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Author: John Poynter
Publisher: The Miegunyah Press
ISBN: 0522855520
Category : Antiques & Collectibles
Languages : en
Pages : 123
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Book Description
Alfred Felton, a bachelor of definite opinions and benignly eccentric habits, was one of the remarkable group of Melbourne merchants who dominated the economy of the Australian colonies in the decades after the gold rush. In 1904 he left his substantial fortune in trust, the income to be spent by a committee of his friends, half on charities (especially for women and children), and half on works of art for the National Gallery of Victoria, works calculated to 'raise and improve public taste'. The Gallery suddenly gained acquisition funds greater than those of London's National and Tate galleries combined, and between 1904 and 2004 more than 15 000 items were purchased for it by the Felton Bequest. 'Although the last quarter of the twentieth century saw a dramatic and exciting expansion of Australian art museums', Patrick McCaughey writes in the foreword of this book, 'no institution could hope to replicate the collection of the National Gallery of Victoria assembled under the aegis of the Felton Bequest.' How the Felton Bequests' Committee carried out its tasks, in cooperation and sometimes in conflict with the Trustees of the Gallery, is a human story of many triumphs and occasional follies, of decisions made and unmade amid changing notions of art, philanthropy and public taste. John Poynter's account of Felton's life and the story of his Bequests covers most of Melbourne's history, from the unusual view point of three themes, business, art and charity.
Author: John Poynter
Publisher: The Miegunyah Press
ISBN: 0522855520
Category : Antiques & Collectibles
Languages : en
Pages : 123
Get Book Here
Book Description
Alfred Felton, a bachelor of definite opinions and benignly eccentric habits, was one of the remarkable group of Melbourne merchants who dominated the economy of the Australian colonies in the decades after the gold rush. In 1904 he left his substantial fortune in trust, the income to be spent by a committee of his friends, half on charities (especially for women and children), and half on works of art for the National Gallery of Victoria, works calculated to 'raise and improve public taste'. The Gallery suddenly gained acquisition funds greater than those of London's National and Tate galleries combined, and between 1904 and 2004 more than 15 000 items were purchased for it by the Felton Bequest. 'Although the last quarter of the twentieth century saw a dramatic and exciting expansion of Australian art museums', Patrick McCaughey writes in the foreword of this book, 'no institution could hope to replicate the collection of the National Gallery of Victoria assembled under the aegis of the Felton Bequest.' How the Felton Bequests' Committee carried out its tasks, in cooperation and sometimes in conflict with the Trustees of the Gallery, is a human story of many triumphs and occasional follies, of decisions made and unmade amid changing notions of art, philanthropy and public taste. John Poynter's account of Felton's life and the story of his Bequests covers most of Melbourne's history, from the unusual view point of three themes, business, art and charity.
Author: John Poynter
Publisher: Miegunyah Press
ISBN: 9780522867206
Category : Art
Languages : en
Pages : 0
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Book Description
Annotation. Russell Grimwade had a clear and concise vision for his philanthropy, which balanced a strongly held sense of place and tradition with enlightened scientific innovation. Some recipients of the Grimwades' largesse had been pre-determined in establishing the bequests, building upon Russell's earlier commitment to biochemical research, for instance, while seeking to realise his long-held desire to fund the 'birth of an antipodean Clarendon Press' at Melbourne University Press. With the establishment of the Miegunyah Fund Committee in 1991, the Grimwades' philanthropy has enabled an exciting range of initiatives and programs. For more than two decades, Australia has benefited from the visits of almost a hundred international academics and thought leaders under the auspices of the Miegunyah Distinguished Visiting Fellows program. The University's cultural colletions have been enriched by the extraordinary treasures of the Grimwade collections, encompassing significant works of art as well as rare books and items of Australiana. Russell Grimwade's passion for chemistry, appreciation of art, and sense of obligation to preserve the past for future generations is given tangible form through the Miegunyah Fund Committee's long-standing support of the University's Centre for Cultural Materials Conservation. Almost forty years later, the vision and generosity of the Grimwade philanthropy remains one of the University of Melbourne's most significant gifts.
Author: Guy Abrahams
Publisher: Melbourne Univ. Publishing
ISBN: 0522869572
Category : Art
Languages : en
Pages : 176
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Book Description
In a period of profound environmental and social upheaval, climate change has become one of our greatest challenges. Yet for many of us, fear, confusion and frustration mean we are reluctant to consider, let alone act on this pressing issue. Rational engagement with science is vital to forming solutions to this challenge. But a cultural shift is also needed. Artists have the capacity to develop a narrative that recognises the reality of our present and inspires a vibrant, positive vision of our future. Presenting the work of Australian and international artists across twenty-nine exhibitions and events, ART+CLIMATE=CHANGE explores the power of art to create the empathy, emotional engagement and cultural understanding needed to motivate meaningful change.
