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Author: George Dekker
Publisher: Stanford University Press
ISBN: 9780804750080
Category : Literary Criticism
Languages : en
Pages : 342
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Book Description
This book explores the interrelationships between British fiction and tourism, 1745-1830, especially as these are exemplified in the novels and tours of three of the most important Romantic novelists. Its author shows that the imaginative reshaping of humdrum reality characteristic of the fiction of Ann Radcliffe, Mary Shelley, and Sir Walter Scott was also widely practiced by tourists who shared the same liberating "Romantic" aesthetic.
Author: George Dekker
Publisher: Stanford University Press
ISBN: 9780804750080
Category : Literary Criticism
Languages : en
Pages : 342
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Book Description
This book explores the interrelationships between British fiction and tourism, 1745-1830, especially as these are exemplified in the novels and tours of three of the most important Romantic novelists. Its author shows that the imaginative reshaping of humdrum reality characteristic of the fiction of Ann Radcliffe, Mary Shelley, and Sir Walter Scott was also widely practiced by tourists who shared the same liberating "Romantic" aesthetic.
Author: George Dekker
Publisher:
ISBN: 9781503624832
Category : LITERARY CRITICISM
Languages : en
Pages : 328
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Book Description
Exemplary Romantic novelists Ann Radcliffe, Sir Walter Scott, and Mary Shelley were likewise keen tourists and influential contributors to the discourse of Romantic tourism. The shaping power of this discourse--already highly developed in poetry, travel literature, and the visual arts by the time they began writing--affected not only what they saw and felt on tour but also how they imagined their greatest novels. Defining both tour and novel as privileged spaces exempt from the boring routines and hampering contingencies of ordinary life, these authors as well as many of their contemporaries and early Romantic predecessors effectively brought the tour into fiction and fiction into the tour. This is the first extended study of the intimate connections between these two major cultural innovations of the later eighteenth and early nineteenth centuries, and the first to pay close attention to the active commerce, the fluid interplay, within the larger discourse of Romantic tourism, between British Romantic fiction, poetry, tour books, landscape painting, and book illustration (as exemplified by the collaboration between Scott and J. M. W. Turner).
Author: Suzanne Roberts
Publisher: U of Nebraska Press
ISBN: 1496223985
Category : Biography & Autobiography
Languages : en
Pages : 278
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Book Description
2021 Independent Publisher Book Awards, Gold Medal Winner 2021 National Indie Excellent Awards Finalist 2020 Bronze Award for Travel Book or Guide from the North American Travel Journalists Association 2020 Bronze Winner for Travel in the Foreword INDIES Both a memoir in travel essays and an anti-guidebook, Bad Tourist takes us across four continents to fifteen countries, showing us what not to do when traveling. A woman learning to claim her own desires and adventures, Suzanne Roberts encounters lightning and landslides, sharks and piranha-infested waters, a nightclub drugging, burning bodies, and brief affairs as she searches for the love of her life and finally herself. Throughout her travels Roberts tries hard not to be a bad tourist, but owing to her cultural blind spots, things don’t always go as planned. Fearlessly confessional, shamelessly funny, and wholly unapologetic, Roberts offers a refreshingly honest account of the joys and absurdities of confronting new landscapes and cultures, as well as new versions of herself. Raw, bawdy, and self-effacing, Bad Tourist is a journey packed with delights and surprises—both of the greater world and of the mysterious workings of the heart.
Author: Alex Bevan
Publisher: University of Wales Press
ISBN: 1786839954
Category : Literary Criticism
Languages : en
Pages : 214
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Book Description
Gothic tourism is a growing phenomenon and a medium through which Gothic fictions and folkloric tales are re-imagined and generated. This book examines the complex relationship between contemporary English Gothic attractions and storytelling, uncovering how works of Gothic fiction can both inspire Gothic tourism and emerge from the spaces of Gothic tourism, contending that Gothic tourist attractions are multi-layered storytelling experiences. Contributing to the study of literature and place, Gothic Literary Travel and Tourism draws together the study of literary Gothic tourism and spatial philosophy, offering interdisciplinary analysis into the interface between Gothic narrative(s) and the spaces in which the tourist navigates. The storytelling practices taking place in Gothic caves, theme parks, ghost tours and rural walks serve to reflect contemporary fears and anxieties. This book situates the act of touring a Gothic site as a process of literary and social discovery.
Author: Orianne Smith
Publisher: Cambridge University Press
ISBN: 1107027063
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
This book challenges our current critical understanding of the relations between gender, genre, and literary authority in this period.
