Author: James Luke Meagher
Publisher: BoD – Books on Demand
ISBN: 3385353750
Category : Fiction
Languages : en
Pages : 342
Book Description
Reprint of the original, first published in 1883.
The Festal Year. Or, the Origin, History, Ceremonies and Meaning of the Sundays, Seasons, Feasts and Festivals of the Church During the Year, Explained for the People
Author: James Luke Meagher
Publisher: BoD – Books on Demand
ISBN: 3385353750
Category : Fiction
Languages : en
Pages : 342
Book Description
Reprint of the original, first published in 1883.
Publisher: BoD – Books on Demand
ISBN: 3385353750
Category : Fiction
Languages : en
Pages : 342
Book Description
Reprint of the original, first published in 1883.
Festival Icons for the Christian Year
Author: John Baggley
Publisher: A&C Black
ISBN: 9780264674889
Category : Religion
Languages : en
Pages : 230
Book Description
This text provides the general reader with an insight into the most important icons of the Church's year, in their setting. It discusses the season of the year and the festival in which they figure and provides the words of prayer and liturgy which are used with them.
Publisher: A&C Black
ISBN: 9780264674889
Category : Religion
Languages : en
Pages : 230
Book Description
This text provides the general reader with an insight into the most important icons of the Church's year, in their setting. It discusses the season of the year and the festival in which they figure and provides the words of prayer and liturgy which are used with them.
The Festal Epistles of S. Athanasius, Bishop of Alexandria
Author: Saint Athanasius (Patriarch of Alexandria)
Publisher:
ISBN:
Category : Christian literature, Early
Languages : en
Pages : 204
Book Description
Publisher:
ISBN:
Category : Christian literature, Early
Languages : en
Pages : 204
Book Description
The Festal Epistles of Saint Athanasius
Author: Saint Athanasius of Alexandria
Publisher: Aeterna Press
ISBN:
Category : Religion
Languages : en
Pages : 158
Book Description
THE Festal Epistles of S. Athanasius, as far as they are extant, are now, for the first time, presented to the English reader. In undertaking to superintend the publication of them, the Editor was, to some extent, aware of the difficulty of the task. In carrying it out, he has not hesitated to make numerous and important alterations in the translation as put into his hands, and not a few passages have been entirely re-modelled by him. He must, therefore, be held responsible for the errors contained in the following pages. Aeterna Press
Publisher: Aeterna Press
ISBN:
Category : Religion
Languages : en
Pages : 158
Book Description
THE Festal Epistles of S. Athanasius, as far as they are extant, are now, for the first time, presented to the English reader. In undertaking to superintend the publication of them, the Editor was, to some extent, aware of the difficulty of the task. In carrying it out, he has not hesitated to make numerous and important alterations in the translation as put into his hands, and not a few passages have been entirely re-modelled by him. He must, therefore, be held responsible for the errors contained in the following pages. Aeterna Press
Origin and Transformation of the Ancient Israelite Festival Calendar
Author: Jan A. Wagenaar
Publisher: Otto Harrassowitz Verlag
ISBN: 9783447052498
Category : History
Languages : en
Pages : 240
Book Description
The book focusses on the origin and transformation of the priestly festival calendar. Since the epoch-making work of Julius Wellhausen at the end of the 19th century the differences between the various ancient Israelite festival calendars have often been explained in terms of a gradual evolution, which shows an increasing historicisation, denaturalisation and ritualisation. The festivals were in Wellhausen's view gradually detached from agricultural conditions and celebrated more and more at fixed points in the year. This study tries to show that the changes in the priestly festival calendar reflect a conscious effort to adapt the ancient Israelite festival calendar to the semi-annual layout of the Babylonian festival year. The ramifications of the change only come to the fore after a careful study of the agricultural conditions of ancient Israel - and Mesopotamia - makes clear that passover and the festival of unleavened bread were originally celebrated in the second month of the year. The first month of the year envisaged by the priestly festival calendar for the celebration of passover and the festival of unleavened bread in turn mirrors the date of one of the two semi-annual Babylonian New Year festivals. The two Babylonian New Year festivals were celebrated exactly six months apart at the vernal and autumnal equinoxes. In order to adapt the ancient Israelite festival calendar to the Babylonian scheme with two New Year festivals a year, the date of passover and the festival of unleavened bread had to be moved up by one month. The consequences for the origin of passover, the festival of unleavened bread, the festival of weeks and the festival of huts are charted and the relations between the various ancient Israelite festival calendars are determined anew.
