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Author: E. Steere
Publisher: Springer
ISBN: 1137365269
Category : Fiction
Languages : en
Pages : 348
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Book Description
The Female Servant and Sensation Fiction: 'Kitchen Literature' explores why Victorian sensation fiction was derided as literature fit only for maids and cooks and how the depictions of fictional female domestics, from Jane Eyre to Neo-Victorian novels, reflect contemporary social concerns about the blurring of the boundaries of class and gender.
Author: E. Steere
Publisher: Springer
ISBN: 1137365269
Category : Fiction
Languages : en
Pages : 348
Get Book Here
Book Description
The Female Servant and Sensation Fiction: 'Kitchen Literature' explores why Victorian sensation fiction was derided as literature fit only for maids and cooks and how the depictions of fictional female domestics, from Jane Eyre to Neo-Victorian novels, reflect contemporary social concerns about the blurring of the boundaries of class and gender.
Author: E. Steere
Publisher: Springer
ISBN: 1137365269
Category : Fiction
Languages : en
Pages : 218
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Book Description
The Female Servant and Sensation Fiction: 'Kitchen Literature' explores why Victorian sensation fiction was derided as literature fit only for maids and cooks and how the depictions of fictional female domestics, from Jane Eyre to Neo-Victorian novels, reflect contemporary social concerns about the blurring of the boundaries of class and gender.
Author: Jessica Cox
Publisher: Bloomsbury Publishing
ISBN: 1137471727
Category : Literary Criticism
Languages : en
Pages : 206
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Book Description
Since the establishment of sensation fiction in the 1860s, key trends have emerged in critical readings of these texts. From Victorian responses emphasising the 'lowbrow' or potentially dangerous qualities of the genre to the prolific critical attention of the present day, this Reader's Guide identifies the dominant approaches to sensation fiction and charts the critical trends of various scholarly evaluations and interpretations. With coverage spanning empire, class, sexuality and adaptation, this is the ideal companion for students of Victorian Literature looking for an introduction to the key debates surrounding sensation fiction.
Author: James Aaron Green
Publisher: Springer Nature
ISBN: 3031498348
Category :
Languages : en
Pages : 235
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Book Description
Author: Rachel Teukolsky
Publisher:
ISBN: 0198859732
Category : Art
Languages : en
Pages : 481
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Book Description
Explores the ways in which new forms of visual culture, such as such as the illustrated newspaper, the cheap caricature cartoon, the affordable illustrated book, the portrait photograph, and the advertising poster, worked to shape key Victorian aesthetic concepts.
Author: Suchitra Choudhury
Publisher: Ohio University Press
ISBN: 0821447858
Category : History
Languages : en
Pages : 298
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Book Description
The first major study of Cashmere and Paisley shawls in nineteenth-century British literature, this book shows how they came to represent both high fashion and the British Empire. During the late eighteenth century, Cashmere shawls from the Indian subcontinent began arriving in Britain. At first, these luxury goods were tokens of wealth and prestige. Subsequently, affordable copies known as “Paisley” shawls were mass-produced in British factories, most notably in the Scottish town of the same name. Textile Orientalisms is the first full-length study of these shawls in British literature of the extended nineteenth century. Attentive to the juxtaposition of objects and their descriptions, the book analyzes the British obsession with Indian shawls through a convergence of postcolonial, literary, and cultural theories. Surveying a wide range of materials—plays, poems, satires, novels, advertisements, and archival sources—Suchitra Choudhury argues that while Cashmere and Paisley shawls were popular accoutrements in Romantic and Victorian Britain, their significance was not limited to fashion. Instead, as visible symbols of British expansion, for many imaginative writers they emerged as metaphorical sites reflecting the pleasures and anxieties of the empire. Attentive to new theorizations of history, fashion, colonialism, and gender, the book offers innovative readings of works by Sir Walter Scott, Wilkie Collins, William Thackeray, Frederick Niven, and Elizabeth Inchbald. In determining a key status for shawls in nineteenth-century literature, Textile Orientalisms reformulates the place of fashion and textiles in imperial studies. The book’s distinction rests primarily on three accounts. First, in presenting an original and extended discussion of Cashmere and Paisley shawls, Choudhury offers a new way of interpreting the British Empire. Second, by tracing how shawls represented the social and imperial experience, she argues for an associative link between popular consumption and the domestic experience of colonialism on the one hand and a broader evocation of texts and textiles on the other. Finally, discussions about global objects during the Victorian period tend to overlook that imperial Britain not only imported goods but also produced their copies and imitations on an industrial scale. By identifying the corporeal tropes of authenticity and imitation that lay at the heart of nineteenth-century imaginative production, Choudhury’s work points to a new direction in critical studies.
