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Author: Thaddeus Wakefield
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Drama
Languages : en
Pages : 138
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Book Description
The central subject of American drama is, arguably, the American family. From Royall Tyler's colonial comedy The Contrast (1787) to August Wilson's King Hedley II (2000), relationships between husbands, wives, and their children have been used consistently by American playwrights to explore and illuminate the American experience. This study of the family in twentieth-century American drama explores how filial relationships are affected by the capitalistic culture of consumption that permeates twentieth-century American society. By analyzing relationships within both traditional and nontraditional families, this book examines how family members in American plays perceive themselves and others as «things» in American twentieth-century capitalistic society.
Author: Thaddeus Wakefield
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Drama
Languages : en
Pages : 138
Get Book Here
Book Description
The central subject of American drama is, arguably, the American family. From Royall Tyler's colonial comedy The Contrast (1787) to August Wilson's King Hedley II (2000), relationships between husbands, wives, and their children have been used consistently by American playwrights to explore and illuminate the American experience. This study of the family in twentieth-century American drama explores how filial relationships are affected by the capitalistic culture of consumption that permeates twentieth-century American society. By analyzing relationships within both traditional and nontraditional families, this book examines how family members in American plays perceive themselves and others as «things» in American twentieth-century capitalistic society.
Author: David Krasner
Publisher: John Wiley & Sons
ISBN: 1405137347
Category : Literary Criticism
Languages : en
Pages : 600
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Book Description
This Companion provides an original and authoritative surveyof twentieth-century American drama studies, written by some of thebest scholars and critics in the field. Balances consideration of canonical material with discussion ofworks by previously marginalized playwrights Includes studies of leading dramatists, such as TennesseeWilliams, Arthur Miller, Eugene O'Neill and Gertrude Stein Allows readers to make new links between particular plays andplaywrights Examines the movements that framed the century, such as theHarlem Renaissance, lesbian and gay drama, and the soloperformances of the 1980s and 1990s Situates American drama within larger discussions aboutAmerican ideas and culture
Author: L. Bailey McDaniel
Publisher: Palgrave Macmillan
ISBN: 9781349452828
Category : Social Science
Languages : en
Pages : 227
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Book Description
Looking at a century of American theatre, McDaniel investigates how race-based notions of maternal performance become sites of resistance to cultural and political hierarchies. This book considers how the construction of mothering as universally women's work obscures additional, equally constructed subdivisions based in race and class.
Author: C. W. E. Bigsby
Publisher: Cambridge University Press
ISBN: 9780521277174
Category : Drama
Languages : en
Pages : 368
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Book Description
Dr Bigsby analyses the early unpublished plays and the major works of Tennessee Williams, Arthur Miller and Edward Albee.
Author: Jeffrey H. Richards
Publisher: Oxford University Press
ISBN: 0199731497
Category : Drama
Languages : en
Pages : 593
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Book Description
This volume explores the history of American drama from the eighteenth to the twentieth century. It describes origins of early republican drama and its evolution during the pre-war and post-war periods. It traces the emergence of different types of American drama including protest plays, reform drama, political drama, experimental drama, urban plays, feminist drama and realist plays. This volume also analyzes the works of some of the most notable American playwrights including Eugene O'Neill, Tennessee Williams, and Arthur Miller and those written by women dramatists.
Author: C. W. E. Bigsby
Publisher: Cambridge University Press
ISBN: 9780521278966
Category : Drama
Languages : en
Pages : 500
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Book Description
The final volume of Christopher Bigsby's critical account of American drama in the twentieth century.
Author: C. W. E. Bigsby
Publisher: Cambridge University Press
ISBN: 9780521271165
Category : Drama
Languages : en
Pages : 364
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Book Description
Eugene O'Neill - Clifford Odets - Left-wing theatre - Black drama - Thornton Wilder - Lillian Hellman - Luigi Pirandello - Arthur Miller.
Author: M. Malburne-Wade
Publisher: Springer
ISBN: 1137441615
Category : Performing Arts
Languages : en
Pages : 271
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Book Description
American dramas consciously rewrite the past as a means of determined criticism and intentional resistance. While modern criticism often sees the act of revision as derivative, Malburne-Wade uses Victor Turner's concept of the social drama and the concept of the liminal to argue for a more complicated view of revision.
Author: L. Bailey McDaniel
Publisher: Springer
ISBN: 1137299576
Category : Social Science
Languages : en
Pages : 394
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Book Description
Looking at a century of American theatre, McDaniel investigates how race-based notions of maternal performance become sites of resistance to cultural and political hierarchies. This book considers how the construction of mothering as universally women's work obscures additional, equally constructed subdivisions based in race and class.
Author: Gerald M. Berkowitz
Publisher: Routledge
ISBN: 1317901738
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
In this book Professor Berkowitz studies the diversity of American drama from the stylistic, experimental plays of O'Neill, through verse, tragedy and community theatre, to the theatre of the 1990s. The discussions range through dramatists, plays, genres and themes, with full supporting appendix material. It also examines major dramatists such as Eugene O'Neill, Arthur Miller, Sam Shephard, Tennessee Williams and August Wilson and covers not only the Broadway scene but also off Broadway movements and fringe theatres and such subjects as women's and African-American drama.
