Author: John Ingram Bryan
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 134
Book Description
The Feeling for Nature in English Pastoral Poetry
Author: John Ingram Bryan
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 134
Book Description
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 134
Book Description
The Feeling for Nature in English Pastoral Poetry (Classic Reprint)
Author: J. Ingram Bryan
Publisher: Forgotten Books
ISBN: 9780365319368
Category : Poetry
Languages : en
Pages : 120
Book Description
Excerpt from The Feeling for Nature in English Pastoral Poetry If the word pastoral be a generic term denoting a literary mode and not a special literary form, its comprehensive possibilities for an appreciation of nature are at once evident, and to inquire how far the poets have succeeded in using their opportunity, is our present task. It is upon the results of this inquiry that our definition of the pastoral must be based, rather than upon any preconceived theory as to what they ought to have done. Among the Greeks where the star of pastoral song first arose, the term idyl which was the earliest literary form to exhibit the pastoral motive, sufficiently explains what they conceived to be its nature. The idyl of the Alexandrians is a little picture of rustic or town life, made up of legends of the gods, or passages from personal experience, the poem flowing in a somewhat reflective strain. In the idyls of the Greeks we hear nature speaking with a human voice conveying impressions of rustic emotion and environ ment, and in a delicate, simple, but none the less poetic manner. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9780365319368
Category : Poetry
Languages : en
Pages : 120
Book Description
Excerpt from The Feeling for Nature in English Pastoral Poetry If the word pastoral be a generic term denoting a literary mode and not a special literary form, its comprehensive possibilities for an appreciation of nature are at once evident, and to inquire how far the poets have succeeded in using their opportunity, is our present task. It is upon the results of this inquiry that our definition of the pastoral must be based, rather than upon any preconceived theory as to what they ought to have done. Among the Greeks where the star of pastoral song first arose, the term idyl which was the earliest literary form to exhibit the pastoral motive, sufficiently explains what they conceived to be its nature. The idyl of the Alexandrians is a little picture of rustic or town life, made up of legends of the gods, or passages from personal experience, the poem flowing in a somewhat reflective strain. In the idyls of the Greeks we hear nature speaking with a human voice conveying impressions of rustic emotion and environ ment, and in a delicate, simple, but none the less poetic manner. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Bookman
Author:
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 702
Book Description
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 702
Book Description
Classical English Poetry
Author: William Fordyce Mavor
Publisher:
ISBN:
Category : Children's literature
Languages : en
Pages : 504
Book Description
Publisher:
ISBN:
Category : Children's literature
Languages : en
Pages : 504
Book Description
Classical English Poetry for the use of schools ... Eighth edition ... Collected by Dr. Mavor and Mr. Pratt
Author: English poetry
Publisher:
ISBN:
Category :
Languages : en
Pages : 508
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 508
Book Description
The Heroines of English Pastoral Romance
Author: Sue P. Starke
Publisher: Boydell & Brewer
ISBN: 184384124X
Category : History
Languages : en
Pages : 258
Book Description
The figure of the woman as hero in pastoral romance is shown to grow in importance and complexity in this important new study. The genre of pastoral romance flourished dramatically in Renaissance England between 1590 and 1650. One of its key elements is that it is the daughter, not the son, of the gentle family who increasingly becomes the subject of theromance's attempt to define and illustrate heroism. The pastoral heroine's task is paradoxical: to break out of her pastoral paradise in order to ensure its reconstitution. She is the princess, the shepherdess, the Lady, or the virtuous daughter who becomes a repository of honor and virtue in a changing society where traditional chivalric definitions of honor hold decreasing purchase. This groundbreaking book examines the typical challenges facedby the pastoral romance heroine as she matures within the pastoral locus amoenus: the foundling dilemma; the loop-shaped quest: the rhetorical battle; the chastity threat; the reconciliation of beauty to virtue; and familial reunification. It illustrates how the allegorical, symbolic, and psychological characterizations of pastoral heroines in the works of Sidney, Spenser, Wroth, Fletcher, Milton, and Marvell anticipate developments in the representation of female subjectivities normally associated with the novel. SUE P. STARKE is Associate Professor of English at Monmouth University, New Jersey.