Author: William Baker
Publisher: Cambridge University Press
ISBN: 1009037498
Category : Literary Criticism
Languages : en
Pages : 675
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Book Description
This collection of essays by international scholars celebrates the 200th anniversary of Wilkie Collins's birth by exploring his unconventional life alongside his works, critical responses to his writings and their afterlife, and the literary and cultural contexts which shaped his fiction. Topics discussed include gender, science and medicine, music, law, race and empire, media adaptations, neo-Victorianism, disability, and ethics. Along with an analysis of his novels, the essays included also recognize the importance of his short stories, journalism, and contributions to Victorian theatre, most notably illuminating the strong connections between sensation fiction and melodrama, as well as exploring his influence on film and TV. Engaging with yet also delving far beyond the famous novels, this volume promotes awareness of Collins' remarkable and diverse writerly achievements and paints a vivid portrait of an author whose fluctuating reputation among contemporary critics stands in stark contrast to his immense and still-enduring popularity.
Author: Andrew Mangham
Publisher: Cambridge University Press
ISBN: 0521760747
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
Accessible and comprehensive account of the sensation novel of the nineteenth century.
Author: Clive Bloom
Publisher: Springer Nature
ISBN: 3030408663
Category : Social Science
Languages : en
Pages : 847
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Book Description
By the early 1830s the old school of Gothic literature was exhausted. Late Romanticism, emphasising as it did the uncertainties of personality and imagination, gave it a new lease of life. Gothic—the literature of disturbance and uncertainty—now produced works that reflected domestic fears, sexual crimes, drug filled hallucinations, the terrible secrets of middle class marriage, imperial horror at alien invasion, occult demonism and the insanity of psychopaths. It was from the 1830s onwards that the old gothic castle gave way to the country house drawing room, the dungeon was displaced by the sewers of the city and the villains of early novels became the familiar figures of Dr Jekyll and Mr Hyde, Dracula, Dorian Grey and Jack the Ripper. After the death of Prince Albert (1861), the Gothic became darker, more morbid, obsessed with demonic lovers, blood sucking ghouls, blood stained murderers and deranged doctors. Whilst the gothic architecture of the Houses of Parliament and the new Puginesque churches upheld a Victorian ideal of sobriety, Christianity and imperial destiny, Gothic literature filed these new spaces with a dread that spread like a plague to America, France, Germany and even Russia. From 1830 to 1914, the period covered by this volume, we saw the emergence of the greats of Gothic literature and the supernatural from Edgar Allan Poe to Emily Bronte, from Sheridan Le Fanu to Bram Stoker and Robert Louis Stevenson. Contributors also examine the fin-de-siècle dreamers of decadence such as Arthur Machen, M P Shiel and Vernon Lee and their obsession with the occult, folklore, spiritualism, revenants, ghostly apparitions and cosmic annihilation. This volume explores the period through the prism of architectural history, urban studies, feminism, 'hauntology' and much more. 'Horror', as Poe teaches us, 'is the soul of the plot'.
Author: Sara Lodge
Publisher: Yale University Press
ISBN: 0300280513
Category : History
Languages : en
Pages : 383
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Book Description
A revelatory history of the women who brought Victorian criminals to account—and how they became a cultural sensation From Wilkie Collins to the adventures of Sherlock Holmes, the traditional image of the Victorian detective is male. Few people realise that women detectives successfully investigated Victorian Britain, working both with the police and for private agencies, which they sometimes managed themselves. Sara Lodge recovers these forgotten women’s lives. She also reveals the sensational role played by the fantasy female detective in Victorian melodrama and popular fiction, enthralling a public who relished the spectacle of a cross-dressing, fist-swinging heroine who got the better of love rats, burglars, and murderers alike. How did the morally ambiguous work of real women detectives, sometimes paid to betray their fellow women, compare with the exploits of their fictional counterparts, who always save the day? Lodge’s book takes us into the murky underworld of Victorian society on both sides of the Atlantic, revealing the female detective as both an unacknowledged labourer and a feminist icon.
