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Author: L. Hopkins
Publisher: Springer
ISBN: 0230503055
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
This book focuses on female tragic heroes in England from c.1610 to c.1645. Their sudden appearance can be linked to changing ideas about the relationships between bodies and souls; men's bodies and women's; marriage and mothering; the law; and religion. Though the vast majority of these characters are closer to villainesses than heroines, these plays, by showing how misogyny affected the lives of their central characters, did not merely reflect their culture, but also changed it.
Author: L. Hopkins
Publisher: Springer
ISBN: 0230503055
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
This book focuses on female tragic heroes in England from c.1610 to c.1645. Their sudden appearance can be linked to changing ideas about the relationships between bodies and souls; men's bodies and women's; marriage and mothering; the law; and religion. Though the vast majority of these characters are closer to villainesses than heroines, these plays, by showing how misogyny affected the lives of their central characters, did not merely reflect their culture, but also changed it.
Author: L. Hopkins
Publisher: Palgrave Macmillan
ISBN: 9780333987919
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
This book focuses on female tragic heroes in England from c.1610 to c.1645. Their sudden appearance can be linked to changing ideas about the relationships between bodies and souls; men's bodies and women's; marriage and mothering; the law; and religion. Though the vast majority of these characters are closer to villainesses than heroines, these plays, by showing how misogyny affected the lives of their central characters, did not merely reflect their culture, but also changed it.
Author: N. Liebler
Publisher: Springer
ISBN: 113704957X
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
This book constitutes a new direction for feminist studies in English Renaissance drama. While feminist scholars have long celebrated heroic females in comedies, many have overlooked female tragic heroism, reading it instead as evidence of pervasive misogyny on the part of Shakespeare and his contemporaries. Displacing prevailing arguments of "victim feminism," the contributors to this volume engage a wide range of feminist theories, and argue that female protagonists in tragedies - Jocasta, Juliet, Cleopatra, Mariam, Webster's Duchess and White Devil, among others - are heroic in precisely the same ways as their more notorious masculine counterparts.
Author: Dympna Callaghan
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 208
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Book Description
Author: Emma Josephine Smith
Publisher: Cambridge University Press
ISBN: 0521519373
Category : Drama
Languages : en
Pages : 293
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Book Description
Introducing the reader to important topics in English Renaissance tragedy, this Companion presents fresh readings of key texts.
Author: Andrew Hiscock
Publisher: A&C Black
ISBN: 1847060927
Category : Literary Criticism
Languages : en
Pages : 222
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Book Description
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Author: Paula de Pando
Publisher: BRILL
ISBN: 9004379347
Category : Drama
Languages : en
Pages : 202
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Book Description
Paula de Pando analyses the engagement of historical she-tragedy with Restoration politics and culture, positioning Banks’s plays at the crossroads between early modern genres and the emerging discourses of the long eighteenth century.
Author: John Webster
Publisher: BoD - Books on Demand
ISBN:
Category : Fiction
Languages : en
Pages : 162
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Book Description
John Webster was a later contemporary of Shakespeare, and The Duchess of Malfi, Webster’s best known play, is considered among the best of the period. It appears to have been first performed in 1612–13 at the Blackfriars before moving on to the larger and more famous Globe Theatre, and was later published in 1623. The play is loosely based on a real Duchess of Amalfi, a widow who marries beneath her station. On learning of this, her brothers become enraged and vow their revenge. Soon the intrigue, deceit, and murders begin. Marked by the period’s love of spectacular violence, each character exacts his revenge, and in turn suffers vengeance at the hands of others. Coming after Shakespeare’s equally sanguine Hamlet and Kyd’s The Spanish Tragedy, Webster’s The Duchess of Malfi brings to a close the era of the great Senecan tragedies of blood and revenge. As the Jacobean period progressed, the spectacle became more violent and dark, reflecting the public’s growing dissatisfaction with the corruption of King James’ court.
Author: Christina Luckyj
Publisher: Cambridge University Press
ISBN: 1108845096
Category : Literary Criticism
Languages : en
Pages : 293
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Book Description
This study illuminates the female voice as a means of signalling resistance to tyranny in early Stuart literature and discourse.
Author: Allyna E. Ward
Publisher: Rowman & Littlefield
ISBN: 1611476011
Category : Drama
Languages : en
Pages : 207
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Book Description
The role of women as writers, literary and dramatic characters, and real queens in early modern Europe was central to the development of Tudor ideas about gender and women's place in society. Women and Tudor Tragedy investigates the link between gender and genre, identifying the relation between cultural history and mid-Tudor drama. This book establishes a way for reading women in early modern history, drama, and poetry by fusing discussions of gender in literature with historical analysis of tyranny and martyrdom in mid-Tudor culture. It considers the disparities between the representation of women in historical, political, and religious treatises by examining the complex portrayal of women, female speeches, and the rhetoric of good counsel. The author provides a discussion of the role of women in early English tragedies and in a variety of texts by women. Throughout the book, Allyna E. Ward asks in what ways these different ways of writing the Tudor women can help scholars better understand the place of women in English culture at the end of the sixteenth century. Furthermore, Ward traces the feminization of the rhetoric of counsel that takes place with the last Tudor monarchs as a way of accommodating female rule.