Author: Robert Morrison
Publisher: Oxford University Press
ISBN: 0192571494
Category : Literary Collections
Languages : en
Pages : 993
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Book Description
The Oxford Handbook of British Romantic Prose is a full-length essay collection devoted entirely to British Romantic nonfiction prose. Organized into eight parts, each containing between five and nine chapters arranged alphabetically, the Handbook weaves together familiar and unfamiliar texts, events, and authors, and invites readers to draw comparisons, reimagine connections and disconnections, and confront frequently stark contradictions, within British Romantic nonfiction prose, but also in its relationship to British Romanticism more generally, and to the literary practices and cultural contexts of other periods and countries. The Handbook builds on previous scholarship in the field, considers emerging trends and evolving methodologies, and suggests future areas of study. Throughout the emphasis is on lucid expression rather than gnomic declaration, and on chapters that offer, not a dutiful survey, but evaluative assessments that keep an eye on the bigger picture yet also dwell meaningfully on specific paradoxes and the most telling examples. Taken as a whole the volume demonstrates the energy, originality, and diversity at the crux of British Romantic nonfiction prose. It vigorously challenges the traditional construction of the British Romantic movement as focused too exclusively on the accomplishments of its poets, and it reveals the many ways in which scholars of the period are steadily broadening out and opening up delineations of British Romanticism in order to encompass and thoroughly evaluate the achievements of its nonfiction prose writers.
Author: Patrick Vincent
Publisher: Cambridge University Press
ISBN: 1108750303
Category : Literary Criticism
Languages : en
Pages : 786
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Book Description
Presenting European Romanticism as a phenomenon that superseded national borders, and in which Britain played a vital role, this Cambridge History illuminates myriad forms of cultural mediation and transfer, and reveals the period's productive tensions, synchronicities, and interactions within and across borders.
Author: Susan Layton
Publisher: Academic Studies PRess
ISBN: 1644694220
Category : History
Languages : en
Pages : 648
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Book Description
This literary, cultural history examines imperial Russian tourism’s entanglement in the vexed issue of cosmopolitanism understood as receptiveness to the foreign and pitted against provinciality and nationalist anxiety about the allure and the influence of Western Europe. The study maps the shift from Enlightenment cosmopolitanism to Byronic cosmopolitanism with special attention to the art pilgrimage abroad. For typically middle-class Russians daunted by the cultural riches of the West, vacationing in the North Caucasus, Georgia, and the Crimea afforded the compensatory opportunity to play colonizer kings and queens in “Asia.” Drawing on Anna Karenina and other literary classics, travel writing, journalism, and guidebooks, the investigation engages with current debates in cosmopolitan studies, including the fuzzy paradigm of “colonial cosmopolitanism.”
Author: Angela Wright
Publisher: Edinburgh University Press
ISBN: 074869675X
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
"Traces the Gothic impulses in proto-Romantic and Romantic British, American and European culture, 1740-1830"--Quatrième de couverture.
Author: Jobst Welge
Publisher: JHU Press
ISBN: 1421414368
Category : Literary Criticism
Languages : en
Pages : 267
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Book Description
Explores the enduring link between national space and genealogy in the modern novel. Winner of the CHOICE Outstanding Academic Title of the Choice ACRL Taking its cue from recent theories of literary geography and fiction, Genealogical Fictions argues that narratives of familial decline shape the history of the modern novel, as well as the novel’s relationship to history. Stories of families in crisis, Jobst Welge argues, reflect the experience of historical and social change in regions or nations perceived as “peripheral.” Though geographically and temporally diverse, the novels Welge considers all demonstrate a relation among family and national history, genealogical succession, and generational experience, along with social change and modernization. Welge’s wide-ranging comparative study focuses on the novels of the late nineteenth century, but it also includes detailed analyses of the pre-Victorian origin of the genealogical-historical novel and the evolution of similar themes in twentieth-century literature. Moving through time, he uncovers often-unsuspected novelistic continuities and international transformations and echoes, from Maria Edgeworth’s Castle Rackrent, published in 1800, to G. Tomasi di Lampedusa’s 1958 book Il Gattopardo. By revealing the “family resemblance” of novels from Great Britain, Italy, Spain, Portugal, and Brazil, this volume shows how genealogical narratives take on special significance in contexts of cultural periphery. Welge links private and public histories, while simultaneously integrating detailed accounts of various literary fields across the globe. In combining theories of the novel, recent discussions of cultural geography, and new approaches to genealogical narratives, Genealogical Fictions addresses a significant part of European and Latin American literary history in which texts from different national cultures illuminate each other in unsuspected ways and reveal the repetition, as well as the variation, among them. This book should be of interest to students and scholars of comparative literature, world literature, and the history and theory of the modern novel.