Publisher: Otto Harrassowitz Verlag
ISBN: 9783447052498
Category : History
Languages : en
Pages : 240
Book Description
The book focusses on the origin and transformation of the priestly festival calendar. Since the epoch-making work of Julius Wellhausen at the end of the 19th century the differences between the various ancient Israelite festival calendars have often been explained in terms of a gradual evolution, which shows an increasing historicisation, denaturalisation and ritualisation. The festivals were in Wellhausen's view gradually detached from agricultural conditions and celebrated more and more at fixed points in the year. This study tries to show that the changes in the priestly festival calendar reflect a conscious effort to adapt the ancient Israelite festival calendar to the semi-annual layout of the Babylonian festival year. The ramifications of the change only come to the fore after a careful study of the agricultural conditions of ancient Israel - and Mesopotamia - makes clear that passover and the festival of unleavened bread were originally celebrated in the second month of the year. The first month of the year envisaged by the priestly festival calendar for the celebration of passover and the festival of unleavened bread in turn mirrors the date of one of the two semi-annual Babylonian New Year festivals. The two Babylonian New Year festivals were celebrated exactly six months apart at the vernal and autumnal equinoxes. In order to adapt the ancient Israelite festival calendar to the Babylonian scheme with two New Year festivals a year, the date of passover and the festival of unleavened bread had to be moved up by one month. The consequences for the origin of passover, the festival of unleavened bread, the festival of weeks and the festival of huts are charted and the relations between the various ancient Israelite festival calendars are determined anew.
Of Priests and Kings: The Babylonian New Year Festival in the Last Age of Cuneiform Culture
Author: Céline Debourse
Publisher: BRILL
ISBN: 9004513035
Category : History
Languages : en
Pages : 524
Book Description
Editing and examining source-critically for the first time the Late Babylonian ritual texts dealing with the New Year Festival, this book proposes an incisive re-interpretation of the most frequently discussed of all Mesopotamian rituals.
Publisher: BRILL
ISBN: 9004513035
Category : History
Languages : en
Pages : 524
Book Description
Editing and examining source-critically for the first time the Late Babylonian ritual texts dealing with the New Year Festival, this book proposes an incisive re-interpretation of the most frequently discussed of all Mesopotamian rituals.
The Mariposa Folk Festival
Author: Michael Hill
Publisher: Dundurn
ISBN: 1459737741
Category : Music
Languages : en
Pages : 241
Book Description
A look at folk music’s legendary home ground. From Pete Seeger to Serena Ryder, the musicians who have graced the stages at Mariposa have carried on a living tradition of folk music connecting the sixties to the present day and tomorrow. Featuring interviews with the people behind the scenes and artists like Gordon Lightfoot and Ken Whitely.
Publisher: Dundurn
ISBN: 1459737741
Category : Music
Languages : en
Pages : 241
Book Description
A look at folk music’s legendary home ground. From Pete Seeger to Serena Ryder, the musicians who have graced the stages at Mariposa have carried on a living tradition of folk music connecting the sixties to the present day and tomorrow. Featuring interviews with the people behind the scenes and artists like Gordon Lightfoot and Ken Whitely.
