Author: Adrian Gramps
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110731649
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
The aim of this book is to devise a method for approaching the problem of presence in Hellenistic and Roman poetry. The problem of presence, as defined here, is the problem of the availability or accessibility to the reader of the fictional worlds disclosed by poetry. From Callimachus’ Hymns to the Odes of Horace, poets of this era repeatedly challenge readers by beckoning them to explore fictive spaces which are at once familiar and otherworldly, realms of the imagination which are nevertheless firmly rooted in the lived reality of the poets and their contemporaries. We too, when we read these poems, may feel simultaneously a sense of being transported to a world apart and of being seized upon by the poem’s address in the here and now of reading. The fiction of occasion is proposed as a new conceptual tool for understanding how these poems produce such problematic presences and what varieties of experience they make possible for their readers. The fiction of occasion is defined as a phenomenon whereby a poem is fictionally framed as part of a material event or ‘occasion’ with which the reader is invited to engage through the medium of the senses. The book explores this concept through close readings of key authors from the corpus of first-person poetry written in Greek and Latin between the 3rd century BCE and the 1st century CE, with a focus on Callimachus, Bion, Catullus, Propertius, and Horace. The ultimate purpose of these readings is to move towards developing a new vocabulary for conceptualising ancient poetry as an embodied experience.
The Fiction of Occasion in Hellenistic and Roman Poetry
Author: Adrian Gramps
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110731649
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
The aim of this book is to devise a method for approaching the problem of presence in Hellenistic and Roman poetry. The problem of presence, as defined here, is the problem of the availability or accessibility to the reader of the fictional worlds disclosed by poetry. From Callimachus’ Hymns to the Odes of Horace, poets of this era repeatedly challenge readers by beckoning them to explore fictive spaces which are at once familiar and otherworldly, realms of the imagination which are nevertheless firmly rooted in the lived reality of the poets and their contemporaries. We too, when we read these poems, may feel simultaneously a sense of being transported to a world apart and of being seized upon by the poem’s address in the here and now of reading. The fiction of occasion is proposed as a new conceptual tool for understanding how these poems produce such problematic presences and what varieties of experience they make possible for their readers. The fiction of occasion is defined as a phenomenon whereby a poem is fictionally framed as part of a material event or ‘occasion’ with which the reader is invited to engage through the medium of the senses. The book explores this concept through close readings of key authors from the corpus of first-person poetry written in Greek and Latin between the 3rd century BCE and the 1st century CE, with a focus on Callimachus, Bion, Catullus, Propertius, and Horace. The ultimate purpose of these readings is to move towards developing a new vocabulary for conceptualising ancient poetry as an embodied experience.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110731649
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
The aim of this book is to devise a method for approaching the problem of presence in Hellenistic and Roman poetry. The problem of presence, as defined here, is the problem of the availability or accessibility to the reader of the fictional worlds disclosed by poetry. From Callimachus’ Hymns to the Odes of Horace, poets of this era repeatedly challenge readers by beckoning them to explore fictive spaces which are at once familiar and otherworldly, realms of the imagination which are nevertheless firmly rooted in the lived reality of the poets and their contemporaries. We too, when we read these poems, may feel simultaneously a sense of being transported to a world apart and of being seized upon by the poem’s address in the here and now of reading. The fiction of occasion is proposed as a new conceptual tool for understanding how these poems produce such problematic presences and what varieties of experience they make possible for their readers. The fiction of occasion is defined as a phenomenon whereby a poem is fictionally framed as part of a material event or ‘occasion’ with which the reader is invited to engage through the medium of the senses. The book explores this concept through close readings of key authors from the corpus of first-person poetry written in Greek and Latin between the 3rd century BCE and the 1st century CE, with a focus on Callimachus, Bion, Catullus, Propertius, and Horace. The ultimate purpose of these readings is to move towards developing a new vocabulary for conceptualising ancient poetry as an embodied experience.
