The British Library General Catalogue of Printed Books to 1975 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The British Library General Catalogue of Printed Books to 1975 PDF full book. Access full book title The British Library General Catalogue of Printed Books to 1975 by British Library. Download full books in PDF and EPUB format.
Author: British Library
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 512
Get Book Here
Book Description
Author: British Library
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 512
Get Book Here
Book Description
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 572
Get Book Here
Book Description
Author: British museum. Dept. of printed books
Publisher:
ISBN:
Category :
Languages : en
Pages : 576
Get Book Here
Book Description
Author: John T Sebastian
Publisher: Medieval Institute Publications
ISBN: 1580444571
Category : Literary Criticism
Languages : en
Pages : 140
Get Book Here
Book Description
The Croxton Play of the Sacrament, which survives in a single sixteenth-century copy, dramatizes the physical abuse by five Muhammad-worshipping Syrian Jews of a Host, the bread consecrated by a priest during the Christian Mass. The text is the work of a playwright possessed of a tremendous theatrical imagination, notwithstanding his choice of subject matter.
Author: John Donne
Publisher:
ISBN:
Category : Sermons, English
Languages : en
Pages : 416
Get Book Here
Book Description
Author: Anne Hudson
Publisher: OUP Oxford
ISBN: 9780198227625
Category : History
Languages : en
Pages : 0
Get Book Here
Book Description
This is the most complete account yet of Lollardy, the medieval English heretical movement derived from the ideas of John Wyclif that anticipated many of the ideas and demands of sixteenth- and seventeenth-century reformers and Puritans. Considering new evidence--such as texts composed or assembled by adherents of Lollardy, episcopal records, chronicles, and tracts written against Wyclif and his followers--Hudson offers an exceptionally coherent picture of the movement, sheds new light on the reasoning that lay behind the radical opinions of Wyclif's disciples, and demonstrates that the concern shown by ecclesiastical authorities may have been justified.
Author: John Parker
Publisher: Cornell University Press
ISBN: 0801463548
Category : Literary Criticism
Languages : en
Pages : 274
Get Book Here
Book Description
In Dr. Faustus, Christopher Marlowe wrote a profoundly religious drama despite the theater's newfound secularism and his own reputation for anti-Christian irreverence. The Aesthetics of Antichrist explores this apparent paradox by suggesting that, long before Marlowe, Christian drama and ritual performance had reveled in staging the collapse of Christianity into its historical opponents—paganism, Judaism, worldliness, heresy. By embracing this tradition, Marlowe's work would at once demonstrate the theatricality inhering in Christian worship and, unexpectedly, resacralize the commercial theater. The Antichrist myth in particular tells of an impostor turned prophet: performing Christ's life, he reduces the godhead to a special effect yet in so doing foretells the real second coming. Medieval audiences, as well as Marlowe's, could evidently enjoy the constant confusion between true Christianity and its empty look-alikes for that very reason: mimetic degradation anticipated some final, as yet deferred revelation. Mere theater was a necessary prelude to redemption. The versions of the myth we find in Marlowe and earlier drama actually approximate, John Parker argues, a premodern theory of the redemptive effect of dramatic representation itself. Crossing the divide between medieval and Renaissance theater while drawing heavily on New Testament scholarship, Patristics, and research into the apocrypha, The Aesthetics of Antichrist proposes a wholesale rereading of pre-Shakespearean drama.
Author: Kristen Poole
Publisher: Cambridge University Press
ISBN: 9780521025447
Category : Biography & Autobiography
Languages : en
Pages : 292
Get Book Here
Book Description
The figure of the puritan has long been conceived as dour and repressive in character, an image which has been central to ways of reading sixteenth- and seventeenth-century history and literature. Kristen Poole's original study challenges this perception arguing that, contrary to current critical understanding, radical reformers were most often portrayed in literature of the period as deviant, licentious and transgressive. Through extensive analysis of early modern pamphlets, sermons, poetry and plays, the fictional puritan emerges as a grotesque and carnivalesque figure; puritans are extensively depicted as gluttonous, sexually promiscuous, monstrously procreating, and even as worshipping naked. By recovering this lost alternative satirical image, Poole sheds new light on the role played by anti-puritan rhetoric. Her book contends that such representations served an important social role, providing an imaginative framework for discussing familial, communal and political transformations that resulted from the Reformation.
Author: James Shapiro
Publisher: Columbia University Press
ISBN: 0231541872
Category : Literary Criticism
Languages : en
Pages : 351
Get Book Here
Book Description
First published in 1996, James Shapiro's pathbreaking analysis of the portrayal of Jews in Elizabethan England challenged readers to recognize the significance of Jewish questions in Shakespeare's day. From accounts of Christians masquerading as Jews to fantasies of settling foreign Jews in Ireland, Shapiro's work delves deeply into the cultural insecurities of Elizabethans while illuminating Shakespeare's portrayal of Shylock in The Merchant of Venice. In a new preface, Shapiro reflects upon what he has learned about intolerance since the first publication of Shakespeare and the Jews.
Author: Janette Dillon
Publisher: Cambridge University Press
ISBN: 0521593344
Category : Drama
Languages : en
Pages : 292
Get Book Here
Book Description
This is the first major study of the use of other languages in medieval and Renaissance English drama. For the period 1400 to 1600 Janette Dillon examines why other languages increasingly invade English plays, and how their significance is illuminated by developments in church and state, in particular the advancing Reformation and expanding English nationalism. In marked contrast to other related studies, Dillon focuses on drama as performance and employs a wide range of works, from the mystery cycles to The Spanish Tragedy, and finally Shakespeare.
