano teachers and students alike, and it would make for a worthy addition to allied collections. Other notable works by this author include: “The Act Of Touch In All Its Diversity” (1903), “The First Principles of Pianoforte Playing (1905)” and “Relaxation Studies” (1908). Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.
Author: Walter Gieseking
Publisher: Courier Corporation
ISBN: 0486317412
Category : Music
Languages : en
Pages : 162
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Book Description
Two books, bound together, by one of the greatest pianists of all time and his famed teacher: The Shortest Way to Pianistic Perfection and Rhythmics, Dynamics, Pedal and Other Problems of Piano Playing.
Author: George Kochevitsky
Publisher: Alfred Music
ISBN: 1457400332
Category : Music
Languages : en
Pages : 82
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Book Description
So many of the great pianists and teachers have come out of Poland and Russia (Rubinstein, Anton as well as Arthur, Leschetizky, Paderewski, the Lhevinnes, Gilels, Richter, and others), yet we know little about their methods of learning and teaching. George Kochevitsky in The Art of Piano Playing supplies some important sources of information previously unavailable in the United States. From these sources, tempered by this own thinking, Kochevitsky formulated a scientific approach that can solve most problems of piano playing and teaching. George Kochevitsky graduated in 1930 from Leningrad Conservatory and did post-graduate work at Moscow Conservatory. After coming to the U.S., he taught privately in New York City, gave a number of lectures, and wrote for various music periodicals.