The Fiction of Occasion in Hellenistic and Roman Poetry
Author: Adrian Gramps
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110731606
Category : Literary Criticism
Languages : en
Pages : 227
Book Description
The aim of this book is to devise a method for approaching the problem of presence in Hellenistic and Roman poetry. The problem of presence, as defined here, is the problem of the availability or accessibility to the reader of the fictional worlds disclosed by poetry. From Callimachus’ Hymns to the Odes of Horace, poets of this era repeatedly challenge readers by beckoning them to explore fictive spaces which are at once familiar and otherworldly, realms of the imagination which are nevertheless firmly rooted in the lived reality of the poets and their contemporaries. We too, when we read these poems, may feel simultaneously a sense of being transported to a world apart and of being seized upon by the poem’s address in the here and now of reading. The fiction of occasion is proposed as a new conceptual tool for understanding how these poems produce such problematic presences and what varieties of experience they make possible for their readers. The fiction of occasion is defined as a phenomenon whereby a poem is fictionally framed as part of a material event or ‘occasion’ with which the reader is invited to engage through the medium of the senses. The book explores this concept through close readings of key authors from the corpus of first-person poetry written in Greek and Latin between the 3rd century BCE and the 1st century CE, with a focus on Callimachus, Bion, Catullus, Propertius, and Horace. The ultimate purpose of these readings is to move towards developing a new vocabulary for conceptualising ancient poetry as an embodied experience.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110731606
Category : Literary Criticism
Languages : en
Pages : 227
Book Description
The aim of this book is to devise a method for approaching the problem of presence in Hellenistic and Roman poetry. The problem of presence, as defined here, is the problem of the availability or accessibility to the reader of the fictional worlds disclosed by poetry. From Callimachus’ Hymns to the Odes of Horace, poets of this era repeatedly challenge readers by beckoning them to explore fictive spaces which are at once familiar and otherworldly, realms of the imagination which are nevertheless firmly rooted in the lived reality of the poets and their contemporaries. We too, when we read these poems, may feel simultaneously a sense of being transported to a world apart and of being seized upon by the poem’s address in the here and now of reading. The fiction of occasion is proposed as a new conceptual tool for understanding how these poems produce such problematic presences and what varieties of experience they make possible for their readers. The fiction of occasion is defined as a phenomenon whereby a poem is fictionally framed as part of a material event or ‘occasion’ with which the reader is invited to engage through the medium of the senses. The book explores this concept through close readings of key authors from the corpus of first-person poetry written in Greek and Latin between the 3rd century BCE and the 1st century CE, with a focus on Callimachus, Bion, Catullus, Propertius, and Horace. The ultimate purpose of these readings is to move towards developing a new vocabulary for conceptualising ancient poetry as an embodied experience.
Structures of Epic Poetry
Author: Christiane Reitz
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110492598
Category : Literary Criticism
Languages : en
Pages : 2760
Book Description
This compendium (4 vols.) studies the continuity, flexibility, and variation of structural elements in epic narratives. It provides an overview of the structural patterns of epic poetry by means of a standardized, stringent terminology. Both diachronic developments and changes within individual epics are scrutinized in order to provide a comprehensive structural approach and a key to intra- and intertextual characteristics of ancient epic poetry.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110492598
Category : Literary Criticism
Languages : en
Pages : 2760
Book Description
This compendium (4 vols.) studies the continuity, flexibility, and variation of structural elements in epic narratives. It provides an overview of the structural patterns of epic poetry by means of a standardized, stringent terminology. Both diachronic developments and changes within individual epics are scrutinized in order to provide a comprehensive structural approach and a key to intra- and intertextual characteristics of ancient epic poetry.
Rival Praises
Author: Celia Campbell
Publisher: University of Wisconsin Pres
ISBN: 0299348741
Category : History
Languages : en
Pages : 345
Book Description
The Metamorphoses, written by the Roman poet Ovid, has fascinated readers ever since it was written in the first century CE, and here Celia M. Campbell offers a bold new interpretive approach. Reasserting the significance of the ancient hymnic tradition, she argues that the first pentad of Ovid's Metamorphoses draws a programmatic strain of influence from hymns to the gods, in particular conversation--and competition--with the work of the Alexandrian poet Callimachus, a favored source of inspiration to Augustan writers. She suggests that Ovid read Callimachus' six hymns as a self-conscious set--and reading the first five books of the Metamorphoses through Callimachus' hymnic collection allows us to pierce the occasionally opaque and seemingly idiosyncratic mythology Ovid constructs. Through careful, innovative close readings, Campbell illustrates that Callimachus and the hymnic tradition provide a kind of interpretative key to unlocking the dynamic landscape of divine power in Ovid's poetic cosmos.
Publisher: University of Wisconsin Pres
ISBN: 0299348741
Category : History
Languages : en
Pages : 345
Book Description
The Metamorphoses, written by the Roman poet Ovid, has fascinated readers ever since it was written in the first century CE, and here Celia M. Campbell offers a bold new interpretive approach. Reasserting the significance of the ancient hymnic tradition, she argues that the first pentad of Ovid's Metamorphoses draws a programmatic strain of influence from hymns to the gods, in particular conversation--and competition--with the work of the Alexandrian poet Callimachus, a favored source of inspiration to Augustan writers. She suggests that Ovid read Callimachus' six hymns as a self-conscious set--and reading the first five books of the Metamorphoses through Callimachus' hymnic collection allows us to pierce the occasionally opaque and seemingly idiosyncratic mythology Ovid constructs. Through careful, innovative close readings, Campbell illustrates that Callimachus and the hymnic tradition provide a kind of interpretative key to unlocking the dynamic landscape of divine power in Ovid's poetic cosmos.