Publisher: Boydell & Brewer
ISBN: 184384124X
Category : History
Languages : en
Pages : 258
Book Description
The figure of the woman as hero in pastoral romance is shown to grow in importance and complexity in this important new study. The genre of pastoral romance flourished dramatically in Renaissance England between 1590 and 1650. One of its key elements is that it is the daughter, not the son, of the gentle family who increasingly becomes the subject of theromance's attempt to define and illustrate heroism. The pastoral heroine's task is paradoxical: to break out of her pastoral paradise in order to ensure its reconstitution. She is the princess, the shepherdess, the Lady, or the virtuous daughter who becomes a repository of honor and virtue in a changing society where traditional chivalric definitions of honor hold decreasing purchase. This groundbreaking book examines the typical challenges facedby the pastoral romance heroine as she matures within the pastoral locus amoenus: the foundling dilemma; the loop-shaped quest: the rhetorical battle; the chastity threat; the reconciliation of beauty to virtue; and familial reunification. It illustrates how the allegorical, symbolic, and psychological characterizations of pastoral heroines in the works of Sidney, Spenser, Wroth, Fletcher, Milton, and Marvell anticipate developments in the representation of female subjectivities normally associated with the novel. SUE P. STARKE is Associate Professor of English at Monmouth University, New Jersey.
English Pastoral Poetry in the Early Eighteenth Century
Author: Daniel Vance Bryan
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 184
Book Description
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 184
Book Description
Pastoral
Author: Terry Gifford
Publisher: Routledge
ISBN: 1134755279
Category : Literary Criticism
Languages : en
Pages : 199
Book Description
Pastoral is a succinct and up-to-date introductory text to the history, major writers and critical issues of this genre. Terry Gifford clarifies the different uses of pastoral covering: the history of the genre from its classical origins to Elizabethan drama, through eighteenth-century pastoral poetry to contemporary American nature writing the pastoral impulse of retreat and return, beginning with constructions of Arcadia and using a combination of close reading of quoted texts, cultural studies and eco-criticism post-pastoral texts with a look at writers, who Gifford argues, have discovered ways of reconnecting us with our natural environment.
Publisher: Routledge
ISBN: 1134755279
Category : Literary Criticism
Languages : en
Pages : 199
Book Description
Pastoral is a succinct and up-to-date introductory text to the history, major writers and critical issues of this genre. Terry Gifford clarifies the different uses of pastoral covering: the history of the genre from its classical origins to Elizabethan drama, through eighteenth-century pastoral poetry to contemporary American nature writing the pastoral impulse of retreat and return, beginning with constructions of Arcadia and using a combination of close reading of quoted texts, cultural studies and eco-criticism post-pastoral texts with a look at writers, who Gifford argues, have discovered ways of reconnecting us with our natural environment.