Troy Strawberry Festival, The: A History
Author: David Fong
Publisher: Arcadia Publishing
ISBN: 1467147125
Category : History
Languages : en
Pages : 144
Book Description
Beginning modestly in 1977, the Troy Strawberry Festival now attracts more than 100,000 people for food and fun. The dream of one man grew into one of the largest festivals in the Midwest and has been named the best summer festival in the state by Ohio Magazine. With events like the strawberry pie eating contest and Strawberry Queen pageant, the festival has long signaled the start of summer. Lifelong Troy resident and former journalist David Fong presents the story of the sights, sounds and tastes of this popular annual event.--
Publisher: Arcadia Publishing
ISBN: 1467147125
Category : History
Languages : en
Pages : 144
Book Description
Beginning modestly in 1977, the Troy Strawberry Festival now attracts more than 100,000 people for food and fun. The dream of one man grew into one of the largest festivals in the Midwest and has been named the best summer festival in the state by Ohio Magazine. With events like the strawberry pie eating contest and Strawberry Queen pageant, the festival has long signaled the start of summer. Lifelong Troy resident and former journalist David Fong presents the story of the sights, sounds and tastes of this popular annual event.--
Tonic to the Nation: Making English Music in the Festival of Britain
Author: Nathaniel G. Lew
Publisher: Routledge
ISBN: 1317009878
Category : Music
Languages : en
Pages : 260
Book Description
Long remembered chiefly for its modernist exhibitions on the South Bank in London, the 1951 Festival of Britain also showcased British artistic creativity in all its forms. In Tonic to the Nation, Nathaniel G. Lew tells the story of the English classical music and opera composed and revived for the Festival, and explores how these long-overlooked components of the Festival helped define English music in the post-war period. Drawing on a wealth of archival material, Lew looks closely at the work of the newly chartered Arts Council of Great Britain, for whom the Festival of Britain provided the first chance to assert its authority over British culture. The Arts Council devised many musical programs for the Festival, including commissions of new concert works, a vast London Season of almost 200 concerts highlighting seven centuries of English musical creativity, and several schemes to commission and perform new operas. These projects were not merely directed at bringing audiences to hear new and old national music, but to share broader goals of framing the national repertory, negotiating between the conflicting demands of conservative and progressive tastes, and using music to forge new national definitions in a changed post-war world.
Publisher: Routledge
ISBN: 1317009878
Category : Music
Languages : en
Pages : 260
Book Description
Long remembered chiefly for its modernist exhibitions on the South Bank in London, the 1951 Festival of Britain also showcased British artistic creativity in all its forms. In Tonic to the Nation, Nathaniel G. Lew tells the story of the English classical music and opera composed and revived for the Festival, and explores how these long-overlooked components of the Festival helped define English music in the post-war period. Drawing on a wealth of archival material, Lew looks closely at the work of the newly chartered Arts Council of Great Britain, for whom the Festival of Britain provided the first chance to assert its authority over British culture. The Arts Council devised many musical programs for the Festival, including commissions of new concert works, a vast London Season of almost 200 concerts highlighting seven centuries of English musical creativity, and several schemes to commission and perform new operas. These projects were not merely directed at bringing audiences to hear new and old national music, but to share broader goals of framing the national repertory, negotiating between the conflicting demands of conservative and progressive tastes, and using music to forge new national definitions in a changed post-war world.
The Festival of Britain
Author: Harriet Atkinson
Publisher: Bloomsbury Publishing
ISBN: 0857721976
Category : Design
Languages : en
Pages : 288
Book Description
The Festival of Britain in 1951 transformed the way people saw their war-ravaged nation. Giving Britons an intimate experience of contemporary design and modern building, it helped them accept a landscape under reconstruction, and brought hope of a better world to come. Drawing on previously unseen sketches and plans, photographs and interviews, The Festival of Britain: A Land and Its People travels beyond the Festival's spectacular centrepiece at London's South Bank, to show how the Festival made the whole country an exhibition ground with events to which hundreds of the country's greatest architects, artists and designers contributed. It explores exhibitions in Poplar, Battersea and South Kensington in London; Belfast, Glasgow and Wales; a touring show carried on four lorries and another aboard an ex-aircraft carrier. It reveals how all these exhibitions and also plays, poetry, art and films commissioned for the Festival had a single focus: to unite 'the land and people of Britain'.
Publisher: Bloomsbury Publishing
ISBN: 0857721976
Category : Design
Languages : en
Pages : 288
Book Description
The Festival of Britain in 1951 transformed the way people saw their war-ravaged nation. Giving Britons an intimate experience of contemporary design and modern building, it helped them accept a landscape under reconstruction, and brought hope of a better world to come. Drawing on previously unseen sketches and plans, photographs and interviews, The Festival of Britain: A Land and Its People travels beyond the Festival's spectacular centrepiece at London's South Bank, to show how the Festival made the whole country an exhibition ground with events to which hundreds of the country's greatest architects, artists and designers contributed. It explores exhibitions in Poplar, Battersea and South Kensington in London; Belfast, Glasgow and Wales; a touring show carried on four lorries and another aboard an ex-aircraft carrier. It reveals how all these exhibitions and also plays, poetry, art and films commissioned for the Festival had a single focus: to unite 'the land and people of Britain'.