Ritual and the Poetics of Closure in Flavian Literature
Author: Angeliki-Nektaria Roumpou
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110770482
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
This collection of papers responds to the question of whether a ritual at the end of a text can offer resolution and order or rather a complicated kind of closure. It reveals that ritual can bring but also can thwart closure by alluding to new beginnings. A ritual could be a perfect kind of ending but it hardly ever seems to be. In Flavian literature this is even more apparent because of the complicated political background under which these texts were produced. Ancient religious practices in the closing sections of Flavian texts help us create connections between endings and (new) beginnings, order and disorder, binding and loosening, structure and dissolution which reflects the structure of the Empire in Flavian Rome. Overall, this volume offers a new tool for studying literary endings through ritual, which promotes our understanding of Flavian culture and politics as well as creating a new perception of the use of religion and ritual in Flavian literature: instead of giving a sense of closure, this volume argues that ritual is a medium to increase complexity, to expose ritual actors and to project a generic riskiness of ritual actors also onto the epic actors who are acting before and mostly after a ritual scene.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110770482
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
This collection of papers responds to the question of whether a ritual at the end of a text can offer resolution and order or rather a complicated kind of closure. It reveals that ritual can bring but also can thwart closure by alluding to new beginnings. A ritual could be a perfect kind of ending but it hardly ever seems to be. In Flavian literature this is even more apparent because of the complicated political background under which these texts were produced. Ancient religious practices in the closing sections of Flavian texts help us create connections between endings and (new) beginnings, order and disorder, binding and loosening, structure and dissolution which reflects the structure of the Empire in Flavian Rome. Overall, this volume offers a new tool for studying literary endings through ritual, which promotes our understanding of Flavian culture and politics as well as creating a new perception of the use of religion and ritual in Flavian literature: instead of giving a sense of closure, this volume argues that ritual is a medium to increase complexity, to expose ritual actors and to project a generic riskiness of ritual actors also onto the epic actors who are acting before and mostly after a ritual scene.
Carpe Diem
Author: Robert A. Rohland
Publisher: Cambridge University Press
ISBN: 1009040987
Category : History
Languages : en
Pages : 319
Book Description
Carpe diem – 'eat, drink and be merry, for tomorrow we die!' – is a prominent motif throughout ancient literature and beyond. This is the first book-length examination of its significance and demonstrates that close analysis can make a key contribution to a question that is central to literary studies in and beyond Classics: how can poetry give us the almost magical impression that something is happening here and now? In attempting an answer, Robert Rohland gives equal attention to Greek and Latin texts, as he offers new interpretations of well-known poems from Horace and tackles understudied epigrams. Pairing close readings of ancient texts along with interpretations of other forms of cultural production such as gems, cups, calendars, monuments, and Roman wine labels, this interdisciplinary study transforms our understanding of the motif of carpe diem.
Publisher: Cambridge University Press
ISBN: 1009040987
Category : History
Languages : en
Pages : 319
Book Description
Carpe diem – 'eat, drink and be merry, for tomorrow we die!' – is a prominent motif throughout ancient literature and beyond. This is the first book-length examination of its significance and demonstrates that close analysis can make a key contribution to a question that is central to literary studies in and beyond Classics: how can poetry give us the almost magical impression that something is happening here and now? In attempting an answer, Robert Rohland gives equal attention to Greek and Latin texts, as he offers new interpretations of well-known poems from Horace and tackles understudied epigrams. Pairing close readings of ancient texts along with interpretations of other forms of cultural production such as gems, cups, calendars, monuments, and Roman wine labels, this interdisciplinary study transforms our understanding of the motif of carpe diem.
They Keep It All Hid
Author: Peter E. Knox
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110545705
Category : Literary Criticism
Languages : en
Pages : 201
Book Description
This volume comprises a series of studies focusing on the Latin poetry of the first and second centuries BCE, its relationship to earlier models both Greek and Latin, and its reception by later writers. A point of particular focus is the influence of Greek poetry, including not only Hellenistic writers like Callimachus, Theocritus, and Lycophron, but also archaic poets like Pindar and Bacchylides. The volume also includes studies of style, as well as treatments of the influence of Latin poetry on writers like Marvell and Dylan. Contributers include J. N. Adams, Barbara Weiden Boyd, Brian Breed, Sergio Casali, Julia Hejduk, Peter Knox, Leah Kronenburg, Charles Martindale, Charles McNelis, James O’Hara, Thomas Palaima, Hayden Pelliccia, David Petrain, David Ross, and Alexander Sens.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110545705
Category : Literary Criticism
Languages : en
Pages : 201
Book Description
This volume comprises a series of studies focusing on the Latin poetry of the first and second centuries BCE, its relationship to earlier models both Greek and Latin, and its reception by later writers. A point of particular focus is the influence of Greek poetry, including not only Hellenistic writers like Callimachus, Theocritus, and Lycophron, but also archaic poets like Pindar and Bacchylides. The volume also includes studies of style, as well as treatments of the influence of Latin poetry on writers like Marvell and Dylan. Contributers include J. N. Adams, Barbara Weiden Boyd, Brian Breed, Sergio Casali, Julia Hejduk, Peter Knox, Leah Kronenburg, Charles Martindale, Charles McNelis, James O’Hara, Thomas Palaima, Hayden Pelliccia, David Petrain, David Ross, and Alexander Sens.
