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Author: Quentin Reynolds
Publisher:
ISBN:
Category :
Languages : en
Pages : 283
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Book Description
Author: Quentin Reynolds
Publisher:
ISBN:
Category :
Languages : en
Pages : 283
Get Book Here
Book Description
Author: Quentin James Reynolds
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 304
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Book Description
Author: Quentin Reynolds
Publisher:
ISBN:
Category :
Languages : de
Pages : 283
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Book Description
Author: Quentin James Reynolds
Publisher:
ISBN: 9780758149916
Category :
Languages : en
Pages : 283
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Book Description
![The Fiction Factory; Or, From Pulp Row to Quality Street. (The Story of 100 Years of Publishing at Street & Smith.) [With Illustrations, Including Portraits and Facsimiles.]. PDF](https://books.google.com/books/content/images/frontcover/qEajugEACAAJ?fife=w80-h100)
Author: Quentin James Reynolds
Publisher:
ISBN:
Category :
Languages : en
Pages : 283
Get Book Here
Book Description
Author: Quentin James Reynolds
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 304
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 283
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Book Description
Author: Charles Johanningsmeier
Publisher: Cambridge University Press
ISBN: 9780521520188
Category : Language Arts & Disciplines
Languages : en
Pages : 304
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Book Description
Conventional literary history has virtually ignored the role of newspaper syndicates in publishing some of the most famous nineteenth-century writers. Stephen Crane, Henry James, Rudyard Kipling, Robert Louis Stevenson and Mark Twain were among those who offered their early fiction to 'Syndicates', firms which subsequently sold the work to newspapers across America for simultaneous, first-time publication. This newly decentralised process profoundly affected not only the economics of publishing, but also the relationship between authors, texts and readers. In the first full-length study of this publishing phenomenon, Charles Johanningsmeier evaluates the unique site of interaction syndicates held between readers and texts.
Author: Barry Keith Grant
Publisher: University of Texas Press
ISBN: 0292745745
Category : Performing Arts
Languages : en
Pages : 785
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Book Description
From reviews of the third edition: “Film Genre Reader III lives up to the high expectations set by its predecessors, providing an accessible and relatively comprehensive look at genre studies. The anthology’s consideration of the advantages and challenges of genre studies, as well as its inclusion of various film genres and methodological approaches, presents a pedagogically useful overview.” —Scope Since 1986, Film Genre Reader has been the standard reference and classroom text for the study of genre in film, with more than 25,000 copies sold. Barry Keith Grant has again revised and updated the book to reflect the most recent developments in genre study. This fourth edition adds new essays on genre definition and cycles, action movies, science fiction, and heritage films, along with a comprehensive and updated bibliography. The volume includes more than thirty essays by some of film’s most distinguished critics and scholars of popular cinema, including Charles Ramírez Berg, John G. Cawelti, Celestino Deleyto, David Desser, Thomas Elsaesser, Steve Neale, Thomas Schatz, Paul Schrader, Vivian Sobchack, Janet Staiger, Linda Williams, and Robin Wood.
Author: Larry E Sullivan
Publisher: Routledge
ISBN: 1135068100
Category : Social Science
Languages : en
Pages : 311
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Book Description
Despite efforts of contemporary reformers to curb the availability of dime novels, series books, and paperbacks, Pioneers, Passionate Ladies, and Private Eyes reveals how many readers used them as means of resistance and how fictional characters became models for self-empowerment. These literary genres, whose value has long been underestimated, provide fascinating insight into the formation of American popular culture and identity. Through these mass-produced, widely read books, Deadwood Dick, Old Sleuth, and Jessie James became popular heroes that fed the public’s imagination for the last western frontier, detective tales, and the myth of the outlaw. Women, particularly those who were poor and endured hard lives, used the literature as means of escape from the social, economic, and cultural suppression they experienced in the nineteenth century. In addition to the insight this book provides into texts such as “The Bride of the Tomb,” the Nick Carter Series, and Edward Stratemeyer’s rendition of the Lizzie Borden case, readers will find interesting information about: the roles of illustrations and covers in consumer culture Bowling Green’s endeavor to digitize paperback and pulp magazine covers bibliographical problems in collecting and controlling series books the effects of mass market fiction on young girls Louisa May Alcott’s pseudonym and authorship of three dime novels special collections competition among publishers A collection of work presented at a symposium held by the Library of Congress, Pioneers, Passionate Ladies, and Private Eyes makes an outstanding contribution to redefining the role of popular fiction in American life.