Author: Russell Grimwade
Publisher: Melbourne Univ. Publishing
ISBN: 0522873928
Category : History
Languages : en
Pages : 92
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Book Description
Alfred Felton started his fortune during the Australian gold rushes, selling 'Felton's Quinine Champagne' to miners. Later, he partnered with Frederick Grimwade to found a successful pharmaceutical company, Felton Grimwade & Co., and built 'the handsomest drug house in Australia', a bluestone warehouse in Flinders Lane. Their empire moved into glass manufacture, and by the time of his death, Felton was a rich man. He bequeathed most of his wealth to the National Gallery of Victoria; the value of the works acquired has now reached more than $2 billion. Flinders Lane: Recollections of Alfred Felton tells the story of this extraordinary benefactor. Illustrated with wood engravings by Helen Ogilvie, this new edition has a foreword by Sir Andrew Grimwade, great nephew of the author.
Author: Judith Ryan
Publisher:
ISBN: 9780724103478
Category : Art, Aboriginal Australian
Languages : en
Pages : 43
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Book Description
Author: James Gobbo
Publisher: The Miegunyah Press
ISBN: 0522857310
Category : Biography & Autobiography
Languages : en
Pages : 362
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Book Description
In 1938, Sir James Gobbo's family emigrated from Cittadella, near Venice, to Melbourne. After Oxford University, he returned to Melbourne to pursue a successful career as a barrister and then a judge of the Supreme Court of Victoria. He then became governor of Victoria in 1997. Also traces his major roles in immigration reform.
Author: Francisco Goya
Publisher: Courier Corporation
ISBN: 0486139344
Category : Art
Languages : en
Pages : 107
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Book Description
Visual indictment of war's horrors, modeled after Spanish insurrection (1808), the resultant Peninsular War and following famine. Miseries of war graphically demonstrated in 83 prints.
Author: Susanna Avery-Quash
Publisher: Bloomsbury Publishing USA
ISBN: 1501348167
Category : Art
Languages : en
Pages : 321
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Book Description
As a result of the Napoleonic wars, vast numbers of Old Master paintings were released on to the market from public and private collections across continental Europe. The knock-on effect was the growth of the market for Old Masters from the 1790s up to the early 1930s, when the Great Depression put an end to its expansion. This book explores the global movement of Old Master paintings and investigates some of the changes in the art market that took place as a result of this new interest. Arguably, the most important phenomenon was the diminishing of the traditional figure of the art agent and the rise of more visible, increasingly professional, dealerships; firms such as Colnaghi and Agnew's in Britain, Goupil in France and Knoedler in the USA, came into existence. Old Masters Worldwide explores the ways in which the pioneering practices of such businesses contributed to shape a changing market.
Author: Matthew C. Potter
Publisher: Routledge
ISBN: 0429752679
Category : Art
Languages : en
Pages : 603
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Book Description
Traditional postcolonial scholarship on art and imperialism emphasises tensions between colonising cores and subjugated peripheries. The ties between London and British white settler colonies have been comparatively neglected. Artworks not only reveal the controlling intentions of imperialist artists in their creation but also the uses to which they were put by others in their afterlives. In many cases they were used to fuel contests over cultural identity which expose a mixture of rifts and consensuses within the British ranks which were frequently assumed to be homogeneous. British Art for Australia, 1860–1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries represents the first systematic and comparative study of collecting British art in Australia between 1860 and 1953 using the archives of the Australian national galleries and other key Australian and UK institutions. Multiple audiences in the disciplines of art history, cultural history, and museology are addressed by analysing how Australians used British art to carve a distinct identity, which artworks were desirable, economically attainable, and why, and how the acquisition of British art fits into a broader cultural context of the British world. It considers the often competing roles of the British Old Masters (e.g. Romney and Constable), Victorian (e.g. Madox Brown and Millais), and modern artists (e.g. Nash and Spencer) alongside political and economic factors, including the developing global art market, imperial commerce, Australian Federation, the First World War, and the coming of age of the Commonwealth.
Author: David Challis
Publisher: BRILL
ISBN: 9004468714
Category : Art
Languages : en
Pages : 274
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Book Description
Foreign Currency Volatility and the Market for French Modernist Art examines how the collapse of the French franc in the decades following the First World War impacted the supply and demand dynamics of the market for French modernist art.