High Talk
Author: Robert Snukal
Publisher: Cambridge University Press
ISBN: 0521200571
Category : Literary Criticism
Languages : en
Pages : 282
Book Description
Snukal takes Yeats' most ambitious philosophical poems, and situates them in the British romantic tradition inaugurated by Coleridge's and Wordworth's theories of the imagination, and the European philosophical tradition of idealism inaugurated by Kant and Hegel.
Publisher: Cambridge University Press
ISBN: 0521200571
Category : Literary Criticism
Languages : en
Pages : 282
Book Description
Snukal takes Yeats' most ambitious philosophical poems, and situates them in the British romantic tradition inaugurated by Coleridge's and Wordworth's theories of the imagination, and the European philosophical tradition of idealism inaugurated by Kant and Hegel.
Translation as Muse
Author: Elizabeth Marie Young
Publisher: University of Chicago Press
ISBN: 022627991X
Category : Fiction
Languages : en
Pages : 268
Book Description
Poetry is often understood as a form that resists translation. Translation as Muse questions this truism, arguing for translation as a defining condition of Catullus's poetry and for this aggressively marginal poet's centrality to comprehending cultural transformation in first-century Rome. Young approaches translation from several different angles including the translation of texts, the translation of genres, and translatio in the form of the pan-Mediterranean transport of people, goods, and poems. Throughout, she contextualizes Catullus's corpus within the cultural foment of Rome's first-century imperial expansion, viewing his work as emerging from the massive geopolitical shifts that marked the era. Young proposes that reading Catullus through a translation framework offers a number of significant rewards: it illuminates major trends in late Republican culture, it reconfigures our understanding of translation history, and it calls into question some basic assumptions about lyric poetry, the genre most closely associated with Catullus's eclectic oeuvre.
Publisher: University of Chicago Press
ISBN: 022627991X
Category : Fiction
Languages : en
Pages : 268
Book Description
Poetry is often understood as a form that resists translation. Translation as Muse questions this truism, arguing for translation as a defining condition of Catullus's poetry and for this aggressively marginal poet's centrality to comprehending cultural transformation in first-century Rome. Young approaches translation from several different angles including the translation of texts, the translation of genres, and translatio in the form of the pan-Mediterranean transport of people, goods, and poems. Throughout, she contextualizes Catullus's corpus within the cultural foment of Rome's first-century imperial expansion, viewing his work as emerging from the massive geopolitical shifts that marked the era. Young proposes that reading Catullus through a translation framework offers a number of significant rewards: it illuminates major trends in late Republican culture, it reconfigures our understanding of translation history, and it calls into question some basic assumptions about lyric poetry, the genre most closely associated with Catullus's eclectic oeuvre.
Genre in Archaic and Classical Greek Poetry
Author: Margaret Foster
Publisher: Mnemosyne, Supplements
ISBN: 9789004411425
Category : Literary Criticism
Languages : en
Pages : 408
Book Description
Genre in Archaic and Classical Greek Poetryforegrounds innovative approaches to the question of genre, what it means, and how to think about it for ancient Greek poetry and performance. Embracing multiple definitions of genre and lyric, the volume pushes beyond current dominant trends within the field of Classics to engage with a variety of other disciplines, theories, and models. Eleven papers by leading scholars of ancient Greek culture cover a wide range of media, from Sappho's songs to elegiac inscriptions to classical tragedy. Collectively, they develop a more holistic understanding of the concept of lyric genre, its relevance to the study of ancient texts, and its relation to subsequent ideas about lyric.
Publisher: Mnemosyne, Supplements
ISBN: 9789004411425
Category : Literary Criticism
Languages : en
Pages : 408
Book Description
Genre in Archaic and Classical Greek Poetryforegrounds innovative approaches to the question of genre, what it means, and how to think about it for ancient Greek poetry and performance. Embracing multiple definitions of genre and lyric, the volume pushes beyond current dominant trends within the field of Classics to engage with a variety of other disciplines, theories, and models. Eleven papers by leading scholars of ancient Greek culture cover a wide range of media, from Sappho's songs to elegiac inscriptions to classical tragedy. Collectively, they develop a more holistic understanding of the concept of lyric genre, its relevance to the study of ancient texts, and its relation to subsequent ideas about lyric.