Contemporary Irish Poetry and the Pastoral Tradition
Author: Donna L. Potts
Publisher: University of Missouri Press
ISBN: 082627269X
Category : Literary Criticism
Languages : en
Pages : 231
Book Description
In Contemporary Irish Poetry and the Pastoral Tradition, Donna L. Potts closely examines the pastoral genre in the work of six Irish poets writing today. Through the exploration of the poets and their works, she reveals the wide range of purposes that pastoral has served in both Northern Ireland and the Republic: a postcolonial critique of British imperialism; a response to modernity, industrialization, and globalization; a way of uncovering political and social repercussions of gendered representations of Ireland; and, more recently, a means for conveying environmentalism’s more complex understanding of the value of nature. Potts traces the pastoral back to its origins in the work of Theocritus of Syracuse in the third century and plots its evolution due to cultural changes. While all pastoral poems share certain generic traits, Potts makes clear that pastorals are shaped by social and historical contexts, and Irish pastorals in particular were influenced by Ireland’s unique relationship with the land, language, and industrialization due to England’s colonization. For her discussion, Potts has chosen six poets who have written significant collections of pastoral poetry and whose work is in dialogue with both the pastoral tradition and other contemporary pastoral poets. Three poets are men—John Montague, Seamus Heaney, Michael Longley—while three are women—Eavan Boland, Medbh McGuckian, Nuala Ní Dhomhnaill. Five are English-language authors, while the sixth—Ní Dhomhnaill—writes in Irish. Additionally, some of the poets hail from the Republic, while others originate from Northern Ireland. Potts contends that while both Irish Republic and Northern Irish poets respond to a shared history of British colonization in their pastorals, the 1921 partition of the country caused the pastoral tradition to evolve differently on either side of the border, primarily because of the North’s more rapid industrialization; its more heavily Protestant population, whose response to environmentalism was somewhat different than that of the Republic’s predominantly Catholic population; as well the greater impact of the world wars and the Irish Troubles. In an important distinction from other studies of Irish poetry, Potts moves beyond the influence of history and politics on contemporary Irish pastoral poetry to consider the relatively recent influence of ecology. Contemporary Irish poets often rely on the motif of the pastoral retreat to highlight various environmental threats to those retreats—whether they be high-rises, motorways, global warming, or acid rain. Potts concludes by speculating on the future of pastoral in contemporary Irish poetry through her examination of more recent poets—including Moya Cannon and Paula Meehan—as well as other genres such as film, drama, and fiction.
Publisher: University of Missouri Press
ISBN: 082627269X
Category : Literary Criticism
Languages : en
Pages : 231
Book Description
In Contemporary Irish Poetry and the Pastoral Tradition, Donna L. Potts closely examines the pastoral genre in the work of six Irish poets writing today. Through the exploration of the poets and their works, she reveals the wide range of purposes that pastoral has served in both Northern Ireland and the Republic: a postcolonial critique of British imperialism; a response to modernity, industrialization, and globalization; a way of uncovering political and social repercussions of gendered representations of Ireland; and, more recently, a means for conveying environmentalism’s more complex understanding of the value of nature. Potts traces the pastoral back to its origins in the work of Theocritus of Syracuse in the third century and plots its evolution due to cultural changes. While all pastoral poems share certain generic traits, Potts makes clear that pastorals are shaped by social and historical contexts, and Irish pastorals in particular were influenced by Ireland’s unique relationship with the land, language, and industrialization due to England’s colonization. For her discussion, Potts has chosen six poets who have written significant collections of pastoral poetry and whose work is in dialogue with both the pastoral tradition and other contemporary pastoral poets. Three poets are men—John Montague, Seamus Heaney, Michael Longley—while three are women—Eavan Boland, Medbh McGuckian, Nuala Ní Dhomhnaill. Five are English-language authors, while the sixth—Ní Dhomhnaill—writes in Irish. Additionally, some of the poets hail from the Republic, while others originate from Northern Ireland. Potts contends that while both Irish Republic and Northern Irish poets respond to a shared history of British colonization in their pastorals, the 1921 partition of the country caused the pastoral tradition to evolve differently on either side of the border, primarily because of the North’s more rapid industrialization; its more heavily Protestant population, whose response to environmentalism was somewhat different than that of the Republic’s predominantly Catholic population; as well the greater impact of the world wars and the Irish Troubles. In an important distinction from other studies of Irish poetry, Potts moves beyond the influence of history and politics on contemporary Irish pastoral poetry to consider the relatively recent influence of ecology. Contemporary Irish poets often rely on the motif of the pastoral retreat to highlight various environmental threats to those retreats—whether they be high-rises, motorways, global warming, or acid rain. Potts concludes by speculating on the future of pastoral in contemporary Irish poetry through her examination of more recent poets—including Moya Cannon and Paula Meehan—as well as other genres such as film, drama, and fiction.
The Nation
Author:
Publisher:
ISBN:
Category : Current events
Languages : en
Pages : 500
Book Description
Publisher:
ISBN:
Category : Current events
Languages : en
Pages : 500
Book Description